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Koma Elektronik Komplex Sequencer
Cat: 570602 Rel: 05 Feb 16 • View all Sequencers
 
Step sequencer built around four 16-step sequencers communicating via both MIDI and CV/Gate.
Notes: Powerful step sequencer built around four well-equipped full-featured 16-step sequencers communicating via both MIDI and CV/Gate. There are no screens or submenus.

All features have their own dedicated controls and have their own dedicated in- and outputs on the large 87-point patch bay. Every aspect of this sequencer is CV-able. Lastly a seven bank CV Recorder is on board and can output up to 5 banks at once!

The Komplex Sequencer opens up a whole new world of creative possibilities and starts where other sequencers have stopped!

Our step sequencer lets you construct complex musical patterns, via both MIDI and CV/Gate. Built around four full-featured 16-step sequencers in a compact and light enclosure, the Komplex Sequencer is a powerful tool both live and in the studio. All features have their own dedicated controls; no screens or submenus, and all features have their own dedicated in- and outputs on the large 87-point patch bay. By patching both internal and external CV sources through the patch bay of the Komplex, you can control any parameter of the sequencer immediately and "sequence the sequence." Controls include Speed, Sequence Length, Gate Length, Play Mode, Glide, Division, Transpose, Repeat, Sequence Start Point and Skip. Additionally, the sequencer can vary output range and also has a quantizer on board operable in different scales.

And not only is the sequencer compatible with almost any synthesizer with CV/Gate, MIDI note, velocity and CC information can also transmitted by any of the four sequencers. Lastly a seven bank CV Recorder is on board and can output up to 5 banks at once! The Komplex Sequencer opens up a whole new world of creative possibilities and starts where other sequencers have stopped.

CV Inputs
Clock, Rec Clock, Transpose, Start, Stop, Skip Step, Sequence Start Point, Repeats, Seq Length, Gate Length, Play Mode, Glide, Division, CV Recorder (CV In, Clock, Start, Bank Up/Down)

CV Outputs
CV Out, Gate Out, Start Of Sequence, End Of Sequence, Clock, CV Recorder CV Out (A, B, C, D and CV)

Sequencer Controls
64 Sliders and Step Select Buttons, Speed, Sequence Length, Gate Length, Play Mode, Glide, Division, Quantizer and Scale, Output Range, One-Shot Mode, Play/Pause and Stop, Global Play/Pause and Global Stop

Section Controls
Repeat Set, Mode Menu, Skip Step, Glide, Sequence Start Point, Gate

MIDI
MIDI In, MIDI Out, MIDI Clock Out (1 trigger per quarter note)

CV Recorder
Banks A, B, C and D available at corresponding sequencer patch bay outputs. All 7 banks selectable at CV Recorder CV Out by the Select control or Bank Up/Down inputs. CV is recorded and clocked through the CV Recorder CV and Clock inputs or Sequencer Rec Clock inputs.

Extra Features
Mode Menu (Skip Step Mode, Repeat Mode, Unipolar/Bipolar CV Output, MIDI Message, MIDI Channel, MIDI CC) and Firmware Updates

Casing:
Powder coated aluminum casing, silk screened printing and wooden side panels.

Dimensions
46.2 cm x 29 cm x 4 cm (L x W x H)
18.2" x 11.4" x 1.6" (L x W x H)

Net Weight
3.2 kg / 8.8 lb

Shipping Weight:
4.5 kg. / 9.9 lbs including power adapter and instruction manual.

Power Requirements:
9VDC power adapter. Only use the KOMA adapter shipped with the unit.

Accessories
Included: dust cover, manual and power supply unit.
Rackmount kit available separately
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 3 in stock $1,804.95
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quote 570602
ADDAC System ADDAC807A&B VC Stereo Summing Mixer Console & Inputs Console Module ADDAC System ADDAC807A&B VC Stereo Summing Mixer Console & Inputs Console Module ADDAC System ADDAC807A&B VC Stereo Summing Mixer Console & Inputs Console Module ADDAC System ADDAC807A&B VC Stereo Summing Mixer Console & Inputs Console Module
ADDAC System ADDAC807A&B VC Stereo Summing Mixer Console & Inputs Console Module (attenuator/dynamics/mixer/panning/VCA/expander synth module)
Cat: 776434 Rel: 08 Sep 20 • View all Synth modules
 
VC stereo summing mixer module, main console and inputs console in 80HP.
Notes: All you could ever dream of from an Eurorack console, and then some!

The ADDAC807A VC Stereo Summing Mixer offers you the power, the flexibility and the gorgeous layout of a high-end audio console, in the popular Eurorack format. Starting off at 5 stereo channels, with the option to add 4 additional stereo channels via the ADDAC807C Expansion Console, its send/return options and clever matrix will ensure you have that perfect mix down in seconds. Customary to ADDAC System designs, there is enough CV control and hands-on switch options to make the ADDAC807A into an instrument in and of itself.

The ADDAC807A is accompanied by its sibling, the ADDAC807B Inputs Console. We decided to allow the user to freely define the placement of the jacks by separating the area where all your cables are located. Less clutter means more hands-on control and higher playability. The ADDAC807B Inputs Console holds all the jack inputs for the ADDAC807A Main Console, along with CV inputs and additional channel settings - 'cause you can never have enough switches!?

Module is sold together with the ADDAC807A, which also provides power. ADDAC807A price is for both the 807A and 807B.
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 1 in stock $1,587.22
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quote 776434
Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser
Cat: 780395 Rel: 07 Jul 20 • View all Synthesisers
 
Digital polyphonic synthesiser
Notes: Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.
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MRP:$2,312.98 SAVE 15%
 1 in stock $1,967.21
UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (blue) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (blue) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (blue) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (blue) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (blue)
Cat: 730240 Rel: 23 Jul 20 • View all Synthesisers
 
12-voice polyphonic binaural analogue hybrid synthesiser
Notes: The Super 6 is a 12-voice polyphonic, binaural analog-hybrid synthesizer. A harmonious marriage of state of the art FPGA digital hardware oscillators and voltage controlled analog tech. It is flexible, powerful and refined with a gorgeous analog tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analog signal path and flexible modulation.

Although UDO's first production synthesizer, the Super 6 is a result of many years of hard work and numerous iterations of development. Our mission with the Super 6 has been to harmonise what we love about archetypal electronic instrument design with modern, novel synthesis technologies that excel at generating spatially dynamic results.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.

BINAURAL ANALOG
SIGNAL PATH
In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

MASSIVE MODULATION WITHOUT MENUS
Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

INSPIRED BY THE CLASSICS,
BUILT FOR TODAY
The Super 6 is an instrument that is borne of a long-held passion for synthesizers. In designing the Super 6 we wanted to create an instrument that feels familiar at first glance, but offers new and inspiring opportunities when delving deeper. The layout and aesthetic is an homage to some of the classic synthesizers that have inspired us for many years i the instrument's features and capabilities bring these ideas firmly into the 21st century.

ANALOG VOICE ARCHITECTURE
Alongside an analog amplifier section, the Super 6's main filter is an analog 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

TRUE NO-COMPROMISE BUILD QUALITY
An instrument is cherished not just for the way it sounds but for the way it feels to play. We have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.
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MRP:$2,624.32 SAVE 10%
 1 in stock $2,364.52
Make Noise Tape & Microsound Music Machine Stereo Skiff System
Notes: Gorgeous experimental system based around Make Noise's brilliant Maths, Morphagene, QPAS and Mimeophon modules. Capture and process sounds in stereo and warp them into new dimensions.

Supplier's Notes:
The Tape & Microsound Music Machine music synthesizer is a small stereo system devoted to capturing external sounds and sculpting them into new ones. The Morphagene operates as a recorder that also allows the artist to mulch, layer and rearrange the sound and manipulate the speed and direction of playback. The Mimeophon repeats sounds and subjects them to further manipulation, and when combined with the Quad Peak Animation System (QPAS), incredible stereo sculpting of the spectrum. The Wogglebug and MATHS work to animate these effects, and the XOH provides a final stereo mix and line level or headphone outputs for monitoring and/or performance.
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 1 in stock $2,624.33
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quote 732820
Denon DJ SC6000 Prime USB DJ Media Player Denon DJ SC6000 Prime USB DJ Media Player Denon DJ SC6000 Prime USB DJ Media Player Denon DJ SC6000 Prime USB DJ Media Player
Cat: 762050 Rel: 27 Apr 21 • View all DJ-Decks
 
Professional DJ Media Player with 10.1" Touchscreen and WiFi Music Streaming
Notes: *** Update March 2024- Engine DJ 3.4 Performance Software for Hardware (OS) ***

New Features
Bluetooth Audio Input and Keyboard Connection for Supported Devices

Bluetooth Audio Input - Wirelessly play audio from a Bluetooth-capable device on your supported Engine DJ hardware

Assign to any individual hardware channel or main audio output
Assign to layer A or B on the Denon DJ SC6000 and SC6000M
Bluetooth transport controls allow you to play, pause, and track skip using the touch screen or hardware controls when connected to a capable Bluetooth device
Hardware screen displays Track Title, Artist, and track progress when connected to a capable Bluetooth device

Bluetooth Keyboard Support - Search for songs on your Engine DJ hardware more quickly and efficiently
Bluetooth menu option in the Control Center allows you to connect and manage Bluetooth keyboards and audio devices

Additional Bluetooth Compatibility Information

It is recommended that you confirm the Bluetooth connectivity and functionality of your computer, smartphone, or other device before using it in a live situation

Not all Bluetooth devices and audio applications provide support for Bluetooth Transport controls and track information

Track Progress is not updated on Engine OS when it is adjusted using the originating software/app

Engine DJ Preparation Software (Desktop)
Improvements and Fixes

Fixed an issue where sync manager export would take longer if SoundSwitch content is being packed

Fixed an issue where tracks would not pack via drag and drop if there are 2 drives with the same or similar names connected

Various other stability enhancements and improvements

Supplier's notes:
Denon's flagship SC6000 player is an innovative alternative to Pioneer CDJs, featuring dual-layer playback, built-in Wi-Fi and Ableton Link integration. Also available in SC6000M form with motorised platter. Excellent value.

Compatible with the LC6000 PRIME; The LC6000 PRIME gives a dedicated, professional control surface to any of the SC Media Players secondary layers giving you the freedom to be more creative.

Navigate, search and load extensive music libraries plus edit track lists with 'on-board' Crate management. Gesture manipulate large waveforms and scrub through overviews, while visualizing essential DJ workflow info. Also, execute internal analysis of previously unanalyzed music files directly within the SC6000 itself - just 'plug in & play out!'

Exceed any previous DJ performance boundaries. The SC6000 is dual-layer capable, playing two separate tracks simultaneously. Its jog-wheel has an increased 8.5" 'handson' platter surface area for track cue, pitch and scratch manipulation. Add new rubber button, subtly lit and tactile feel trigger pads for more performance & mix creativity

With dual output 24-bit, 96kHz digital audio quality, the SC6000 supports all major compressed and uncompressed music file formats - including FLAC, ALAC and WAV. With built-in WiFi and wired internet connectivity, DJs can now stream music, standalone, from partnered services Beatport, Beatsource, Soundcloud and TIDAL.

