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Review: Causa Sui's In Flux is the dynamic follow-up to last year's From The Source, reflecting a more spontaneous, experimental face of the band. Where in its predecessor we heard a hermetic 45-minute LP, In Flux embraces a looser, freer structure, charting fuz-off riffs through to a Hot Rats-style jazz fusion, in the end finding notes of oceanic post-rock building on influences from Talk Talk to Can. On 'Spree', the band eschew guitars entirely, going full Death in a wild doomsynth embrace. The 16-minute 'Astral Shores', meanwhile, stands as the album's centrepiece, mesmerising us listeners through heavy folk psych shearwaters. Causa Sui continue to operate in the manner of unmoved movers, unstoppable as they come.

Review: Hidden in the liner notes of Causa Sui's new live album lies an invitation to join the Danish purveyors of expansive psychedelic jams for a midnight feast at Copenhagen's legendary Loppen venue. Recorded in the heart of freetown Christiania, a place where the boundaries between reality and fantasy blur like the edges of a particularly good dream, the band's performance is a testament to their two decades of sonic exploration. The setlist is a treasure trove for long-time fans, a heady mix of fan favourites and deep cuts, including the sprawling seven-part suite 'Visions of a New Horizon' - a track that unfolds like a sonic tapestry, weaving together psychedelic riffs, soaring melodies, and hypnotic rhythms. But the real highlight is a previously unreleased live rendition of 'Red Sun in June', where the band stretches out and explores their improvisational prowess, venturing into Grateful Dead-esque jams that could fill a stadium. Elsewhere, they channel the spirit of Miles Davis' electric period on 'The Spot', all jazzy interplay and free-flowing improvisation, before unleashing their inner Black Sabbath on the monstrous riffola of 'Soledad' and 'Boozehound'. This is Causa Sui at their most free-flowing and spontaneous, a band that's clearly as comfortable in the live setting as they are in the studio. It's a reminder that sometimes, the best music is the kind that's created in the moment.