Back catalogue: All genres

Notes: Killer value from DJ brand Reloop. Classic SL1200-inspired design with solid build quality, accurate sound reproduction plus modern features like a 50% pitch option and reverse button.

Supplier's notes:
With the RP-7000 MK2, Reloop has built a turntable that caters to the high demands of professional DJs and modern nightclubs. With its powerful direct drive motor and rugged construction we were able to develop a sturdy and indestructible turntable that can take on harsh everyday life with ease.

Sturdy Casing Construction:

By using a combination of metal, rubber and synthetic materials, the RP-7000 MK2's housing is more reinforced and heavy than ever before. This results in a turntable that is extremely resistant to vibrations that can be caused by heavy bass sounds in DJ booths and its shock-absorbing feet help to further improve isolation. The surface is coated with a scratch-resistant high-quality deep black or classic silver metallic finish.

Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:

The RP-7000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).

Dual Start/Stop Buttons, Precise Motor Control and Reverse Function:

As well as the above technical innovations, the RP-7000 MK2 is equipped with a few functions that will make any DJ's life much easier. The newly developed aluminium LED target light is freely moveable to help you find the stylus position in dark surroundings. The target light is also removable and easily exchanged. An additional start/stop button has also been integrated to facilitate a vertical setup (battle position) and by using the buttons on the RP-7000 MK2's top panel, you can switch between the three motor speeds (33 1/3, 45 & 78 rpm). Dedicated buttons for forward and reverse mode allow for further creativity in your mix.

High-Resolution Pitch Section with Digital Fader:

Using the high-resolution pitch fader you can adjust the platter speed in the classic turntable pitch range +/-8%. However, the RP-7000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch. This allows for increased creativity when modulating the playing record's tone. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).

High-Quality Connections and Integrated Phono Pre-Amp:

Thanks to the recessed rear connection panel, the RP-7000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. The switchable integrated phono pre-amp makes it is possible to use the gold-plated RCA connectors for both phono and line output signals. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.

Powerful Motor with Extensive Adjustment Possibilities:

The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes it an extremely smooth running turntable with wow and flutter of just 0.01% WRMS*. Furthermore, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration reducing rubber to eliminate unwanted vibrations and resonance.

Notes: One of our favourite DJ turntables, courtesy of German DJ brand Reloop. Classic Technics-inspired design updated with nice features like reverse mode, 78rpm setting and second start/stop button.

Supplier notes:
With the RP-7000 MK2, Reloop has built a turntable that caters to the high demands of professional DJs and modern nightclubs. With its powerful direct drive motor and rugged construction we were able to develop a sturdy and indestructible turntable that can take on harsh everyday life with ease.

Sturdy Casing Construction:

By using a combination of metal, rubber and synthetic materials, the RP-7000 MK2's housing is more reinforced and heavy than ever before. This results in a turntable that is extremely resistant to vibrations that can be caused by heavy bass sounds in DJ booths and its shock-absorbing feet help to further improve isolation. The surface is coated with a scratch-resistant high-quality deep black or classic silver metallic finish.

Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:

The RP-7000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).

Dual Start/Stop Buttons, Precise Motor Control and Reverse Function:

As well as the above technical innovations, the RP-7000 MK2 is equipped with a few functions that will make any DJ's life much easier. The newly developed aluminium LED target light is freely moveable to help you find the stylus position in dark surroundings. The target light is also removable and easily exchanged. An additional start/stop button has also been integrated to facilitate a vertical setup (battle position) and by using the buttons on the RP-7000 MK2's top panel, you can switch between the three motor speeds (33 1/3, 45 & 78 rpm). Dedicated buttons for forward and reverse mode allow for further creativity in your mix.

High-Resolution Pitch Section with Digital Fader:

Using the high-resolution pitch fader you can adjust the platter speed in the classic turntable pitch range +/-8%. However, the RP-7000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch. This allows for increased creativity when modulating the playing record's tone. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).

High-Quality Connections and Integrated Phono Pre-Amp:

Thanks to the recessed rear connection panel, the RP-7000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. The switchable integrated phono pre-amp makes it is possible to use the gold-plated RCA connectors for both phono and line output signals. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.

Powerful Motor with Extensive Adjustment Possibilities:

The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes it an extremely smooth running turntable with wow and flutter of just 0.01% WRMS*. Furthermore, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration reducing rubber to eliminate unwanted vibrations and resonance.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


One of our favourite DJ turntables, courtesy of German DJ brand Reloop. Classic Technics-inspired design updated with nice features like reverse mode, 78rpm setting and second start/stop button.

Supplier notes:
With the RP-7000 MK2, Reloop has built a turntable that caters to the high demands of professional DJs and modern nightclubs. With its powerful direct drive motor and rugged construction we were able to develop a sturdy and indestructible turntable that can take on harsh everyday life with ease.

Sturdy Casing Construction:

By using a combination of metal, rubber and synthetic materials, the RP-7000 MK2's housing is more reinforced and heavy than ever before. This results in a turntable that is extremely resistant to vibrations that can be caused by heavy bass sounds in DJ booths and its shock-absorbing feet help to further improve isolation. The surface is coated with a scratch-resistant high-quality deep black or classic silver metallic finish.

Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:

The RP-7000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).

Dual Start/Stop Buttons, Precise Motor Control and Reverse Function:

As well as the above technical innovations, the RP-7000 MK2 is equipped with a few functions that will make any DJ's life much easier. The newly developed aluminium LED target light is freely moveable to help you find the stylus position in dark surroundings. The target light is also removable and easily exchanged. An additional start/stop button has also been integrated to facilitate a vertical setup (battle position) and by using the buttons on the RP-7000 MK2's top panel, you can switch between the three motor speeds (33 1/3, 45 & 78 rpm). Dedicated buttons for forward and reverse mode allow for further creativity in your mix.

High-Resolution Pitch Section with Digital Fader:

Using the high-resolution pitch fader you can adjust the platter speed in the classic turntable pitch range +/-8%. However, the RP-7000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch. This allows for increased creativity when modulating the playing record's tone. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).

High-Quality Connections and Integrated Phono Pre-Amp:

Thanks to the recessed rear connection panel, the RP-7000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. The switchable integrated phono pre-amp makes it is possible to use the gold-plated RCA connectors for both phono and line output signals. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.

Powerful Motor with Extensive Adjustment Possibilities:

The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes it an extremely smooth running turntable with wow and flutter of just 0.01% WRMS*. Furthermore, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration reducing rubber to eliminate unwanted vibrations and resonance.

Notes: Numark Scratch is a 24-bit two-channel mixer that redefines what you can do with an affordable 2-channel scratch mixer. With Scratch, you'll be able to create and perform at a higher level than you ever thought was possible - especially with a mixer in the affordable price category. Scratch combines professional-level performance and outright DJing fun in a way nothing else ever has. You've got to experience it to really see what it's all about!

Scratch is really something special - It brings a new look and design to the mixer category. It boasts an all-metal build with professional features such as a built-in Innofader crossfader, performance pads, instant loop encoder, and toggle paddles to trigger software-based effects. To top it off, it comes with Serato DJ Pro and Scratch is Serato DVS ready.

Its soft responsive performance pads give you the freedom to access cues, rolls, and sampler quickly. The pad mode makes it very convenient to set hot cue points, roll temporary loops, and trigger samples at ease.

Six dedicated software-based FX to apply to individual channel or both using the premium performance base toggle paddles. You can adjust your FX mix from Dry to Wet as you feel the mix.

Play your best with the best! With amazing sound quality thanks to its 24-bit circuitry, the sound is pristine. Your digital song collection never sounded so good, whether you're using Serato DJ Pro or other preferred software. This is also a great mixer to play vinyl records, with a full EQ and a dedicated low/high pass filter.

The butter-smooth Innofader crossfader is designed with the turntablist in mind to perform most intricate and accurate scratches. You have two switches above the crossfader; 1.) reverse the channels and the other 2.) change the slope for a hard cut or a soft curve for mixing.

Easily connect to the Numark Scratch, whether you use traditional turntables or media players. Scratch unlocks Serato DVS for Serato DJ Pro instantly.

Looping made easy. Keep the beat going by pressing the encoder down, and it will lop to the default parameters set in your software. Turn the knob to the right to extend the beat and to the left to shorten the loop.

Scratch has all the necessities with premium features for any setup. There is an XLR main output and unbalanced booth output for the best booth/dance floor experience. There are unbalanced inputs for both line and phono inputs for each channel. A microphone/auxiliary input for XLR or 1/4-inch TS controlled by the mic level knob on the mixer gives you all the versatility you could ask for.

Power supply:
Internal 100v - 240v

Dimensions
12.05" (L) x 9.61" (W) x 3.32" (H)

Notes: Four-channel version of the hugely popular TRM-202 rotary mixer. Solid sound quality with three-band isolator section and two-band EQ per channel. Killer value for money.

Supplier notes:
The 2-channel version of this mixer, the TRM-202 MK3 from Omnitronic, was particularly popular with DJs of electronic music all over the world. With the TRM-402 4-channel rotary mixer, the popular concept is extended by 2 channels: Now nothing hinders a creative 4-deck DJ set or a flying change during a gig. Of course, this version also incorporates the classic features of a rotary mixer in the form of ALPS rotary controls (Blue Velvet RK27) and a 3-band frequency isolator.

Smooth transitions:

The high-quality components of the TRM-402 ensure an appealing sound image. The large rotary knobs of the 4 channels allow the DJ to create very smooth transitions, which are so difficult to set with a conventional mixer (with faders). All channels can be switched between line & phono inputs or sources. A microphone input is also available. The kill characteristic of the isolator ensures the complete elimination of bass, midrange and treble and thus creative mixing.

Recording your own set:

The TRM-402 is equipped with a booth output and a separate volume control. So the use of the mixer in the club is no problem at all. Thanks to the record out, it is also possible to record your own DJ set.