Mix and perform two tracks simultaneously from just one SC6000. Each player features two independent analog/digital outputs and a stacked waveform view. Dual-layer playback opens up a new world of creative possibilities for standalone media players.

Open Format, cross-BPM DJing perfection! Artifact free, sonically perfect audio reproduction, for pitch locked, extreme track tempo changes.
With built-in Wi-Fi and an Ethernet Link port for hardwired internet connections, the SC6000 connects you with your favorite music streaming service or personal cloud storage without being tethered to a computer. Log in to your streaming account directly on the unit for instant access to the world's largest music collections. The SC6000 offers a vast array of streaming service options including Beatport/Beatsource Streaming, SoundCloud GO+, and TIDAL, so whatever the genre the SC6000 has you covered. If that's not enough, connect your Dropbox account to access your personal music collection remotely from anywhere in the world.

Nudge pitch, back-cue and scratch with the SC6000's 8.5" platter with selectable tension adjustment. View and customize center display track and logo artwork, changing platter LED ring colors too.

The SC6000's onboard musical key shift and instant match feature enable beautiful harmonic DJ sets to be performed with ease. Create sonic textures with just the touch of a finger.

Trigger Hot-Cues, engage Loop regions, Roll and Slice your beats with 8, responsive rubber performance pads - now with sophisticated design illumination for improved club visibility.

Handle all digital music libraries and enable DJ 'hand-offs with 3 x USB and 1 x SD media inputs. Travel with large terabyte music collections, accessing the SC6000's built-in internal HDD bay. Connect the player to the internet via Wi-Fi or Ethernet and stream music straight away without any physical media.

Tech Specs:
Audio:
Analog Output: 2.0 Vrms (0 dBFS, 1 kHz)
Signal-to-Noise Ratio: 116 dB
Distortion (THD+N): < 0.0015%
Frequency Range: 22-22,000 Hz
Digital Output:
Sampling Rate: 96 kHz
Bit Depth: 24-bit

Platter:
Diameter: 8.5" / 216mm (diameter)
Material: Metal construction with display and touch-capacitive circuitry

Connections:
(2) RCA output pairs
(2) coaxial digital outputs
(1) 1/8" (3.5 mm) mini TS input (remote start)
(3) USB Type-A ports (for USB drives) (Rear-panel ports supply 900 mA for USB 3.0 devices, 500 mA for USB 2.0 devices. Front panel port supplies 500 mA for USB 2.0 devices only.)
(1) USB Type-B port (for computer connection)
(1) SD card slot
(1) Ethernet link port
(1) IEC power input
(1) 2.5" SATA HD bay

Power:
Connection: Locking IEC
Input Voltage: 110-240 VAC, 50/60 Hz

Dimensions (Width x Depth x Height):
319.5mm X 463.3mm X 151.17mm
12.6" x 18.2" x 6"

Weight (Without USB and Power Cable): 12.76 lbs./5.8 kg

Supported Media

Type:
SD/SDHC card
USB mass-storage devices (flash memory, external HDD enclosures):
2.5" SATA hard drives

File Systems:
exFAT
FAT32 (recommended)

File Formats:
AAC/M4A
AIF/AIFF (44.1-192 kHz, 16-32-bit)
ALAC
FLAC
MP3 (32-320 kbps)
MP4
Ogg Vorbis
WAV (44.1-192 kHz, 16-32-bit)
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MRP:$1,630.34 SAVE 17%
 2 in stock $1,360.10
Denon DJ SC6000M Prime USB DJ Media Player With Motorised Platter Denon DJ SC6000M Prime USB DJ Media Player With Motorised Platter Denon DJ SC6000M Prime USB DJ Media Player With Motorised Platter Denon DJ SC6000M Prime USB DJ Media Player With Motorised Platter
Cat: 762061 Rel: 27 Apr 21 • View all DJ-Decks
 
Professional DJ media player with 8.5" motorized platter & 10.1" touchscreen
Notes: *** Update March 2024- Engine DJ 3.4 Performance Software for Hardware (OS) ***

New Features
Bluetooth Audio Input and Keyboard Connection for Supported Devices

Bluetooth Audio Input - Wirelessly play audio from a Bluetooth-capable device on your supported Engine DJ hardware

Assign to any individual hardware channel or main audio output
Assign to layer A or B on the Denon DJ SC6000 and SC6000M
Bluetooth transport controls allow you to play, pause, and track skip using the touch screen or hardware controls when connected to a capable Bluetooth device
Hardware screen displays Track Title, Artist, and track progress when connected to a capable Bluetooth device

Bluetooth Keyboard Support - Search for songs on your Engine DJ hardware more quickly and efficiently
Bluetooth menu option in the Control Center allows you to connect and manage Bluetooth keyboards and audio devices

Additional Bluetooth Compatibility Information

It is recommended that you confirm the Bluetooth connectivity and functionality of your computer, smartphone, or other device before using it in a live situation

Not all Bluetooth devices and audio applications provide support for Bluetooth Transport controls and track information

Track Progress is not updated on Engine OS when it is adjusted using the originating software/app

Engine DJ Preparation Software (Desktop)
Improvements and Fixes

Fixed an issue where sync manager export would take longer if SoundSwitch content is being packed

Fixed an issue where tracks would not pack via drag and drop if there are 2 drives with the same or similar names connected

Various other stability enhancements and improvements

Supplier's Notes:
The SC6000M's 8.5" motorized platter with a combo of 'quickrelease' slipmat and newly designed DJ vinyl, ensures DJ/Turntablists have that 'true, mechanical spin' beneath their fingertips. The uniquely engineered, brushless DC electric motor has a light/heavy torque range adjustment, for fine-tuning platter response to a scratch DJ's exact performance needs.

Navigate, search and load extensive music libraries plus edit track lists with 'on-board' Crate management. Gesture manipulate large waveforms and scrub through overviews, while visualizing essential DJ workflow info. Also, engage 'on-the-fly', internal analysis of music files directly within the SC6000M itself.

Powered by a dedicated, multi-core internal processor, the SC6000M runs 'Engine OS.' A purpose-built embedded software platform built for DJs offering you super-fast track load times, intuitive navigation, management, and search, so you can be at your creative best. The mission for Engine OS is clear, to keep evolving, providing more creative features to enhance the DJ's performance and experience.

With dual output 24-bit, 96kHz digital audio quality, the SC6000M supports all major compressed and uncompressed music file formats - including FLAC, ALAC and WAV. With built-in WiFi and wired internet connectivity, DJs can now stream music, standalone, from partnered services Beatport, Beatsource, Soundcloud and TIDAL.

Execute and define your true vinyl Turntablist style - get hands-on with the adjustable torque, high-resolution 8.5" motorized platter featuring ergonomic inset design for easy-braking.

Search, load, play, and 'feel' your music with the industry's largest and most advanced multi-touch DJ workflow display.

Mix and perform two tracks simultaneously from just one SC6000. Each player features two independent analog/digital outputs and a stacked waveform view. Dual-layer playback opens up a new world of creative possibilities for standalone media players.

With built-in Wi-Fi and an Ethernet Link port for hardwired internet connections, the SC6000 connects you with your favorite music streaming service or personal cloud storage without being tethered to a computer. Log in to your streaming account directly on the unit for instant access to the world's largest music collections. The SC6000 offers a vast array of streaming service options including Beatport/Beatsource Streaming, SoundCloud GO+, and TIDAL, so whatever the genre the SC6000 has you covered. If that's not enough, connect your Dropbox account to access your personal music collection remotely from anywhere in the world.

Open Format, cross-BPM DJing perfection! Artifact free, sonically perfect audio reproduction, for pitch-locked, extreme track tempo changes.

The SC6000M's onboard musical keyshift, key-match feature enables beautifully harmonic DJ sets to be effortlessly performed. Create sonic textures with just the touch of a finger.
Trigger Hot-Cues, engage Loop regions, Roll and Slice your beats with 8, responsive rubber performance pads - now with sophisticated design illumination for improved club visibility.


Audio:
Analog Output: 2.0 Vrms (0 dBFS, 1 kHz)
Signal-to-Noise Ratio: 116 dB
Distortion (THD+N): < 0.0015%
Frequency Range: 22-22,000 Hz
Digital Output:
Sampling Rate: 96 kHz
Bit Depth: 24-bit
Platter
Material: Metal construction
Diameter: 8.5" / 216mm
Display
10.1" / 257 mm (diagonal)
10.11" x 6.9" / 257 x 175 mm (width x height)
Full-color LED-backlit display with touch interface
Connections
(2) RCA output pairs
(2) coaxial digital outputs
(1) 1/8" (3.5 mm) mini TS input (remote start)
(3) USB Type-A ports (for USB drives) (Rear-panel ports supply 900 mA for USB 3.0 devices, 500 mA for USB 2.0 devices. Front panel port supplies 500 mA for USB 2.0 devices only.)
(1) USB Type-B port (for computer connection)
(1) SD card slot
(1) Ethernet link port
(1) IEC power input
(1) 2.5" SATA HD bay
Power
Connection: Locking IEC
Input Voltage: 110-240 VAC, 50/60 Hz
Dimensions (Width x Depth x Height)
319.5mm X 463.3mm X 151.17mm
12.6" x 18.2" x 6"
Weight (Without USB and Power Cable)
15.4 lbs.
7.01 kg
Supported Media
Type:
SD/SDHC card
USB mass-storage devices (flash memory, external HDD enclosures)
2.5" SATA hard drives
File Systems:
exFAT
FAT32 (recommended)
File Formats:
AAC/M4A
AIF/AIFF (44.1-192 kHz, 16-32-bit)
ALAC
FLAC
MP3 (32-320 kbps)
MP4
Ogg Vorbis
WAV (44.1-192 kHz, 16-32-bit)
Read more
MRP:$1,788.12 SAVE 12%
 2 in stock $1,570.24
Denon DJ X1850 Prime 4-Channel DJ Club Mixer Denon DJ X1850 Prime 4-Channel DJ Club Mixer Denon DJ X1850 Prime 4-Channel DJ Club Mixer
Cat: 762064 Rel: 31 Mar 21 • View all DJ-Mischpulte
 
Professional 4-Channel DJ Club Mixer
Notes: From Denon's excellent Prime range, the X1850 is a four-channel mixer with all the features you'd expect from a club-standard pro model: three-band EQs, filters, loads of effects and solid build.

Supplier's Notes:
4-Channel Digital Mixer with Multi-Assignable Inputs and Pro DJ FX

With a rugged metal construction, the X1850 is a 'mixing comfort-zone' for any DJ. It has 4-channels with multi-assignable inputs, covering every gig performance need. A 'high-visibility', 3-band EQ section offers both 'normal' and expressive 'isolation' modes. Smooth line and crossfader control handles all Pro-DJ mixing styles.

Add dynamic audio effects into the mix with the X1850's 4 Sweep FX, contouring frequencies with its powerful Lo/Hi pass Filter. Get creative and expressive with the X1850's 16 Pro-Club BPM FX and 'Time-Division' Touchstrip too. The X1850 brings 'FX Quantize' control to ensure all effects parameters align with your grooves!

