Review: From the minds of Direct Beat and Detroit Bass Classics, comes the first initial compilation of electro/techno heat. "Electro In The Key Of Detroit Vol 1" presents 4 proven dance floor dope and record crate staples that provide the hungry ears of masses the groove to move. A Side features two sure-fire steppers - a rare AUX 88 voyage entitled "Phantom Power" and Blak Tony's tempo-pushing "Holla Holla" finally see the light of day on this wax collectable, giving praise to Motor City footwork culture. On the flip, DJ K-1's "Erase The Time" rocked the airwaves and global clubs with its signature thumping style laced beneath alien-like melody and repetitive vocal structure while Posatronix's mutant-rhythm mantra, "Pure Techno Sound" pulls the weight of Detroit's street dance roots down to the origin of how to boogie in space. This collection of re-issued jams and new explorations is the must-have for the electro/techno & bass aficionado.
Review: Copenhagen-based producer Rune Bagge (Northern Electronics/Ectotherm) presents the third installment on Courtesy's Kulor imprint. "Ingen Tak Til Systemet" (English translation: No Gratitude Towards The System) is a four track exercise in pure unadulterated sonic ultraviolence - if we've ever heard such a thing. From the pummeling and strobe-lit warehouse onslaught of opener "Secret Solutions", to the guttural and contorted noise terror of "Repulsion" followed by the frantic peak time mentalism of "I Am The Solution" which then gives way to the hyperspeed IDM of "Coup D'Etat" - there's truly no rest for the wicked on this one!
Order From Chaos Of The Death (Samuel Kerridge remix) (5:59)
Avoidance Paranoid (Isabella remix) (8:27)
Order From Chaos Of The Death (Ryo Murakami remix) (6:10)
Hissiyat (Svreca remix) (6:35)
Review: Following the release of Tolga Baklacioglu & Dee Grinski's album "Your Secret Face", VENT presents a remix package featuring Samuel Kerridge, Svreca, Ryo Murakami, and Isabella, who are some of the artists who have most inspired and supported the duo's music. These exceptional artists' interpretations refract the industrial rhythms and harrowing vocalisations of the original tracks into caleidoscopic tunnel visions with each remixer's individualistic expression.
Review: At first glance, French enfant terrible Bambounou is a surprising addition to the Diskant impint - now known as just Disk. Known for his techno and house exploits on Clek Clek Boom and 50 Weapons, his knack for intricately programmed rhythms were on display even back then. It kind of figures that he'd be a good choice for the label, come to think of it now. That's certainly proven across the three tracks on the Parametr Perkusja EP, where his sound sits comfortably alongside label mates like Harmonious Thelonious and Durian Brothers. From the slo-mo esoterica of "Dernier Metro" which reaches near tribal moments, the hard hitting polyrhythmic techno of "Kosovo Hardcore" it is great to hear some original productions from him after lengthy absence.
Review: Essential repress! Tomas Bangalter's stone cold classic Roule 12" Trax On Da Rocks makes a return. The five tracks on offer - "On Da Rocks", "Roule Boule", "What To Do", "Outrun" and "Ventura" - have acquired legendary status, standing as sublime examples of the rough, raw end of the filter-soaked French house sound. Some 17 years since they were first released, these tracks have lost none of their madcap brilliance; if this isn't already a cherished part of your record collection, here's your chance.
Review: Some three years on from his last outing under the alias, Orlando Voorn dons the occasional Basic Bastard pseudonym for another giddy trip into soulful and melodious techno territory. Title track "Signals" is typical of the Dutch veteran's work, with attractive and futuristic chords, riffs and melodies dancing jauntily above a high-tempo techno groove and some seriously funky acid lines. It gets the remix treatment on the B-side, where Gallegos Yoga re-casts it as an acid fired slab of techno-funk before Unknown Detroit twists it into a ghostly, unearthly stomper. Bonus cut "Deep City", a colourful and ultra-melodious affair, is also superb.
Review: Stuart Li, better known as Basic Soul Unit, set up the Lab.our Music label last year as a low-key outlet for vinyl only transmissions from himself and others. Having introduced local Toronto talent Maxwell Church last time round, Li is back behind the buttons for Lab.our 003 which seems to retain the techno orientated slant of much of Basic Soul Unit's work in 2013. Lead track "Head Long" grips control of the A Side, rolling out one long groove of heads down techno, with the sort of windy textures and rolling toms that tend to get Ben UFO all excited. Face down, "Nowhere To Be Found" opts for a more broken feel, with the ghost of hardcore buried deep in it's DNA and the kind of stunted drums that can cause ankle fractures, and "Spiralling Down" will appeal to STL fans.
Review: Brothers From Different Mothers stalwart Basses Terres is a producer to whom easy categorization cannot be applied. For example, on his 2016 debut, he rushed between a quartet of experimental techno, leftfield and electronica excursions, while 2017's "Counting Pulsations" cassette was a druggy trip rich in ambient, dub and "dungeon synth" flavours. So what's on offer here? More intoxicating, otherworldly concoctions, that's what. Highlights include the dark tropical ambient of "665 Moths", the dubbed-out post-dancehall weightiness of "Wilfred Doricent", the slipped and spacey electronica of "Deliae" and the fluid dreaminess of gently percussive closing cut "Sentiment Oceanique".
Review: Former L.I.E.S. and Apron regular Greg Beato struck out on his own in 2017, establishing the Ni Un Pero label as an outlet for his work. He's not released all that much since, though last month's "Cum In Peace" two-tracker suggested there was more to come. At five tracks deep, the "Dade EP" is the producer's most action-packed release for some time. There's plenty to enjoy throughout, from the ricocheting percussion, jaunty electro bass and spacey electronics of opener "Tres" and the deep lo-fi techno shimmer of "Cero", to the restless percussion, alien electronics and clanking industrial drums of EP highlight "Hasta". Wonky closer "El Fin", a kind of deep space electro/lo-fi P-funk fusion cut, is also inspired.
Review: The term 'idiosyncratic' is flippantly bandied about these days, but can be used more appropriately to define legendary producers such as Ann Arbor's John Beltran. For nearly 20 years, Beltran has created some of the most seminal and timeless expressions in hi-tech soul music. It is classic Beltran on The Musical Storm EP, as heard on "Ascending" which harks back to the sounds of his treasured Ten Days Of Blue album on Peacefrog back in '96, the life affirming ambient journey "Barely Beating Within My Chest" is a fast forward to the present and is similar to his work on recent Delsin efforts like Everything At Once or Espais. Always one to surprise us at times, Beltran goes for a more lo-fi and gritty analogue approach to jackin underground house on the gritty "Confuse You" on the flip.
Review: It's been a while since Blackest Ever Black turned the key in their A14 machine but it's clearly in working order as Beneath takes us for late night drive through the murkiest of bass/techno/breakbeat hinterlands. "Cloudy" is a sludgy, warped jam that would sound just as good in an Om Unit set as it would a Radioactiveman selection. For a little more grunt flip for the stripped back and rolling "Outsource" where the industrial strength drums suddenly get wrapped up in a short series of pure chord uplift. Hardboiled just as A14 likes to cook them; let's hope both parties don't leave it so long next time...