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed Eva foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. In addition, in the UDG Ultimate Flight Case AlphaTheta DDJ-GRV6 Black Plus (Laptop Shelf), there is an extra notebook shelf included for your notebook, mouse and/or any other devices such as effect processor and interfaces. This flight case also features heavy-duty spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case AlphaTheta DDJ-GRV6 Black Plus (Laptop Shelf) not only transports your complete set up easily & securely but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Colour: Black
Weight: 16.0 kg / 35.27 lb
Outer Dimensions (W x H x D): 82.0 x 53.0 x 24.0 cm | 32.3 x 20.8 x 9.4 inch
Material: Heavy duty construction of 9 mm thick plywood

Protection:
Powder coated and anodized hardware
High density diamond embossed EVA foam protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminum profiles
Secure stacking due to stackable ball corners
Sturdy construction
Full padded interior keeps controller well-protected
Recessed butterfly twist latch lock

Extras

Convenient 80 mm space at rear for connections & PSU storage
Laminated in a black finish with a honeycomb/ hexagonal "Stage Grip" pattern
High grade aluminium UDG logo plate
UDG heavy-duty spring-loaded handles
Cable access hole with removable UDG emblem cover
Removable front access panel
Adjustable laptop shelf

Fits: 1 x AlphaTheta DDJ-GRV6 + 1 x Laptop + Accessories

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning DJ/ producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/ hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case AlphaTheta XDJ-AZ Black Plus (Wheels) also features roller wheels with high quality in-line skate bearings for convenient transport and heavy-duty spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case AlphaTheta XDJ-AZ Black Plus (Wheels) not only transports your complete set up easily & securely but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications
Colour: Black
Weight: 20.3 kg / 44.75 lb
Outer Dimensions (W x H x D): 100.0 x 58.0 x 24.0 cm | 39.3 x 22.8 x 9.4 inch
Material: Heavy duty construction of 9 mm thick plywood

Protection

Powder coated and anodized hardware
High density diamond embossed EVA foam protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminium profiles
Secure stacking due to stackable ball corners
Sturdy construction
Full padded interior keeps controller well-protected
Recessed butterfly twist latch lock

Extras

Convenient 80 mm space at rear for connections & PSU storage
Laminated in a black finish with a honeycomb/ hexagonal "Stage Grip" pattern
High grade aluminium UDG logo plate
UDG heavy-duty spring-loaded handles
Cable access hole with removable UDG emblem cover
Roller wheels with high quality in-line skate bearings for convenient transport
Removable front access panel

Fits: AlphaTheta XDJ-AZ

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one specially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. This flight case also features built-in corner wheels on one side for convenient transport and heavy-duty spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Single Turntable Battle/ PLX-CRSS12 & 10"/12" Mixer Black Plus (Laptop Shelf, Trolley & Wheels) not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight:18.0 kg / 39.68 lb
Outer Dimensions (W x H x D): 91.2 x 51.4 x 28.3 cm | 35.9 x 20.2 x 11.1 inch

Inner Dimensions (W x H x D)
Turntable compartment: 37.7 x 45.4 x 8.3 cm | 14.8 x 17.9 x 3.3 inch
Mixer compartment: 40.9 x 47.4 x 8.3 cm | 16.1 x 18.6 x 3.3 inch

Material: Heavy duty construction of 9 mm thick plywood

Protection
Extra-wide black solid aluminium profiles
Secure stacking due to stackable ball corners
Sturdy construction
Full padded interior keeps controller well-protected
High density diamond embossed EVA foam protective padding

Extras

Laminated in a black finish with a honeycomb/hexagonal "Stage Grip" pattern
Convenient 80 mm space at rear for connections & PSU storage
Removable front & rear access panel
Adjustable laptop shelf
High quality retractable trolley handle
Built-in corner wheels with high quality in-line skate bearings for convenient transport
Includes adjustable foam pads to fit various mixers

Fits

1x x PLX-CRSS12 / any turntable:
Technics SL-1200MK7, SL-1210 MK2
Reloop RP-8000MK2, RP-7000, RP-6000 RP-2000
Denon VL12 Prime
Pioneer PLX-1000
Stanton ST-150
Vestax PDX 3000
Numark TTX
Audio Technica LP120-USB/ LP1240-USB
American Audio Power Drive 2.2 etc.

or similar size turntables:

+ 1x any 10" & 12" mixer:
Reloop Elite
Denon DJ X1800 Prime
Pioneer DJM-S5, DJM-S9, DJM-909, DJM-707
Rane Seventy Two, Sixty Two, Sixty One, MP-2014, TTM57 MK2, TTM57 SL
NI Kontrol Z2
Thud Ruble TRX
Mixars Quattro, Duo
Vestax PMC 05 Pro4, PMC 07
or similar size mixers

Notes: UDG have further fined-tuned already a great design concept of a flight case into one specially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. This flight case also features built-in corner wheels on one side for convenient transport and heavy-duty spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Set Pioneer PLX-CRSS12 & 10"/12" Mixer Black Plus (Laptop Shelf + Wheels) not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight 20.5 kg / 45.19 lb
Outer Dimensions (W x H x D): 113.9 x 56.4 x 23.2 cm | 44.8 x 22.2 x 9.1 inch

Inner Dimensions (W x H x D)
Turntable compartment: 35.6 x 45.6 x 8.1 cm | 14.0 x 17.9 x 3.2 inch
Mixer compartment: 33.3 x 52.6 x 8.7 cm | 13.1 x 20.7 x 3.4 inch

Material: Heavy duty construction of 9 mm thick plywood

Protection

Extra-wide black/silver solid aluminium profiles
Secure stacking due to stackable ball corners
Sturdy construction
Full padded interior keeps controller well-protected
High density diamond embossed EVA foam protective padding

Extras

Laminated in a black finish with a honeycomb/hexagonal "Stage Grip" pattern
Removable case lid
Adjustable laptop shelf
Built-in corner wheels for convenient transport

Fits
2x Pioneer PLX-CRSS12
or similar size turntables
+ 1x any 10" & 12" mixer:
Reloop Elite

Denon DJ X1800 Prime
Pioneer DJM-S5, DJM-S9, DJM-909, DJM-707
Rane Seventy Two, Sixty Two, Sixty One, MP-2014, TTM57 MK2, TTM57 SL
NI Kontrol Z2
Thud Ruble TRX
Mixars Quattro, Duo
Vestax PMC 05 Pro4, PMC 07
or similar size mixers

*** Please note: the mixer and the laptop in the photos are not included, they are shown for demonstration purposes only. ***

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra-wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensure longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Rane Four Black Plus (Laptop Shelf + Wheels) also features heavy-duty, spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Rane Four Black Plus (Laptop Shelf + Wheels) not only transports your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications:

Colour: Black
Weight: 16,00 kg / 35.2 lbs
Outer Dimensions (W x H x D): 89.0 x 53.1 x 23.3 cm | 35.0 x 20.9 x 9.2 inch
Inner Dimensions (W x H x D): 78.4 x 39.3 x 9.0 cm | 30.8 x 15.4 x 3.5 inch
Material: Heavy duty construction of 9 mm thick plywood
Protection: Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide silver solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Cable access hole with removable UDG emblem cover
Removable front access panel
Roller wheels with high quality in-line skate bearings for convenient transport
Fits: 1x Rane Four or Performer + 1x Laptop + Accessories

Notes: The Zomo Flightcase P-Opus-Quad NSE Flight Case was produced suitable for the Pioneer DJ Opus Quad DJ controller DJ controller. The Flightcase P-Opus-Quad NSE in the noble NSE (= Night Style Edition) inspires thanks to its deep black look. This modern equipment case is extremely robust to survive the strenuous tour everyday life without any problems.

To prevent the controller from shaking, the Opus Quad Flightcase is equipped with an excellent inner padding, which protects the device from defects, scratches or external damage. To keep your valuable DJ equipment safe from the challenging DJ daily routine, the Zomo DJ Cases are of course road and flight ready. For easy transport the Zomo Flightcase is equipped with wheels.

Thanks to the high-quality processed, laminated 9mm plywood, the Flightcase P-Opus-Quad NSE Equipment Case is strongly shock and scratch resistant and therefore armed against abrasion or cigarette burns. The extra wide and black painted aluminum profiles and extra stable ball corners provide for noble and appealing optical details, which give the flight case a high durability.

Even if your equipment is still in the flightcase, the front cover can be easily and quickly removed before the performance. The ZOMO EA-1 ANGLE ADAPTER is recommended to plug in the headphones even easier to the DJ mixer.

Also in terms of design, the Pioneer DJ Equipment Flightcase can fully inspire. The noble design in the midnight black NSE edition is absolutely stylish and without question an eye-catcher. For an exceptionally tight fit of the lid and easy unlocking and locking provide the practical butterfly snap locks. Also all NSE Equipment Cases are lockable with an optional padlock for higher protection against theft.

Features Zomo Flightcase P-Opus-Quad NSE

Protects the equipment from defects, scratches or further damages
High quality for the hardest use
Extra sturdy design
Elegant design
High-quality processed interior padding
Ball corners
First class butterfly snap locks
Integrated grab handles
Wheels for easy transport
Removable lid

Technical data

Suitable equipment: 1x Pioneer DJ Opus Quad
Outer material: 9mm plywood
Colour: Black (NSE)
Weight: 20.1 kg
Outer dimensions: 979 (width) x 563 (depth) x 221 (height) mm
** The devices shown and/or mentioned on the photos are NOT included!

Suitable devices: Pioneer DJ Opus Quad
Suitable brands: Pioneer DJ
Laptop shelf included: No

Notes: The Zomo Flightcase P-SL-A9 NSE is a set case suitable for the Pioneer DJ DJM-A9 mixer and 2x Pioneer DJ PLX-1000 turntables and convinces with a lot of details. The P-SL-A9 NSE flight case adds a new equipment case to the popular NSE series. This modern flightcase is incredibly robust to survive the hard tour everyday life without problems.