Multi I/O, 24-bit/96kHz Prograde audio connectivity is just the start! The X1850 PRIME has a built-in LAN hub for connecting up to four 'SC' media players, carrying tempo information, ultra-fast music file transfer and StagelinQ audio visual connections. A 5-Pin MIDI out to start/sync external gear brings even more performance flexibility.

Line, Phono, Digital, USB or DVS - select your channel input and let the mix flow with 4 smooth, contour controlled line faders plus 'flex-fader' style crossfader

Customize X1850 DJ workflow and performance settings plus access, adjust and edit 16 expressive Pro Club FX

Experience fast, uninterrupted DJ 'handoffs', connect to DJ software and record multi-channel audio to laptops.

No sacrifice of line faders with 2 independent, EQ/level controlled microphone channels with 'talkover'. Get Split/Cue headphone monitoring with 1/4" jack plus minijack inputs.

Dedicated Sweep FX, access 4 dynamic, 'left/right variant' controlled effects. Simultaneously manipulate lo/hi pass Filters on each channel, coloring with adjustable resonance control

Audio
Dynamic Range (master): > 117 dB (A-weighted)
Frequency Range: 22-22,000 Hz (+1 dB)
Signal-to-Noise Ratio:
Line: > 93 dB (A-weighted)
Phono: > 87 dB (A-weighted)
THD+N: < 0.02%
Channel Separation: < -90 dB (@ 1 KHz, unity)
Headroom:
Line Inputs: > 16 dB
Microphone Inputs: > 20 dB
Outputs: > 20 dB
Analog Output:
Master (balanced): +24 dBu (maximum), +4 dBu (unity)
Master (unbalanced): +20 dBu (maximum), 0 dBu (unity)
Booth: +24 dBu (maximum), +4 dBu (unity)
Record: +10 dBV (maximum), -10 dBV (unity)
Send: +10 dBV (maximum), -10 dBV (unity)
Headphones: > 150 mW @ 40 O
Analog Input:
Line: +15 dBV (maximum), 0 dBV (unity)
Phono: -22 dBV (maximum), -40 dBV (unity)
Microphone: -40 dBu (maximum), -60 dBu (minimum)
Return: +15 dBV (maximum), 0 dBV (unity)
Microphone Inputs:
CMRR: > 80 dB (@ 1 KHz, unity)
EIN: < -124 dBu (Rs = 150 O, DIN)
Digital Output:
Sampling Rate: 44.1, 48, 96 kHz
Bit Depth: 24-bit
Displays
1.6" / 39 mm (diagonal)
1.4" x 0.69" / 35 x 17 mm (width x height)
(2) monochromatic LED-backlit displays
Connections
(2) XLR outputs (balanced master)
(2) RCA output pairs (1 unbalanced master, 1 unbalanced record)
(5) 1/4" (6.35 mm) outputs (2 booth, 2 send, 1 headphone)
(1) 1/8" (3.5 mm) output (headphone)
(1) coaxial digital output (audio)
(1) 5-pin DIN MIDI output
(8) RCA input pairs (4 line, 4 phono)
(1) XLR+1/4" (6.35 mm) input (Mic 1)
(3) 1/4" (6.35 mm) inputs (2 receive, 1 Mic 2)
(5) RCA digital inputs (4 audio, 1 link)
(5) Ethernet link ports
(1) IEC power inlet
Power Connection: Locking IEC
Input Voltage: 100-240 V~, 50/60 Hz
Consumption: 65 W

Dimensions (width x depth x height):
310.9mm X 445mm X 109.7mm
12.2" x 17.5" x 4.3"
309.88 x 444.5 x 109.22 mm

Weight (without USB and power cable): 15.43 lbs./7.00 kg
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MRP:$1,451.53 SAVE 17%
 1 in stock $1,210.92
Buchla Easel Command Desktop Modular Analogue Synthesiser Buchla Easel Command Desktop Modular Analogue Synthesiser
Buchla Easel Command Desktop Modular Analogue Synthesiser (desktop modular analogue synthesiser)
Cat: 765879 Rel: 28 Jul 20 • View all Synthesisers
 
Desktop modular analogue synthesiser
Notes: Latest incarnation of Buchla's legendary modular synth. Massively creative with incredible sound and history stretching all the way back to the 1960s.

Supplier notes:
The evolution of the legendary modular analog synthesizer by Don Buchla. The Buchla Easel Command is the newly updated 208C in a standalone desktop form with MIDI and CV control.

Buchla's own Joel Davel led the charge to create a new version of the legendary Music Easel instrument with more modular flexibility and independence, while also providing the means to easily interface with more devices, such as the various DAWs like Ableton and MIDI controllers, including the very expressive Sensel Morph. It's still fully analog in its default configuration and provides the unique and exquisite Buchla experience with greater functionality at a lower cost.

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 5 in stock $3,128.15
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ASM Hydrasynth 8-Voice Wavetable Keyboard Synthesiser With Polytouch 49-Note Polyphonic Aftertouch Keybed ASM Hydrasynth 8-Voice Wavetable Keyboard Synthesiser With Polytouch 49-Note Polyphonic Aftertouch Keybed ASM Hydrasynth 8-Voice Wavetable Keyboard Synthesiser With Polytouch 49-Note Polyphonic Aftertouch Keybed
Notes: One of the most exciting new synths of 2020. Extremely high-quality wavetable synth engine with great expressive features like a CS80-style ribbon controller and polyphonic aftertouch. Powerful.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier notes:
The HYDRASYNTH keyboard is both a sound designers dream synth as well as a performing musicians ideal. The sound engine is designed for maximum flexibility. At the same time, we designed the user interface in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.

Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, The HYDRASYNTH keyboard has our proprietary Polytouch keybed that offers polyphonic aftertouch over each note, giving you the type of expressive control found only in certain vintage synths.

Add to this a 4 octave ribbon controller and ergonomically designed pitch and mod wheels and you have expression and control that is not equaled in any other hardware synthesizer on the market.

The new ASM Polytouchr keybed allows not only the standard velocity and aftertouch found on other keybeds but it also supports fully polyphonic aftertouch.

In recent years companies have been trying to find ways to give the keyboard musician more ways to better express themselves. The problem is that their solution is almost never a keyboard, so you have to learn a new technique to play them.

The Polytouch keybed features a high quality, standard sized keys, so you can start playing it instantly.

The tone generation capability is the heart of any synthesizer.

The 3 oscillators allow you to choose from a selection of 219 single cycle waveforms.

Wavemorphing is a feature usually found on synths with preset wave tables. Creating user wavetables is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have our WAVELIST mode.

This mode allows you to pick and choose 8 waves, from the bank of 219, arrange them in the order you want, and then morph from one to another.

Oscillators 1 & 2 are routed into our MUTATORS. The Mutators allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each MUTANT allows you to choose from the following processes:

FM-Linear - for making classic FM sounds. Choose multiple FM sources, including external inputs.

Wavestack- creates 5 copies of the incoming sound and allows you to set a detune amount.

Hard Sync - This gives you those classic hard sync sounds. Try hard syncing a morphing wavetable for some fun.

Pulse Width - This will pulse width modulate ANY input sound.

PW - Squeeze - This is a different form of pulse width mod that creates a smoother sound.

PW-ASM - this mode divides the incoming wave into 8 slices and allows you to set how much pulse width mod will happen in each section.

Harmonic Sweep - this will sweep the harmonics of the incoming sound.

The Mutant's can also generate its own waveforms in both FM and Sync modes so that you do not have use another oscillator....Of course the routing is flexible so you can choose the other oscillators as mod sources if you like.

The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator.

The Mixer allows you to mix levels as well as pan the input source.

There is a balance control that allows you to choose how much signal of each source is routed to filters 1 and 2.

The filters can be set to be parallel or series for ultimate flexibility.

If oscillators and tone generators are the heart of a synthesizer, the filters are the soul.

The Hydrasynth has two filters that can be configured in series or parallel.

The first filter has 11 different filter models, giving you multiple options for tailoring your sound.

The second filter is a 12db per octave has a continuous sweep from Low pass to bandpass to high pass, similar to the way the classic SEM filter worked.

5 DAHDSR Envelopes.

An advanced sound engine needs plenty of modulation sources. Our 6 stage envelopes feature Delay, Attack, Hold, Decay, Sustain and Release stages.

The time settings for the stage can be set in seconds or in time divisions, giving you envelopes that play in
sync to your song.

You can also loop the envelopes to create LFO's whose shape can be voltage controlled in the modulation matrix.

The modulation capabilities on the Hydrasynth are endless.

With 32 user definable modulation routings, you will have plenty of ways to use the 29 modulation sources and 155 modulation destinations.

Almost everything in the synth engine can be a modulation destination including the effects and arpeggiator.

The Modulation matrix points themselves can also become modulation destinations.
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MRP:$1,471.51 SAVE 26%
 2 in stock $1,086.55
Technics SL-1200GR Direct Drive DJ Turntable (silver) Technics SL-1200GR Direct Drive DJ Turntable (silver) Technics SL-1200GR Direct Drive DJ Turntable (silver) Technics SL-1200GR Direct Drive DJ Turntable (silver) Technics SL-1200GR Direct Drive DJ Turntable (silver)
Cat: 745774 Rel: 28 Nov 19 • View all DJ turntables
 
Grand Class direct drive turntable
Notes: The GR version of the SL1200 sits above the standard MK7 model in the Technics range. Designed for even higher sound quality than the already excellent MK7. Serious kit for very serious DJs.

Supplier's notes:
The new standard model inheriting the technology of the SL-1200G, which was developed as a reference direct-drive turntable for the next generation.

Launched in 2016, the SL-1200G combined Technics' traditional analogue technology and advanced digital technology, while redesigning parts throughout. Its outstanding performance literally rocked the hi-fi market and redefined the reference for direct-drive turntables. Parts that were inherited from the SL-1200G were newly developed for the SL-1200GR, beginning with the coreless direct-drive motor and precise motor control technology that eliminated the cogging that originated from rotation irregularity, and including a low-vibration, high-rigidity platter and high-sensitivity tonearm. By these measures, the level of performance clearly outperforms the usual standards of its class. The SL-1200GR invites more audio enthusiasts to enjoy music with the rich, robust sound of analogue records.

In 1970, Technics commercialized the world's first direct-drive turntable, and the system took the world by storm. Unlike belt-drive and other systems, direct-drive systems rotate the motor at low speed and directly drive the platter, thus providing numerous advantages, such as the almost complete absence of degradation in S/N ratio due to motor vibration and deceleration mechanisms, as well as high reliability over a long period time because of not requiring parts replacement.

And in 2016, Technics developed the twin-rotor, surface-facing, coreless direct-drive motor with rotor magnets placed on both sides, thereby eliminating the rotation irregularity of the motor, referred to as "cogging," which was a unique issue for direct-drive systems. This motor was adopted for the SL-1200G, which once again drew a significant response in the hi-fi market. The SL-1200GR inherits the same design philosophy with the new development of a single-rotor, surface-facing, coreless direct-drive motor, resulting in the elimination of cogging.

