Review: With this the 3rd instalment of Hell's my definition of house 12" series, two new massive Gigolo old-school tracks are resurrected for the pleasure of a modern listening public. In 1986, three young DJs began making music on a 4-track recorder in a Baltimore basement studio. Little did they know at the time that more than 15 years later they would be viewed as pioneers of American dance music. 33 1/3 Queen (aka Basement Boys aka Jay Ateinhour, Reddy Souglas, and Thommy Davis) took samples of A Guy Called Gerald's classic "Blow Your House Down" (originally released in 1988) and made their single "Searchin'" which quickly turned out to be an underground club favourite. To date, the boys have remixed songs such esteemed acts as Michael Jackson, Erykah Badu, The Shamen, Angie Stone, Lenny Kravitz and Paula Abdul. In addition, they continue to expose and nurture new talents on their own label, Basement Boys Records, which was established in 1995. The Basement Boys have been responsible for some of clubland's biggest anthems and their hit "Searchin'" is as relevant today as it was ten years ago. Earth People's (aka Pal Joey) house masterpiece reach up to mars originally released in 1990 on Underworld Records finally gets a re-issue on Gigolo Records. The original with its monster drums shuffling guitars synth stabs great use of vocal samples and incredible production skills still withstands the test of time sounding like it could have been made yesterday. This is classic material here that will destroy any dancefloor!! House maestro Pal Joey released this tune, a funky cross-pollination of garage classics from Toney Lee ("Reach Up") and Dexter Wansel ("Life On Mars"), in 1990, and you have to thank Hell for making it available now once again to a 2006 audience. There's a fine line between classic and dated. Hell knows this well and selects only for his 12" series "My Definition Of House" those which were groundbreaking when they first appeared and still sound hot to 21st century ears. So keep your mind and ears open, for you never know what Hell will dig up from the basement next. Stay tuned for "My Definition Of House part 4"!
Review: One year later, UVB-76's shadowy collective 4 6 2 5 strike again with two more unique startling schematics. Flexing across the tempo axis, "Sedition" leads with a fast 170 twist as hard pneumatic kicks cut through the dense foggy atmospherics before doubling up the momentum and taking unpredictable twists midway. "Crown Of Nails" maintains the hunchback pressure and that heavy foreboding sense synonymous with each member of the collective, but does so at a cool 105BPM pace giving space for each percussive element to ricochet around your purdy little pranged-out soul.
Review: 4E used to be Khan's apartment number in New York City's East Village back in the late 90's. 4E became the trademark sound for his downbeat acid infused electro work. On his kitchen floor he produced a very unique brand of futuristic funk tracks with only a ROLAND TB-303, SH-101 and the Hip-Hop fundamental SP1200 drum sampler. Besides a couple of 12"s for Force Inc. Music and the "Gentle Killer E.P." on Freddy Fresh's Socket imprint, 4E released the highly acclaimed downbeat electro album "4E4ME4YOU" on German glitch label Mille Plateaux. Back in 1998 4E shared the now legendary 12" with I-F "Space Invaders Are Smoking Grass" on the "From Beyond Series" by Ectomorph's Interdimensional Transmissions. Pills & Thrills" on Temple Traxx is four previously unreleased acid-electro stomper that are as funky and noisy as it can get on an East Village kitchen floor.
Review: Back to 96: The 4th Wave was a producer named Steve Paton. Also operating under aliases such as The Invisibles and Lo-Fi Sensibilities (when he appeared on Mo Wax), Steve didn't remain active for too long outside of the 90s but he left us two killer EPs. One on Planet E in 95 and this one on Kirk Degiorgio's Op-Art in 96. Reissued for the first time, and now featuring the twinkling downtempo delight "Lounge Music" (which was only ever previously available on a compilation), it's a powerful example of the Detroit/UK feedback loop at the time as both techno hubs were influencing each other. "Attention Please" rolls out the breaks, "Mean Streets" bites like a woozy UR record while "Cosmic Dance" whips up a tribal frenzy for the finale. 23 years old and still sounding future.