Abrasion, as well as cigarette burns, cannot harm the Flightcase P-SL-A9 NSE, thanks to the solidly processed, laminated 9mm plywood. Developed for the strenuous tour use, the Zomo Equipment flight cases are definitely tour-ready and protect your more expensive DJ equipment from damage, moisture or falls.

Thanks to the extra wide and black painted profiles made of aluminum and the massive ball corners, the Zomo DJ Case offers a very high durability. To exclude slipping of the DJ mixer, the DJM-A9 Equipment Flightcase is equipped with an excellent inner padding, which reliably protects the equipment from damage and scratches.

Even while your gear is still in the case, the front panel can be easily and quickly removed at the gig. The Zomo EA-1 angle adapter is recommended as a seperate accessory to connect the headphones even easier to the mixer.

The Pioneer DJ Equipment Case in the black NSE (= Night Style Edition) offers not only professional quality, but also convinces with a classic look - definitely an eye-catcher! For an incredibly secure fit of the lid and easy unlocking and locking provide the helpful butterfly snap locks. Additionally all NSE equipment cases are lockable with an optional padlock for higher protection against theft.

Features Zomo Flightcase P-SL-A9 NSE

Provides effective protection against shocks and scratches
High quality and workmanship for hardest use
Extra solid construction
classic design
High quality inner padding for best hold
Practical ball corners
High-quality butterfly fasteners
Integrated carrying handles for easy transport
Removable lid

Technical data

Suitable equipment: 1x Pioneer DJ DJM-A9 and 2x Pioneer DJ PLX-1000
Outer material: 9mm plywood
Color: Black (NSE)
Weight: tba
Outer dimensions: 1449 (width) x 563 (depth) x 209 (height) mm
** The devices shown and/or mentioned on the photos are NOT included!

Suitable devices:
Pioneer DJ DJM-A9
Pioneer DJ PLX-1000

Suitable brands: Pioneer DJ

Laptop shelf included: No

Notes: Reloop's next-generation interface is the go-to for connecting turntables and media players to Serato, offering three stereo inputs and three stereo outputs. Studio-quality 24-bit / 96 kHz conversion and built-in USB-A hub.

Supplier's Notes:
Back to the music

The Reloop Flux is a next-generation USB-C interface for using Serato DJ Pro with turntables, CDJs or other media players. The interface boasts superior audio qualities, a well-designed operating concept and a club-ready design. It can transform any conventional mixer into a professional digital vinyl system.

Maximum flexibility

Three stereo inputs provide DJs with maximum flexibility. Turntables, CDJs and similar can be used in any combination. The settings are adjusted using discreet DIP switches, which virtually eliminates any chance of accidental switching in the club. The interface includes three stereo outputs, including an AUX out that can be routed to Serato's internal sampler. Gold-plated, corrosion-resistant RCA jacks ensure high-quality audio transmission.

Full control

The Flux provides the best possible routing overview thanks to clearly visible signal flow LEDs for all inputs and outputs and a Thru status indicator. Connection status (hub, PD, DC) LED indicators on the top of the interface provide additional control options. The Direct Thru buttons on the top of the interface enable you to quickly and easily activate and disable Thru mode, which allows connected turntables and CDJs to be used conventionally. Navigation through the Serato software is no longer necessary.

Hub inside

The Flux includes a built-in 2-port USB-A hub for connecting MIDI controllers and other USB accessories. Aside from the expanded connection options, the hub reduces potential connection faults in a busy club environment by keeping the setup connected even without the laptop.

Studio quality - anytime, anywhere

The Flux offers studio quality in the club and wherever it's needed with 24-bit/96 kHz, high-quality digital/analogue converters and ultra-low latency. For this reason, it's a superior DVS interface which could also be used as an audio interface in the studio.

Always powered

The Flux is bus-powered by a computer, so there's minimal wiring required for audio and power cables. The DVS interface can also be powered by external power sources through the USB-C DC input, allowing turntables and CDJs to be used in Thru mode even without a computer connected. The Flux's second USB-C port provides Power Delivery support for other USB-C devices (max. 60 W), such as a MacBook.

Robust & roadworthy

The interface has a durable metal housing with a scratch-resistant, black surface, ensuring a long service life even with heavy use. The extended edge design keeps the connections well-protected.

Plug & play for Serato DJ

The Reloop Flux unlocks the full version of Serato DJ Pro and Serato DVS. This means DJs can get up and running with the market-leading digital vinyl system in no time. Additional licences are not necessary.

Features:

3-channel (6x6 in/out) USB-C DVS interface for Serato DJ Pro
Turn any mixer into a professional digital vinyl system
Unlocks full version of Serato DJ Pro and Serato DVS
Studio-grade 24-bit sound card with crystal-clear audio and ultra-low latency response
Supports up to 96kHz with high-quality D/A converters for superior audio processing
Also functions as a stand-alone studio interface for recording and playback audio
3x inputs for turntables, CD players or AUX-In for live feed signal, switchable in any combination via dedicated dip switches
Dedicated GND terminal for grounding turntables
Gold-plated, corrosion-resistant audio connections
3x line outputs, including AUX-Out, assignable to the Sampler
Easy, accessible direct thru buttons for analogue deck playback
All terminals are visible from the top of the unit for easy installation in dark surroundings
Bus-powered cable connection for power and audio
Optional USB-C DC in port for external power supply
Power delivery support for USB-C devices (max 60W)
Signal-flow LEDs for all inputs and outputs (L/R) and thru indication for clear visibility
Power LEDs on the top panel for connection status (Hub, PD, DC)
2-port USB-A hub for connecting further accessories
Rugged, heavy-duty metal housing with a scratch-resistant black finish for durability on the road and reliability in the club
Highly robust, extended edge design to protect connection terminals
Supports the use of Serato NoiseMap™ control vinyl (not included) or custom control signal WAV file for use via CDs or USB drive (download available) with no additional license purchase needed
Including: 2x RCA audio cables, 1x USB-A to USB-C, 1x USB-C to USB-C, user manual

Technical Data

Power:
USB bus powered: Yes
Recommended power: 2 A or higher / minimum power: 400 mA
Maximum USB-PD throughput: 60 W
Maximum USB Hub power output: 2 x 0.8 A = 8 W
Supported external USB (type A or C) power supply: 5 V/1 A - 20 V/3 A
Power supply priority: FLUX self-power -> USB Hub -> PD (to PC)

Audio:
S/N Ratio (output reference level 1 kHz, +4 dB):
- Deck In (LINE signal input: 0 dBV): More than 83 dB
- Deck In (PHONO signal input: -32 dBV): More than 73 dB
THD + N:
-LINE signal input: -4 dBV @1K / Less than 0.03% (1 kHz,+0 dB)
-PHONO signal input: -36 dBV @1K / Less than 0.05% (1 kHz,+0 dB, Inverse RIAA)
Maximum Gain:
- Deck In (LINE): +4 dB i 2 dB
- Deck In (PHONO): +36 dB i 2 dB
Maximum Input (1 kHz, THD=1%):
- Deck In (LINE): More than +7 dBV
- Deck In (PHONO): More than -25 dBV
Maximum Output (1 kHz, THD=1%):
- Deck Output: More than +11 dBV

USB:
USB audio interface with 24 bit/44.1 kHz, 48 kHz, 96 kHz
USB 2.0 high-speed (480 Mbit/s)
Class-compliant on macOS
USB Power Delivery Protocol 3.0

General:
Dimensions (W x D x H): 160 x 120 x 34 mm
Weight: 0.85 kg
Accessories: User Manual, 1x USB type C/C cable, 1x USB type C/A cable, 2x RCA cable bit

Notes: Black version of Bitbox's excellent sampling module. Touchscreen-based design allowing up to eight stereo samples, recording directly or loaded from SD card.

Supplier's Notes:
Bitbox micro provides Eurorack sampling for smaller racks and smaller budgets. In only 18 HP of rack space you can get a touch screen based sampler with support for 8 stereo sample pads. Now you can record samples directly into the module or load them from the microSD card. Trigger your samples via CV or MIDI, then apply effects and mix the outputs. Save your configurations to multiple presets for later reuse.

Powerful Sampling Capabilities in a Smaller Form Factor

With the sampling features of Bitbox micro you can add interesting new ways of generating sound and music to your Eurorack. Trigger one shots, play time synched loops or record live looping. Bitbox micro is equally at home in your studio or as a component of your live performance.

Features

Sample Playback
Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card
Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:
Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI and CV
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

Sample Modes

Find creative ways of using your samples with our 5 sample playback modes:
Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode

Inputs and Outputs

Use the 8 inputs the way you want: assignments include a stereo audio input, up to 8 gate inputs, up to 8 CV inputs and 1 clock input.
Route the audio from each pad out to one of 3 stereo audio outputs or one of 6 mono audio outputs
Listen to all of the pad outputs combined on the master stereo output
Inputs and outputs are DC coupled so you can record and play out CV signals
External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode i no need to look up CC numbers

Module Features

Use the 2" diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Refine your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Compare to Our Other Samplers
Our Sampler Selection Guide shows you how bitbox micro compares to our other samplers.

What Is Included

When you purchase bitbox micro, you will receive:

a bitbox micro Eurorack module
a microSD card with a bank of demo presets and samples loaded on it
a Eurorack power cable
a bitbox micro Quick Start guide
a MIDI Adapter
Firmware Updates
Get new features by downloading firmware updates from forum.1010music.com.

Documentation and Video Tutorials

The Bitbox Micro Support page has links to videos, the quick start guide and the full user manual to get you up and running quickly and answer your detailed questions. If you can't find answers there, reach out to the community with questions on the 1010 Music forum.

