Review: Berlin-based Italian producer Audri has been scattering his smart, fine-tuned machine soul across a handful of labels over the past four years. Picking up the thread from the emotive and inventive end of the 90s techno spectrum, his latest drop on Albion should appeal to all those who can't get enough of that B12-flavoured sound. 'Inner Movement' sports plenty of classic Motor City influences, but given a crisp modern finish. 'Dizzy Freq' has a deeper demeanour that jacks and jives in equal measure, with a nod to the formative sound of bleep techno. Domenica Rosa delivers a fun and freaky twist on the original, before the legendary Titonton Duvante dubs things out nicely on his version of 'Inner Movement'.
Review: The 10th release on EYA comes from French producer Master Flashhh, who delivers punchy, cool-headed house music with a strong early 90s slant. 'Too Big To Fail' keeps things stripped back and weighty, with a bassline so thick you could sink your teeth into it. 'Beat Boxxx' has a more psychedelic, slow-techno slant to it, not least thanks to the ranging 303 gurgles sliding around the track. 'Boulevard Mystere' adds a little cinematic spookiness to the mix for an ear-snagging warm up track, and 'Enigma' completes the set with the kind of eerie mood and crisp box jam sounds that make artists like RVDS so compelling. Highly recommended for those who like their machine music with personality and punch in equal measure.
Review: A new enigmatic duo from London named Two Shell present Livity Sounds' next installment. Their debut "Access EP" draws influence from the South London underground of the late '90s and early 00's, with a nod to more contemporary Bristol sounds across these four wicked tracks. From the off-kilter stepper that is "Heart Piece', through to the glacial and deconstructed dub techno of "Contactless" and the rolling bass-driven entrancer "SYNC-2020" - they have forged an EP of warm but stripped-down, deft UK style grooves to mark an anthemic debut. More groundbreaking future sounds from the ever reliable Bristol label.
Review: Ole Mic Odd aka Michael Padgett is a hardware operator and DJ from Los Angeles and runs the wonderfully named label The New U.S. Government. Here he sweeps to power with four tracks across four sides of vinyl for the Zement label, two following a slower, punishing pulse that's like P-funk remade in a robot factory, only with tons of added bubbling acid, Drexciya-style filtering and Juan Arkins-like synthetic strings. The other two are way faster, Ice So Bright sounding like someone secretly spiked Kraftwerk's cocoa with something extremely sinister, sending them racing off on their bikes at treble speed. Echo Park has an even more distinct flanging acid flavour and hyper, hooligan electro foundations, again with those Model 500 misty clouds of synthesiser floating overhead. Absolutely cracking stuff.