Back catalogue:

Review: Kenny Burrell's A Night At The Vanguard shows the jazz guitarist at the height of his powers, supported by an exceptional trio featuring Richard Davis on bass and Roy Haynes on drums. Recorded live in 1959 at New York's Village Vanguard, the album captures Burrell's spirited yet relaxed performance, blending elements of blues and bebop seamlessly. Burrell's technique shines throughout the album, effortlessly navigating chord solos and single-note runs with precision. Tracks like 'All Night Long' and 'Broadway' stand out, displaying Burrell's impeccable sense of swing and mastery of the guitar. Haynes's dynamic drumming adds depth to the trio's sound, particularly on the energetic rendition of 'Well You Needn't. The vinyl pressing, handled by Third Man in Detroit, delivers a clean sound, allowing Burrell's music to shine. The accompanying photographs by Francis Wolff add an extra layer of authenticity to the package, making it a worthy addition to any jazz enthusiast's collection. Overall, A Night At The Vanguard is a superb example of Kenny Burrell's talent and influence as a jazz guitarist, reaffirming his status as one of the genre's most iconic voices.

Review: This session captures multi-instrumentalist Roland at a pivotal point in his career, shifting from Verve's jazz-centric domain to the broader, more commercially attuned Atlantic Records. This shift in label mirrors the album's approach, melding hard bop, r&b, pop and Latin influences into a refined yet emotionally charged recording. Stripped of excess, the interplay between piano, bass and drums offer a taut yet expressive foundation, allowing the lead instrument's voice to alternate between fiery intensity and delicate introspection. The album's compositions reflect the artist's expansive range, moving from simmering blues to modal explorations, each piece showcasing a unique facet of his musical identity. At its heart, a deeply affecting ballad stands out, its after-hours melancholy that hits all the right notes. In contrast, rhythm-driven pieces pulse with kinetic energy, bursting with sharp phrasing and infectious grooves. 'Fallout', tinged with bossa nova influence, juxtaposes playfulness with restraint, while 'Alfie' reimagines a beloved pop standard, reshaping its familiar contours into something bold and brassy. A vital document of an artist stretching his reach, bridging accessibility with deep musicianship. The balance of exuberance and restraint, structure and improvisation, makes it an engaging listen. For those that know it well, an underappreciated yet essential piece of his music catalogue.

Review: Originally released in 2016, now reissued All for You (A Dedication to the Nat King Cole Trio) by Diana Krall remains a timeless tribute to the legendary Nat King Cole Trio. In this album, Krall masterfully blends her piano and vocal talents, evoking the spirit of Cole without directly mimicking him. Standout tracks include the lively 'I'm an Errand Girl for Rhythm,' 'Frim Fram Sauce,' and 'Hit That Jive Jack,' where her playful energy shines. Russell Malone's guitar work adds a rich layer, particularly in his standout solos. Krall's interpretations of ballads like 'I'm Through With Love' and 'If I Had You' reveal an influence reminiscent of Shirley Horn, adding depth and emotion. Supported by bassist Paul Keller and joined by pianist Benny Green and percussionist Steve Kroon on select tracks, the album's sound is both consistent and intimate, perfectly suited to Krall's style. Without the orchestral embellishments of her later work, this album highlights her jazz roots. All for You stands as one of Krall's finest achievements and a proper tribute to an all time legend.

Review: Only Trust Your Heart, Diana Krall's second album and major label debut, is available on vinyl for the first time. Featuring legendary tenor saxophonist Stanley Turrentine, along with bassists Ray Brown and Christian McBride, and drummer Lewis Nash, it includes timeless tracks like 'I Love Being Here With You', 'I've Got the World on a String', and 'Squeeze Me'. Mastered by Bernie Grundman and cut from the original analogue tapes, this release is a must-have for fans of Krall and classic jazz.