New releases last eight weeks: Techno

Review: Tom Carruthers returns with a fresh drop on Syncrophone Records, comprising the fresh analogue jams 'From Within', 'Zone', 'No Frequency' and 'Malfunction'. All hitting hard with an old-school, sequencer-happy flavour, one which requires no second-guessing, our faves here have to be the basal FM roller 'Zone' and the brash, trashyard B-fronter 'No Frequency', both of which make deft use of the same bassline, yet each to drastically different effec.

Review: On Synchrophone Records comes Conforce for with second edition in the Commuting series, bringing stygian control room techno to already chapped ears. Sometimes, to feel good on the floor, warmth isn't what you need; and these further four fan-greasers are perfect complements for said latter kind of mood, the cold and unattached unjamming of inner vibes. With coolly bureaucratic track titles like 'Recuperation' , 'Self Assessment' and 'Stable Velocity', Conforce's series has succeeded in portraying the secret joys of humanity's greyer modern face; the tracks here of course continue to fit us in sleek uniform, now deploying such neo-futuristic cyphered titles as 'SCC-ML' and 'RTM-Zuid', the meanings of whose acronyms you'll just have to deduce from the zapping, emissive sound design yourself.

Review: Synchrophone proudly present the latest Gerard Hanson aka. Convextion release; a head-turner moment, since the last proper EP by the 2845 artist was over seven years ago, with Vectorvision for the EP 'Zy Clone'. Since then, Convextion has been hard at work, eschewing all concavities for a purely thermal, fluid sonic exercise. 'Torc' and 'Andas' are unsettling, looming techno visions, confecting a hypothetical world in which the hard sciences have taken total precedent over the human, resulting in a rapid dissipation of heat. The only energy that remains is that which is fed through the machine, as further evidenced on the sinister murk-movements on ERP's version, its two-tone Reese stab suggesting utter indefatigability when begged for mercy.

Review: Pumping new Syncrophone remixes from producer Rolando, who helps the label celebrate its 60th outing with a fresh crock of remixes of star releases from its back catalogue. Including versions of Derrick Thompson, Zadig and Malvito, this collection brings a powerful Detroit-inspired sound to a cutting-edge modern feel, not getting too bogged down in tradition and yet keeping quite true to the raw and unvarnished finish incipient of the early motorised sound. Best here has to be the B2, which heads in a broken direction, splitting rhythmic hairs with auto-somatic woodblock strikes and deep pads.