Order From Chaos Of The Death (Samuel Kerridge remix) (5:59)
Avoidance Paranoid (Isabella remix) (8:27)
Order From Chaos Of The Death (Ryo Murakami remix) (6:10)
Hissiyat (Svreca remix) (6:35)
Review: Following the release of Tolga Baklacioglu & Dee Grinski's album "Your Secret Face", VENT presents a remix package featuring Samuel Kerridge, Svreca, Ryo Murakami, and Isabella, who are some of the artists who have most inspired and supported the duo's music. These exceptional artists' interpretations refract the industrial rhythms and harrowing vocalisations of the original tracks into caleidoscopic tunnel visions with each remixer's individualistic expression.
Review: The brilliant Chronicle has been quiet for a minute, but comes back in fine form with this keenly curated various artists 12" that re-affirms the label's vision of cerebral, deep and driving techno. Damon Wild shows his tender side on the gorgeous, immersive "Constant Search", while Ben Sims brings a tougher palette to bear on peak time percussive belter "Vicious Cycle". Steve Bicknell summons a fearsome, metallic dervish on the monolithic "Chapter Of Self", and Tadeo takes things bleepy, loopy and uplifting on "X Marks The Spot". It's a 12" of stunning modern techno from start to finish.
Review: Benjamin Brunn and Dave Wheels are old studio buddies, having worked together on and off since 2006. "2000", though, is their most ambitious joint project yet: a collaborative album for Sushitech that offers up breezy, melodious and cheery fusions of heady dub techno, gentle electronica, chugging sofa-friendly haziness and glitchy late night hypnotism. It's an interesting blend but one that certainly hits the spot. Highlights include the horizontal pulse of "Orainge", the wonderfully hypnotic after-hours throb of "Iratamoto (Version)", the bold and sun-kissed undulations of "In The Club" and the pie-eyed warmth of "Waldeck".
Review: On the A1 Chekov follows up their moves on Peach Discs and Timedance with a proper peak timer, they've been described by Ben UFO as 'king of the build up' and that's evident on this one. At the A2 London's Doppelate makes their Cong Burn debut with an elegant tech-house roller. Fresh from Russia's underground is Camin, on this, his debut 12" release he drops a useful tool which squeezes between electro and techno. Cong Burn founder Howes closes the B side with some warm hypnosis that could have landed in the golden era of Workshop.
Review: London-based retroverts Art Of Dark return with a wicked double header here for their third vinyl release. Antonin Hifda aka Daif takes up the A side, offering up the hardcore rave reductions of "Another Version Of The Truth" followed by the deep down Detroit styled electro beats of "Devil". On the flip, it's all about newcomers DC EFX who follow through with the electro bass vibe on the absolutely booming "Expansionz", before closing with the bass-driven acid techno "The Roller Express".
Review: Tribe Recordings' second missive is another standout techno affair, this time from Dawl who has been making big moves this year on Better Sound Italy, Tone Dropout and Hypnohouse. His futuristic sound hits that perfect sweet spot between techno and electro, all with a deeply cosmic edge. "Want Some Candy" manages to be super slick and sleek with a pumping bassline that will wiggle your backside. The intergalactic journey continues on the more textured and brain frying "Voyage" and completes with the acid laced jack track "Just Hausin" which is a real fist pumper.
Review: Saucer-eyed rave revivalists Tone Dropout can usually be relied upon to deliver the goods, especially if you're looking for sweaty, energy-packed slabs of warehouse ready techno, acid and electro. The label's latest missive is packed to the rafters with such giddy and forthright fare, to the bleeping, mind-altering insanity of Dawl & Sween's acid-fired throb-job "Laser Guided", to the "Bleep and Breaks" pressure of Samuel Padden's bustling "Quad Damage", to the stripped-back machine techno heaviness of Daif's similarly bleepy "Mysterious Freakin History". Elsewhere, the Ascot/WW track sits somewhere between early breakbeat hardcore and ambient techno, while Skywave Transmission v XOTR's "Warehouse 101" lives up to its name. Serious heat!
Review: Some wicked underground sounds coming out of Ukraine (and beyond) on offer here by new imprint Hypnohouse. Darren Woollard aka Dawl who has been putting out some wicked grooves on Libertine, Furthur Electronix and Klasse Wrecks lately gets into some proper bleep techno action on "Output" while Kiev-based Trippsy finishes up the A side with the strobed-out and tunnelling sensations of "Flashback". Flip over for Uruguay's Fede Lijtmaer who channels some Dopplereffekt vibes on "Passing By" followed by Wulffius' retro techno jam "Salty Breeze". Tip!
Review: We are proud to present two new EPs from De Bons en Pierre, the duo of Beau Wanzer & Maoupa Mazzocchetti. Beau Wanzer spends the majority of his days sifting through paraffin embedded animal tissues and reading old issues of Fangoria, occasionally breaking his monotonous routine to record in various fits and bursts. As well as solo material, he is also in numerous projects including Streetwalker, Mutant Beat Dance, Civil Duty, and Corporate Park. Maoupa Mazzocchetti is the pseudonym of Florent Mazzocchetti, a French producer based in Brussels. His sonic vision is one which constantly straddles the line between wild experimentation and rhythmic compatibility, drawing influence from early concrete, 80's tape scene and Birmingham school techno. After working together on the 'Crepes' EP that we released in 2017, De Bons en Pierre reunited for a two day recording session in Brussels. The duo recorded 13 tracks that we've split across 2 EPs with 6 tracks on 'EP No. 1' and 7 tracks on 'EP No. 2'. Beau says, "We hooked everything up and just pushed play. We didn't really discuss much about the process....it was very 'spur of the moment'." The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Each EP contains 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms. All songs are mastered by George Horn at Fantasy Studios in Berkeley. 'EP No. 1' is housed in a sewage green jacket featuring a monster mask duo and spiky motifs designed by Florent Mazzocchetti, and 'EP No. 2' is radioactive orange with a different pair of monster masks.
Review: It's always a treat to spot Edward donning his Desert Sky guise for another trip into the hinterland of minimal techno, where expression reigns free and all kinds of sound sources tumble into a truly exotic mix. On this album for PAL SL, all bets are off as we get whisked down a mysterious and meandering path where organic and electronic matter merge in the shadows, all strapped to subliminal but pronounced grooves that make this some of the most potent, intriguing club material in circulation right now. Buy the ticket, take the ride and dance out under that Desert Sky.
Review: Given the label's soulful roots, it's perhaps a little surprising to find Eglo championing a wild, wonky, machine-made EP full of angular electro, IDM, house and techno fusions from debutant Destiny71z. It's apparently the first of three EPs from the little-known producer, who used modular kit and dusty analogue gear to create his unpredictable but undoubtedly brilliant electronic workouts. We're particularly enjoying the zany Autechre-does-two-step-garage flex of "Softbeta" and the weighty, bass-powered crankiness of the artist's self-titled track ("Destiny71z"), but the jazzy, sun-bright breeziness of "Foodprogramvoltage" is also superb, and arguably more in keeping with Eglo's eclectic-but-soulful ethos. Either way, an eye-opening EP that's well worth checking.
Review: Developer Archive is the personal vinyl project of Modularz label head Developer. A project that has now reached its 10th release featuring his signature sound of bizzare, tribal Influenced synth heavy, hypnotic rhythms. 4 solid tracks pushing a range of styles for both the club or the warehouse - TIP