Review: Originally pressed (on a limited run) in 2013, LA Latin funk troupe Boogaloo Assassins have reissued these two spellbinding cover versions again due to public demand. Still on a highly limited run, both cuts need to be in your collection: Dawn Penn's "No No No" gets a strict samba switch with lavish percussion and consistent vocal harmonies throughout while Sonny Henry's "Evil Ways" (best known from its Santana cover) gets the dreamy instrumental treatment where the horns and glocks do the narrating over a tight bed of wood blocks, shakers and liquid Rhodes. Killer stuff and Juno is one of the few stores outside of USA which is carrying the 45. Don't Sleep !
Turn This Thing Around (feat Sulene Fleming) (4:07)
Turn This Thing Around (Exclusive unreleased instrumental) (4:04)
Review: Killer modern day funk masterpiece first released almost 20 years ago by the legendary Leeds outfit led by guitarist Eddie Roberts and the first time ever on a handy 7 inch format.Still as fresh as ever fierce drum kit and twangy guitar with hammond organ stabs leads way to upfront vocals from Sulene Flemming who has worked with Bernard Purdie, Reuben Wilson, Brand New Heavies and Incognito etc. Originally released in 2001 it still sounds fresh as ever and this version comes backed with an exclusive unreleased tuff breaks heavy instrumental version. Hand-numbered to 500 copies and served in a Juno exclusive sleeve. Supported by DJ Koco from Japan ,Skeme Richards,The Allergies & Oliie Cheeba from The Herbalizer so far..
Review: Brenda is thought to be the late Brenda Lee Jones from Ohio and the subject of the b-side here, which is the biggie, "Big Mistake," is thought to be her adopted son and mistakes his real mother made. It's a super sweet affair that will swell your heart with its lush soul sound. This reissue has been cut from the original master tapes and will help out anyone wanting to cop it without paying the L800 it cuttingly goes for online. The flip of record, "Super Stoke" is lit up with big fuzzy guitars and raw funk that never lets up.
Review: The third missive from crate-digging reissue specialists Discs of Fun & Love offers up a new pressing of a suitably obscure and hard-to-find private-press gem, Maggie Epting's sole single as Mandisa, 1981's "Summer Love". The song itself is superb: a wonderfully breezy and sun-kissed slab of dewy-eyed soul that sees Epting deliver an emotive lead vocal over a jazz-funk influenced smooth soul groove and plenty of spacey, intergalactic synthesizer sounds. Over on the flip you'll find original B-side "Love's Dream", a quirky, sax-laden slab of electric jazz that features an even bolder and more ear-catching Epting vocal. It's very good, though the real killer resides on the A-side.
I Want You For Myself (KON extended remix) (10:40)
Review: Acclaimed crate-digger turned disco re-editor KON has decided to launch his own reissue imprint, Kontemporary. The idea is simple: to accompany re-mastered original tracks with fresh rubs from the man himself. 12" number one offers another opportunity to enjoy George Duke's soulful, sun-kissed, disco-era jazz-funk bomb "I Want You For Myself". On the A-side you'll find Duke's own impeccable 12" version, with KON's re-edit gracing the B. Having access to the original multi-track tapes has allowed the New York-based producer to not only include an atmospheric, extended intro (a tactic regularly used by fellow rework merchants The Revenge and Joey Negro), but also give more prominence to Duke's superb piano solos.
I Want To Thank You (KON Shine Your Light remix) (7:54)
I Want To Thank You (KON dub) (7:49)
Review: Having previously breathed new life into classic cuts from L.T.D, George Duke and Sylvester, Kon has now turned his attention to another all-time favourite: Alicia Myers' 1981 stunner "I Want To Thank You", a disco-era gospel-soul favourite that remains one of the era's most timeless club records. Working from the multi-track tapes, Kon teases out Myers' killer vocal - drenched in just the right amount of reverb and delay - atop a slightly stripped-back groove before giving it the full kitchen sink treatment. Just as good is the flipside Dub, which flits between beat-free sections and the track's killer groove in the manner of disco dubs from the early 1980s. The song itself may not have needed tampering with, but Kon's versions are genuinely superb.
