Tags: Dub Techno

Review: Enjoy Your Self EP 3 is, as the title suggests, a third deep dive into the offerings of Osaka, Japan-based label Chillmountain Recordings. It has a wealth of different producers on its roster, all of whom twist up house, electronica, experimental, dub and Balearic sounds into fresh new grooves for cultured dance floors. It is tribal and percussive dub from Aki Nagase that immediately gets us locked in before Akira Arasawa & Ground combine for the sludgy and slow motion dub of 'Multi Gud Z.' Akira Arasawa's 'Dolphin' has underwater sonar sounds and watery rhythms then the EP closes on what might be the best of the lot - a percolating dub in the form of 'Dancing Pikapika.'

Review: The second release on Lempuyang comes courtesy of Tomoki Tsukamoto. In the late 90s Tomoki put out releases on Gez Varley's G Records, i220, and of course ran his own Metrojuice Records imprint; putting out some of the most sought-after deep & dubby techno records under his alias W-Moon. After a hiatus of over 20 years he now returns with four new tracks under his own name, still retaining that deep signature sound.

Review: After a surprise sojourn last year as Sato, an alias he used to explore ambient and dub techno territory, Satoshi Tomiie has reverted to his given name for solo album number five - a thin return given he made his 12" debut way back in 1989. The New York-based Japanese great is in fine form from the start, effortlessly sashaying between hypnotic deep tech-house (the eyes-closed, early morning excellence of 'You Are Here'), spaced-out dub-house ('Number 1'), chunky-but-dubby deep house of the kind that his friend Francois K would love ('Magic Hour'), acid-flecked minimalism ('Blast'), vintage-sounding dub techno ('A52', 'Meditation in an Emergency'), locked-in soundscape house (the shuffling and yearning 'Phase Space') and sub-heavy ambient dub ('Fast Track').

Review: The seventh release of Sasaki Hiroaki's Yotsume-Music sees Hisashi Ito aka Hulot (Raum...musik, BELOW, FROGMAN/U.S.B.) welcomed to the fray, quite possible, given the EP's title, taking influences from Mr Hulot, the hero of Jacques Tati classic film 1953 'Les Vacances de Monsieur Hulot'. Like said hero, there's a kooky, loveable eccentricity to his two productions - he counts Herbert and Moritz von Oswald among his main influences - with Tom Ellis Remix and Sasaki Hiroaki Remix adding a remix, one on either each side.

Review: The captivating journey that is US-based house legend Satoshi Tomiie's 'Magic Hour' album on Abstract Architecture persists here with Magic Hour Disk #3: Wave Dub, its third dancefloor-focused instalment. This latest addition comprises four tracks, further enriching the compilation that embodies three years of Satoshi's artistry and commitment. The house sounds are the and elegant, with deft synths and cosmic melodies doing the colour and emotion to his effective grooves. Additionally, the release features two remixes by DJ Honesty, who adds an extra layer of depth and variation to what is a nice and deep, dubby EP from Abstract Architecture.