Back catalogue:

Review: It's not often that a previous unheard recording of a giant of jazz is found loitering in the depths of someone's personal collection, but that's the case here. These recordings of legendary jazz pianist Bill Evans, laid to high-quality tape in 1964, were discovered last year in the personal archive of jazz musician Ole Matthiessen. Now fully mastered, it's a genuine unheard "Holy grail" - a set of recordings that show the versatility and quality of Evans' playing. Basically, it's a fantastic collection of piano jazz numbers, with Evans either playing solo, or accompanied by little more than a drummer and a double bassist. If you love jazz, you need this in your life.

Review: The newly unearthed 1970 Kongsberg Jazz Festival recording showcases Bill Evans' trio in a vibrant live setting. Featuring bassist Eddie Gomez and drummer Marty Morell, this performance highlights the trio's evolving synergy. Recorded during Evans' methadone transition, the set reveals a newfound energy in his playing, marked by dynamic tempos and a percussive vigor distinct from the introspection of his earlier live recordings. The tracklist balances brisk renditions of standards like 'So What' and 'Autumn Leaves' with contemplative pieces such as 'Quiet Now' and 'Some Other Time'. Highlights include the mid-tempo elegance of 'Turn Out the Stars' and the emotive 'What Are You Doing the Rest of Your Life?' Gomez's bass solos feature prominently, particularly on 'Come Rain or Come Shine' and 'Nardis', where his virtuosity shines. Morell's nuanced brushwork complements Evans' shifts in mood, particularly during the tender ballads. The setlist, reportedly tailored on the spot, reflects Evans' knack for adapting to his audience. The interplay among the trio is masterful, underscoring their tight rapport. This release is both a historical document and a compelling listen for fans of Evans' artistry.

Review: Bill Evans Waltz For Debby is an iconic jazz album that has long been a cherished one to add to any collection. It now gets this exclusive collectors' LP edition that comes with a special 7" single that includes some extra versions of songs from the original album. These include unaccompanied piano versions of 'My Romance' and 'Waltz for Debby' as well as a special quartet reading of the title tune featuring Evans with Cannonball Adderley. It's full of dancing melodies and majestic melodies that run deep into your psyche.

Review: Bill Evans and Jim Hall's Undercurrent is a timeless coming together of two greats that showcases the sublime synergy between piano and guitar. Released in 1962, the album exemplifies understated elegance and musical intimacy. Evans' delicate piano melodies intertwine seamlessly with Hall's lyrical guitar lines, creating a captivating atmosphere of introspection and emotional depth. Tracks like 'My Funny Valentine' and 'I Hear a Rhapsody' epitomize the duo's unparalleled chemistry, while their improvisational prowess shines on every note. Undercurrent then stands as a testament to Evans and Hall's collaborative brilliance, leaving an indelible mark on the landscape of jazz music with its timeless beauty and profound musical expression.