Review: After relocating from Colombia to Spain in the early 1970s, sibling duo Elkin & Nelson recorded a string of albums that became hits across the Latin world. 'Angeles Y Demines', a 1974 double-album that has here been given the remastered reissue treatment, is arguably the strongest of the lot. It's certainly the one that Balearic heads return yo regularly, featuring as it does the scene classic 'Jibaro (Enrolle)' alongside many more slices of Latin/Flamenco/Funk/Jazz-Funk fusion. Their sound was unique but undeniably weighty and dancefloor-ready, with the album's many highlights including 'Abran Passo-Ahoa (Enrolle)', 'Anacaona', and their dense, sunrise-ready cover of 'Ain't No Sunshine'.
Review: Cass Elliot, released in 1972, marked a significant moment in the career of the iconic vocalist, formerly of The Mamas & The Papas. Shedding her Mama Cass alias, Elliot embraced her real name for the first time on this album, which exudes the nostalgic glamour of 1930s Hollywood. Featuring songs by talented songwriters like Judee Sill, Bobby Darin and Bruce Johnston of the Beach Boys, the album showcases Elliot's unparalleled vocal strength. Each track shows her ability to captivate listeners with her emotive delivery and soulful interpretation. This limited edition reissue on silver-colored vinyl, housed in a gatefold sleeve, is a fitting tribute to Elliot's enduring legacy. With only 1000 individually numbered copies available, it's a must-have for fans and collectors alike, allowing them to experience Elliot's timeless talent in a new light.
Review: As well as his prog rock god status as part of ELP, English musician Keith Emerson is well known for his soundtracks for the likes of Dario Argento's 1980 movie Inferno. This Murderock album was written in part as a tribute to the master of Italian horror Lucio Fulci and was first released in 1985, described at the time as being like Flashdance meets Psycho. It's a mix of dance tunes for the day and some dramatic scores and was first reissued in 1993. This version adds four never before released tunes which were used in the backing to the most macabre scenes of the movie.
Review: Empire Of The Sun is set to mark a new chapter with their fourth album, Ask That God. This album signifies a significant evolution, embracing an infectious new sound while maintaining their roots. Following the recent single 'Changes,' the band has released 'Music On The Radio,' a breezy indietronica track that encapsulates their signature blissful electronica. Luke Steele's shimmering vocals blend seamlessly with a throbbing, elastic beat, creating catchy effect. Steele describes the song as a teenage rebellion against imaginary emotions, driven by Nick Littlemore's unique lyrical touch. The hypnotic groove of the bass is irresistible, showing the duo's talent for melodies and hooks. Ask That God represents a profound shift for the band, reflecting their journey and growth. This album promises to be a transcendent experience for fans, reaffirming Empire Of The Sun's innovative spirit.
Review: Everything But The Girl have transposed themselves from fragile indie pioneers to cross-fertilising their unique songwriting with drum & bass and house in the 90s, with the likes of 'Walking Wounded' becoming unexpected dancefloor anthems. True experimenters, the duo of Tracey Thorn and Ben Watt now continue to tap into today's zeitgeist - making their comeback in 2023, and arriving without prior announcement, this time they turned their tender production choices to styles such as future house and UK garage. Echoes of Bicep and Overmono teem on this record, as heartfelt retellings of personal strife and brushes with death make up its lyrical subjects.
Review: The word is out, EBTG are back. The long-serving combination of Tracey Thorn and Ben Watt have moved through many phases, from their exquisite indie pop era of the 80s to the chart-topping club dalliances and premier league remixes of the 90s. Now they return with a fresh sound on this, their eleventh album, which feels wholly contemporary as well as carrying on their instinct for heart-rending songwriting, all led by Thorn's unmistakable croon. Lead single 'Nothing Left To Lose' sets the tone with a strident, bass-heavy beat that certainly doesn't try to recreate past glories, and it's still a powerful song first and foremost. This revamped approach yields an abundance of magic moments across the whole of Fuse, a stellar return from long time treasures of British independent music.
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