Review: Tolga Baklacioglu's releases may not be all that frequent, but when they do arrive they're always worth a listen. Your Secret Face is his first outing of 2018 and sees him join forces fast-rising Russian artist Dee Grinski. The latter's stylish - and heavily distorted - spoken word vocals can be heard on the EP's opening and closing tracks, with the latter - an 11-minute experimental epic that could feasibly soundtrack nuclear Armageddon - also benefitting from her drowsy, improvised singing. No doubt she contributed heavily to the EP's instrumental cuts, too, which are bleak, fuzzy and industrial in the best possible way.
Order From Chaos Of The Death (Samuel Kerridge remix) (5:59)
Avoidance Paranoid (Isabella remix) (8:27)
Order From Chaos Of The Death (Ryo Murakami remix) (6:10)
Hissiyat (Svreca remix) (6:35)
Review: Following the release of Tolga Baklacioglu & Dee Grinski's album "Your Secret Face", VENT presents a remix package featuring Samuel Kerridge, Svreca, Ryo Murakami, and Isabella, who are some of the artists who have most inspired and supported the duo's music. These exceptional artists' interpretations refract the industrial rhythms and harrowing vocalisations of the original tracks into caleidoscopic tunnel visions with each remixer's individualistic expression.
Review: Delivery is the work of Greg Shin, who has previously appeared on LA Club Resource and Smashing Tape Records. Now he appears on Torn Hawk's Valcron Video with a wonderfully diverse set of leftfield machine workouts, kicking off with the tempestuous drum twitches of "Brain Drained". "Technology Transplant" is a polar opposite, focusing on calm drifts of ambient synth with a mournful tinge. The B2 is worth digging for, as "Four Two Nine" seems to balance the two other tracks and make for the most club-ready piece on the 12".
Review: As Until My Heart Stops turns 10, we head back across the Atlantic , this time to Boston and a stunning ep from the still hugely under rated DeViere.DeViere is a music producer and radio disc jockey (Progressive Black, 90.3 FM WZBC Newton) based in Boston, Massachusetts. He first came to our attention with the Transcendental Numbers ep on Jamal Moss' Mathematics label in 2012 and we've waited on each release ever since, including last year's huge Future Shock Disco ep (a collaboration with Jamal himself). Here DeViere presents 3 beautiful examples of his deep, soulful craft and a fitting way for UMHS to hit double figures.
Review: Dona's Plant Texture lays down more fresh produce in the form of the left-sided Italian beat selection. Dona takes the A-side with three versions; his RaveONine blend is a warped, woozy joint that tips a subversive nod towards to the trippier side of Detroit, his jungle mix lives up to its name with some classic breakwork while the Slow08 version takes us right into the middle of a gluey dancefloor, all slo-mo and sedative. Flip for three twists from fellow Italian Simoncinco; a wriggling acid groove, a thundering bleep-style dub and some rolling 909 drums for add creative mix pleasure. What a package. Ready for takeoff?
Review: The East Coast's house don DJ Jus-Ed is, as always, on an unstoppable run of form. His latest bundle of club-friendly tunes comes on his own Underground Quality, of course, and it's four tracks from the man himself - preaching the gospel like only he knows how! Starting with "Acid Fro", the mood is darker and more hypnotic than his usual approach - this is a proper belter in every sense of the word - while "Ice 597 To Frankfurt" is more minimal, wavey and utterly pouncing. Flip the record and you got the melancholic melodica of "Katzback Gruv", another stomping club affair for the earlier set times, and "Train Ride To Berlin", a jittery, percussion-driven bit of neo-tribalism. Hot, as always. Don't miss this!
Review: UK trip hop legend Howie B teaming up with the Jersey deep house don Jus Ed? You better believe it! According to Howie B himself, who proudly declared on his Facebook page "The theme is cinema. The mood is deep." Cinetrax Vol. 1 is the first part of three 12"s which will be presented for the project. The slow grinding electro pop of "Salty Dance" is something that you could have imagined Ryan Gosling cruising the streets of DTLA after midnight in Drive, while "The Breach" does have cinematic aspects about it, in a way, but sounds more like an early Robert Hood track on -8; we really liked this bleepy and cyclical excursion in minimalism. On the flip "The Essence Of New" fuels some exotic daydream fantasies with its chilled and atmospheric beats while "Phat Harp Ban" is a darkly aquatic smack electro number, that brings to mind that epic underwater bank heist in scene in Sexy Beast.
