Review: Time Horizon's second episode enlists another team of dancefloor snipers delivering 5 brain-dancing tunes crafted appositively for late night use. After his appearance on the first XCPT record, Andrea is back on the label with his unmistakable shuffling drums and a heavy square bassline followed by Anybody Anytime covering the uptempo-zone with a rotative junglistic tool dressed with celestial pads; closing the A side TANS reveals his new robot alias The Sympathizer providing a neurotic electro progression fully based on his modular system. Flipping the records you will find two XCPT homies bringing the audience straight into Matera landscapes: Farron gets a 909 unceasing toms orchestra surrounded by his atmospheric leads while Kreggo illustrates clearly his hypnotic mid-low vision of breakbeat locked by a mystic bass for the whole track.
Review: Last year Brazilian DJ/producer Ana Miranda joined Kompakt Extra following years spent building her reputation via fine releases on such labels as Novamute, Twin Turbo, Yoshitoshi and Terminal M. For her third release on the long-serving German label she's joined forces with another scene queen, the incomparable Miss Kittin. The pair has produced a raw, driving dancefloor beast that's bigger than Donald Trump's ego and infinitely more alluring. "Forever Ravers" is heavy, intense and forthright, with stylized vocal snippets and razor sharp electronic motifs surging above a thumping groove. Miranda offers a different take on the track on side B, opting for bleeping and panicked electronics and spacey bleep melodies.
Review: In 2012, the Zenker brothers introduced a new series on their Ilian Tape imprint: The Bias Tapes. We are now into the third edition come 2018 and it's a great one, we must say. Like the name may suggest, The Munich Edition features some heroes of the local scene such as Kareem El Morr: who delivers the dark side electro bass of "Eros 404", likewise label boss Dario Z. (ft. Maurice P.) goes down the same toute on "CEJ". Elsewhere, dubby and cyclical warehouse techno in the vein of G-Man can be heard on Konrad Wehrmeister's "CWS" and usual suspects Marco & Stenny hammer the message home in typically bold fashion with the emotive "Imcon".
Review: A fair few DJs will go weak at the knees when they spot this collaboration between Workshop overlord Kassem Mosse and Fit Sound supremo Fit Siegel. The three tracks showcased on the EP were actually recorded in Detroit back in 2016, though Siegel only got round to completing finished versions last year. There's much to enjoy throughout, from the snappy, slightly wayward machine drums, slowly shifting TB-303 acid lines and subtle Detroit electronics of "Saboten", to the dubby late night hypnotism of closing cut "Cycle Blue", where woozy intergalactic chords, blissful piano motifs and vaguely threatening electronic pulses cluster around fizzing drums and a suitably bubbly bassline.
Review: REPRESS ALERT: Gravity Graffiti has been doing great things with its series of split 12"s already, but now the Italian label goes one better for its tenth release with this mighty double pack of heavy hitters. First up is the ever-untouchable Yoshinori Hayashi, who gets as straight up as he possibly could with the freaky house burner "Dissociative." Telephones is feeling particularly dubbed out and groovy on "Kalimbalimbo", while DB.Source and Riccardo Schiro take things strung out and textural on "Montevago". Dynamo Dreesen is in rave mode for the pepped up and delightfully weird "Reactivate", leaving the final side to Oyvind Morken & Kaman Leung's chugging "Tunnel Visjon" and the rubbery side swipes of Acidboychair's "The End (At Any Speed)".
Review: On the next record from Main Drain Studios, Chicago artist K-rAd brings two high-tempo cuts loaded with their distinct blend of bright, nimble production.
The A-side, "174_B7B5" is a total D&B tear-out. Thundering subs carry along waves of arpeggiated synths, while whimsical samples cut the tension of the winding breakbeat flurries.
On the flip side, horns fade in and out of "154_Materials Stardust Memories ", conjuring visions of a metropolis at dusk, with jazzy interludes telling tales while lean, skittering drums & warped bass lines pepper the road along the way.
Review: Longstanding Detroit deepsmith Kage returns on his brand new label Michigander. The result? Three superlative exercises in synth soul and an on-point version for later hours. "The Arc" prowls with all the string-soaked majesty of an early Rolando cut while the stringless version hits a little harder. "D Drive" jacks with a slappy bass groove while tipping a slight nod to Yazoo with its vibrant riffy ripples while "Transcending" is all about the big dubby synth washes and off-kick bass palpitations. Let's hope there'll be more to gander from Michigander very soon.
Review: Back in April, Blawan and Pariah rebooted their hardware-based Karenn project after a five-year hiatus via a rugged EP on their freshly minted Voam imprint. Here the pair inaugurates a new series, Voam Club Archive, in which they'll offer up tracks recorded during live performances. For fans of raging, hard-wired club techno, there's much to enjoy, from the intoxicating, acid-fired stomp of "Berlin - Live Cut 1" and the redlined intensity of the dark and distorted "Berlin - Live Cut 2", to the Sheffield style bleep melodies, wild electronics and Lory D style grooves of "Rome - Live Cut 1". Arguably best of all, though, is the metallic, forthright insanity of closing track "Amsterdam - Live Cut 1".
Review: NTS mainstay Kasra V joins Kim Ann Foxman's Firehouse Records for the Akasa EP, where the Iranian-born/London-based producer showcases his broad musical taste and his ability to seamlessly blend genres. He collaborates with Detroit electro legends Dopplereffekt on the absolutely majestic "Bloom", while the title track or the breaks-driven "Otaku" explore old-school beats with a modern twist. Finally on the flip, we have a remix of "Bloom" by American retroverts Mike Servito and Justin Cudmore - who inject more dancefloor dynamics into it with their Kv In Full Mix.
Review: Despite scouring the Internet for the best part of an afternoon, we've been unable to identify the producer (or producers) behind "Keep Your Mouth Shut 1", an anonymous but quietly impressive four-track EP. While the untitled psychedelic techno shuffler that opens the EP sounds like a peak-time jam in the making, the cut that follows (simply titled "Track 2" here) is an exotic broken techno affair that makes superb use of raw, acid-fired sub-bass and haunting, almost child-like vocal samples. There's more hybrid fun to be found on the flip, where a driving breakbeat cut comes wrapped in shimmering, summery chords ("Track 3"), and a high-octane, acid-fired electro jam threatens to whisk us off to a deep space destination unknown.
Review: Soundscape Versions delivers its third edition of the various artists series and offers four effective cuts between subtle house breaks, acid house, electro and atmospheric techno. Featuring Kintaro 89, Faune, Arian Alexander and Douala.