The rotation control, which verifies and corrects the precision of the motor, uses the latest motor control technology cultivated in the development of Blu-ray disc devices, just as that used by the SL-1200G. Sine waves stored in ROM are used for the control waveforms at constant speed, and this achieves smoother and more stable rotation compared with using the simple sine wave generation with an external coil as in the conventional SL-1200MK5. In addition, the electrical circuitry has had tuning performed so that the newly developed motor of the SL-1200GR achieves maximum performance. The starting torque achieves 2.2 kg x cm with only a single rotor. The same startup time of 0.7 s (at 33 1/3 rpm) as the SL-1200G has been achieved.

The platter achieves high rigidity and vibration damping characteristics by using a two-layer construction with deadening rubber applied to the entire rear surface of the aluminium die-cast to eliminate the unnecessary resonance that is otherwise relayed to the record, thereby producing clear sound.

To increase the inertial mass and reduce vibration, the shape of the aluminium die-cast portion was optimized by simulation. At 2.5 kg (including the rubber mat), the SL-1200GR platter is 0.8 kg heavier than that of the previous SL-1200MK5. Also, the back surface of the platter has strengthening ribs added to improve rigidity. Increasing the surface area of contact with the deadening rubber achieves damping characteristics that are more than twice those of the SL-1200MK5.

The tonearm tracks the rotation of the record and enables reading with high precision, and the tonearm inherited by Technics is the traditionally used static-balance universal S-shaped tonearm, employing an aluminium pipe with excellent light weight and rigidity for the material of the tonearm pipe.

With its gimbal suspension construction, the tonearm bearing section uses a cut-processed housing that employs high-precision bearings, as in the SL-1200G. The high initial-motion sensitivity of 5 mg or less is achieved through manual assembly and adjustment by skilled Japanese artisans. This enables the grooves etched into the records to be accurately traced.

In addition, one type of auxiliary weight comes included, and the cartridge can be swapped with a variety of other cartridges to match the music genre or feeling. (Applicable cartridge weight when using the supplied auxiliary weight: 10 - 16.4g, not including the supplied head shell).

The turntable uses gold-plated phono terminals for detachable cables, and so a wide variety of cables can be selected. Also, the use of metal shielding construction inside the case reduces the effects of external noise.
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 1 in stock $1,629.29
Alpha Recording System MODEL3500 Crossover (black) Alpha Recording System MODEL3500 Crossover (black)
Cat: 601285 Rel: 22 Sep 16 • View all DJ-Mischpulte
 
Innovative frequency isolator with adjustable crossover frequency control
Notes: Users can adjust the crossover point to choose which frequency ranges of "LOW", "MID" and "HIGH" should be emphasized for their preferences and music genres.

Maximum Boost 12dB provides the users to be well aware of changes and is good for protection of speaker systems.

Volume curve is designed with insistence on quick attack and sharp response.

Its simplified design minimizing all possible sound degradation.

ARS MODEL-3500 provides superior controls for DJs to react to each different scenarios, giving more characteristics to their performance.

Supplied with UK 3 pin plug
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 1 in stock $1,151.76
Pittsburgh Modular Structure EP360 360HP Professional Synth Module Enclosure Case Pittsburgh Modular Structure EP360 360HP Professional Synth Module Enclosure Case Pittsburgh Modular Structure EP360 360HP Professional Synth Module Enclosure Case Pittsburgh Modular Structure EP360 360HP Professional Synth Module Enclosure Case Pittsburgh Modular Structure EP360 360HP Professional Synth Module Enclosure Case
Cat: 598242 Rel: 08 Mar 16 • View all Synth Module Accessories
 
Hand-stained all hardwood eurorack synth module enclosure with power - 360HP of space
Notes: ***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. service@pittsburghmodular.com***

Structure EP-360 Eurorack Enclosure

Maximum Power for a New Generation -

Beautifully stained hardwood triple row, 360hp powered eurorack travel case with lid. A huge case to house a monster synth. Features include a professional, heavy duty, internal power supply designed to exceed the needs of the most demanding analog and digital eurorack systems.




Everything is New:
With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.






Includes:
Structure EP-360

Power
:
6 Amps of Clean +12v Power

6 Amps of Clean -12v Power

5 Amps of Clean +5v Power

Custom Powered Bus Board with 15 Keyed Eurorack Power Headers Per Row, 45 Power Headers Total

External On-off Rocker Power Switch with LED

Universal IEC Power Connector Works Anywhere

Structure EP-360 Enclosure
:
Hardwood and Steel Construction (No cheap plastic here)

Triple 120hp Rows

Removable Lid

Lid Fits Over Fully Patched System (No need to remove patch cables)

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

24 Smooth Sliding Square Nuts Per Rail (Holds up to 72 modules)

Beautifully Hand-Stained Hardwood

Matching Black Steel Hardware Set




Structure EP-360 Dimensions
:
External Depth with lid:9 1/4"
External Depth without Lid: 5 1/2"
External Height: 17"
External Width: 25 1/2"
Internal Depth Above Power Supply: 2 3/4"
Internal Depth Above Bus Board: 3 3/4"
Internal Depth Above Nothing: 4 1/4"
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 1 in stock $1,241.16
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Jomox Alpha Base Analogue Drum Synthesiser Jomox Alpha Base Analogue Drum Synthesiser Jomox Alpha Base Analogue Drum Synthesiser Jomox Alpha Base Analogue Drum Synthesiser
 
Versatile analog drum machine
Notes: A modern classic. Analogue-focused drum machine with a few nice digital features for good measure. Proper weighty sound and huge sound-sculpting options for live or studio use.

Supplier's notes:
True analogue. Eleven instruments. Sequencer. MIDI/USB/SD-Card. Samples. Sampling inputs. Balanced individual outputs.

Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. Jomox have put in the concentrated know-how of their drum machines and synths of the past 20 years - they've simplified some things, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox have ever built.
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MRP:$1,953.25 SAVE 16%
 1 in stock $1,634.55
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Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard
Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard (music production centre synthesiser keyboard)
Cat: 883406 Rel: 23 Jun 22 • View all Synthesisers
 
61-key standalone MPC synthesiser keyboard
Notes: *** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.


The Power of Sound

Introducing the Akai Professional MPC Key 61, the revolutionary new standalone production synthesizer keyboard powering the next chapter of the MPC legacy. Building on the history of powerful sequencing and revolutionary sampling, MPC Key 61 adds the most advanced next-generation virtual instruments and effects to MPC, adding to its arsenal of industry-leading music production tools. And now, with the addition of a 61-key semi-weighted keybed with aftertouch, the MPC experience ascends to an unprecedented level of creative interaction and expression, delivering the world's most powerful and complete standalone workflow.

Breaking Sound Barriers

Inside MPC Key 61, experience a new dimension of sound like never before. Powered by 25 plugin instrument engines at your fingertips, and with over 6000 cutting-edge presets, MPC Key 61 delivers the most modern-day sound pallet ever programmed in a production synthesizer. Each plugin instrument features advanced synthesis, deep parameter editing, and modern effects developed for a truly inspiring musical experience-all designed with a fast and vibrant touch interface for an intuitive and compelling workflow. Immerse yourself in a world of sound.

Keys to Expression

The MPC Key 61 features an incredibly expressive and playable semi-weighted keybed with aftertouch to drive its world-class sounds with dynamic responsive control. With players and producers in mind, technology and artisanship were combined to breathe inspiration into every performance. The MPC Key 61's keybed is designed to deliver the highest performance experience possible connecting the dots between sound and feel. The 16-velocity sensitive RGB pads on MPC Key 61 are the same award-winning pads as the MPC One. In addition to the iconic MPC pads are the renowned Time Correct, Swing, and Quantize features of MPC that continue to endure as mainstays of modern music production.

Plugin to a World of Effects

MPC Key 61 includes over 100 state-of-the-art effects ready to load across your music productions for mixing and mastering. Insert lush and spacious Reverb & Delay effects to your tracks, add bounce and punch to your drums and mix using modern or vintage style compressors and limiters. Experience plugin FX like never before only inside MPC Key 61. MPC Key 61 is the world's first production synthesizer incorporating modern day vocal FX plugins which can also be used for the most creative sound design.

Touch Strip and Hands-on Control

The onboard assignable Touch Strip Controller is a catalyst for new ways to control, create and interact with your own signature sounds. Dedicated Pitch Bend and Modulation Wheels mean an added touch of expression to elevate your compositions. Bend the notes of your synth and lead sounds in Fabric XL, add gentle vibrato to your stringed instruments in Session Strings, or dial in the speed of the Organ's rotary Leslie cabinet and hear your parts swell with a wide chorused tremolo.

Specifications

Keys: 61 semi-weighted, full-size keys with aftertouch

Pads: (16) velocity- and pressure-sensitive pads, RGB-backlit, (8) banks accessible via Pad Bank buttons

Knobs + Performance Controls: (4) 360- touch-sensitive Q-Link knobs for parameter adjustment, (1) Touch Strip multi-function 5.5" (140 mm) touch-capacitive controller with LED indicators 360- encoder for display navigation and selection via push, (2) Pitch Bend and Mod Wheel, (3) 270- knobs for gain, mix & level adjustment

Buttons: (44) dedicated-function buttons

Display: 6.9" / 176 mm (diagonal), 5.9" x 3.7" / 150 x 93 mm (width x height), Full-colour LED-backlit display with touch interface

Memory: RAM 4 GB, Storage 32 GB (user storage, 13 GB pre-installed content), 4 GB (MPC operating system), 15+ GB free-space for user storage expandable via SATA connections

Power: Via IEC (Included), Auto Switching Internal Power Supply (100-240v)

Connections: (2) XLR+1/4" (6.35 mm) TRS inputs (Input 1/2) (w/ XLR Mic Preamps), (4) 1/4" (6.35 mm) TRS outputs (2 stereo pairs), 1/4" (6.35 mm) stereo headphone output, (1) 5-pin MIDI input, (1) 5-pin MIDI output, (1) 5-pin MIDI thru, (8) 1/8" (3.5 mm) CV/Gate outputs, Ethernet Network port, USB Type-A ports, (1) USB Type-B port

Other Controls: (2) Line | Instrument switches +48v Phantom Power switch 1/4" (6.35 mm) TRS Footswitch jacks (Sustain + FS2) (Variable and switch compatible) 1/4" (6.35 mm) TRS Expression Pedal input
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MRP:$1,756.56 SAVE 16%
 2 in stock $1,467.02
Technics SL-1500C Direct Drive Hi-Fi Turntable (black) Technics SL-1500C Direct Drive Hi-Fi Turntable (black) Technics SL-1500C Direct Drive Hi-Fi Turntable (black) Technics SL-1500C Direct Drive Hi-Fi Turntable (black)
 
Turntable system featuring the latest coreless direct drive motor for high-precision stable rotation - black
Notes: The streamlined hi-fi option of the new Technics SL series, based on similar technology to the SL-1200 GR model but with no pitch control, just rock solid Technics sound at a good price.