Marvin Gaye - "This Love Starved Heart Of Mine (It's Killing Me)" (2:44)
Shorty Long - "Don't Mess With My Weekend" (2:29)
Review: Each release in Deptford Northern Soul Club's multi-artist single series, which gathers together Northern Soul scene classics and offers them up in freshly re-mastered form, has been nothing less than essential. Predictably, the label's latest seven-inch is another doozy. On the A-side you'll find one of the rarest cuts in Marvin Gaye's vast catalogue - 1967 stomper "This Love Starved Heart of Mine (Is Killing Me)", which was for some reason pressed in extremely limited quantities first time around. Over on the flip the Deptford boys and girls serve up Shorty Long's "Don't Mess With My Weekend", an insatiably funky Northern Soul scene anthem that Motown only ever released in Australia.
First Choice - "Dr Love" (Late Nite Tuff Guy Hypnotizin' Groove) (5:33)
Double Exposure - "Everyman" (Late Nite Tuff Guy rework) (5:31)
First Choice - "Love Having You Around" (Late Nite Tuff Guy rework) (6:37)
Review: There are few more celebrated edit kings than Late Nite Tuff. Now he is back once again with the goodness, this time tackling killer racks by First Choice and Double Exposure. All of the source material here is considered to be stone cold classic, so he's brave if nothing else. But of course, he also has the skills to make these edits worth your while - he extends the breaks, lets the grooves roll on and ensures the vocals remain in place to really get hearts sweeping and hands in the air. The unabashed funk, soul and disco joy of his take on Double Exposure's "Everyman" might be the standout here.
Review: By now, you should know Devon Russell's sought-after 1984 cover of Curtis Mayfield classic "Move On Up", a incredible, post-disco era reggae-soul revision that just oozes sun-splashed positivity. It's virtually impossible to pick up the original 45 so this dinked reissue from Mukatsuku Records is most welcome and has been lovingly remastered. The seven-inch is also notable for including another overlooked gem from Russell's even lesser-known 1993 album of Mayfield covers, "Darker Than Blue". His rendition of "Give Me Your Love" here presented for the very first time in a 45 format is blissfully glassy-eyed, colourful and hazy, giving the Mayfield classic a decidedly Balearic reggae feel via head-nodding grooves, fluid synthesizer lines and jazzy guitar solos. In a word: brilliant.Supported so far by DJ Koco & DJ Muro from Japan and Craig Charles BBC 6 Music, The Allergies,Mr Thing, Andy Smith & Boca 45 from the uk....
Review: Peak time dancefloor action with this 45 with the familiar classic b-boy sampling fodder coupled with an infectious r & b vocal club monster. It's never had a physical release till now. On the flip it's instrumental breaks galore for B-Boy/B-Girl back flips action from a sought after uk trio release now in handy 45 form with tuff breakbeats and smattering of electro vibe...Only 200 copies..
Falling Deep In Love (Joey Negro 7" Disco Blend) (4:06)
Review: For the last two years, legendary London crew Horse Meat Disco has been teasing the release of its long-awaited debut album via a series of scintillating singles featuring guest vocals from the likes of Amy Douglas and, even more impressively, Kathy Sledge. Here they offer up their second collaboration with the legendary disco diva. "Jump Into The Light" is little less than a tribute to the Chic sound featured on the greatest Sister Sledge records, with Kathy Sledge delivering a typical fine lead vocal over Bernard Edwards style bass, Nile Rodgers-esque guitars and glittering orchestration. Over on side B there's a chance to enjoy Joey Negro's cut-down "Disco Blend" of previous single "Falling Deep In Love", which adds a little house flavour whilst retaining the crew's disco instrumentation.
Review: Milton Wright's perfect deep Soul classic "Keep It Up" has always been a top shelf record, everything about it is almost flawless! Whether it's Milton's silky vocal delivery, the incessant guitar driven back beat or the total space Funk vibe of his omnipresent ARP-2600 synthesizer this record has it all. Originally released on TK Disco's more Soul and Funk orientated Alston label which was home to many legendary artists and records, this 1975 sunshine classic never fails to make people move. A classic rare groove indeed. "The Silence That You Keep" takes up side-B, a jazzy, flute driven love song that again features Milton's perfect voice and some fantastic arrangement. A real gem of a record, with the original 45 changing hands for over L100 a time in used condition.
