Review: From the minds of Direct Beat and Detroit Bass Classics, comes the first initial compilation of electro/techno heat. "Electro In The Key Of Detroit Vol 1" presents 4 proven dance floor dope and record crate staples that provide the hungry ears of masses the groove to move. A Side features two sure-fire steppers - a rare AUX 88 voyage entitled "Phantom Power" and Blak Tony's tempo-pushing "Holla Holla" finally see the light of day on this wax collectable, giving praise to Motor City footwork culture. On the flip, DJ K-1's "Erase The Time" rocked the airwaves and global clubs with its signature thumping style laced beneath alien-like melody and repetitive vocal structure while Posatronix's mutant-rhythm mantra, "Pure Techno Sound" pulls the weight of Detroit's street dance roots down to the origin of how to boogie in space. This collection of re-issued jams and new explorations is the must-have for the electro/techno & bass aficionado.
Order From Chaos Of The Death (Samuel Kerridge remix) (5:59)
Avoidance Paranoid (Isabella remix) (8:27)
Order From Chaos Of The Death (Ryo Murakami remix) (6:10)
Hissiyat (Svreca remix) (6:35)
Review: Following the release of Tolga Baklacioglu & Dee Grinski's album "Your Secret Face", VENT presents a remix package featuring Samuel Kerridge, Svreca, Ryo Murakami, and Isabella, who are some of the artists who have most inspired and supported the duo's music. These exceptional artists' interpretations refract the industrial rhythms and harrowing vocalisations of the original tracks into caleidoscopic tunnel visions with each remixer's individualistic expression.
Review: The brilliant Chronicle has been quiet for a minute, but comes back in fine form with this keenly curated various artists 12" that re-affirms the label's vision of cerebral, deep and driving techno. Damon Wild shows his tender side on the gorgeous, immersive "Constant Search", while Ben Sims brings a tougher palette to bear on peak time percussive belter "Vicious Cycle". Steve Bicknell summons a fearsome, metallic dervish on the monolithic "Chapter Of Self", and Tadeo takes things bleepy, loopy and uplifting on "X Marks The Spot". It's a 12" of stunning modern techno from start to finish.
Review: Crisp Recordings is a record label and production company founded by legend DJ Ra-Soul and Chicago by way of Memphis' Don Crisp. Black in Time is the moniker used by the pair which has resulted in three previous collaborative releases on the label, and they're back with the fourth after a long hiatus. Now they present the politically charged "Democracy Is Hypocrisy" with its powerful narrative fuelled by a groovy minimal acid arrangement. Comes with a handy instrumental version on the flip, in addition to a rough and ready acid dub that's perfect for getting weird at the afterhours. Much crossover appeal anticipated on this little treasure -tip!
Review: Benjamin Brunn and Dave Wheels are old studio buddies, having worked together on and off since 2006. "2000", though, is their most ambitious joint project yet: a collaborative album for Sushitech that offers up breezy, melodious and cheery fusions of heady dub techno, gentle electronica, chugging sofa-friendly haziness and glitchy late night hypnotism. It's an interesting blend but one that certainly hits the spot. Highlights include the horizontal pulse of "Orainge", the wonderfully hypnotic after-hours throb of "Iratamoto (Version)", the bold and sun-kissed undulations of "In The Club" and the pie-eyed warmth of "Waldeck".
Review: On the A1 Chekov follows up their moves on Peach Discs and Timedance with a proper peak timer, they've been described by Ben UFO as 'king of the build up' and that's evident on this one. At the A2 London's Doppelate makes their Cong Burn debut with an elegant tech-house roller. Fresh from Russia's underground is Camin, on this, his debut 12" release he drops a useful tool which squeezes between electro and techno. Cong Burn founder Howes closes the B side with some warm hypnosis that could have landed in the golden era of Workshop.
Review: It's been a long time since Dadub released anything - the core of their output came via Stroboscopic Artefacts between 2011 and 2013. Now after a hiatus, they make a powerful return with this release for the label of Georgia's most infamous nightclub, Bassiani. They're not pulling any punches on this record, coming down heavy on "Rituals" with a dense, layered approach as edgy and experimental as it is propulsive. Zesknel's remix of the track goes in heavy too, although more in terms of erratic sound design rather than punishing techno rhythms. Check out "Resistance" on the flip to hear Dadub in full flight with spacious dub processing and rave samples over a stomping percussive undercarriage that begs to be played out in a smoke filled room.
Review: Frenchman Antonin Hifda is Daif. Not content with recently inaugurating his initial Luminaere label, he's now doing the same for Nicolas Etorena's brand new Overthink imprint with this fine release. "Various Methods Of Escape EP" features the second wave Motor City inspired techno funk of "Whisper Dance" reminiscent of the work of legend James Pennington (aka Suburban Knight), while further referencing his credible retro influences on the rather Ability II sounding "Year Zero". On the flipside, we have "Hurt" where the Rennes based producer goes all out for a sci-fi bass-heavy electro freakfest.
Review: London-based retroverts Art Of Dark return with a wicked double header here for their third vinyl release. Antonin Hifda aka Daif takes up the A side, offering up the hardcore rave reductions of "Another Version Of The Truth" followed by the deep down Detroit styled electro beats of "Devil". On the flip, it's all about newcomers DC EFX who follow through with the electro bass vibe on the absolutely booming "Expansionz", before closing with the bass-driven acid techno "The Roller Express".
Review: Long-serving, jungle-loving experimentalist Christoph De Babalon is on a roll. This rock solid EP comes hot on the heels of his latest inspired album, "Exquisite Angst", which slipped out in early December 2018. The four tracks offered up here are typically bolshy and bass-heavy, with De Babalon mixing and mangling IDM and Atari Teenage Riot style "digital D&B" insanity to suit his own twisted ends. In terms of highlights, we're particularly enjoying the bass-weight, skittish breakbeats and ghostly electronics of "Harakiri" and the more loose and languid - but no less bass-heavy - flipside opener "Shakes and Shivers". That said the dark and apocalyptic "Endless Inside" is also superb.
Review: We are proud to present two new EPs from De Bons en Pierre, the duo of Beau Wanzer & Maoupa Mazzocchetti. Beau Wanzer spends the majority of his days sifting through paraffin embedded animal tissues and reading old issues of Fangoria, occasionally breaking his monotonous routine to record in various fits and bursts. As well as solo material, he is also in numerous projects including Streetwalker, Mutant Beat Dance, Civil Duty, and Corporate Park. Maoupa Mazzocchetti is the pseudonym of Florent Mazzocchetti, a French producer based in Brussels. His sonic vision is one which constantly straddles the line between wild experimentation and rhythmic compatibility, drawing influence from early concrete, 80's tape scene and Birmingham school techno. After working together on the 'Crepes' EP that we released in 2017, De Bons en Pierre reunited for a two day recording session in Brussels. The duo recorded 13 tracks that we've split across 2 EPs with 6 tracks on 'EP No. 1' and 7 tracks on 'EP No. 2'. Beau says, "We hooked everything up and just pushed play. We didn't really discuss much about the process....it was very 'spur of the moment'." The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Each EP contains 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms. All songs are mastered by George Horn at Fantasy Studios in Berkeley. 'EP No. 1' is housed in a sewage green jacket featuring a monster mask duo and spiky motifs designed by Florent Mazzocchetti, and 'EP No. 2' is radioactive orange with a different pair of monster masks.