Supplier notes:
The technologies acquired through the development of the SL-1200 Series and the high-end SL-1000R model were lavishly inserted into the motor drive unit, a key part of the turntable. The motor exclusively tunes the single-rotor, coreless direct drive motor adopted by the SL-1200GR in order to read the high rotation accuracy and high-precision signals of the record. Optimal motor control is conducted for the inertial mass of the two-layer structure platter on which the vinyl record is placed with deadening rubber on the entire back surface to eliminate unwanted resonance in the aluminium die-cast platter to eliminate the rotation irregularity called cogging. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The insulator is comprised of a spring and rubber to provide optimal vibration-damping characteristics. The tonearm is a static-balance universal S-shape tonearm, another Technics tradition. By adopting a high-precision bearing using the same gimbal suspension construction and machined housing as the SL-1200 Series, high initial sensitivity is achieved. In addition, reliability has been improved by incorporating a removable power cable and gold-plated terminals, which have less sound quality degradation, for the PHONO and LINE terminals.

Complete Turntable with a Built-in Phono Equalizer and Cartridge In order to enjoy playing analogue records more comfortably, the SL-1500C features a built-in phono equalizer and bundled cartridge. There is no need to separately prepare either one, making it easy to link with a wide range of audio equipment. The shield structure of the built-in phono equalizer suppresses the effects of external noise and noise from the power supply. It is also equipped with a switch to turn the LINE output off when it is not being used. The turntable has been designed to thoroughly shut-out adverse effects to the PHONO output. The dedicated power supply for the PHONO output terminal is isolated from the power supply for the LINE output terminal, and has been designed to prioritize sound quality by minimising the wiring of the PHONO signal. The isolated terminals also prevent wiring mistakes. An Ortofon 2M RED cartridge, which is highly acclaimed as an MM cartridge, has been selected for the bundled cartridge. Combining this high-quality cartridge with the performance of the SL-1500C will maximise the sound quality of vinyl records.

When the tonearm reaches the end of the record, the Auto Lifter function automatically raises the cartridge. This prevents unnecessary wear on your valuable vinyl records and stylus. By embedding the Auto Lifter function in the base portion of the tonearm, it eliminates impacts to the tonearm. Due to a simple design that doesn't use motor power, there is no electrical or vibrational impact and it will not prevent the movement of the tonearm. In response to requests from many users regarding the Auto Lifter function, a design that prioritises sound quality was adopted. The functions required to playback records were kept to a bare minimum, achieving simple and easy-to-use operability.

The SL-1500C sports a simple design without unnecessary frills, while retaining the superb operating feel that is a Technics tradition. The attractive appearance lets you enjoy playing records to your heart's content.
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 1 in stock $1,066.85
Denon DJ SC Live 4 Club-Standard Standalone 4-Deck DJ Controller With Built-In Speakers Denon DJ SC Live 4 Club-Standard Standalone 4-Deck DJ Controller With Built-In Speakers Denon DJ SC Live 4 Club-Standard Standalone 4-Deck DJ Controller With Built-In Speakers Denon DJ SC Live 4 Club-Standard Standalone 4-Deck DJ Controller With Built-In Speakers Denon DJ SC Live 4 Club-Standard Standalone 4-Deck DJ Controller With Built-In Speakers Denon DJ SC Live 4 Club-Standard Standalone 4-Deck DJ Controller With Built-In Speakers
Cat: 904787 Rel: 04 Nov 22 • View all DJ-Controller
 
A club-standard standalone 4-deck DJ controller with built-in speakers and integration with Amazon Music Unlimited streaming service.
Notes: Four-deck version of Denon's standalone controller, based on the Engine DJ OS, featuring WiFi streaming and Serato support. Built-in speakers allow quick and easy monitoring for live streaming or practice sessions.

*** Update March 2024- Engine DJ 3.4 Performance Software for Hardware (OS) ***

New Features
Bluetooth Audio Input and Keyboard Connection for Supported Devices

Bluetooth Audio Input - Wirelessly play audio from a Bluetooth-capable device on your supported Engine DJ hardware

Assign to any individual hardware channel or main audio output
Assign to layer A or B on the Denon DJ SC6000 and SC6000M
Bluetooth transport controls allow you to play, pause, and track skip using the touch screen or hardware controls when connected to a capable Bluetooth device
Hardware screen displays Track Title, Artist, and track progress when connected to a capable Bluetooth device

Bluetooth Keyboard Support - Search for songs on your Engine DJ hardware more quickly and efficiently
Bluetooth menu option in the Control Center allows you to connect and manage Bluetooth keyboards and audio devices

Additional Bluetooth Compatibility Information

It is recommended that you confirm the Bluetooth connectivity and functionality of your computer, smartphone, or other device before using it in a live situation

Not all Bluetooth devices and audio applications provide support for Bluetooth Transport controls and track information

Track Progress is not updated on Engine OS when it is adjusted using the originating software/app

Engine DJ Preparation Software (Desktop)
Improvements and Fixes

Fixed an issue where sync manager export would take longer if SoundSwitch content is being packed

Fixed an issue where tracks would not pack via drag and drop if there are 2 drives with the same or similar names connected

Various other stability enhancements and improvements

New Features

Smartlists - Automatically organize songs from all connected drives into playlists based on the criteria or rules that you specify. To create a Smartlist, click the Smartlist icon on the Collection folder or right-click on an existing Playlist and select 'Create Smartlist'. You can easily turn a Smartlist into a regular playlist by right-clicking the Smartlist and choosing 'Convert to Playlist'. This creates a Playlist with the same name & content as the Smartlist.

Improvements and Fixes

Fixed an issue that prevented the highlighted track from updating when bulk editing metadata.
Fixed an issue where the Date Added field was incorrectly setting newly added tracks as the day before.
Fixed an issue where Serato beat grids were not imported correctly.
Other various stability enhancements & improvements

Supplier's Notes:
Denon DJ, the leader in standalone DJ products and innovation, introduces the SC LIVE 4, a 4-Deck Standalone DJ Controller with 7" touchscreen, built-in speakers, and Wi-Fi connectivity. This club-style, all-in-one device gives DJs ultimate creative freedom and offers the world's first DJ hardware integration with Amazon Music Unlimited.

World's First Amazon Music and Denon DJ Partnership

The Denon DJ SC LIVE DJ controllers were designed using an exclusive secure chipset to meet Amazon Music's streaming requirements, making them the world's first DJ hardware to support Amazon Music Unlimited. This integration with Amazon Music and other popular streaming services gives DJs instant access to over 90 million CD quality (aka "lossless") songs across all musical genres. With the SC LIVE 4's built-in Wi-Fi and lightning-fast onboard song analysis, DJs can now perform a full set without owning or preparing any music ahead of time.

Laptop Free Performances with Engine DJ OS

The SC LIVE 4 is powered by Engine DJ, the same leading standalone DJ operating system that fuels laptop-free performances on the biggest stages and DJ booths across the globe. This seamless hardware and software integration intuitively places performance essentials in the perfect place for inspirational mixes and live shows. The dedicated Layer buttons provide quick access to the controls of each of the 4 playing decks with the waveforms stacked in channel order on the full-color touchscreen. Vital information including the deck number, track position, bpm, and time are brightly shown in the center of the 6", high-definition touch-sensitive jog wheels.

Ultimate DJ Controller for Serato DJ and Virtual DJ

With "Computer Mode" enabled, the SC LIVE 4 can be used as a dedicated DJ software controller for Serato DJ Pro and Virtual DJ. This 1:1 hardware to software integration displays moving waveforms and music library information on the HD touchscreen and provides full access to FX and other top features. This versatility gives DJs multiple options to perform however they prefer.

Designed for Creative Mixing

The SC LIVE 4 gives DJs the power to perform anywhere with 4-deck standalone freedom and wireless access to Amazon Music Unlimited. This combination of performance features and unprecedented musical access opens an exciting new realm of creative mixing possibilities for laptop-free DJ performances. Inheriting the professional club-standard layout, features, and intuitive workflows from Denon DJ's flagship SC6000 PRIME media players and club-style mixers, the SC LIVE 4 fuses the power of the club-ready modular setup into a compact & intuitive 4-deck standalone DJ controller. With its built-in Wi-Fi, 7" multi-gesture touchscreen, and 3 media slots, the SC LIVE 4 unleashes creative live performances using a combination of stored media and music streaming sources.

For on-the-fly creative mixing, the 8 Performance Pads on each deck can be used to control Hot Cue, Auto Loop, Manual Loop, Roll, Slicer, and Slicer Loop modes. The onboard effects include 4 Sweep FX which utilize a dedicated knob on each channel to expressively control FX and Filter combinations. The 13 BPM FX options can be customized for extra sonic satisfaction using the FX control section which includes a Channel Assignment knob, Time/Parameter control, FX level encoder, and illuminated engagement button.

Immersive All-In-One Audio Experience

The powerful, built-in speakers offer the perfect sound solution for livestreaming, practicing, content creation, and personal monitoring during live shows. The dedicated volume knob and on/off switch offers full control to meet the needs of any gig, making it easy for DJs to bring the booth with them wherever their career takes them.

Dynamic Lighting Integration

For enhanced performance visuals, the onboard Engine DJ operating system is fully integrated with Engine Lighting. A quick button press lets DJs instantly access automatic and pre-programmed, beat-synced light shows for songs stored on saved media as well as for streaming tracks. Full parameter controls over color, intensity, strobe, and more can be adjusted on the fly for jaw-dropping light shows using Phillips Hue, Nanoleaf, and DMX lighting.

The fully loaded, fully capable SC LIVE 4 represents the next generation of standalone DJ controllers and is sure to inspire a new era of musical freedom and creativity.

Technical Specs

Audio

Frequency Range: 20-20,000 Hz
Sampling Rate: 44.1 kHz
D/A Converter: 24 bit

Physical Unit

Dimensions (W x D x H): 28.3 x 15.9 x 3.9 Inches
Weight: 12.8 lb

Compatibility

Software

Engine DJ OS
SoundSwitch
Virtual DJ
Serato DJ

Hardware

Denon DJ LC6000 Performance Expansion Controller
SoundSwitch Micro USB to DMX Interface
SoundSwitch Control One Professional Lighting Controller

Onboard Internet Services
Amazon Music Unlimited
Beatport
Beatsource
Dropbox
SoundCloud GO+
TIDAL

Included Contents
Quick Start Guide
DC Power Supply
USB Cable
Display Cleaning Cloth
Safety & Warranty Manual

FAQ's


Do other Engine DJ products work with Amazon Music Unlimited?

No. A hardware change was needed in order to support this technology.

Does the SC LIVE 2/4 work with an Amazon Music Free or Amazon Music Prime account?

No. The SC LIVE 2/4 only supports Amazon Music Unlimited.

What audio quality does Amazon Music Unlimited support?

Amazon Music Unlimited offers 75 million tracks in lossless High Definition (HD) and millions more in Ultra High Definition (Ultra HD). HD tracks are 16-bit audio, with a minimum sample rate of 44.1 kHz (16/44.1 is also referred to as CD-quality), and an average bitrate of 850 kbps. Ultra HD tracks have a bit depth of 24 bits, with sample rates ranging from 44.1 kHz up to 192 kHz, and an average bitrate of 3730 kbps.