Ella Fitzgerald - "Get Ready" (Soul Flip edit) (3:53)
Tammi Terrell - "Two Can Have A Party" (Soul Flip edit) (3:44)
Review: The Soul Flip crew are back to rework and carefully tweak more classic cuts to get those dance floors in a spin. This time they turn their attention to the evergreen classic "Get Ready" from jazz great Ella Fitzgerald. The already student and empowering single is beefed up with drums that have extra kick, crisp hits and fills and string stabs that are as bright as the sun. Things get a little more soulful and sun kissed with Tammi Terrell - "Two Can Have A Party" and its hip swinging finger clicks and gorgeously soaring strings.
Review: Destination 78/79: Expansion take us deep into the illustrious back cat of revered boogaloo fusionist Willie Bobo for two of his many fiery delights. Side A is his feel-heavy cult instrumental take on Ronnie Laws' disco classic "Always There" while Side B throws us into the heart of his 1979 album Bobo with gutsy raw soul power (and just a few cheeky funk slap bass twangs for good measure) Two stone cold classics together for the first time on 45.
Review: Bridge Boots main man Caserta has previously proved to be one of the most talented re-editors around, up there with higher profile artists such as the Reflex and Joey Negro. His latest offering, a red seven-inch single featuring new rearrangements of Diana Ross hit "I'm Coming Out", is another beauty. On the A-side he offers up a "Long Way Mix" that gives more prominence to Nile Rodgers and Bernard Edwards' killer backing track (partly via stripping it back to the groove at key points) while retaining most of Ross' vocals. On the flip you'll find a "Sing-A-Long Dub" that strips it back further during key instrumental passages to allow the Motown legend's vocals to shine.
Review: It's been almost 11 years since Featurecast dropped their heavyweight revision of Aretha Franklin's "One Step" on Wah Wah 45's "Dubplate" series. Here the sought-after side is finally given the reissue treatment. It remains one of their finest revisions: a loose, languid and head-nodding fusion of hip-hop beats, subtle dub skank, occasional Marvin Gaye samples and seduction sections from Aretha's sugary, string-drenched original. Over on side B you'll find another gem from Featurecast's vaults: a tidy hip-hop style revision of Marvin Gaye's "Too Busy Thinking About My Baby" from 2016, which was made in collaboration with Washington D.C pal The Gaff.
Bob Brady & The Con Chords - "Everybody's Goin' To The Love-In" (2:48)
Review: Party brand-turned-record label Deptford Northern Soul Club is doing a great job in offering up reissue seven-inch singles packed with hard-to-find soul stompers from the late 1960s. Their latest "45" delivers two tried-and-tested classics from 1968. On the A-side you'll find Herb Ward's superb "Honest To Goodness", an effortlessly soulful and energetic affair in the typical Northern Soul style that benefits greatly from a life-affirming call-and-response style chorus. Over on the flip you'll find Bob Brady & The Con Chords "Everybody's Goin' To A Love-In", a scintillating blue-eyed soul affair reminiscent of some of Smokey Robinson's greatest moments. Two classics, one essential "45" - don't sleep!
Review: Dynamite Cuts come back with a bang with four sublime cuts taken from the criminally short discography of funk soul troupe Leo's Sunshipp. The first half of their only album, we kick off with their cult solar celebration "Give Me The Sunshine" before "I'm Back For More" shreds through the stratosphere with a swooning Average White Band sparkle, "Get Down People" salutes with an Off The Wall style shine and shimmy before "Madame Butterfly" drifts back into the atmosphere with velvet falsetto harmonies and a groove so laid back it drips off the wax. Feel the sunshine.
