Soundtracks charts

Review: He will forever be known as the frontman of Pulp, but for many music lovers Jarvis Cocker has also won our affections with his erudite selections for his BBC 6 Music show. Entitled Jarvis Cocker's Sunday Service, it ran every week from 2010 to 2017 and now a selection of his personal favourites get the compilation treatment. Reflecting the mood of most Sundays, the music is soothing, soft and mellow, but always high quality. There are stunning covers or Beyonce by Anthony & the Jonsons and Gary Numan's "Cars" on steel drums, plaintive piano pieces from John Baker and a classic from Nina Simone amongst a whole treasure trove of gems.

Review: .By its very nature, Tenkiller is a very different beast to Chat Pile's other releases. Recorded in the winter of 2020 to be the soundtrack to Tenkiller, an indie movie about the lives of ordinary people in small-town America, it sees the noise-rock/post-hardcore combo focus on mood and tone, rather than form and function. As a result, fuzzy and forthright cuts of the sort you'd expect come supplemented by dystopian, industrial-influenced soundscapes, lo-fi alt-country, guitar-laden mood pieces, low-slung and effects-laden creepiness, intense electronica and the kind of slow-burn ambient-not-ambient that was once the preserve of cult bands such as Labradford.

Review: 'Moonage Daydream' is the latest addition to the Bowie franchise; an epic film of never-seen-before Bowie footage, recolourised and repackaged to form an experimental cinematic odyssey for today's generation of art rock lovers. The soundtrack sees an insta-release to complement the launch of Parlophone's new digital streaming service; it's got an exclusive early version of 'Hunky Dory' in there, as well as a live version of 'Rock n' Roll With Me'. A kaleidoscopic LP from the master of reinvention, posthumously reinventing himself once more.

Review: Guillermo Del Toro's take on the 'Pinocchio' story - a stop-frame animation affair that relocates the action to 1930s fascist Italy - has been widely praised since it dropped on Netflix earlier in the year. Plenty of plaudits have been directed at Alexandre Desplat's soundtrack, which combines original music with brand-new musical-style songs. As this CD edition of the soundtrack proves, the Oscar-winning composer delivered one of his most magical scores to date, with picturesque, musically detailed instrumentals being joined by genuine 'earworm' songs performed admirably by the film's voice cast (see Ewan McGregor's rendition of 'Better Tomorrows', veteran British actor David Bradley's tender take on 'My Son' and Christoph Waltz's villainous version of 'We Were a King Once'.

Review: While the soundtracks to earlier Stranger Things seasons often included lots of original music lovingly composed and produced to sound like atmospheric synthesiser jams of the 1980s, this compilation of music from the latest season does not. Instead, it rounds up some of the classic pop music of the period used in the series. Kate Bush's 'Running Up That Hill', which of course returned to the top of the UK singles charts on the back of its inclusion in the series, naturally appears, alongside a mixture of big '80s pop hits (see the cuts by Journey, Kiss, Dead Or Alive and Metallica), much-loved cuts from earlier eras (the Beach Boys, Louis Armstrong and Ella Fitzgerald, James Taylor) and, more surprisingly, a later track from Moby.

Review: .If the aim of any commissioned soundtrack score is to provide music that enhances and emphasises the on-screen action, then Anna Calvi's work on BBC smash Peaky Blinders is up there with the best of them. While Calvi only provided soundtracks to two seasons - five and six, both of which are presented on this limited double-disc release - the distinctive sound worlds she created suited series' dark and stylish visual tone. All low-slung basslines, dystopian effects, snarling riffs and squally, stretched-out guitar solos, the collected instrumentals stand on their own two feet while naturally conjuring up mental glimpses of key scenes for those who watched and loved the award-winning series.

Review: A few years ago, Studio One explored the links between Jamaica and James Bond (where the famous fictional spy's creator, Ian Fleming, famously lived) on Studio One 007, a limited-edition box set of seven-inch singles. Now they've revisited and expanded the compilation, adding more ska and rocksteady interpretations of Bond themes (as well as Bond-inspired Jamaican music used on other films of the late 1960s) and the label's usual extensive liner notes. Our picks of a great bunch include the Soul Brothers' ska interpretation of the 'Thunderball' theme song, their collaborative take on the main Bond theme with Jackie Mittoo, a young Lee Perry on the mic (alongside Bob Marley's backing band, the Wailers) on 'Pussy Galore', and Roland Alphonso and the Studio One Orchestra's 'From Russia With Love'.