How many Amazon Unlimited tracks can I stream simultaneously?

Amazon Unlimited allows for up to two tracks to be streamed simultaneously. That includes tracks loaded to decks or previewed from the library.
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Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (silver) (B-STOCK) Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (silver) (B-STOCK) Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (silver) (B-STOCK) Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (silver) (B-STOCK) Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (silver) (B-STOCK) Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (silver) (B-STOCK) Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (silver) (B-STOCK)
Cat: 911754 Rel: 11 Oct 18 • View all DJ-Mischpulte
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Top-of-the-range option from A&H, with a focus on pure analogue sound and ease of use. 4+2 channel design with four-band EQ, built-in soundcard and the brand's trademark Xone filters.

Supplier's notes:
Xone:96. The long-awaited follow-up to a genuine club classic.

A new, uncompromising analogue DJ mixer, destined to be the heart of your creativity, Xone:96 takes the legendary soul of the acclaimed Xone:92 and redelivers it, enhanced, and with state-of-the-art digital connectivity.

It's all here. The huge, detailed, space-shaking analogue sound that only Xone delivers. A refined, precision 4-band EQ. Unrivalled dual Xone:VCF filters with CRUNCH harmonic distortion. And a dual 32-bit USB soundcard (24 Channels @ 96kHz) with Traktor Scratch certification right out of the box.

Xone:96 lets you connect your whole rig, from laptops and turntables, to pedals, synths and drum machines.

Two dedicated FX sends, four stereo input channels (with 4-Band EQ), two stereo input channels with all new 3-Band Parametric EQ + two auxiliary stereo return channels. And a separate master insert for your outboard hardware.

Explore new possibilities with a familiar layout of beautifully tactile controls. And rely on the industrial build quality that exceeds the demands of relentless back-to-back performances, night after night.

Xone96: You mixed. We listened.
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 1 in stock $1,865.95
Moog Minimoog Model D Monophonic Analogue Synthesiser (wood, 2022 re-issue) Moog Minimoog Model D Monophonic Analogue Synthesiser (wood, 2022 re-issue) Moog Minimoog Model D Monophonic Analogue Synthesiser (wood, 2022 re-issue) Moog Minimoog Model D Monophonic Analogue Synthesiser (wood, 2022 re-issue)
Cat: 912321 Rel: 13 Jan 23 • View all Synthesisers
 
44-key monophonic analogue synthesiser
Notes: Originally released in 1970, Minimoog Model D was the world's first portable synthesizer and served as the archetype for all electronic keyboards that followed. The all-analog instrument gained acclaim for combining the colossal sound of the 1960s Moog modular synthesizers with the accessibility of pre-wired modulesimeaning that it could be played instantly and intuitively with no patch cables required. It was quickly embraced by a diverse roster of performers, with artists like Herbie Hancock, Kraftwerk, Rick Wakeman, Sun Ra, Piero Umiliani, Giorgio Moroder, Bernie Worrell, and Gary Numan all shaping unique sounds and forging new musical genres using the instrument.

More than a half-century since its invention, Minimoog Model D is back in production at the Moog factory in Asheville, North Carolina. An exceptional sonic tool and one of the most beloved and iconic synthesizers ever designed, it returns to the hands of synthesists of all kinds and serves as inspiration for the next generation of electronic musicians.

The three-oscillator, monophonic, analog synthesizer is securely housed in a locally sourced Appalachian cherry cabinet and hand-finished aluminum chassis. Sounding as vibrant and deep as ever, its legendary low-pass ladder filter, powerful oscillators, and rich saturating mixer retain the exact component placement and through-hole design of a 1970s-era Minimoog Model D.

While no changes have been made to the original sound engine or audio signal path, the 2022 Minimoog Model D includes a series of popular functional modifications that expand this legendary instrument's sonic capabilities. These modifications include a dedicated analog LFO with triangle and square waveshapes, a premium Fatar keybed with velocity and after pressure available via top panel CV jacks with onboard trimpots, MIDI integration, and a mixer feedback modification which allows the Minimoog Model D to overdrive and scream with the turn of a knob. And, for the first time in its history, the Minimoog Model D now features a spring-loaded pitch wheel with center deadband, allowing for improved playability and wild performance flourishes. This newest edition also includes updates to the MIDI functionality, allowing for improved modern studio integration.

SPECS
NUMBER OF KEYS
44
KEYBOARD RANGE
F0 to C4
KEYBOARD ACTION
Synthesizer (Spring)
NOTE PRIORITY
(Low, High, Last): User Selectable
SOUND SOURCES
3x Oscillators, Noise Generator and External Audio Input
OSCILLATOR FREQUENCY RANGE
0.1 to 20 kHz (In Six Overlapping Ranges)
OSCILLATOR STABILITY
(short term) > 0.25 %
OSCILLATOR WAVEFORMS
Triangle, Triangle-Sawtooth (Oscillator-1, Oscillator-2), Reverse Sawtooth (Oscillator-3), Sawtooth, Rectangle, Wide Pulse and Narrow Pulse.
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Black Corporation ISE-NIN 8-Voice Analogue Desktop Synthesiser (black)
Cat: 917960 Rel: 19 Jun 23 • View all Synthesisers
 
This is pronounced ee-seh-nin analogue polyphonic synthesizer.
Notes: Based on the legendary Roland Jupiter-8, the ISE-NIN is a synth with the attention to detail we've come to expect from Black Corporation. Eight voices, fully analogue, with MPE support. Beautiful.

Supplier's Notes:
ISE-NIN (pronounced ee-seh-nin) features eight voices, each consisting of 100% analogue voltage controlled oscillators, analogue lowpass and highpass filter, noise generator, two ADSR envelopes and a VCA. 2 different presets can be layered, making richer sounds, but limiting voices amount to 4 per layer. Each layer has its own fully assignable velocity and poly-aftertouch controls and global MPE settings.

Furthermore the synth offers full MIDI/USB control and the ability to store 128 presets per bank across 10 banks. Sophisticated microtuning with a support of ODDSound MTS-ESP and a signature arpeggiator integrates this classic synth concept seamlessly into the future of your modern studio needs.

Design: 19" / 4U
Polyphony: 8
Sound Generation: Analogue
MIDI interface: 1x In, 1x Out/Thru
Storage Medium: Internal
USB-port: Yes
Effects: No
Arpeggiator: Yes
Number of Analogue Outputs: 2
Digital Output: No
Display: Yes
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 1 in stock $4,627.01
Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK)
Cat: 943069 Rel: 07 Jul 20 • View all Synthesisers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.
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 4 in stock $2,004.93
Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser
Cat: 945441 Rel: 23 May 23 • View all Synthesisers
 
Bitmask synthesiser.
Notes: Unique digital instrument based on bitmask synthesis and resonant filters. Raw and distinctive tones, with notes interacting in unorthodox ways.

Supplier's Notes:
Expressive & Characterful

The Kodamo MASK1 is a musical instrument focused on the interaction between the player and the keyboard. With its exclusive Bitmask engine combined with resonant filters, the MASK1 makes raw, gritty and ethereal sounds that respond in incredible ways to your playing style.

It's not just the notes

Most synths just play the notes you press. Kodamo went a bit further, by looking at how the notes interact with each other. Only by playing the keyboard, you can control when the attacks are triggered, how notes are tied or separated from each other, or if they should keep resonating or stop each other like if they were played on the same string on a stringed instrument. You will discover new ways of playing the keyboard.

Built with love

The MASK1 uses a high quality, 5-octave Fatar keyboard with velocity and aftertouch. It's fully made of painted metal, with two ALPS knobs and 23 KAILH mechanical switches. Everything is assembled in France with high attention to detail. A lot of time was spent on selecting parts and suppliers to balance price and work ethics, while always aiming for the highest quality.

For live and studio players

With its compact size and light weight, the MASK1 will easily fit in your studio and is ideal for gigs. It remembers settings between sessions. With its unique sound, premium keyboard and MIDI connectivity, it can become the main keyboard of your setup.

Explore the sounds

The MASK1 invites you into a zen and relaxed sound exploration. Press a button, turn the knob and listen how the sound changes. The MASK1 is designed to have very few parameters, but well-thought ones. The Bitmask synthesis engine makes rich and warm sounds ranging from classic analogue tones to voice-like formants, glitchy 8-bit noises and ethereal pads. Sounds are fully editable and can be stored in one of the 400 user memory slots. They can be transferred to your computer and shared with other people.

What is Bitmask synthesis?

Bitmask synthesis is the method the MASK1 uses to generate its sound. Internally, oscillators do only have one waveform. Various tones are created by applying what is called a bitmask. This is a technique inherited from computing, which alters a number by masking some of its digits. Here, this technique was adapted to make sound. Bit-masking creates complex wave shapes that are full of harmonics and give the MASK1 its sonic character.

Specifications

Synthesis type: Bitmask, subtractive
Polyphony: 10 voices with optimized allocation
Multitimbrality: 4 parts (5 in layered/split mode)
Oscillators: 2 bitmask per voice with 256 masks each, transpose and detune
Noise: 1 per voice with programmable sample-and-hold frequency
Filter: 1 per voice, two poles (12dB/oct) state variable, self-resonant with pitch tracking and 4 modes (low, high, band pass, notch)
Envelopes: 4 loopable ADSR per voice (osc1, osc2, noise, filter), 3 delta-decay (osc1 mask, osc2 mask, pitch)
LFO: 2 per part with 7 waveforms and noise, delay, decay and 16 destinations
Arpeggiator: 26 patterns with adaptive or fixed chords, latchable, retrig or pitch change modes. Arp do send note events to MIDI out.
Looper: Up to 10000 events, unlimited duration, single track. Records notes, pitch bend, mod wheel, aftertouch and sustain pedal.
Effects: Two stereo effects in series. First effect: chorus, phaser, distortion, bitcrusher, tremolo and ring mod (64 types). Second effect: delay, comb filter, reverb, room simulations and distortion (48 types)
Modulations: Velocity (6 destinations), modulation wheel (16 destinations), aftertouch (16 destinations), LFO1 and LFO2 (16 destinations each)
Play modes: Polyphonic, monophonic, slurred, mono portamento on legato, paraphonic, hybrid poly-mono on legato, slurred paraphonic, mono retrigger, poly retrigger
Split: Configurable split point, balance between voices, transpose, panning and tuning
Layer: Configurable balance between voices, transpose, panning and tuning
Misc: Voice pan spread, polyphonic portamento, keyboard envelope rate scaling
Memory: 120 factory presets, 400 user voices. EEPROM-based (no battery required)
Audio outputs: 2 balanced 1/4" TRS jack, pro audio level with +/-12V internal power supply, 1/4" jack headphones
MIDI: 2 DIN (in, out), class-compliant USB type B, SysEx voice transmit/receive, CC-mapped voice parameters
Keyboard: 61 full-size keys, weighted Fatar action with 6 velocity curves and 6 aftertouch curves
Controls: 23 buttons, 2 rotary encoders, pitch bend wheel, modulation wheel
Display: 4-digit red display
Pedal input: Sustain, 1/4" TS jack, adaptive polarity
Tuning: 400-470Hz. 6 temperaments including arabic tuning.
Size: 89 x 26 x 8cm including knobs and feet.
Weight: 7.5kg
Power: External 12V DC adapter, AC 100-240V in
Chassis: Powder-coated, screenprinted steel. Light grey (RAL 9002) colour
Sides: Black ABS
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 1 in stock $2,067.90
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Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser
Cat: 922419 Rel: 25 May 23 • View all Synthesisers
 
A 61-keys polyphonic aftertouch hybrid keyboard synthesiser.
Notes: When Waldorf introduced the Quantum in 2018 it immediately found its way in the studios and hearts of the most acclaimed film composers, producers, musicians and sound designers. Now five years later Waldorf have released an upgrade of the flagship Quantum synthesizer called "Quantum MK2".

