Review: Berlin-based British producer Joe Seaton dons the Onno Fudd alias once again, following up a couple of releases on Will Bankhead's The Trilogy Tapes label - namely 2016's terrific Blue Dot EP. Five deep and meditative cuts that merge classic house/techno flavours with IDM and ambient aesthetics - all with a modern experimental twist. We are loving the floaty and entrancing drifter that is the title track, the driving EBM style arpeggio that is central to the epic groove of "Joyride To My Inside" and the hypnotic heads down bounce of "Earth Queen Voice". On the flip, he even dons his more popular Call Super alias for the Rhythim Is Rhythim-ish vibe of "The Mess".
Review: Adiel presents a collection of narcotic and trance-inducing grooves for Kangding Ray's new (ara) imprint, following up an impressive inaugural release by the man himself. The Danza Tribale boss steers crowds into deep ecstasy with her hypnotic sets as resident at the famed Goa Ultrabeat, and on her new Musicfilia EP she serves up exactly the kind of sounds that comprise her acclaimed sonic journeys. Adiel surrenders to the void on the tunnelling opening cut "The Call" (a truly majestic exploration!) and on the B side we have the pure adrenaline of the title track - which will have you in mental overdrive. This one fully channels that 'Sound Of Rome' vibe. The EP ends with the deep and introspective melancholia of "Rednight".
Review: Earthen Sea adds to the Kimochi Sound with a soulful examination of indistinct margins, suffused with dusky haze. It's a heady atmosphere and has a palpable heaviness throughout. Starting the record are the concrete reverberations of You Don't Never Know, followed by the murky ebb and flow of Fly. 13 Beat(less) is diffused ambience.
Shielding fittingly closes the record, and weaves Earthen Sea's many textures with intricate syncopation.
Review: Pitch black antics by Greek industrial noise terror (and Liber Null main man) Unhuman, alongside Dutch modular maniac Derk Reneman aka Roberto Auser for this collaboration between imprints Gooiland Elektro and Enfant Terrible out of Holland. Unhuman (Emmanouil Simotas) takes care of the A side of the release, immediately treading the left hand path on the slow burning acid sludge of "Faces Of Death", followed by the seething EBM reduction of "Seven Days". On the flip, Auser lunges straight for the jugular on the brooding and contorted techno experiment that is "Avalon", followed by the pummelling four to the floor grindcore of "Unexplained".
Review: Prince De Takicardie has been part of the Lumbago family of artists for some time. He's already served up some serious heat via the Signal Phantasm project (alongside studio collaborator Welwert) and here makes his solo debut for the Lyon-based label. He starts strongly via the jumpy acid bass, twisted electronics and thrusting grooves of "Space Dandy", before giving his TB-303 lines more prominence on the retro-futurist techno clank of "Scorpio's Track". Arguably even better is "The Haunted Cabaret", a sparkling and spacey slab of storming techno-funk, while "The Gates of Hell" sees the French producer wrap rave style stabs and jacking machine drums around another Chicago style acid bassline.
Review: Here comes an eagerly awaited release by a newcomer that is destined to be an underground classic. Coming out directly from the camp of Neuhm from Naples is DJ Fabrizio Fattore: the resident DJ alongside Gigi Testa spreading the underground message through his music. Connected directly to their concept, Fattore makes his debut here on Word Peace Music: their main purpose is to connect both music and culture from all around the world and other galaxies in one universal language. Features the hi-tech jazz of "Planetary Love" that is reminiscent of classic Mad Mike/Underground Resistance, followed by the spiritual life music epic "Enuma" on the B side. It is full of shimmering synth layers and emotive elements - you could imagine the likes of Derrick May or Laurent Garneir playing this one.
Review: Crisp Recordings is a record label and production company founded by legend DJ Ra-Soul and Chicago by way of Memphis' Don Crisp. Black in Time is the moniker used by the pair which has resulted in three previous collaborative releases on the label, and they're back with the fourth after a long hiatus. Now they present the politically charged "Democracy Is Hypocrisy" with its powerful narrative fuelled by a groovy minimal acid arrangement. Comes with a handy instrumental version on the flip, in addition to a rough and ready acid dub that's perfect for getting weird at the afterhours. Much crossover appeal anticipated on this little treasure -tip!
