Rainbow Team - "Bite The Apple" (Da Lukas remix extended) (6:56)
Michael Baker - "Don't You Want My Lovin'" (Massimo Berardi Re Work) (5:28)
Say When! - "Save Me" (Souls Groove Revibe mix) (4:31)
Ma Gi C - "Shampoo" (Black Truffle instrumental edit) (7:14)
Review: Reborn Italo-disco label Fulltime Production's ongoing remix series, in which contemporary producers tackle gems from the vaults, reaches its tenth instalment. Da Lukas steps up first, re-imagining Rainbow Team's lightly funk-fuelled, string-laden 1982 disco jam 'Bite The Apple' as an action-packed disco-house anthem, before long-serving Italian producer Massimo Beradi turns Michael Baker's 1983 workout 'Don't You Want My Loving' into a hybrid boogie-soul/deep house treat. Over on side B, Souls Groove successfully 're-vibe' Say When's 'Save Me', an early house era European synth-pop anthem (and yes, you'll know it), while GAMM regular Black Truffle's take on Ma Gi C's 'Shampoo' is a gritty disco-funk delight.
Review: Rayonas is both an artist and a record label founded in 2021 that has dealt in some smart underground house sounds. This new one from the imprint begins a sub-series called Speedy House that is about, well, speedy. 'Things As They Are' pairs pensive ambient piano and a recognisable melodic motif with thumping and driving drums. It works well, frankly. 'Liquid' is another chunky, pacey house thumper with 'Labas Rytas ' then veering more into uptempo, funky techno that never quits. 'Laser Tag' has a loopy, underlapping bassline and gloppy pads and 'Dreaming' shuts down with a richer array of non-melodic colours for peak time trips.
Review: Since donning the Rhythm of Paradise alias in 2010, in the process helping fellow Bari resident Cosmic Garden to launch the Cosmic Rhythm imprint, Michele Lamacchia has delivered a warm, deep and colourful take on house music indebted to Italian greats of the past. That saucer-eyed, sunrise-ready tactility is naturally evident on 'Afterlife', the chunky but deliciously dreamy opening track from Lamacchia's new EP for Housewax, and the huggable, analogue bass-propelled headiness of the more intergalactic-sounding (but no less kaleidoscopic) 'Aural Spiral'. The storied producer recalls the piano-rich, White Isle-friendly end of the Italo-house spectrum on the gorgeous 'Drive Me', while the 'Spritual Emphaasi Restless' mix of 'Afterlife' is ultra-deep, woozy, jazz-flecked and Ron Trent-esque.
Vicino O' Mare (The Shapeshifters Piano Bump extended remix) (6:00)
Vicino O' Mare (Louie Vega extended remix) (6:14)
Vicino O' Mare (Louie Vega dub remix vinyl edit) (6:16)
Review: Summer may still be some way off, but it's a fair bet that Riva Starr's latest single on his own Snatch Raw imprint will feature prominent in festival sets and at open-air dances. In its EP-opening 'extended vinyl mix' form, 'Vicino O Mare' is a chunky, disco-fied house jam rich in rubbery bass guitar, warming Rhodes riffs, reverb-laden male vocal samples, swirling synths and just the right amount of disco-house style filter trickery. Fittingly, disco-house veterans Shapeshifters deliver the first remix, cannily adding hands-aloft piano stabs to the Californian producer's infectious disco-house groove. Louie Vega takes over on the flip, first delivering a joyous, samba-soaked Latin house 'extended mix' before stripping his rework back to the heavy tribal drums on the excellent 'dub remix vinyl edit'.
Review: 'Thermae' feels like a track that's more about the spaces between the notes than the notes themselves. Featuring Andy Baxter on guitar, bass, and drums, along with Jim Piela on saxophone and Francesca Uberti on piano, it's a laid-back, almost meditative piece that brings to mind the warm, smooth vibes of Khruangbin and Glass Beams. The track is sparse, but not in a way that feels emptyithere's a certain tension in the way it unfolds, with each instrument carving out its own space. The saxophone, in particular, stands out with an FX-laden part that evokes the mood of Robohand's 'Palms' LP from 2023, adding a touch of depth and atmosphere that lingers in the background. There's a nice balance between the organic and the electronic here, which shows in how the track was recorded between London and New York. It's all mixed and mastered with care by Sean Woodlock and John Webber, ensuring that each element, no matter how subtle, shines through in its own time. It's a reflective piece that doesn't demand attention, but invites it when you're ready.
Review: Deep house fans can rarely go wrong with the work of Praising mainstay Frank Rodger. He's on a good run of late and now he keeps the going with a return to Seasons Limited that again taps into his signature and timeless sound. A side 'Deep Squares' is one of those long and winding sounds that slowly but surely seduces you and sinks you into its deep, evocative groves. 'Sandton Skys' then brings heavy kicks and subtle pad work while rickety percussion brings off-balance goodness. The highlight might well come last with 'Come Together', which is playful and louche, smartly sampled and underpinned by a dusty deep house vibe.
Max Sinal Vs KingCrowney - "Intentions" (feat Liv East) (3:24)
Slxm Sol - "NYBB" (5:40)
Hitch 93 - "Uno, Dos, Tres, Four" (8:00)
Rob Redford - "Garden Party" (6:19)
Soul Groove - "Blues Kitchen" (6:29)
Flying Moth - "Edith" (2:55)
Review: Since its inception in 2023, Soul Quest Records has released some superbly deep and soulful records. To prove the point, the Hackney-based label has decided to serve up a compilation style EP featuring fresh cuts from current artists and new signings. Max Sinal joins forces with King Crowney and vocalist Liv East on the ultra-deep, super soulful warm-up sounds of 'Intentions', before Slxm Sol cannily combines loose-limbed drums, warming bass, sensitive chords, tactile Rhodes keys and soulful vocal snippets on 'NYBB'. Hitch 93 doffs a cap to Chez Damier on the excellent 'Uno Dos Tres Four', Rob Reckford delivers some bright MPC-house action ('Garden Party'), and Soul Grooves goes deep, gently dubby and spacey ('Blues Kitchen'). The gentle broken house sunniness of 'Edith' by Flying Moth completes a fine EP.
Review: Retrouve retrieve eight new future house retroversions for their resident PIV label, bringing brilliant syntheses of 80s inspo, speed garage, and hard dance groove-dynamism. So far having rocked dancefloors from Amsterdam's Thuishaven to Miami's Space, an electrifying past two years have fed the febrile fan anticipations going into this one. The sound is distinctive, with no pulse missing the mark, though the experimental ante is upped as the record progresses, as on the dark jacker with Midas Field, 'Gravel', whose textural palette hears the duo cross into an uncharted otic darkness.
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