Review: Last year Brazilian DJ/producer Ana Miranda joined Kompakt Extra following years spent building her reputation via fine releases on such labels as Novamute, Twin Turbo, Yoshitoshi and Terminal M. For her third release on the long-serving German label she's joined forces with another scene queen, the incomparable Miss Kittin. The pair has produced a raw, driving dancefloor beast that's bigger than Donald Trump's ego and infinitely more alluring. "Forever Ravers" is heavy, intense and forthright, with stylized vocal snippets and razor sharp electronic motifs surging above a thumping groove. Miranda offers a different take on the track on side B, opting for bleeping and panicked electronics and spacey bleep melodies.
Review: Back in April, Blawan and Pariah rebooted their hardware-based Karenn project after a five-year hiatus via a rugged EP on their freshly minted Voam imprint. Here the pair inaugurates a new series, Voam Club Archive, in which they'll offer up tracks recorded during live performances. For fans of raging, hard-wired club techno, there's much to enjoy, from the intoxicating, acid-fired stomp of "Berlin - Live Cut 1" and the redlined intensity of the dark and distorted "Berlin - Live Cut 2", to the Sheffield style bleep melodies, wild electronics and Lory D style grooves of "Rome - Live Cut 1". Arguably best of all, though, is the metallic, forthright insanity of closing track "Amsterdam - Live Cut 1".
Review: Soundscape Versions delivers its third edition of the various artists series and offers four effective cuts between subtle house breaks, acid house, electro and atmospheric techno. Featuring Kintaro 89, Faune, Arian Alexander and Douala.
Review: It never used to be so, but these days solo releases from Ben Klock are few and far between. We've seen periodic collaborations from the Berghain resident - most notably with old pal Marcel Dettmann - but little else, making this first solo single in nine years a genuine "event" release. He's in fine form on A-side "Subzero", a hushed, deep and intoxicating techno workout that delivers nine minutes of locked-in drums, hazy aural textures, simmering chords and icy, undulating lead lines. Flipside "Coney Island", an evocative and atmospheric affair that moves from dusty field recordings (presumably of the famous New York resort mentioned in the title) to forthright, funfair-aping techno headiness via a drawn-out ambient intro, synthesized horror strings and bubbly acid bass.
Review: Released earlier this year to critical acclaim, Krystal Klear's "Euphoric Dreams" was a non-stop rush of neo-trance synthesizer refrains and melodic, life-affirming electronics. Here, Kink turns in his takes on the track, starting with a formidably filthy, bass-heavy take that flits between euphoric, synth-heavy sections and dark, stripped-back grooves. It's neo-trance, Jim, but not as we know it! The veteran producer's flipside "Drums & Bass Mix" removes the giddy and glassy-eyed synth parts, instead layering psychedelic acid lines atop thumping, trance-inducing beats and Belgian hardcore style "Hoover" bass. In other words, it's a properly intense techno throb-job.
Review: It's been a long time between drinks for Chris Korda, a transgender artist and activist whose last releases of note came on famed electroclash label International Deejay Gigolo way back in 2004. New album "Akoko Ajeji" is very much a surprise return to action, though its melodious, ear-pleasing and accessible blend of house and techno drums, digital synthesizer sounds and cheery post synth-pop refrains is both striking and hugely addictive. Korda's compositions offer subtle nods towards various vintage house and techno styles - particularly turn-of-the-90s deep house and early Chicago jack - but never sound anything less than thrillingly DIY productions giddily made in back rooms and bedrooms over the last decade and a half.
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