Notes: Compact take on the Bitbox sampler, also offered as the larger Mk2 version. Touchscreen-based design allowing up to eight stereo samples, recording directly or loaded from SD card.

Supplier notes:
Bitbox micro provides Eurorack sampling for smaller racks and smaller budgets. In only 18 HP of rack space you can get a touch screen based sampler with support for 8 stereo sample pads. Now you can record samples directly into the module or load them from the microSD card. Trigger your samples via CV or MIDI, then apply effects and mix the outputs. Save your configurations to multiple presets for later reuse.

Sample Playback

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card
Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI and CV
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

Sample Modes
Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode

Inputs and Outputs
Use the 8 inputs the way you want: assignments include a stereo audio input, up to 8 gate inputs, up to 8 CV inputs and 1 clock input.
Route the audio from each pad out to one of 3 stereo audio outputs or one of 6 mono audio outputs
Listen to all of the pad outputs combined on the master stereo output

External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode - no need to look up CC numbers
Module Features
Use the 2? diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Refine your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Inputs and outputs are DC coupled so you can record and play out CV signals

Notes: Really smart integration of macro controls for Eurorack, based on the original design by Emblematic Systems. Assign settings to eight CV outputs then morph with the crossfader or record movements to manage presets or set up complex real-time modulation. Can also operate as Catalyst Sequencer.

Supplier's Notes:
The Catalyst Controller is a macro controller with eight precision CV outputs and a responsive crossfader to morph between scenes. A scene is a snapshot of up to eight CV outputs, like a modular preset. Traverse a "pathway" composed of multiple scenes using the crossfader or an external CV signal, or immediately jump using the scene buttons. Record CV and slider movements, and play recordings back via a button or external trigger.

Each output has sub-millivolt precision and a maximum range of -5V to +10V. Channels have an adjustable morphing curve, can be quantized to common scales, restricted to a particular voltage range, or set to output gates.

Whether used as a CV preset manager, seamless transition generator, chord sequencer, CV recorder, or experimental CV playground, the Catalyst Controller puts control of your modular at your fingertips.

The Catalyst Controller can also turn into a Catalyst Sequencer! Hold down a special button combination to change between controller and sequencer modes. If you end up liking the Sequencer more, you can even remove the double-sided faceplate, flip it over, and re-install with the Sequencer artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Specifications:

Smooth, responsive crossfade morphs between scenes
Eight output channels, each can be CV or Gate
Arrange scenes into pathways of up to 64 scenes
Smooth, responsive crossfader morphs from scene to scene along the pathway
Set slew/lag to limit how fast scenes can change
Adjustable Morph time per output
Control crossfading with an external CV
Record and playback up to 20 seconds of CV and crossfader motion
CV outputs can be set to -5V to +10V maximum, or limited to +/-5V, +5V, +3V, or +1V
CV outputs can be unquantized (sub-1mV resolution), or Quantized to common scales
Randomization of channel values/gates
Copy/paste
Based on the original Catalyst from Emblematic Systems

Pairs with: 4ms Catalyst Sequencer

Notes: The Catalyst Sequencer combines a traditional clocked step-sequencer with an unconventional phase-based sequencer to produce a new paradigm in sequencing. Eight precision CV sequencer channels can be simultaneously driven by a clock, a phase CV, or scrubbed manually with the crossfader.

Each of the eight channels has its own sequence length, quantizer, transposition, clock divider, randomization, voltage range (max -5V to +10V), and selectable CV (precise 16-bit resolution) or Gate mode.

Phase-based sequencing is an advanced form of sequencing where each step is selected by CV. The Catalyst Sequencer has a smooth, responsive crossfader that scrubs the sequence, playing it forward or backwards to track your motions. Patching in a CV signal will do the same: a ramp-up CV plays the sequence forwards, a ramp-down plays it backwards, a triangle plays it ping-pong, and complex waveforms generate new interesting rhythmic and melodic patterns.

The Catalyst Sequencer can also turn into a Catalyst Controller! Hold down a special button combination to change between sequencer and macro controller modes. If you end up liking the Controller more, you can even remove the double-sided faceplate, flip it over, and re-install with the Controller artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Pairs with: 4ms Catalyst Controller

Notes: Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company

Notes: The Spectral Multiband Resonator from 4ms Company is an innovative resonant filter which can process audio like a classic filter bank, ring like a marimba when plucked/struck, vocode, re-mix tracks, harmonize, output spectral data, quantize audio to scales, and much more...
A gorgeous ring of colored lights displays the frequency of each filter, as well as the levels and current scale selection(s).

At a glance, the SMR works like a normal six-band graphic EQ: six frequency band-pass filters are mixed together using sliders. Resonance/Q is variable, which changes the "ringy-ness" or width of the bands.

But here's where comparison stops. The frequency of each channel is treated like a note in a scale, and the six bands form a chord. Spin the Rotate knob and the "notes" circle around the scale, rotating back to the bottom once they've reached the top. Adjust Spread and the distance (interval) between each note changes. Triggers for up/down motion, CV inputs for sequencing and scale selection allow for flexible control with external modules. Morph, which automatically cross-fades between frequencies, together with variable Slew allows rhythmic clocks drive the SMR as a variable-speed evolving resonant filter.

At maximum Resonance/Q, the SMR can be struck like a gong or marimba by inputting clocks or triggers. The frequency of each channel is quantized to a scale: beautiful chords, ethereal tones and eerie ambiance flows easily. With lower resonance, the SMR can pull out particular frequency bands, and sweep these across the spectrum.

Two 1V/octave Frequency jacks allow for tracking even and/or odd bands and creating floating melodies over evolving chord bases, or complex percussive membrane sounds.

Save your settings into one of six storage banks, and recall on the fly. On startup, the SMR instantly jumps to the last saved settings. The color scheme of the lights can be adjusted, so if you prefer all white lights on your modular, you can have that (or all red, or rainbows, pastels, etc..)!

Advanced features:
- Program your own scale. The frequency of each of the 20 notes can be assigned by setting the octave, the semi-tone, and coarse and fine micro-tone. Up to 11 scales can be saved permanently in the user bank
- Adjust color scheme of the LEDs. Pick a pre-programmed color scheme or create your own using the sliders to set Red/Green/Blue values. Custom color schemes can be saved permanently
- Save your settings in one of six parameter banks. Note position, scale and bank selection, Q value, Lock settings and color scheme can be saved and recalled on the fly. On startup, the SMR loads settings from the last saved bank.
- Optional alternative filter type for a more exponential decay when plucked and different timbral qualities. Freq jacks no longer track 1V/oct in this mode.
- Slider LEDs can be assigned to display level for each channel (combination of slider position and CV on the jack), or clipping for each channel.

Notes: The Stereo Triggered Sampler can record high quality stereo files, while simultaneously playing two different stereo files. A maximum of 600 samples can be loaded from the removable/swappable microSD card, in a variety of formats up to 96kHz/32-bit/stereo WAV. All sample parameters (1V/oct pitch, sample file selection, length, and start position) are CV controllable.

600 Samples:
A maximum of 600 samples can be loaded at once, arranged into banks of 10 samples each. Samples and banks can be re-arranged on the fly using the simple on-board Edit features. Newly recorded samples can be instantly played back and re-pitched, reversed, chopped up, etc... the result of which can even be bounced down and re-recorded to as a new sample! Sample files are limited to 4GB each, which is over 6 hours at 44k/16b/stereo.

Two Stereo Playback Channels:
Each playback channel has a knob and CV jack for Sample File selection, as well as a Start Position knob and CV jack for controlling where in the sample playback will begin. The Length knob and CV jack determine how much of the sample is played back: from tiny grains, to percussive hits, to longer loops... or just the entire file. These are powerful tools for re-arranging a sample, joining multiple samples, and creating dynamically re-sized loops within a larger sample. Combined with the Play Trigger jack and the 1V/oct jack, the STS can be two complete multi-timbral pitch-tracked stereo voices!
There's also a Reverse button and jack for backwards playback, and an End Out jack for synchronizing loops, or cascading sample playback with other events.

Looping and Sync:
Looping is easy: just hold the PLAY button down for two seconds to toggle loop or one-shot. The loop timing clock will output from the End Out jack. Or, send a clock into the Play Trig jack to sync the loop to external timing.

Stereo Recording:
Whether you patched 47 modules to create the ultimate percussive blast, or you want to capture your four hour ambient performance, recording high-quality .wav files on the STS is simple. Just hit the REC button or fire a trigger and a new stereo .wav file will be created on the SD card. Do as many takes as you need: the STS never deletes your files. Re-ordering or re-arranging samples into banks is easy, even without a computer.
You can even fill a bank with 10 different variations and immediately use them for playback.
By default the STS records at 44.1kHz/16-bit, with an option for 24-bit (a future update may increase the sample rate to 96kHz)

Easy sample loading:
Using a computer is completely optional with the STS, since samples can be recorded directly to the module and placed into the bank of your choosing. But for users with large existing sample banks, the intuitive automatic bank loading features make dragging and dropping your entire sample library a snap. You never have to rename your files again!

Notes: The VCA Matrix from 4ms is a playable 4x4 matrix of 16 VCAs.

Four CV or audio inputs can be routed in any amount/combination to four outputs, using the 16 CV control jacks, Level knobs, and Mute buttons.

Notes: Maestro is a 6 channel clocked modulation controller inspired by the automation lanes found in digital audio workstation software, brought into eurorack and made playable and performable. Maestro will push and pull the parameters of your other modules with rapid or slowly evolving voltages, always in perfect sync with eachother and the rest of your system.

Details:

20hp

25mm deep

65mA on +12, 18mA on -12, 0mA on 5V

Notes: 4 Voices of Quantization with a 10 octave range.

