Review: Carl Finlow, aka electro main-man Silicon Scally, originally released the Boot Loop EP on Billy Nasty's Electrix label back in 2013 - an aeon ago in real terms but a blink of an eye to any electro devotee. Such is the quality of the music that it's well deserving of a repress, not least given the fearsome appetite for this kind of electro now compared to seven years ago. "Conduit" and "Hashtag" are quintessential Finlow cuts, wriggling and writhing with snappy sound design riveted to the machine funk rhythm section. On the flip, Volsoc's "Orange Problem" mix of "Conduit" slips a few more melodic elements into the mix, and Radioactive Man flips "Hashtag" into a gnarly, noisy workout bowling in from leftfield.
Review: After a break of four years in which he flirted with other labels - most notably Ekyspia - extended UR crew-member Mark Flash is back on long-time home Underground Resistance. As you'd expect, he hits the ground running with EP opener "Audiofluid", a suitably out there and intergalactic techno number high on sturdy, electro-influenced beats, foreboding riffs, tweaked acid motifs and some suitably sci-fi electronics. Flash next delivers a talbox-laden "Tuneup Beats" version for those who just want to revel in rhythm, before paying tribute to the warehouse-ready, late '80s KMS sound on retro-futurist EP highlight "Synthetic Bump". Rounding things off is "Liquid Drive", a fizzing and clattering affair that explores similar sonic territory as the fine title track.
Review: Monnom Black welcome back Fractions for more of their sonic disturbances, will acid and rugged techno weapons. For those who like hard edge, brain frying sounds with an instant impact these are perfect tunes: "NITE NRG" has a prowling synth and dystopian vibe that is impossible to escape, while "Do You Believe" is a twisted and distorted techno stomper that will make your fists and teeth clench. "All The Streets Are Silent" sounds like it is straight from Wipeout in the original Playstation console and "Hive Mind" then explodes over and over with maximal drums driving it along.
Review: Some all-Italian electro action here, as Nicola Laporchio AKA Cosmic Garden joins forces with Lunar Orbiter Program regular CEM3340 for four tracks of intergalactic dancefloor fun. They begin with a spot of "Psychoanalysis", a veritable all-action affair in which melancholic motifs stretch out atop crunchy beats and an aggressive, Drexciyan bassline, before flitting between deeper and darker sections on the similarly forthright "31 Seconds". "Square Wave" sees them opt for a more robotic sound - think tumbling, crystalline lead lines and fizzing analogue bass - while "70100" brilliantly combines the twin attractions of off-kilter electro-funk grooves and shimmering, deep space electronics.
Review: For his first outing of 2020, Kyle Hall returns to the label he founded last year, Forget The Clock, with a suitably strong five-track missive. Check first languid opener "Shark", a splash around in crystal clear waters where simmering chords, luscious pads and glassy-eyed melodic motifs stretch out over bubbly, Latin-tinged drum machine beats and a dubby bassline. Hall makes bolder strides towards the dancefloor on lo-fi house cut "Vexed", before doffing a cap to Larry Heard and Ron Trent on the gorgeous deep house positivity of "Distant". Elsewhere, "Slam Deep" joins the dots between Steve Poindexter and the 2000 Black style of jazzy broken beat, while "Channel & Transmission" is a skewed skip through wonky deep house/jazz-funk fusion.
Review: Modularz presents a new release by Japanese producer Hattori Hanzo - recorded in seclusion in a studio near the mountains of Mt.Fuji Japan - Hattori delivers a great body of work focused on Extremely functional tracks with lots of driving rhythms, space influenced hypnotic grooves with the right amount of tension and drama. This is a sure thing get it quick - TIP!
Review: The 7th release on BLKMARKET MUSIC comes from Samuel Jabba and is the first part of the Dystopian Future series.
Samuel Jabba is the label co-founder of a new vinyl only label called From the Void Above. Hailing from Bogota, Colombia, Samuel is a young DJ and talented producer who creates music spanning different genres of electronic music.
On his debut release for Blkmarket Music, the A side starts off with his electro track 'Acid Pleasure' on A1. The A2 track 'Space Mirage' takes you on an outer space voyage focusing on the more deeper side of techno.
The B side kicks off with his heady breakbeat track 'Robotics' on the B1. On B2, Samuel takes us on a dark journey with his minimal electro track entitled 'Random Demise.'
The First Rebirth (Reinier Zonneveld remix) (6:51)
The First Rebirth (5:54)
Review: Bonzai is one of those labels - if you're familiar then you know exactly which side of the stylistic debate(s) the imprint falls on. A bonafide trance institution that made a name for itself back in the genre's 90s heyday, dedicated followers and disciples will be delighted to know that even with the much more techno-leaning Reinier Zonneveld on remix duties, this one is firmly in the neon end of the dance spectrum. While the alternative version holds little back, including its roots in the laser-reaching mania of the source material, the original still manages to make that seem slow by way of a ferocious and frantic pulse beat which juggernauts its way below sirens and choral samples. One thing's for sure, you're not getting away from either very easily.
Review: There can be nothing finer than a new hit of techno direct from the D. Brian Kage is the man behind the beats here and references the current coronavirus pandemic numerous times, starting with opener "Lockdown." It's a corrugate and jacking cut run through with acid lines and airy hi hats. "Hold On Pain Ends" is a warm dub current awash with subtle synth effects and a hypnotic sense of tension, then "That Woman From Michigan" features spoken word news snippets based on advice to stay at home and stay safe while acid lines undulate below in ever deeper circles. "FU Covid-19" is the tense, angsty techno banger you might expect of such a title.
Review: Donnell Knox and Mark Hawkins, better known as D-Knox and Marquis Hawkes respectfully, team up for a collaborative EP on Sonic Mind that speaks to their respective roots in underground techno reaching back to the 90s. "Kalamazoo" is a tough and clattering jacker with out-of-phase organ lines to send your mind spinning, while "Not The DX100" brings things front and centre for a comparatively direct, acidic workout. "Halfway" ramps up the melodic content as a displaced vocal celebrates Kalamazoo's location between Chicago and Detroit, and then "Just Let Me Go" completes the set with a tough and bumping vocal house cut.