Back catalogue:

Review: Jean Grae and Quelle Chris come together brilliantly here on Everything's Fine, a sharp, satirical and refreshingly non-toxic hip-hop album from two of the genre's most unique voices. Superbly blending Jean's razor-sharp lyricism with Quelle's introspective wit, the project takes aim at societal absurdities with intelligence and humour and comes with notable Cameos from comedy heavyweights like Nick Offerman, Michael Che, John Hodgman and Hannibal Buress who all add an extra layer of punch. Politically charged, deeply self-aware and sonically adventurous, this is essential listening for fans of boundary-pushing rap, and it comes on a stunning tri-colour vinyl that is as bold as the music itself.

Review: This clear wax edition feels like an invitation into Worcestershire-born global traveller Will Holland's inner circle i not just as a selector but as a connector of people, scenes and sonic microhistories. Across the two LPs, his DJing reveals the subtle hand of a musician: textured, tempo-flexible, deeply in tune with the artists he features. JJ Whitefield's 'The Mind Is A Palace' and Alfa Mist's slow-burner 'In My Defence' lay the introspective groundwork, while The Heliocentrics and Dialect bring fuzz and abstraction into view. Side B pivots to percussive warmth, from JKriv's whistle-led 'Pifeiro Malandro' to Holland's own dusty 'Twang', before the humid swagger of Frente Cumbiero and a tripped-out remix of 'Theme From Selva' usher in Side C. Things then spiral toward the club, with 'Eko Eko', 'Throw Dat Azz' and 'Scintille' all bringing punch and release. The final stretch, featuring The Maghreban, Meridian Brothers and Sobredosis, casts a glowing ambiguity over the mix i just like Holland's sets, it ends not in resolution, but in feeling.

Review: Stretching across four sides of vinyl, this double LP from Worcestershire-born producer, bandleader and serial collaborator Will Holland traces his journey through transcontinental rhythms and dusty dancefloors. The carefully spaced tracklist opens with JJ Whitefield's deep-thinking 'The Mind Is A Palace', before the record quickly dips into London fusion with The Heliocentrics and Alfa Mist's 'In My Defence'. Dialect's fragmented ambient textures play the foil to Holland's own 'Twang', while JKriv's 'Pifeiro Malandro' evokes smoky Rio funk as filtered through downtown New York. Later on, Frente Cumbiero and a rework of 'Theme From Selva' provide a humid middle section before things sharpen up. Club-leaning selections like 'Eko Eko', 'Scintille' and Anna Morgan's 'Throw Dat Azz' burst across the later sides, pushed by bass pressure and broken-beat finesse. Meridian Brothers' 'Un Grande Nubarron Se Alza En El Cielo' and Sobredosis's 'No Llores Por Mi' bring an eerie sweetness to the close i a reminder that for Holland, emotion and groove are always entwined.

Review: Will Holland's first official mix release under his most familiar alias is a snapshot of a global career spent building communities across Bogota, Brooklyn and Brighton. Opening with the warm introspection of JJ Whitefield's 'The Mind Is A Palace' and the hazy psych-funk of The Heliocentrics, the selection soon tilts into submerged electronics via Dialect and Alfa Mist's brushed jazz motifs on 'In My Defence'. JKriv's 'Pifeiro Malandro' and Quantic's own 'Twang' bring syncopated bounce, setting up cumbia futurists Frente Cumbiero and a percussive remix of 'Theme From Selva'. Later, 'Eko Eko' and a live version of 'Motivic Retrograde' thread together low-slung breaks and synth-rich ambience, before Meridian Brothers' 'Un Grande Nubarron Se Alza En El Cielo' and The Maghreban's 'Covent Garden' ramp up the oddball charm. Anna Morgan and Ehua lock in high-BPM club energy on 'Throw Dat Azz' and 'Scintille', while Turbo Sonidero's 'Kumbia ESSJ' and Sobredosis's 'No Llores Por Mi' land like final toasts to dusk before the sun vanishes entirely. The journey ends, naturally, with a continuous mix of it all.

Review: Queen's seminal Live in Tokyo captures the iconic band in peak form during their The Works tour. Recorded at the Yoyogi Auditorium in Tokyo, this typically electrifying performance showcases the outfit's unmatched stage presence as well as tight musicianship and of course Freddie Mercury's legendary charisma. The set blends stadium anthems like 'Radio Ga Ga' and 'Hammer to Fall' with timeless classics such as 'Crazy Little Thing Called Love' and 'We Will Rock You.' The energy, precision, and connection with the crowd highlight why Queen remains one of the greatest live acts in rock history and this is a time warp that takes you right back to their pomp.