Mechanical:

Format: Eurorack
Width: 10 HP
Depth: 5.2 cm

Control Voltage I/O:
CV inputs: i 5v
CV outputs: +10v

Electrical:
Max current: +140mA/-70mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector

Notes: Control Eurorack using your breath with this unique module from ADDAC. A melodica pipe connected to the front panel allows you to generate two independent CV signals from breath inputs. Funky.

Supplier's Notes:
This module expands ADDAC's line of expressive controls, it follows the heritage of wind/breath controllers with one major difference, the pipe has no air escape creating pressure inside the tube controlled by the user's mouth. For a seasoned woodwind or brass musicians this working principle may sound unorthodox, however this way pressure can be controlled for longer without the need to breath in or learning circular breathing techniques. It's relatively easy to control the pressure in your mouth while still breathing through the nose.

The module is provided with a standard melodica pipe which connects to an air filter (providing a receptacle for condensation to form and isolate the sensor) and lastly connects to the module frontpanel.

The signal captured by the sensor is then sent to two independent sections with exactly the same functions as seen in the signal flow diagram below.

As an example the two sections can be used with different settings to independently control the VCA and VCF of any standard analogue voice patch.

Pipe

ADDAC are using a standard Melodica pipe into an air filter that will keep condensation away from the sensor. The air filter is then connected to the frontpanel sensor input using a silicone tube.

Sensor calibration

[RESPONSE] is the main control to calibrate the pressure curve, the knob goes from exponential to logarithmic with linear at 12 o'clock. Exponential will be more reactive to high pressures, logarithmic to lower pressures.

Hold function

This feature allows to hold the current voltage value with the hold is engaged (button led on), the state can be changed either by the push button in a latching manner (push to change state) or via the gate input in a momentary manner (hold on while gate is on)

Extra Pipe

Extra Pipes are available separately.

Tech Specs:
10HP
4.5cm deep
70mA +12V
40mA -12V

Notes: Another really interesting physics-based module from ADDAC, the Swell models ripples in a body of water, translating the height of imaginary buoys into control voltage signals to create an organic, fluid modulation source.

Supplier's Notes:
Following ADDAC's ADDC503 Marble Physics here is a new simulation of a physical system. This time, imagine a small area in the middle of the ocean, in this area we place 4 equally spaced buoys anchored to the bottom in such a system that we can control the spacing between the buoys. Imagine we can control the elements and agitate the waters at will which in turn will make the buoys move up and down as the water surface moves.

Finally imagine the buoys would wirelessly transmit their absolute height directly to your module outputs where they would be mapped to a voltage signal.

ADDAC use a Gerstner Wave as the motor behind the two-dimensional wave generation. In fluid dynamics a Gerstner Wave is described as "a progressive wave of permanent form on the surface of an incompressible fluid of infinite depth". Gerstner waves are often used in computer graphics to simulate any type of water surface, if you've seen any animation film or computer game with water surfaces in it most probably it features a Gerstner wave generating it.

Tech Specs:

10HP
4.5cm deep

70mA +12V
40mA -12V

Notes: Eight independent fixed-frequency filter bands combine with linear VCAs to create massive sonic potential. VCAs also double as envelope followers, with a CV output per band.

Supplier's Notes:

The ADDAC601 Analog Filterbank will have you shaping the spectrum of your sound "tout de suite".

With its 8 fixed frequencies, this very special filterbank has two additional features that you won't find anywhere else. Each of the 8 band volumes can be controlled through a linear high performance VCA, which adds great dynamics and new abilities to the art of filtering. Additionally this module also doubles as an envelope follower, with a dedicated CV output per band.

It features numerous output options: you can select between individual bands, the full processed sound, a wet/dry signal and even choose between odd or even frequencies.

Plus you can add up to two different signals, which are mixed internally by the ADDAC601 inputs.

- Format: Eurorack
- Width: 20 HP
- Depth: 5.5 cm

Control Voltage I/O:
- CV inputs: i 5v
- CV outputs: 0 - 10v

Electrical:
. Compatible with +-12v and +-15v power supplies
. Max current: +340mA/-350mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector

Notes: A typically well thought-out approach to matrix mixing from ADDAC, the 814 is a stereo, expandable 6x6 design with separate control and in/out modules. Suitable for line/synth level audio or CV.

Supplier's Notes:
Introducing ADDAC's take on matrix mixers, a 6x6 stereo matrix easily expandable to larger configurations.

Matrix mixers may need some time to get used to, but they are very much self-explanatory, each knob controls the volume of a matrix point routing the respective input to the desired output. The flexibility of a matrix mixer is far superior to a standard mixer, the possibility to route any input to any single or multiple outputs allow for very complex chains, combining parallel and series processing while easily reconfigurable without any extra patching.

All Inputs Left channels are normalled to the Right Inputs.

Blank areas on the left and bottom edges of the panel allow for the user to write all the inputs and outputs sources that each channel is connected to.

Different coloured knobs for faster visual recalling: Black for A,C,E Outputs Dark Red for B,D,F Outputs Cream knobs for potential feedback diagonal: 1A, 2B, 3C, 4D, 5E, 6F.

DC coupled circuitry, can be used to mix both audio or cv signals.

Jumpers on the back of both modules allow the user to set each channel independently to Line or Synth Level, making it easier to integrate with external sources, sound processors or guitar pedals.

Internal connections

The control and input modules are connected via a large 34 wire ribbon cable, only the control module needs to be connected to the Busboard.
Extra IDC sockets are used for connecting larger configurations like 12x12 or 18x18.
Other configurations are also possible: 6x12, 12x6, 12x12, etc...
Up to 12x12 all ribbon cables are provided, for larger matrixes custom ones will be necessary, contact us directly if planning to go BIG.

Potentiometers

Although ADDAC System are using Thonk's Tall Trimmer Topper for Knobs all potentiometers used have metal shaft and are not plastic trimmer potentiometers.

Tech Specs: 25HP + 8HP (33HP total, 4.5cm deep, 140mA +12V, 140mA -12V

Notes: Bartender is the centerpiece of the mixer system. Four stereo channels, with two stereo aux send and two stereo returns. Each channel can be used in a mono mode where both channels are mixed. If you want to do eight channels of mono, you can put the channels in stereo mode (I know it feels backwards) and then use the pan control to control the crossfade between each channel, and then take the mono output. There is a built in cueing system so you can monitor channels in your headphones and control the blend with the main output. You can expand a Bartender with both a Barback and/or another Bartender. When connecting two Bartenders, the main level control on the 'expander' Bartender acts as a group control.

Notes: Revised take on the excellent Benjolin dual oscillator and filter from Rob Hordijk, featuring the 'rungler' stepped CV generator and extensive output options.

Supplier's Notes:
Benjolin V2 - Rob Hordijk's latest revision of the classic Benjolin. The core of the Benjolin continues to be two oscillators, the rungler (stepped CV generator), and a multimode filter.

This latest revision adds:

Reworked oscillator and filter sections

All levels are adjusted to eurorack standards

Two different steps modes (8/16 and 127)

Double and single clock rate

Externally clockable

External filter input with blend control

Notes: The Gemini 2412 is a creamy, extremely fat sounding dual filter based on vintage Oberheim SEM circuits. In addition to high-pass, band-pass and low-pass, there is the infamous variable filter type, which allows you to blend between several characteristics. Thanks to its dual concept, serial and parallel modes of operation and an ingenious modulation system, the Gemini 2412 should not only be able to achieve classic, extremely bulbous results, but also wafting stereo effects and lively formant sounds.

Notes: Another banger from ALM. Based on the oscillators from the classic 1980s Casio CZ series, the Cizzle uses phase distortion synthesis for characterful, FM-adjacent synth tones.

Supplier's Notes:
The 'CIZZLE' is a dual digital 'phase distortion' VCO inspired by the classic Casio 'CZ' series synthesizers. It brings the specifics of 'CZ' style phase distortion (PD) synthesis into Eurorack with the inclusion of primary and secondary oscillator layering and detuning (with up to 8 voice chord generation), extended morphable PD wave generation algorithms, unique resonance wave generation, plus specific 'end of chain' ring modulation and noise modes that are key to the CZ sound.

The voices also feature built in VCAs and various modulation controls and inputs, a cv-able chord mode, tracking ability, triggered mode switching and can be output independently or mixed with stereo widening.

The 'CIZZLE' finally brings characteristic CZ style synthesis to Eurorack with a rich palette of sounds from mellow ambient tones, 90s Detroit Techno inspired chords, Reese style basses, and synth tones with unique faux resonance squelch.

Ideal For

Flexible and precise primary digital voice duties in a Eurorack system.
Creating basslines, rich chords, drones, morphing tones, percussive hits etc.
Unique digital squelch.

Tech Specs
Supply: +12V 65mA / -12V 25mA
Size: 16HP
Depth: 32mm

Notes: Eight channels of audio and CV sampling with real-time editing and processing. Does basic sampling well but quickly gets creative and weird.

Supplier's notes:
The 'Squid Salmpler' is a Eurorack 8 channel audio & CV sampler. It is designed for immediate real time sampling, editing and mangling within a modular context.

Taking influence from early hardware samplers, The Squid Salmple focuses on usability and instinctive operation, incorporating a proven Pamela's Workout style user interface for minimal screen dependence and a fun, hands on experience.

With support for sampling and playback for both audio and CV, as well as CV control of all parameters, on-the-fly bank loading and saving to USB, The Squid Salmple brings a unique take on old school sampling into the modular realm.

The Squid Salmple comes with a USB Stick containing approximately 90 banks of original carefully curated royalty free samples. This includes a wide range of sounds from classic drum machines and weird synths to field recordings and CV modulations. Banks are provided by both ALM and some of our favourite artists and friends including Mumdance, Solid Blake, Russell Haswell, Lauren Flax, Dave Burraston (NYZ), Sue Zuki, Dungeon Acid, Sasha Lewis and Andrew Duff.