Review: Otherwise known as one half of the Decas duo, Berlin-based Battista strikes out on his own with Records Hold Memories, an EP of thumping, raw techno tracks in the Restoration/Livejam vein, all recorded straight to tape. "From The Otherground" is all heaving kicks, a chugging angular bassline and distorted vocals buried deep in the mix; John Swing's remix meanwhile subtly flips the energy with a more rolling bassline with the kinds of loose drums that gather energy like a steam train. On the flip, "Natural Instinct" offers more unhinged 4/4, building up to a crescendo of cymbals and vocal noise; "Flowing Through Time" is even more manic, accelerating things up to 134BPM through a flurry of claps, snares and looping bass.
Review: In the face of all those Clone reissue compilations, Tresor are doing the right thing and digging into their own archive of seminal aquatic machine funk from Detroit electro legends Drexciya, and stepping up with the Hydro Doorways EP is the kind of power move that most labels can only dream of being able to make. From the cinematic drama of "Quantum Hydrodynamics" to the textbook boogie down synth abandon of "Polymono Plexusgel", not forgetting the heavy-on-the-one throwdown of "Lost Vessel" or the alien gurgles and peppy pace of "Species On The Pod", or the... oh you know the drill. This is timeless, essential business for anyone that takes electronic music seriously.
Review: Although Clone's series of remastered Drexciya retrospectives are excellent, it's nice that Tresor have decided to reissue the majority of material the Detroit pair released through the Berlin label in its original format. This way you get the music in the manner Donald and Stinson originally intended. The four tracks on Digital Tsunami were drawn from the same recording sessions that resulted in the sublime Drexciyan document Harnessing The Storm and thankfully got pressed on an addendum 12" after not making the cut for the double LP. With Tresor having just reissued Harnessing The Storm it seems only fair Digital Tsunami should be granted the same treatment. Some 13 years after it's original release and all the music here still sounds like it was drawn from the future, with Donald and Stinson excelling at rapid fire bursts of abstract subaquatic electro, such as towering highlight "The Plankton Organisation".
Review: Tony Rodriguez has many strings to his bow already as Brothers' Vibe and the head of Mixx Records, and now he's embarking on a new venture in the shape of the Toad Red label. Focused on a harder-edged sound than the deep house he's normally associated with, Rodriguez has invited Esther Duijn and youANDme to join in the fun with some finely crafted techno for open-minded dancefloors. Meanwhile there's an original BV jam in the shape of "Dee's Drama", while Rodriguez also unveils a new modular-focused alias named Silent Rodgerz. It's a new chapter for the New Jersey mainstay, and it promises exciting things to come in the future.
Review: The sheer volume of New York maverick DJ Spider's back catalogue is as intimidating as the picture of the man himself holding a machete in the studio, but it's a rich and unpredictable treasure trove of leftfield techno. He makes an appearance on Thema with a record typically diverse in its make up. The opening track "Throwing Hairs" is a masterful trip through atmospheric, organic soundscapes with submerged ecosystems of sound rippling around deathly simple kick n hi hat pattern. His own rework of "Extropy" features similar smudged textures underneath, but the sweet nature of the chords makes for a killer foil to the murk. "The Final Revolution" gets into a tougher frame of mind, placing plenty of emphasis on the low end and letting fly with some seriously dishevelled percussion. "Distress Signal" is oppressive in its sense of desolation, all icy winds blowing into a kick propelled nothingness.
Review: Bogdan Drazic's two debut EPs for Giallo Disco, a pair of monumentally aggressive EBM/techo deviations, were good enough to capture the attention of Will Bankhead's TTT stable, propelling the artist onto a new stage, with a new set of listeners. In fairness, Bankhead has picked some pretty 'out-there' material from Drazic, with the opening "Nang Nubia" being a marvellously twisted whirlpool of techno and metallic power-core, followed by the quirky mechanics of "Goa, Goa, Gone". For the flip, Bogdan delivers "Jack Dat Wabbit", a more bass-heavy stomper with a supremely off-kilter groove under its hood, whereas "Trip This Joint" waves its heavy folds of bass over a broken, disJOINTed medley of beats. Lush. TTT-approved.
Review: A promise is a manifestation of intent to act or refrain from acting in a specified way at some point in the future. It's communicated by one party, to at least one additional party, to signify a commitment has been made. The person manifesting intent is the Promisor. The person to whom the manifestation is addressed is the Promisee.
Review: Dead Fader jumps from Kimochi Sound over to Tesuji with a rolling, dreamy, euphoric rendition of future electro. Essential, optimistic, forward-thinking. On the other side, Bassiani's HVL flips the beat on its head for more ominous perspective, complete with klaxon acid line and sinewy breakbeats.