Quantum MK2 was upgraded with a 61 keys polyphonic aftertouch keybed from Fatar, increased sampling storage to 59 GB, improved mechanical design and display. The new 3.0 firmware allows for up to 16 digital or any combination using the 8 analogue filter with additional 8 digital.

What's new?

61 keys Fatar TP8/SK with aftertouch

The Quantum MK2 is the first instrument which presents a 61 keys Fatar TP8/SK polyphonic aftertouch keybed to the world. With its increased possibilities for musical and gestural expression the keybed allows to utilize the enormous modulation capabilities of the Quantum synthesis engine. It is a next level of expression based on a traditional keybed, which keeps all playing capabilities of a musician, and then extends it with an additional dimension of control and creativity.

The polyphonic aftertouch is highly customizable in multiple dimensions globally as well as for individual keys. The high-resolution graphical display supports visual feedback and control for the customization process. In addition to its internal poly aftertouch keybed, the Quantum MK2 can be controlled by any MPE capable controller by directly connecting to Quantum's USB host port.

16 voices of polyphony, digital and analogue filters

Based on an 8 voice analogue dual-filter architecture, the Quantum has been opened up for up to 16 voices of polyphony in any combination of using digital dual multi-mode filters with the 8 analogue ones. Moreover the combination of analogue with digital filter opens up new sonic possibilities of what Waldorf Music stands for since its beginning: Hybrid digital and analogue synthesis. A new set of allocation modes gives the musician an easy control.

59 GB sampling storage

Another cornerstone of "The Quantum Mark 2" is its increased internal sampling storage from a few GB to 59 GB. The Quantum has quickly become the instrument of choice for modern advanced sampling capabilities for sound enthusiasts and cinematic composers from Berlin to Los Angeles. From firmware 1.0 to 3.0 Waldorf Music has listened to the requests and needs of musicians to extend it polyphonic granular sampling engine as well its traditional multi-sample engine.
Design and display

The updated mechanical design and a classy naval blue presents the musician an instrument of beauty and inspiration. The improved mounting of the high-resolution touch display provides wider viewing angles and an intuitive way of controlling the more advanced features of the Quantum synthesis engine.
Sounds and samples

Highly acclaimed sound designers from all over the world have contributed to the huge library of factory presets and an initial sample content of 2 GB. Waldorf Music is proud to have sounds from designers like Richard Devine, Howard Scarr, Reinhold Heil, BT, Matt Johnson, Joerg Huettner, Kevin Schroeder, Sascha Dikiciyan, Kurt Ader, Mike Huckaby, Thorsten Quaeschning and many more. All sounds are compatible with Waldorf's Iridium instruments in both directions.

Synthesis Platform

Waldorf Music has updated and improved its Quantum firmware continuously adding new synthesis capabilities and many feature requests by musicians. The Quantum firmware builds together with the Iridium firmware a "Waldorf Synthesis Platform".
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 1 in stock $4,353.54
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quote 922419
Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser
Cat: 924923 Rel: 09 Mar 23 • View all Synthesisers
 
A 6-voice 61-note analogue synthesiser with a limited-edition Noir finish.
Notes: Limited-edition murdered-out Noir version of Arturia's mega PolyBrute, with expressive multi-axis Morphee controller and Morph knob to blend between patches.

*** Firmware update September 2023 ***

Arturia's PolyBrute goes deeper with firmware 3.0:

Explore new heights of Polyphonic sound with an array of embellishments, experimental features, and creative upgrades for PolyBrute:
New effects distortions
Effects Routing
New Tuning Options
New Layer Modes
Dive to new depths of coloration and customization with a free update that brings features, fixes, and fresh sounds to PolyBrute:

7 Distortion modes:

Add crunch, saturation, and pure sonic carnage with 7 modes of Distortion, accompanying PolyBrute's Modulation, Delay, Reverb, and EQ effects.

Flexible effects routing

Rewire PolyBrute's effects and signal chain to suit your sound design flow; both the Insert and Send modes can now be adjusted in terms of order.

Enhanced tuning:

Adjust PolyBrute's musical role in your projects with deeper individual oscillator tuning, transposing the keyboard by semitones, and more.

New Stereo Layer mode:

Allocate one voice to the left channel and one to the right to add increased natural width to PolyBrute's sounds.

Over 350 new presets:

A total rework of PolyBrute's library means hundreds of new presets, further exploring expressivity, analogue power, and new features like Distortion.

PolyBrute Connect:

Enjoy quicker, smoother communication between PolyBrute and its software counterpart, also accommodating other new features from firmware 3.0.

Workflow & expression improvements:

Reload your last saved preset on startup, send program changes, adjust LED brightness, and more.

Supplier's Notes:
PolyBrute Noir is a 61-note polyphonic analogue keyboard, uniting unparalleled expressivity and sound design flexibility with 6 fearsome Brute voices, complete with a limited-edition stealthy black finish. The result is an instrument that lets musicians perform fearlessly, compose with fluidity, and explore sound in perpetual motion.

Limited Noir Edition

A true dark horse in any setup, PolyBrute Noir stylishly conceals its enormous creative potential within a slick black exterior, complete with colorful accents, luxurious dark wooden appointments, and signature ionized parts that'll make anyone look twice.

Massive analogue polyphony

Harness the raw power of analogue with 6 powerful analogue Brute voices, comprising seamless waveshaping VCOS, dual filters, and a tactile array of modulation. Split, layer, and stack PolyBrute's voices for every flavor of analogue polyphony - from beauty to beast.

Morphing: sounds within sounds

Explore sound between the lines with 2 distinct sonic states within each preset, yours to seamlessly morph and navigate between. With a single sweep of the multi-axis Morphee controller and Morph knob, discover endless sweet spots in every patch.

Perform, express

Freely express your musical style and bring your creative ideas to life with PolyBrute's hands-on controls, flexible interface, and premium velocity-sensitive keybed with aftertouch. From the Morphee to the responsive ribbon controller, every aspect of PolyBrute ensures that your sound is an extension of yourself.

Your sound to infinity

Built to satisfy your inner sound explorer, this polysynth comes fully equipped for perpetual patch discovery and sound design. Quickly create modulation connections with the Matrix, color your patch with 3 digital stereo FX engines, and instantly animate any idea with musical sequencing and effortless arpeggiation.

Included Software:

PolyBrute Connect

Arturia MIDI Control Center
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MRP:$2,733.71 SAVE 17%
 1 in stock $2,280.59
Fostex T40RP MK3 Professional Closed Headphones (B-STOCK)
Cat: 926532 Rel: 01 Jan 90 • View all Studio-Kopfhörer
 
B-STOCK: Original box damaged, product is in different packaging but in perfect working order
Notes: ***B-STOCK: Original box damaged, product is in different packaging but in perfect working order***


New RP-Series Professional Headphones:

The new RPmk3 series headphones are successors to the reputed RPmk2 series that have been used as reliable monitor headphones in many professional recording studios for more than 30 years including from the start of the T-series.

The driver unit incorporating the key Fostex proprietary Regular Phase (RP) Technology diaphragm has been refined to achieve sharper audio reproduction for more accurate monitoring. The housing, ear pads and head pad have also been re-designed to derive the maximum performance of the RP driver.

- Refined Fostex proprietary Regular Phase (RP) diaphragm driver using copper foil etched polyimide film and powerful neodymium magnet

- The maximum input level of 3000mW to comply with various professional uses
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 1 in stock $1,046.58
ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required)
Cat: 930740 Rel: 21 Apr 23 • View all Synthesisers
 
The new ARP Odyssey FS Kit offers enthusiasts the unique opportunity to assemble this iconic synth with no technical knowledge or soldering required.
Notes: Full-scale kit version of the legendary ARP Odyssey, reissued by Korg. Simple DIY assembly with no soldering required, replicating the iconic sound of an analogue classic.

Supplier's Notes:
With switchable sawtooth and square waveforms, pulse width modulation, oscillator sync, ring modulation, and pink or white noise, the sound of the ARP Odyssey is legendary. The new ARP Odyssey FS Kit offers enthusiasts the unique opportunity to assemble this iconic synth with no technical knowledge or soldering required. The kit features the same analogue circuitry as the original ARP Odyssey FS, complete with a full-sized keyboard and the option to switch between filters from all three historical revisions.

The Synth Odyssey

Originally produced by ARP in 1972, this iconic two-oscillator analogue synth can be heard on tracks from Abba, Herbie Hancock, Devo, Jean-Michele Jarre, Ultravox, Jon Lord, Yellow Magic Orchestra and more. With switchable sawtooth and square waveforms, pulse width modulation, oscillator sync, ring modulation, and pink or white noise, the sound of the ARP Odyssey is legendary.

In 2015, ARP's history was thrust into the spotlight with the revival of the ARP Odyssey. This was just the beginning. From the ARP ODYSSEY FS with its full-size keyboard, to the long awaited ARP 2600 FS and ARP 2600 M, ARP synths once again stand at the forefront of the modern music scene.

Build the legacy

Staying true to the ARP Odyssey FS, this build-it-yourself kit uses the same analogue circuitry, preserving the original warm and rich sound. The kit also features the original specs of the Rev. 3 model with a full-size keyboard and a iconic black panel design with orange lettering.

To help simplify assembly, a pictorial guide is included and no technical knowledge (or soldering) is needed! To commemorate the unique experience of building it yourself, it is distinguished from any other ARP Odyssey with its own unique serial number engraved into an elegant metal plate.

Control

The original PPC (Proportional Pitch Control) based on a rubber pad has been reproduced. Press the rubber pad with your finger to control pitch bend or vibrato depth in proportion to the pressure.

A portamento slider and transpose switch are included, and you can even use a switch to select the way in which Rev1 and Rev2/3 of the original ARP Odyssey differ as to whether portamento is applied the moment that you operate the transpose lever.

Connect

The ARP Odyssey FS Kit is a versatile analogue synthesizer with multiple connectivity options. It has both 1/4" jack and XLR outputs, an audio input jack for external processing, and a headphone jack for self-feedback. The instrument also features CV, GATE, and TRIG jacks for sending and receiving analog signals, and includes both 1/4" and mini-size patch cables. Additionally, it has a MIDI IN connector and USB MIDI port for connection to a computer or other MIDI device. The GATE OUT and TRIG IN jacks can be connected to play legato without triggering the EG.