Notes: The successor to Dinky's Taiko, Tyso Daiko is a 12-bit dual digital drum voice, with built-in analogue tilt EQ and wavefolder, plus extensive CV control. Intuitive, powerful and versatile.

Supplier's Notes:
The 'Tyso Daiko' is a dual 12-bit digital wavetable drum voice with full voltage control and an analogue EQ output path.

The twin voices are independently triggered and output, but share pitch, envelope and other parameters of a swept wavetable oscillator. One voice is output through a voltage controlled analogue tilt EQ emphasising upper or lower frequencies.

The other voice is output through a digital wavefolder which adds increasing timbral complexity (to noise).

Both voices respond independently to an accent input and the first voice is able to be 'choked' . A surface control allows for fine control of additional transients from a click to a slow attack. Full voltage control including a V/Oct pitch input makes the Daiko an expressive and wide ranging drum module with extremely wide pallet of sounds with lots of modulation possibilities.

The Daiko succeeds the original Dinky with the same spirit but much improved control, new features and new wavetables.

Technical Specifications

Supply: +12V 70mA Max / -12v 35mA
Size: 14 HP
Depth: 32mm

Notes: Very nice old-school vocoder for Eurorack, featuring a built-in mic pre-amp and full 10-band patch bay. Internal VCO and straightforward control setup help simplify operation.

Supplier's Notes:
The VXC-2220 is an 10-band analogue vocoder with patch-bay for each individual filter section. VXC-2220 vocoder is based on the iconic classics 222 vocoder. For stand alone usage the VXC-2220 is equipped with an internal oscillator generating saw and pulse waves form C1 to C6. A simple and efficient vocoder.

Specifications

Microphone input for speech signal
Line input for speech signal
Line input for carrier signal
Input level control for speech and carrier signal
Output level control
Line output
10-Band analyzer outputs
10-Band synthesizer input
Internal VCO (1 semi-nut step size);
* Saw wave (C1 - C6)
* 3x 10% Pulse wave (C1+C2+C3 - C4+C5+C6 )
* White noise
- Synthesis for 's' and 't' sounds
- Feed-trough level control for speech and carrier channel
- Bypass switch
- 10pin power connector (+/-12V)

Dimensions:
(36HP) 128,5×182.5mm (depth: ca. 35mm incl. power connector)

Power Consumption:
+12V = 125mA
-12V = -125mA

Notes: Befaco's unique GameBoy-based effects module allows you to change effects by swapping cartridges, all with CV control over key parameters. Effects include Skuara's harsh fuzz, Instruo's micro phaser and much more.

Supplier's Notes:
A crazy idea with the support of a bunch of crazy people.

A Multi FX module based on game carts!

FxBoy is a multi-FX module designed in collaboration with several talented manufacturers.

This is an effect unit with CV control over the parameters and Dry/wet control, with a Built-in CV controllable four bands EQ.

Each effect is physically hosted in a hot-swappable game cart and designed by a different manufacturer: Touell Skouarn with Skuara a harsh fuzz with overdrive, Instruo with micro Phaser, a two-flavoured Phaser, Feedback modules with a vintage Flanger, XOR with FX-Girl, a digital double effect module: Delay + Granularizer, Making sound machines with an analogue Wave folder, Tesseract with a bit crusher and Befaco Trash distortion!

What have these crazy people put in their cartridges?

Trash

Trash is a harmonic distortion that combines both clipping and folding flavours. Modes A and B will select between aggressive and more aggressive flavours!

Flanger

Analogue Wavefolder

Eskuara

AVMA
AVMA by Tesseract Modular is a bipolar VCA with one switchable wavefolder stage followed by an analogue frequency reducer. The VCA gain is x2, it can be used with i5V oscillator signals at the CV input for ring modulation effect.
Micro Phaser

Three cascaded all-pass filters, a built-in LFO and a saturator in the feedback path.

The purpose for this cartridge is to completely f&%k your phase up!

Instruo - We make sounds with the things that we make to make sounds with.

Technical Specifications

CV control over all parameters and Dry/wet
CV controllable four-band EQ, routable post or pre-effect.
Hot swap for all carts.
Selector for two different flavours of each cart.
Open specifications to design your own carts

Specs

Current needs: +12V: 125mA, -12V: 100mA, 5v: 0mA
Width: 12 HP
Depth: 35 mm (including power connector)
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.

Notes: A typically comprehensive approach to noise sources from Befaco, featuring five different circuits plus two analogue multimode filters and plenty of CV controls for sculpting the output.

Supplier's Notes:
Noise plethora has three different noise generators:

The first two are identical and are composed of digital algorithms followed by a 12dB analog multimode filter.
Each program has two variables (Named X and Y) addressed by two manual controls and two associated control voltage INs.
Ships with an extensive (and expanding) algorithms library: textures, wave clusters, harsh noises, and glitches.

Generator C has three simultaneous outputs:

White. Flat Response Classic white noise.
Gritty. Granulous texture noise, with voltage-controlled grit quantity.
Filtered. Is the White or Gritty noise followed by a 24dB multimode VCF.

A total of 5 different noise sources in one module!

Dimensions:

14 HP
25 mm deep

Current Draw
110 mA +12V
67 mA -12V
0 mA 5V

Notes: A really interesting synth voice module from Befaco, the Oneiroi specialises in ambient pads, drones and soundscapes thanks to a combination of oscillators, looping, effects and randomisation. True stereo textures from a single module.

Supplier's Notes:
Experimental synth voice focused on ambient pads and drone-like soundscapes.

Shape your performance

At its core, there is a Sine Wave Oscillator, Wavetable/Supersaw, and a joyful Looper. This is followed by an FX section featuring a Multimode filter, a Resonator, a Delay, and a Reverb.

His randomizer creates instant patches at the touch of a button.

The Looper can record the external input or the output with "Sound On Sound" looping.

5-second Looper records either the stereo input or the module's output, the Wavetable oscillator uses the Looper buffer

The atmosphere creator

A full-stereo synthesiser that easily creates dense atmospheres for hypnotic music or cinematic sound design.

Featuring three oscillators, four effects, a looper, modulation with complex routing, and a randomizer.

Powerful randomizer with four different targets that acts in different ways depending on the position of the two switches, three levels of intensity and undo/redo.

Specs

Current needs: +12V=200mA, -12V=60mA
Width: 30 HP
Depth Assembled Version: 25mm
Designed, kits prepared and assembled in Barcelona.

Notes: Digital delay meets analogue filtering in this versatile little effects box. Single-tap delay with loop option and clever time multiplication, plus low-pass and high-pass filters.

Supplier's Notes:
Digital delay settings combined with analog sound shaping

SPECIFICATIONS:

Audio output: impedance balanced 1/4" TRS Jack

Audio input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm*5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

12VDC 1A power supply included.

Notes: Combining features from the DS01 dub siren and Benidub's Digital Echo, the DS01E is the best of both worlds. A complete old-school dub instrument in one box.

Supplier's Notes:
A mix ready, all-in-one dub sound system box

The DS01 unmistakable sound surely it's a staple when it comes to dub music. However, it transforms into the authentic dub sound system tone which everyone is seeking only when used in conjunction with a delay. In order to achieve that precise feeling, Benidub rewrote the DSP FV-1 used in othe Digital Echo to integrate it into the DS01.

The newest incarnation of one of Benidub's most beloved dub siren ever, now improved with a built-in delay effect.

Using an external delay gets complicated when it comes to wiring and it's not that practical for those going to play on an unfamiliar rig. That's why Benidub built a model that combines both units.

Features

Dub combo unit

Old-school inspired dub siren with a built-in delay, as featured in the Digital Echo, now enhanced to seamlessly integrate into a mix-ready unit.

Authentic dub-delay tones

DS01E features two HPF / LPF resonant filters with variable frequency, to fine tune the delay to your likings and necessities.

Echo integration

The echo not only provides an ambient to the dubsiren sounds, but also, through the dedicated filter and the ability to create rhythmic loops using the echo-cut button, it becomes an integral part of generating sound effects.

TIME: Sets the delay time from 50ms to 1 sec.
POWER INPUT: 12VDC,1A, Center positive, 2.1mm x 5.5mm barrel connector.
AUDIO OUTPUT: 1/4" bal. or unbal. MONO Jack.
MASTER VOLUME: Master output volume control.
MODE: Select between four classic DS01 dub siren tones.
RATE/MANUAL: Modulation rate selector. In manual mode the push-button triggers the modulation.
TRIGGER: Push upwards to trigger the siren temporarily or downwards for a continuous tone.
VOLUME: Sets the echo-section volume.
FEEDBACK: Sets the repetition intensity ranging from one single repetition to continuous oscillation.
FILTER: Combined HP-LP resonant filter to shape the echo tone.
ECHO CUT: Temporary button that mutes the echo output. It can be used to rhythmically cut the echo loop.
MASTER VOLUME: Master output volume control.
PITCH: Select between three preset audio oscillator base frequencies.

Notes: Beautiful combo of vintage tech and modern features from Benidub's boutique analogue phaser unit. Six-stage stereo processing with real-time switching to 12-stage mono mode. Excellent playability with large controls.

Supplier's Notes:
Old school mojo with a modern twist on versatility and sound quality
PHASE is an analogue optical phaser, featuring 12-stage in mono and 6-stage when used in stereo. You can switch between the two modes with the "Mode Select" control any time. We made it completely clickless, allowing you to flawlessly switch mode during your set! This unique control provides even more playability and a wide range of phaser tones.

100% analogue audio path for subtle-to-extreme true phasing colours and tones

Unlike many other phasers in the market, designed after guitar-frequencies needs, Benidub's PHASE has been built with a "studio" oriented design in mind, making it the best phaser for either producers and musician. From studio-standard headroom to balanced connections, everything is designed to improve sound quality while granting a smooth and precise excursion along a wide frequency spectrum.

