Back catalogue:

Review: Emotional Rescue returns to early 1980s Manchester with the previously unreleased music of Michael James Pollard and his beautiful distillation of indie pop in Too Confusing and bedsit cover version of Ashford and Simpson's Surrender.

While studying photography at Manchester Polytechnic, (MJ) Pollard lived and played in a band in a ramshackle house in Walley Range. In the cellar studio he would write and record his own songs using their guitars, fretless bass and keys, as well as his own Casio VL-Tone VL-1 and Simmons Clap Trap to augment his drums onto a 4 track TEAC.

By 1983, and now solo, he was recording out of Dislocation Dance's studio (ERC111), had secured a Peel Session and via Factory Records' Lindsay Reade, was discussing with Fundacao Atlantica about releasing an album.

Working with singer Sioux Goddard as a duo, they put down 8 songs in 2 weeks in summer '84. However, Fundacao Atlantica's financial difficulties and soon closure meant the songs were lost until now.

Recovered off the original tapes and lovingly restored, Too Confusing captures the optimism of the sessions, a summer love melody of forlorn youth. Surrender accompanies, recorded back in that cellar in '81, with friend Stephanie Danziger on vocals, its lo-fi simplicity is a perfect take on an all-time classic, making this a newly prized gem of British indie pop history.

Review: Dream pop loving indie rockers The Pains of Being Pure at Heart announced their reformation last year, having previously called it a day at the end of 2019. While we wait for new music, former label Slumberland Records - the imprint that first pushed the New York combo into the international spotlight - has offered up this slender retrospective focusing on the band's formative years at the tail end of the noughties. Atmospheric, with a uniformly 'big' (if lo-fi) sound (they loved reverb back then), the collected cuts sound like they were recorded at the turn of the nineties rather than at the end of the noughties. Highlights are plentiful though, with our picks including jangly anthem 'Side Ponytail', the brilliantly titled 'Kurt Cobain's Cargidan' and the effortlessly upbeat and life-affirming swell of 'Higher Than The Stars'.