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Suchergebnisse: Dance Music

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ADDAC System ADDAC203 CV Mapping Module (gold faceplate) ADDAC System ADDAC203 CV Mapping Module (gold faceplate)
Cat: 776164 Rel: 08 Sep 20 • View all Synth modules
 
CV mapping module
Notes: With the ADDAC203 CV mapping you'll be able to tame that voltage range and put it where it belongs. The attenuation knob compresses your voltage range and then you can also offset it.

Two channels for your mapping needs.

Mechanical:
- Format: Eurorack
- Width: 4 HP
- Depth: 3 cm

Control Voltage I/O:
- CV inputs: i 10v
- CV outputs: i 10v

Electrical:
- Compatible with +-12v and +-15v power supplies?
- Max current: 50mA
- Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$196.59 SAVE 19%
 1 in stock $158.39
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ADDAC System ADDAC605 VC Spectral Tilt Module (black faceplate) ADDAC System ADDAC605 VC Spectral Tilt Module (black faceplate)
Cat: 791268 Rel: 08 Oct 20 • View all Synth modules
 
VC spectral tilt module
Notes: Two-channel spectral tilt filter with simple single-knob control and CV input. Adjust the frequency balance by turning the knob to emphasise highs or lows. Simple but effective way to add movement or stereo width.

Supplier's Notes:
The TILT EQ concept was first introduced in the 1970's by Quad Ltd, featured on the company's model 34 preamplifier.

The tilt control tilts the frequency spectrum of the audio signal by simultaneously boosting the treble and cutting the bass frequencies, or vice versa, making it a simple to use but powerful EQ.

As stated by Quad Ltd, it was designed to produce a very gradual change in balance across the musical spectrum without changing the overall subjective level.

This gradual fall from Bass to Treble, or vice versa, means there's no sudden change and hence no 'coloration' added to the sound, the sound will remain entirelly natural but with a slight added bottom or high end. In practice, it rotates most of the audio-range frequency response around a 1Khz axis, so as to change the overall balance of the sound from warm to cool without affecting either the apparent volume or the "color" of the sound.

Here this idea is introducedinto the modular world in a stereo configuration.

CV input with attenuverter was added for the Tilt control as well as a Spectral Motion switch that allows stereo spectral matching or inverted spectrum use of the Tilt control: Left=Right matches both channels direction, i.e. when left channel is tilted to the low end the right channel will also be tilted to the low end

Left Right inverts the Right channel spectrum, i.e. when left channel is tilted to the low end the right channel will be inverselly tilted to the high end, or vice-versa.

This possibility is extremmelly interesting when applied as a stereo effect, in other words a spectral EQ panner. This module will also be available as a full DIY kit.

Specs:
4Hp
4.5cm deep
40mA on each rail
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MRP:$199.19 SAVE 20%
 1 in stock $159.47
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ADDAC System ADDAC214 VC Rotator Module (red faceplate) ADDAC System ADDAC214 VC Rotator Module (red faceplate)
Cat: 776199 Rel: 08 Sep 20 • View all Synth modules
 
VC rotator module
Notes: This is the VC Rotator, a stepped routing module for any type of signal (audio, cv, gate, trigger...)

Similar to a VC switcher but in this case there's the same number of inputs than outputs so, instead of 4 to 1 or 1 to 4, this module is always 4 to 4 but it can be patched for 2 to 2 and 3 to 3 step actions.

All four inputs get routed to the four outputs depending on the CV and Clock controls and are divided into 4 routing steps:
1. routes all inputs to the same number output: 1:1, 2:2, 3:3, 4:4
2. routes all inputs to an offset of 1: 2:1, 3:2, 4:3, 1:4
3. routes all inputs to an offset of 2: 3:1, 4:2, 1:3, 2:4
4. routes all inputs to an offset of 3: 4:1, 1:2, 2:3, 3:4

Direction determines if the clock input goes forward or backwards.
Going forward it can be set to 2-3 or 4 steps using the Rotate knob offset, going backwards always sync to 4 steps even if offseted by the Rotate knob.
For 2 & 3 step action input 1 is normalled to input 3 and input 2 is normalled to input 4.

Reset resets the internal clock to the first step.

Pendulum, external sequencing or any complex CV actions can be achieved using the CV input and dedicated attenuverter.

4 leds monitor which input is routed to output 1.
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MRP:$179.66
 2 in stock $177.93
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ADDAC System ADDAC104 VC T-Networks Module (black faceplate) ADDAC System ADDAC104 VC T-Networks Module (black faceplate)
Cat: 776116 Rel: 08 Sep 20 • View all Synth modules
 
4 voice module
Notes: Following the ADDAC103 T-Networks, this new module is also inspired by Twin T-Networks circuits used in many lengendary drum machines. A simple 4 voice module with frequency controls for each of the voices. This new module also features CV inputs with attenuverters for each voice Frequency. Due to the specificities of the circuit, and to keep the module at a low price, these inputs are not callibrated to 1v/octave.

At each voice input there's a gate to trigger converter so any input source is possible.
Audio inputs can also be used as an input, in this case and due to the nature of the gate to trigger converter, each voice can be used as very destructive filters.

The top 2 channels feature a higher frequency range, the bottom 2 channels feature a lower frequency range.
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 3 in stock $180.09
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ADDAC System ADDAC106 T-Noiseworks Module (black faceplate) ADDAC System ADDAC106 T-Noiseworks Module (black faceplate)
Cat: 776120 Rel: 08 Sep 20 • View all Synth modules
 
4 voice module
Notes: This is the last module in Addac System's T-Networks series, a straight forward 4 voice module with frequency and decay controls for each of the voices. As the name already unveils, a noise source has been added, and 2 different circuits have been created, that explore the timbre of a t-network when used to filter noise.

There are 2 different circuits in this module, voices 1 to 3 have a pre-vca t-network filter while in voice 4 the t-networks filter applied post-vca.

At each voice input there's a switch which sets which type of input to use, this signal will be used to control an internal VCA hence why the type of setting defined here is important:
1. Trigger - Any incoming CV will be converted into a 1ms trigger as soon as it crosses it's fixed threshold.
2. Mute - This disconnects then incoming signal effectivelly muting the voice.

3. Envelopes - This can be used with CV sources as well as Gate sources and simply follows the input signal.

This incoming signal will then be processed by a slew circuit which adds a decay factor allowing the user to set the "Tail" of each voice.

Trigger mode is mostly dedicated for percussive sounds while the Envelope mode is open to any external enve- lope control and able to control noise swooshes, swirls, crackles and pops simply out of t-networks filtered noise.

Audio inputs are also welcomed to be used as a Trigger/Envelope input.

Diferences between voices:
The first 3 voices also feature a Timbre selector switch: Hat/Snare
In Snare mode all frequencies coming from the t-networks filter pass thru to the output .
In Hat mode it adds a High Pass circuit which removes the mid/bottom frequencies (characteristic of the snare strike) creating a higher spectrum output which is closer to a Hat timbre.
All of these 3 voices are also differently tuned from each other to offer more timbrical options.

Voice 4 is closer to a typical t-networks circuit but this time peculiar one where the noise is gated by the vca and then sent through the t-networks filter.

Hat and Snare are terms used very looselly here, they are timbrical references and do not in any shape or form try to effectivelly replicate the complex timbres of a real world Hat or Snare.
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 2 in stock $182.27
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