Review: Since making their debut as 90 Process last year, Julian Muller and Hadone have delivered a series of EPs that look to the rave era for inspiration. They're at it again here, serving up a slamming EP for Lobster Theremin that reeks of Vicks, Essex and sweaty parties on farmer's fields off the M25. "Hate In The Pants", for example, sounds like the offspawn of Joey Beltram and Mark 'Ruff' Ryder, "No Warehouse Needed" wraps '92 style rave stabs and sped-up vocal samples around a blistering hardcore breakbeat, and "Strictly Cut" could have been tailor-made for loved-up sunrises and illicit mountainside parties. In order words, it's a slamming collection of retro-futurust hardcore and techno bangers.
Review: While the name may be new, A New Line (Related) is supposedly the work of an already established musician, although Kimochi was never a label that cared about hype. The music stands just fine on its own, digging into the kind of dusty and dusky house and techno formations that the label has forged its hand-sprayed identity on. There's plenty of ambient techno twirls to be enjoyed on the likes of "Dancing On Soft Borders", while the beats melt away entirely on "After A Short Illness" and grandiose EP closer "RIYL Failures". Once again Kimochi comes up with the kind of meaningful variations on the 4/4 framework that keep our record bags full and our souls enriched.
Review: For the first release on their freshly minted Euphoric State sub-label, London label OPIA has turned to '90s survivors A2 & Stopouts, a trio of producers who first made their name as British tech-house pioneers in the late 1990s. The four tracks showcased on "Go With The Flo" apparently date from this period, though this is the first time they've seen the light of day. There's much to admire throughout, from the rolling, funk-fuelled house grooves and intergalactic pads of opener "You Gotta", to the jacking tech-funk of closing cut "Suits You", via the glassy-eyed rush of "Techfest", where sci-fi motifs and dream house electronics rise above bumping beats and a deliciously squelchy bassline.
Review: Israeli tech house stalwart Shlomi Aber has sure thrown a few curveballs at us in recent years and this could possibly be the biggest yet! The man behind such celebrated titles over the years such as 'Detroit Days/Chicago Nights', 'Sea Of Sand' and 'Clones In My Backroom' moves away from sunny and slinky tech house sounds (as heard on his esteemed Be As One imprint) and now presents a darker, fierce and functional sound that's more suited to clandestine warehouse parties. Adam Beyer's Drumcode seems like a perfect fit for his new style, which has recently impressed via similarly straight up labels like Odd Even and Figure. From the tunnelling peak-time specialism of opener "Inflict", the old-school acid stomp of "Accelerator" (which really bangs the box!) and the stripped back, heads down Millisan hypnotism of 'Typeface', these are some sturdy mixing tools that will make a worthy addition to any serious techno DJ's arsenal.
Review: This is The Activator's debut 12" single on International Deejay Gigolo Records. Sharif Zawideh aka The Activator is a true linchpin of the Detroit underground. Before producing music, Sharif's participation in Detroit's early rave scene during the early 1990s led him to DJ and organize loft parties. In his ever low-key mode, Sharif has quietly kept the Detroit night scene alive in a time when just about all others had given up or moved out. Now with his 'Softcurls Activator EP', The Activator proves that he is not only a quality DJ and party organizer, but as a producer he is also up there with the best of them. 'All Kinds Of Motherf*ckers' on the A side is a monster jacking number. Clocking in at a colossal 11 minutes 54 seconds, this massive track is mixed by Jacek Sienkiewicz, whose own work has come out on NovaMute, WMF Records and Cocoon. The B side features 3 shorter but equally interesting tracks - 'Another Thing Is (America Is The Mix)', 'Escape From Detroit' and 'Doctor Gato (Plus 4 Reasons)'. This is powerful music which will work well in the club and is an important addition to the ever expanding Gigolo catalogue. The Activator programmed the Underground Stage of the Detroit Electronic Music Festival (Fuse-In Festival / Movement Festival) in 2003, 2004 and in 2005.
Review: Mannequin boss Alessandro Adriani returns to Stroboscopic Artefacts with 'Embryo' - an immersive four-track micro-odyssey spanning across jagged ambient scopes,unmapped acidic grounds and further leftfield-friendly sonic territories, opening up the path for his forthcoming sophomore LP and first ever for Stroboscopic Artefacts, 'Morphic Dreams'.
… Read more
Artikel 1 bis 50 von 2,569 auf Seite 1 von 52 anzeigen