Review: Regis is the founder of one of techno's most influential and uncompromising labels, Downwards Records. His inimitable hard techno sound, and collaborations with Surgeon as British Murder Boys, have cemented his legacy as the definition of the Birmingham techno. Luke Lund is one of the Finland's fastest rising young composers, with the ability to move seamlessly between the marshes of dark hop to the silkiness of deep techno. His own Terranean Recordings label has been fearlessly documenting the Finnish underground and beyond since 2010. King Pin Frankie is treasure untold - a live Regis recording from New Year's Eve 1997 in Chicago. Pounding classic minimal TR 909 with an accelerating/decelerating arppegiator make this A side a serious find, with distorted synth moving platforms occurring as the track winds out. TIP! Luke's Scourge is an electronic composition masterpiece - pinning a straight kick underneath a shifting snare, leaving the question open - is it techno? Is it dark hop? Whatever it may be, the bass underneath tells it big and fills up a subwoofer. Limited Edition Print by nem0
Review: Last year Paulo Mosca made his vinyl debut on Where We Met as one half of Venetian duo Micro.Solchi. Here he makes his solo bow via a four-tracker on Slow Life rich in vintage influences. "Interstellar Interruption", for example, sounds like the kind of far-sighted UK-US techno fusion that could have been featured on a Nexus 21 EP from 1990, while the organ-sporting techno-funk of "Cosmic Love" boasts bleeps that could have been taken wholesale from an early Warp 12". The producer's inherent funkiness is showcased further on brilliant opener "What's Their Name?" - all squelchy bass, Derrick May style drums and jaunty sci-fi lead lines - while "Star Wars" wraps decidedly spacey pads, warped lead lines and dubby bass around a shuffling breakbeat rhythm.
Review: Fernando Zapico AKA Z@p is one of those producers whose work is always worth a listen, primarily because his quality threshold is very high. This two-track missive on My Own Jupiter picks up where his recent EP for Japanese imprint Cabaret left off, delivering faintly foreboding futurist techno whose sci-fi inspirations are clear to hear. A-side "Brutalismo" sets the tone, with paranoia-inducing analogue bass, creepy synth stabs and swirling electronic textures rising above a punchy drum machine-driven groove. "We Control The Sound" is notably denser and a little darker, with sturdier beats, moodier chord sequences and a bone-chilling breakdown.
Review: Three years on from his last outing as Head Front Panel, machine-loving acid maestro John Heckle finally delivers a new EP from his techno-focused side project. After opening with a scene-setting chunk of weirdo ambient, Heckle dives into peak-time techno pastures via the sharp, alien synth loops and pounding beats of "Cube" and the grainy, acid-fired dancefloor psychedelia of intoxicating throb-job "Poly Wind". The intensity keeps coming via the minor key bleeps and thrusting drums of "Stretch". There's more tipsy fun on side B, too, meaning this is one wonky techno EP that you don't want to miss out on.
Review: A dream team line up for this four way that heads off in various directions across detailed and trippy techno landscapes. Those who have been following these heads will understand what we mean- with the quartet all beginning to rise to prominence now and finally claiming the kind of respect they deserve. Saverio Celestri brings 'Ethereal', packed with direct cymbal work, lilting reversed organs creating leftfield-but-dancefloor business with plenty of usability. Midgar label manager Jacopo, toughest from the names here, takes us down an arpeggiated acid route, never quite unleashing but acting as precursor to whatever bangs come next. Otis' 'Axes of Continuity' has a simple three-four note melody mirrored by bumbling bass, and should sound ideal at anything with a free party vibe. Finally, Fede Lijt's 'Deflexion' goes deepest, twinkling chimes, submerged lows, plenty of snares.
Review: Frankfurt record shop Gosu are back with the next instalment of their in-house label by OFFM regular Rob Amboule. The British producer has been making records for some years now, on labels like 20:20 Vision, Heidi's The Jackathon and more recently OSMAN and NorthSouth, initially starting out in London. A chance encounter led him to Frankfurt and after a short while he decided to relocate out to the Main area. A long-time friend of the label as well as Freebase (RIP), his skills developed with the encouragement of label bosses Manuel Schatz and Phil Evans. Amboule presents Gosu 9.5: on the A side we've got the funky and chunky all analogue electro futurism of "9.5 B", while on the flip things go in a more straight ahead direction on the classic techno excursion of "9.5 D" - taking the very best elements of Detroit and Yorkshire in its stride.
Review: Thread is a collaborative project from Ben Micklewright and Marc Ashken, two long-standing figures in the UK's underground house and techno scene. After debuting in 2017 on Reach, the pair are back in action on O.C.D. with a varied selection of quirky machine jams. "Edge Road" is a twitchy tech house cut that nods to Thread's roots in the minimal scene, while "Derwent Way" explores a freaky strand of electro. "Holt Drive" has a more classic Drexciyan twist to it, and "The Alley" switches back into house mode with a heads-down wriggler that will worm its way into your cerebellum with ease.