Kool & The Gang, Gene Redd - "Give It Up" (DJ Soopasoul edit) (4:04)
Aretha Franklin - "Rock Steady" (DJ Soopasoul edit) (3:30)
Review: Fast-fingered mash-up merchant and lauded scalpel fiend DJ Soopasoul can usually be relied upon to bring the goods. In fact, we've yet to hear an edition of his "Soopastole Edits" series that doesn't include the kind of sure-fire, party-starting fare guaranteed to get any DJ out of a dancefloor hole of their own making. Should you still doubt the validity of this statement, we suggest you check this timely reissue of the series' second volume, which has been going for serious bucks online. On side A you'll find a suitably punchy, funky and chunky revision of Kool & The Gang's Gene Redd produced 1970 jam "Give It Up" - the original source of one of hip-hops most familiar breakbeats - with a tight, club-ready revision of Aretha Franklin classic "Rock Steady" on the flip.
Candi Staton - "Now You've Got The Upper Hand" (1:53)
Chappells - "You're Acting Kind Of Strange" (3:34)
Review: Candi Staton is due to tour again in 2020, so this choice reissue is a timely one indeed for fans old and new. It features "Now You've Got The Upper Hand", a record that often goes for over L2000 amongst northern soul fanatics. It first came out in 1969 and is a lush, upbeat gem that has been remastered for extra bang. Chappells' "You're Acting Kind Of Strange" is another rarity that fetches upwards of 300 qui. Here it comes as a no strings version from 1969 and is a real rollercoaster from the East Baltimore quintet.
Review: Discs Of Fun and Love is a London-based label run by Miche and Frederika, who present their sophomore release by Sweet Mixture. A fully licensed and remastered issue of this 'holy grail crossover record' from 1973, "I Love You" is an evocative ballad, followed by "House of Fun and Love" which is good old fashioned soul music the way it was intended. The original is said to be going for exorbitant sums on the second hand market in the last few years. Needless to say, the label is incredibly pleased to re-release this, fully licenced from the owners and remastered by Grammy nominated mastering house the Carvery.
Review: Incredible late night smoochy stuff right here from one of the most decorated bassists of all time. A major figure in the bands of Miles Davis and Stevie Wonder, Henderson was also a killer solo artist amassing eight artist albums between 76-86. This AOTN "45 showcases his true breadth as "Let Love Enter" lilts on a soft bossa with rising horns, velvet backing vocals and an unabashed come-to-bed message. "Come To Me" gets even deeper under the sheets with as he goes toe-to-toe, cheek-to-cheek with Rena Scott with smoking results.
Review: Athens Of The North strike again. A big spinner for the likes of Floating Points, this rare-as-pigs-shoes 1980 45 from Ohio troupe Love Company has gone for big sums in the past. It's not hard to hear why; "Love Tempo" raises the heat with an unrelenting disco beat, coastal guitar textures and harmonies to swoon to. "Somebody Help Me Be Fair" flips for a much more sentimental story as Love Company unravel the problems of a menage-et-trois. Steamy.
Review: Texan soul man, Frank Wilson, receives a timely repress of his 1965 monster "Do I Love You (Indeed I Do)", a tune which remains highly sought-after in its original format, and one that is bound to fly off these shelves like hot cakes! Outta Sight's done a great job here, and the quality is class, offering the original cut in all its majestic, romantic glory...oh, do we love this! The flipside is the mellow "Sweeter As The Days Go By", a certified love ballad that is a pleasure to the senses, each and every time...
Review: Take a trip deep into the spiritual soul and jazz funk sounds of the seventies with these two cuts from Lee Stone. They are taken from an album entitled Praise Poems and bring to mind swing, funk and big band. They tie on well swung grovers, with lush trumpets up top and Stone's vocals adding real heart. "What Is Life" is the upbeat roller that, muses on the sorrow of a love lost and has some fantastic solos, while "Eyes Full Of Starshine" is a more retro affair for the slow motion dancers.
Review: When copies of Raw Soul Express's The Way We Live crop up online, they regular fetch eye-watering sums of money. Originally released back in 1977 on T.K Records' soul/funk offshoot Cat, it remains the greatest single work by the short-lived Miami band. "The Way We Live" is a superb example of sun-kissed, feel good, conscious disco/soul/funk fusion, built around a killer, horn-toting groove and emotion-rich vocal. The jazzy, low-slung flipside "This Thing Called Music" is less in demand, but almost as good. As a result, this is a surprise reissue that all funk, soul and disco diggers should crave.