GROUPER Schallplatten & CDs

Review: Liz Harris' image as a gothic, studio-dwelling, ambient mastermind is cemented by her 12th album, 'Shade'. Compiling a loose and formerly unrelated collection of songs made over the last 12 years - from the short, ruined polaroid-style opener 'Followed The Ocean', to the naked strum-singing of 'Unclean Mind' and the droning submergence of 'Basement Mix', this one is arguably one of her most lo-fi projects. It easily captures Grouper's emergence on the international folk-ambient scene through the analog fog of rare CD-Rs and handmade cassettes, making her career trajectory a ghost story if we've ever heard one. Gear up for a print edition, with original sky photographs by Harris' friend David Horvitz, as well as a signed archival letter-press print of Moon Study, her exclusive new book.

Review: Since debuting as Grouper back in 2005, Liz Harris has delivered a swathe of experimentalist albums that explore almost every aspect of ambient and drone music. Here she launches a new project, Nivhek, via an expansive double-album of sparse, atmospheric compositions that tend towards the epic. Really, it's two albums in one. The first slab of wax is entitled "After Its Own Death" and boasts a two-part, non-stop suite of tracks built around echoing choral vocals, dark electronics and blissful bells. It's alternately melancholic, blissful and grippingly intense. In contrast, "Walking In A Spiral Towards The House", the piece stretched across both sides of the second record, is breathtakingly beautiful - a meandering, soft focus trip through chiming, reverb-laden motifs and gentle music box melodies.