Features

100% Analogue
As any other BENIDUB device, Phase is precisely built with high quality components for a complex and organic sound. The optical-based design not only ensures the best signal/noise ratio for a phaser circuit but also provides the iconic old-school timbre we all love.

Versatile Routing
PHASE can be used as a 12-stage mono or a 6-stage stereo phaser. We designed it as a playable feature, allowing you to switch between the two modes with the Mode Select, clickless control. Not just a "setting", but a tool to build new phasing effect possibilities.

Performance Oriented Design In A Sturdy Case
While designing PHASE we kept our easy-to-use, performance oriented philosophy. PHASE comes in a tank-built enclosures with every control you'll ever need on board, making it an extremely playful stompbox.

Specifications
1. Input L:

1/4" Balanced or Unbalanced jack. The "main" mono input of the unit.

2. Bypass:

Turns off the out of phase signal, thereby stopping the phaser effect.

3.LFO Depth:

Sets the amount of modulation.

4.Input:

In INSERT mode, you got the usual 50/50 dry signal. In AUX mode, you got the full wet signal.

5. Mode Select:

On MONO you get 12 stages. On STEREO you get 6-stages per channel. The stereo mode can be used with a mono input to generate a mono-to-stereo output.


6. Power Input:

12VDC, 500mA, center positive, 2.1mm*5.5mm barrel connector.

7.LFO Mode:

In LINEAR mode, all the 12 (6+6) stages will receive the same modulation. In MIRRORED mode, the first batch of stages modulation will be inverted.

8. LFO Rate:

Sets the modulation speed.

9. Centre frequency:

Sets the frequency that the phaser will revolve around. The Centre Frequency determines where the middle of the comb-filter will be on the spectrum.

10. Feedback:

The feedback knob controls the amount of phase-shifted signal that gets fed back to the phase-shifting circuit.

Notes: Third-gen version of Benidub's 'plug and play' spring reverb is better than ever. Lush, vintage spring reverb now with adjustable filter routing and built-in soft clipping circuits to add saturation.

Supplier's Notes:
Spring reverb preamplifier combined with a LP-HP filter

SPRING AMP III marks the third iteration in the renowned "Spring Amp" series: desktop effects designed to bridge the gap between audio mixers and spring reverb tank, offering dynamic filtering options in an intuitive and ready-to-play package. A culmination of Benidub's expertise and your feedback, combined to create the ultimate Spring Amp.

This new all-in-one dub reverb and filter machine features a full suite of powerful and intuitive controls, making it easy to dial in your favourite spring reverb tones in the studio or on stage.

Everything you loved about its predecessor it's still there, enriched with new features and even more playability than before.

Benidub added a push-button switch for routing settings, allowing you to place the filter before or after the spring tank for more mellow or dramatic swings. SAIII now features an in-built soft clip circuit on both input and filter which lets you push your sound even further without damaging your performance and get that classic, warm, musically pleasing saturation which adds rich complexity to your swells. Every feature is clickless and the circuit has an in-built low noise filter alongside Class-A discrete components.

The Spring Amp III is designed to be a plug-and-play dub reverb effect, delivering the classic dub sound instantly upon connection.

Features

Extra low noise reverb pick up amplifier and innovative power amplifier

Discrete transistors front end amplifier for the best achievable noise figure, and a 7.5W constant current amplifier drives 8ohm input reverb tanks for maximum volume and best treble response.

Inbuilt 12db/oct resonant HP-LP VCF

The Spring Amp III has an inbuilt analogue filter with controls on its cutoff, resonance, and modulation. It features a crossfader between low-pass and high-pass filters outputs and a click-less switch to place the filter before or after the spring tank.

Independent volume controls

Filter and preamplifier have independent volume controls, enabling the unit to function as a standalone filter or directly after an instrument with a line output.

Specifications

1. Power input: 12VDC,1A, centre positive, 2.1mm x 5.5mm barrel connector.
2. Audio input/output: 1/4" bal. or unbal. mono jack. Balanced connection improves the signal-to-noise ratio
3. Gain: sets the input amplifier gain, from unity gain to overdrive.
4. Cutoff: sets the filter's cutoff frequency.
5. Resonance: sets the amount of filter's resonance.
6. LFO wave: switches between 6 different LFO waveforms.
7. Spring tank connections: 1/4" unbal. mono jack to RCA.
8. Reverb volume: sets the spring reverb volume.
9. Dry to filter: sets the amount of dry signal that, after being filtered, is added to the unit's output.
10. Pre/post springs: click-less switch to change the spring signal routing, allowing for the filter to be placed before or after the spring tank.
11. LPF/HPF: crossfade between HP and LP filter outputs.
12. LFO rate/depth: dedicated controls to set the filter's cutoff modulation speed and amount.

Compatible spring tanks:

The Spring Amp III needs to be connected to a compatible spring-tank in order to work correctly. Please never connect the Spring Amp III to a tank without making sure that it is a compatible one.

Notes: RACHAEL is an ideal companion to DECKARD'S VOICE or any other oscillator/sound source, bringing unique signal interaction and ring modulation capabilities to modular form. 100% analog, you'll find a wealth of facilities in this compact space, including full ring modulation, a dedicated VCO, a four-stage envelope with amount, and LFO.

Full-throated Ring Modulation
From tremolos to alien-invasion metallic screams, modulate any external source with RACHAEL's all-analog signal path, tunable to subtle, complex, and extreme sounds with the speed and depth controls. It's a perfect pairing for DECKARD'S VOICE or any input (via the signal input). In addition, there's both an internal reference oscillator and the ability to patch in your own external tone for even more complex and varied results.

Analog VCO
Set the oscillator to VCO mode, and RACHAEL is also a VCO with all the character of DECKARD'S DREAM and the classic CS synths that inspired it. That includes square, sine, and "csaw" waveforms -- the CSAW has the distinctive CS leading-edge pulse.

LFO
The oscillator is also configurable as an LFO, with standard sawtooth, square, and sine waves via switch. With a dedicated OSC output, you can use the LFO and ring modulation simultaneously, making RACHAEL both modulation source and creative processor.

A versatile, multipurpose envelope
RACHAEL's onboard envelope generator is more than just another ADSR. With the envelope generator amount control and switchable destinations, you can tune in an amount of the envelope to the modulation frequency, modulation depth, or both, for musical, creative sound shaping. In addition to the gate input, each stage of the envelope has dedicated CV control. And all of this comes with the distinctive vertical sliders beloved on DECKARD'S DREAM.

Notes: At its heart, Alpha Pro is four identical VCAs, each with overdrive and stereo outputs. However, it's also possible to link any of the VCAs together to form a voltage controlled mixer. This flexibility allows Alpha Pro to replace a bank of VCAs, sub-mixers and even your output mixer.

Each VCA has two Signal inputs and a summing mixer with individual attenuators.

There are two mix buses, allowing each VCA to act stand-alone or as part of the mix. So you can configure two separate sub-mixes, with any of the VCAs contributing to the mix, or use all channels to make an 8 input, stereo output main mix.

The VCA gain is controlled by the Initial Gain knob, and two Gain CVs - again mixed together, each with an attenuator. Having two Gain CV inputs allows for more complex modulation possibilities without needing another CV sub-mixer.

Gain response can be set to exponential or linear.

The XING switch enables zero crossing detection to prevent clicks on very fast CV inputs.

Two drive modes are available, a soft clip and a harder fuzz, with the DRIVE control increasing the gain into the overdrive circuit to increase the effect.

The VCA output is stereo, with manual and CV control of pan - again, with an attenuator.

Alpha Pro is available now as a 'founders edition' which includes the Alpha Switch as standard.

Specifications:
Width: 38HP
Depth: 22mm excl. power cable. Approx 32mm inc. shrouded power cable

Power Requirements:
+12v: 250mA
-12v: 100mA
+5v: 0mA

Inputs:
Signal (Zero attenuation): +/-5v nominal, +/-12v max
Gain CV (Zero attenuation): 0-5v nominal
Pan CV (Zero attenuation): +/-5v nominal

Outputs:
Stereo: +/-5v nominal, +/-10v max
With Drive Modes 1&2 outputs are normalised to around +/-5v max

Notes: Foxtrot is a quad, multimode virtual analogue filter with three different classic filter types.

Each of the four filter channels can be:

1) A ladder filter, based on the classic MOOG designs from the '60 and '70s
2) A Sallen-and-Key filter based on the Korg 35 module used in the MS-20
3) A State Variable filter as used in the Oberheim SEM

Each filter type produces Low Pass, Band Pass and High Pass responses which can be morphed between using the front panel control or CV.

In addition, any or all of the filter channels can be linked together internally producing a parallel filter bank controlled by a single cut-off control or CV. Check out some of the examples for how amazing this sounds.

The AUX CV input can be switched to allow CV control of the filter response, resonance or pan of each filter channel's dual outputs.

Finally, each filter can be overdriven to accentuate the unique sound of each filter type.

Specifications:
Width: 38HP
Depth: 22mm excl. power cable. Approx 32mm inc. shrouded power cable
Power Requirements:
+12v: 250mA
-12v: 100mA
+5v: 0mA

Inputs:
Signal (Zero attenuation): +/-5v nominal, +/-12v max
Cut-off CV (Zero attenuation): 0-5v nominal
AUX CV (Zero attenuation): +/-5v nominal

Outputs:
Dual Outputs: +/-5v nominal, +/-10v max

Notes: Fingertip looping for progressive music creators:
Perfect for club performers, electronic musicians, and beatboxers, the RC-202 packs powerful BOSS looping and multi-effects in an amazingly compact tabletop unit. Based on the popular RC-505 Loop Station, the two-track RC-202 offers the distinctive look and fingertip interface style of its big brother, plus a host of new features. Four Input FX and four Track FX are available at once, and loops can be saved to memories in real time for seamless creative expression while performing. Expanded foot control and MIDI capabilities are also included, ideal for looping musicians who have their hands occupied with guitar, keyboards, and other instruments.

