Review: Newly ordained keyboardist Volodja Brodsky, from Estonia, has described his music as an exploration of the transformative power of minimalism, the art form and compositional approach in which he is trained. Brodsky's second LP lacks the contextual elucidations that accompanied the first record that 2024, but we sense that this may be because the career ball is already rolling, and no further explanations may be needed for now. Raindrops is a precipitous record, as Brodsky wrenches piano and vibraphone motifs from romantic scale meanderings we didn't know possible; widescreen voicings and compound intervals help earmark these standout moments. Elsewhere, the mood is downcast, as on 'Fogbound Streets Of Maardu' or 'Raindrops'; the left hand basso is almost always moody in feel, while the right hand always produces tearful and romantic sound.
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