Review: Nite Fleit has had a barnstorming couple of years with drops on Planet Euphorique and Unknown To The Unknown, a team-up with Mall Grab on Looking For Trouble and now this rabid electro stormer on Helena Hauff's Return To Disorder label. Compared to some of the grungier, punk-inflected electro you'd expect to find on the label, this is bright, bold, big-room stuff with plenty of ravey motifs to move large masses of bodies. "Empty Nest Syndrome" is hyped up to 11 while "Naive" pivots around a hard as nails electro beat. Watch out for the mad arps on "Can't You See" and "Rebel Faction" too - they're gunning for your cerebellum and you should take heed.
Review: Over the course of their six-year career, French twosome Nummer have slowly morphed from fresh-faced angular techno enthusiasts, to makers of admired electronic music rooted in a widescreen and nuanced musical vision. Their growing maturity is much in evidence on "Night Confidence", an EP that effortlessly flits between deep, dreamy and delay-laden lo-fi deep house bliss ("Sea Junkies"), sleazy, acid-fired, alien-sounding late night house weirdness ("Hassen (Dub)"), extra-percussive fusions of Burrell Brothers style deep house and new age beauty ("Kyoto's Forest"), and the wonderful analogue/organic fusion that is rolling, outer-space house jam "Windchill". An inspired EP from a duo whose music is sounding fresher than ever.
Review: For the second missive on his recently launched Fencepiece label, Steve Pickton has delved into his archives and dusted down a trio of cuts from the early days of his career in the mid 1990s. On the A-side you'll find two tracks first featured on his 1994 debut album as Phenomyna, "Unexplained": the crunchy, deep space techno/electro fusion of "Travellor" [sic] and the deeper, warmer sci-fi electro flex of "From Afar". Over on the flip, there's another chance to enjoy the superb "Tau", which originally closed his first solo Stasis album, "Inspiration", way back in 1995. It's a spacious and ear-pleasing affair that wraps lilting synth-strings and bubbly, Detroit techno style electronic motifs around a skittish, futurism-inspired techno beat.
Review: Woo York seem to save their best work for Tale of Us's Aftelife label. Their previous outing on the imprint, 2018 debut album "Chasing The Dream", was an underappreciated gem, and happily this EP-length follow-up is equally as impressive. Musically, all four tracks draw great influence from what some are calling neo-trance, employing riffs and arpeggiated synthesizer lines more often found in both trance and progressive house. The weightiest cut of the lot is "Dancing With Sirens", whose star attractions include squidgy bass, moody acid stabs and sustained, spacey chords, while opener "Echoes From Beyond" is sunny, summery and almost rush-inducing in its melodic positivity. "Minimalism", a deep and trippy excursion dominated by psychedelic acid lines, hoover noises and a lengthy breakdown, is also rather good.
Review: **REPRESS** Another album from the amazing mind of Heinrich Mueller (aka Gerald Donald). Originally released on DJ Hell's Gigolo label and apparently only licensed after Gerald crashed Hell's BMW and had to come up with a means of paying him back. All the tracks first appeared on the very obscure Dataphysix imprint from Detroit, with some releases only reaching the 500 copy mark. Now brought back to life for 2007, "Gesamtkunstwerk" could be one of the best electro albums ever made. Yes that's right, I said it...the best ever! This is almost as important for the techno generation as Kraftwerk's "Computerworld" and "Autobahn" were for many in the 80s. The tracks are all pretty simple, made up of only two or three analogue instruments each, but they seem to hold these timeless melodies that you can never tire of. Other moments are eerie, menacing and downright strange, but still pure genius. You know how a lot of the time when you buy a new record it becomes your favourite for a while, and then it starts to lose a little life? (Of course it's still good, but just not as fresh as the first couple of weeks when you listened to it on repeat). Well guess what? That doesn't happen with this record. I must have listened to some of the tracks on here over a 1000 times and they still send shivers down my spine. It's one of those special albums that just don't seem to age.