Two Stereo Tracks and 64 Phrase Memories:
The RC-202 offers two stereo loops with dedicated fingertip controls and animated status indicators. You also have 64 phrase memories for storing and recalling your live loop creations, organized in eight different banks for easy access while performing. As you work, you can save your loops to the current phrase memory without ever stopping playback. This convenient feature lets you seamlessly save and switch memories to perform different song structures and ever-evolving arrangements.

Intensive FX:
Equipped with powerful multi-effects capabilities, the RC-202 offers more real-time processing than any other looper. Four Input FX and four Track FX are available simultaneously, with numerous effects types on tap for loop creation and playback. As you record, you can enhance the sound with Input FX like P. Shift, Lo-Fi, Ring Mod, and more. Track FX such as Beat, Filter, Slicer, and others provide DJ and sampler effects for high-impact processing during playback. The effects can be quickly adjusted with large, easy-to-grab knobs, and turned on/off as you go via dedicated panel buttons.

Powerful Performance Control:
The RC-202's panel is filled with hands-on buttons and knobs for maximum creative control while looping. There's also a jack for connecting up to two footswitches or an expression pedal. Via MIDI, extensive control is possible from a MIDI foot controller or keyboard. MIDI also allows for synchronization with an RC-505 or a second RC-202, as well as drum machines and other devices.

Audio Connections and USB:
The RC-202 is outfitted with an XLR mic input, mono/stereo instrument inputs, and a stereo aux input. All inputs can be used at once, letting you capture and mix multiple audio sources as you build loops. It's also possible to send a click track to headphones only, a great feature for monitoring while performing. Via USB, you can plug into your computer to archive WAV loops or load up RC-202 phrases with live backing tracks or sounds for sampler-style triggering. The RC-202 also functions as a USB audio/MIDI interface, making it easy integrate with music software for stage performing with a laptop, audio recording, MIDI sync, and more.

Notes: Second-generation version of Boss's excellent looper gives you five stereo tracks, four simultaneous effects, hands-on control and full MIDI support. Ideal for live use but also a creative studio tool.

Supplier's Notes:
Looping Magic at Your Fingertips

Packed with inspiring tools for on-the-spot music creation, the RC-505mkII brings next-generation power and flexibility to the world's most popular tabletop looper. Elevate your performances with five stereo tracks and four simultaneous Input FX and Track FX, and soar even further with customizable buttons, expanded I/O, increased mixing control, and other enhancements requested by long-time RC-505 users. Built for free-flowing expression on stage and in the studio, the RC-505mkII is a dream machine for beatboxers, vocalists, multi-instrumentalists, and other fearless looping artists.

More to Love

The RC-505mkII retains everything that made the original so loved and adds a wealth of new features to make the looping experience even more creative and free flowing. The faders provide longer throw for finer adjustments, and they also have a more solid feel under the fingers. And each track now has dedicated FX and Track buttons, making it easier to colour and control your loops in the heat of the moment. Undo/redo has also been enhanced with a Mark Back function that lets you instantly jump back to a previous loop state while performing.

Customize Your Workflow

While the original RC-505 was very customizable, the RC-505mkII takes things to the next level with a vast range of user-configurable controls. You can assign various CTL parameters to the FX and Track buttons and trigger them with a press, hold, or double-click. Pressing the Undo/Redo button reveals a secondary layer, doubling your options. Two external control jacks are also available for connecting footswitches or expression pedals, and each has its own dedicated set of parameters. Crave even more? Then tap into the Assign screens to set up 16 different targets for hardware control and MIDI operation.

More Sonic Colours for Inspired Looping

Sonic variations help make loop performances more compelling, and the RC-505mkII provides a greatly expanded FX palette to colour your sounds during recording and playback. There are 49 Input FX and 53 Track FX types to choose from-including powerful new vocal harmony effects-and you can use up to four in each section at once. Going further, groups of four Input FX and Track FX can be stored in four banks for quick recall, along with toggle or momentary button settings for each type. A step sequence function is also available in some FX to automate parameter changes for dynamic real-time movement.

SPECIFICATIONS

Sampling Frequency: 44.1 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point

Recording/Playback
Number of Tracks: 5
Data Format: WAV (44.1 kHz, 32-bit float, stereo)
Maximum Recording Time: Approx. 1.5 hours (1 track), Approx.13 hours (total of All memories)

Rhythm Type: 200 types or greater
Rhythm Kit: 16 types

Effect:
INPUT FX: 49 types
TRACK FX: 53 types
MASTER FX: 2 types
Memory: 99
Nominal Input Level: MIC 1, 2 INPUT: -40 dBu/INST 1, 2 INPUT: -10 dBu
Maximum Input Level: MIC 1, 2 INPUT: 0 dBu/INST 1, 2 INPUT: +7 dBu/+20 dBu (selectable)
Input Impedance: MIC 1, 2 INPUT: 3k ohms/INST 1, 2 INPUT: 1 M ohms/25 k ohms (selectable)
Nominal Output Level: MAIN OUTPUT: -10 dBu/SUB 1, 2 OUTPUT: -10 dBu
Maximum Output Level: MAIN OUTPUT: +7 dBu/SUB 1, 2 OUTPUT: +7 dBu
Output Impedance: MAIN OUTPUT: 1 k ohm/SUB 1, 2 OUTPUT: 1 k ohm
Recommended Load Impedance: MAIN OUTPUT: 10 k ohms or greater/SUB 1, 2 OUTPUT: 10 k ohms or greater

Controls:
TRACK1--5 REC/PLAY button, TRACK1--5 STOP button, TRACK1--5 TRACK button, TRACK1--5 FX button, ALL START/STOP button, UNDO/REDO button, TAP TEMPO button, RHYTHM START/STOP button, RHYTHM EDIT button, INPUT FX A--D button, INPUT FX EDIT button, TRACK FX A--D button, TRACK FX EDIT button, MENU button, LOOP button, ENTER button, EXIT button, PAGE buttons, 1--4 knobs, OUTPUT LEVEL knob, TRACK1--5 LEVEL Faders

Display:
Graphic LCD (128 x 64 dots, backlit LCD)

Connectors:
MIC IN 1, 2 jack: XLR type (balanced, phantom power: DC 48 V, 10 mA Max
INST IN 1, 2 jacks, MAIN OUT jacks, SUB OUT 1, 2 jacks: 1/4-inch phone type
PHONES jack: Stereo 1/4-inch phone type
CTL1,2/EXP1 jack, CTL3,4/EXP2 jack: 1/4-inch TRS phone type
USB port: USB B type
MIDI (IN, OUT) connectors
DC IN jack

Power Supply: AC adaptor
Current Draw: 1.0 A (with phantom power), 0.9 A (without phantom power)
Accessories:

AC adaptor
Owner's Manual
Leaflet "USING THE UNIT SAFELY"

Options (sold separately):
Footswitch: FS-5U
Dual Footswitch: FS-6, FS-7
Expression Pedal: FV-500H, FV-500L, EV-30, Roland EV-5

SIZE AND WEIGHT

Width: 420 mm/16-9/16 inches
Depth: 234 mm/9-1/4 inches
Height: 67 mm/2-11/16 inches
Weight: 1.8 kg/4 lbs

Notes: Tiptop's reissues of iconic Buchla modules continue with the 285 frequency shifter. Edgy, twangy harmonic modulation with ring mod options and stereo operation via sum and difference outputs.

Supplier's Notes:
The 285t combines two sets of functions: the top section features a frequency shifter, while the lower section includes both balanced modulation and classic ring modulation, all with voltage control. The frequency shifter can shift incoming audio using either its internal oscillator or external audio. Both SUM and Difference outputs are available simultaneously for analogue stereo widening effects and more.

As Tiptop Audio continues its aural odyssey of preserving and transforming the hallmark engineering prowess of Don Buchla's namesake synthesizer modules, the 285t brings a constellation of blistering sonic-contouring tools to your Eurorack array. Like its predecessor, the Tiptop Audio Buchla 285t is a menagerie of modulation madness, offering variable degrees of ring, frequency, and amplitude styles of modulation. Plus, its dyad of modulation sub-modules operates independently, with dedicated audio and CV I/O for each, functionally giving you the sum of performance possibilities you'd get with two modules, all in one instrument. Suffice it to say: Sweetwater's synthesists commend Tiptop Audio on capturing the electric magic of Don Buchla's imaginative engineering while transposing it for the world of Eurorack to experience. For a constellation of timbral sculpting and summitting heretofore unknown peaks of daring synthesis exploration, the Tiptop Audio Buchla 285t Frequency Shifter module is your key. Discover what awaits at the fringes of Eurorack possibility!

Note: This module is not compatible with Buchla system voltages. CV signals require a distinct connectivity configurations. Please contact your Sweetwater Sales Engineer with any questions or concerns regarding compatibility or use in your Eurorack case.

Type: Frequency Shifter
Depth: 1.77" (45mm)
HP Size: 18HP
Power Usage: +12V/70mA, -12V/40mA
Power Supply: Requires Eurorack Case and Power Supply
Manufacturer Part Number: 285t

Notes: Tiptop bring the iconic low-pass gate to their range of Buchla reissues. The 292t offers four channels which can be mixed or treated individually, with adjustable modes for low-pass filtering, VCA or the classic low-pass gate combo.

Supplier's Notes:
The 292t is a reissue of Don Buchla's low-pass gate from the 1970s, adapted for the Eurorack modular format. The module consists of four independent low-pass gates (LPGs) and retains the natural, percussive sounds of the original, all of which can be manipulated in real time using control voltages. The 292t allows you to mix up to four sounds from their individual outputs or through a summed output, functioning as a mixdown. Each channel can operate in one of three modes: a low-pass filter with a variable cutoff, a VCA with controllable gain, or a combination of both, producing Buchla's classic low-pass gate effect.