Review: London underground night train riders Deadbeat Records prioritise techno-breaks handmade for late night and early morning dancefloors, times when both the best and worst comes emerges from each of us. Their inaugural Deadbeat Breaks compilation hears six out of ten full digital curations brought to a shadowy, space-invaded black vinyl truncation, with modern talking synth vomits from Olly Rant, booty bass hups from Hunter Starkings, hackney parroting hurtles from Rnbws, and a closing breakstep broil from Hooverian Blur.
Review: Break The House, the turbo-charged offshoot of Rave 2 The Grave, reworks two stone-cold anthems into modern rave weapons. Cell Out's take on 'Where Love Lives' strips things down to bare percussion and weighty low-end before the original's euphoric vocal and piano hook come surging back in full force. Meanwhile, teaming up with Sleeper Cell, they flip 'Good Life' into a break-laced juggernaut, distorting the bass and stretching the groove into something rougher and sweatier while keeping the heart of the classic intact. A high-energy, no-nonsense update built for the peak-time rush.
Review: Rave R's 'Good Feelin'' delivers two tracks that tap straight into the core of UK rave and breakbeat. The title track, 'Good Feelin''. drives with piano-led, peak-time energy, blending techno with that unmistakable rave spirit. It's a hands-in-the-air anthem built to lift the crowd. On Side-2, 'Heart Break' ups the tempo with a high-energy house-breakbeat fusion. A classic rave breakdown and emotive piano lines give it a timeless feel, ensuring it hits the sweet spot for dancefloors. 'Good Feelin'' is a great choice for anyone craving that classic rave rush with modern punch.
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