Specs

Keyboard: 37-note (Standard key or Full size key, No velocity sensitivity, No aftertouch)
Maximum Polyphony: 2 voices for duophonic; normally monophonic

Controllers
Transpose Positions: 2 octaves down, normal, 2 octave up
Proportional Pitch Control: b (Pitch down) Pad: about -2 / 3 octave; - (Modulation) Pad; # (Pitch-up) Pad: about +2 / 3 octave

Noise Generator: Noise Spectrum Types (white and pink)

Portamento: Maximum Speed: about 0.01 msec./oct; Minimum Speed: about 1.5 sec./oct

VCO (Voltage Controlled Oscillator)
Waveforms: Sawtooth, Square, Pluse (Dynamic Pluse)
Frequency Range: VCO-1 in low freq. mode, 0.2 Hz - 20 Hz; VCO-1 and VCO-2 (audio range) about 20 Hz - 20 kHz
Warm Up Drift: 1/30 semitone from turn on max
Pulse Width: 50 % - 5 %
Pulse Width Modulation: ADSR, +45 % - LFO, +15 %
Voltage Controlled Response: 1 V/oct
Maximum Frequency Shifts: LFO sin wave, +1/2 oct., LFO square wave, +1.5 oct., ADSR, +9 oct. - S/H, +2 oct.
* VCO-1 is low note priority, VCO-2 is high note priority.

VCF (Voltage Controlled Filter)
Types: Low pass (I: 12 dB/oct., II III: 24 dB/oct.)
Frequency Range: 16 Hz - 16 kHz
Maximum Usable Q: 30
Resonance: 1/2 - self oscillate
Voltage Controlled Response: C3 key (left edge): 0 V, C6 key (right edge) 3 V

VCA (Voltage Controlled Amplifier)
Dynamic Range: 80 dB

Ring Modulator
Type: Digital
Input Signal: VCO-1, VCO-2 (square wave)

Sample & Hold
Command Sources: Keyboard or LFO trigger
Sampled Signals: VCO-1 sawtooth wave and square wave, VCO-2 square wave and pink noise

ADSR Envelope Generator
Attack Time: 5 msec. - 5 sec.
Decay Time: 10 msec. - 8 sec.
Sustain Level: 0 - 100 % or Peak
Release Time: 15 msec. - 10 sec.

AR Envelope Generator
Attack Time: 5 msec. - 5 sec.
Release Time: 10 msec. - 8 sec.

Control Input Jacks
Pedal: 6.3 mm monaural phone jack
Portamento Foot Switch: 6.3 mm monaural phone jack

Audio Output Jacks LOW
Connector: 6.3 mm monaural phone jack
Maximum Output Level: -20 dBu@ 10 k ohm load
Output Impedance: 10 k ohm

Audio Output Jacks HIGH
Connector: XLR connector
Maximum Output Level: +4 dBu@ 1 k ohm load
Output Impedance: 330 ohm

Headphones Jack
Connector: 6.3 mm stereo phone jack
Maximum Output Level: 50 mW + 50 mW@ 33 ohm load
Output Impedance: 10 ohm
* Controllable by volume knob.

External Audio Input (Ext Audio Input) Jack
Connector: 6.3 mm monaural phone jack
Maximum Input Level: -10 dBu
Input Impedance: 22 k ohm
MIDI Connector: IN
USB Connector: Type B

CV IN/OUT Jacks
Keyboard CV (IN/OUT):
1 V/oct.
Connector: 3.5 mm monaural phone jack

GATE IN/OUT Jacks
GATE IN: +3 V (minimum)
GATE OUT: +10 V, key down; 0 V all keys up
Connector: 3.5 mm monaural phone jack

TRIG IN/OUT Jacks
TRIG IN: +3 V pulse min., 10 ?sec. Duration minimum
TRIG OUT: +10 V pulse on key depression, 10 ?sec. Duration
Connector: 3.5 mm monaural phone jack

Power Supply: AC adapter (DC 12V) + power cable
Power Consumption: 7.1 W
Dimensions (W x D x H): 585 x 466 x 163 mm / 23.03" x 18.35" x 6.42"
Weight: 7.3 kg / 16.09 lbs.
Included Items: AC adapter (DC 12V), power cable, phone cable, mini-phone cable
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MRP:$1,787.06 SAVE 41%
 1 in stock $1,050.78
Korg Wavestate SE Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Wave Sequencing Digital Keyboard Synthesiser
Cat: 953235 Rel: 30 Aug 23 • View all Synthesisers
 
Wavestate SE features hundreds of dynamic sounds, extensive hands-on control and 120 notes of stereo polyphony to inspire new levels of creativity
Notes: Top-of-the-range take on the powerful Wavestate synth concept, based on wave sequencing with 120-note stereo polyphony, natural-touch 61-note keybed and aftertouch.

Supplier's Notes:
Wavestate SE is the powerful evolution of Korg's legendary Wavestation, taking Wave Sequencing to a new level. Designed in California and built in Japan, Wavestate SE includes a premium 61-note keyboard with aftertouch, in an all-metal chassis.

Built for a new era of musicians, composers, and producers, Wavestate SE features hundreds of dynamic sounds, extensive hands-on control and 120 notes of stereo polyphony to inspire new levels of creativity.

A sonic evolution

Wavestate SE is the powerful evolution of Korg's legendary Wavestation, taking Wave Sequencing to a new level. Designed in California and built in Japan, Wavestate SE includes a premium 61-note keyboard with aftertouch, in an all-metal chassis. Built for a new era of musicians, composers, and producers, Wavestate SE features hundreds of dynamic sounds, extensive hands-on control and 120 notes (stereo) of polyphony to inspire new levels of creativity.

Premium, expressive touch

Featuring a 61-key natural-touch keyboard, Wavestate SE feels incredible to play. The inclusion of aftertouch gives fingertip control of the unique constantly changing sound. All factory presets have been meticulously programmed to take full advantage of this expressive control.

Beauty meets brawn

Wavestate SE's all-metal design is as hard-wearing as it is beautiful - with a matte-black aluminium panel complimented perfectly by glossblack stainless-steel sides. The premium finish continues to the controls themselves, where metal-plated knobs are perfectly weighted and add a luxurious touch.

Easily expressive. Exceptionally deep.

The Wavestate SE puts filters, envelopes, LFOs, effects and more at your fingertips with dedicated front-panel controls. Eight programmable Mod knobs are customised to bring out the most in every sound, for real-time performance and also when saving results as new patches. Pitch bend and modulation wheels, and the unique Vector Joystick, give you instant access to multiple dimensions of real-time expression. Digging deeper, almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Gigabytes of samples

Totalling in the gigabytes, Wavestate SE's sample library is vast. At a thousand times larger than that of the original Wavestation, the amount of great-sounding raw material for Wave Sequences is astounding.

Three of the key sound designers from the original Wavestation, John Bowen, John "Skippy" Lehmkuhl (Plugin Guru), and Peter "Ski" Schwartz, joined Belgian artist Airwave and the renowned Korg voicing team to create the incredible Wavestate SE sound library.

Powerful effects

An arsenal of superb effects ensures Wavestate SE delivers production-ready sounds. Each performance has a master reverb and parametric EQ while each layer has three dedicated effects. Alongside compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb, plus modelled effects including Vox guitar amps and wah pedal, multi-head tape echo, and a collection of other classic guitar pedals.

Multiply by four

Take all that power, and quadruple it! You can layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four layers, and can also modulate any other parameters. This sheer sonic power is further enhanced with 120 notes (stereo) of polyphony. Set Lists offer effortless organisation of your Performances, and deliver instant access at the gig or in rehearsal. And thanks to Smooth Sound Transitions, previously-played voices and effects continue to ring out naturally, even when a new sound has been selected.

Deep connectivity

Connect to recording or monitoring systems with balanced stereo outputs, and a stereo headphone output is provided for private playing or onstage cueing. Din-style MIDI jacks ensure connection to other MIDI-equipped instruments and audio gear. The Wavestate SE supports class-compliant USB MIDI connections to Windows and Mac computers, and the Wavestate SE Editor/Librarian and Sample Builder programs are available as free downloads from Korg.

Wave Sequencing 2.0

The original Wavestation gave each step of a wave sequence a duration, a sample and a pitch. This created ear-catching repetitive patterns, giving rise to entirely new approaches to sound design. But what if the sounds could evolve in organic and unexpected ways, instead of just repeating? Wave Sequencing 2.0 separates the timing, the sequence of samples, and the melody, so that each can be manipulated independently. It also adds new characteristics, including shapes, gate times, and step sequencer values. Each of these is a "Lane", and each Lane can have a different number of steps, start, end and loop points. Every time the sequence moves forward, the individual Lanes combine to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different! Lanes can also randomise the step order every time they play, with real-time control over the range of included steps, and individual steps can be randomly skipped (with a modulatable probability from 0 to 100%). The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

Ultimate protection

Whether travelling to a studio or setting out on a world tour, ensure your Wavestate SE arrives safely with the included hard case. The custom design even provides space for cables and pedals.

Specifications

Keyboard: 61 keys (Natural touch keyboard with velocity and release-velocity
sensitive, aftertouch)
Sound generation: Wave Sequencing 2.0
Polyphony: 120 stereo voices
Sounds: 261 Performances, 799 Programs, and 1,042 Wave Sequences. Storage for tens of thousands of user Performances
Performance: 4 Layers, Reverb, EQ; all edits are stored in the Performance, DAW-style (saving as separate Programs, Wave Sequences etc. is supported but not required)
Layer: Program, Arpeggiator, Key and Velocity Zones
Program: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Filters: 2-pole LPF, 2-pole HPF, 2-pole BPF, 2-pole Band Reject, 4-pole LPF, 4-pole HPF, 4-pole BPF, 4-pole Band Reject, Multi Filter, MS-20 LPF, MS-20 HPF, Polysix
Controllers: Mod Wheel, Pitch Wheel, Vector Joystick X/Y, 8x
Program/Performance Mod Knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack) OUTPUT L/MONO and R (impedance balanced 6.3 mm TRS phone jacks)
DAMPER (6.3 mm phone jack)
MIDI IN and OUT connectors
USB B port

Power supply: AC adapter (DC12V, 2500mA)
Consumption: 5W
Dimensions: 1,014 x 344 x 108 mm
Weight: 8.6 kg

Included items

AC adapter, hard case
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MRP:$1,997.43 SAVE 23%
 1 in stock $1,534.62
Korg Opsix SE Altered FM Digital Keyboard Synthesiser Korg Opsix SE Altered FM Digital Keyboard Synthesiser Korg Opsix SE Altered FM Digital Keyboard Synthesiser Korg Opsix SE Altered FM Digital Keyboard Synthesiser Korg Opsix SE Altered FM Digital Keyboard Synthesiser Korg Opsix SE Altered FM Digital Keyboard Synthesiser Korg Opsix SE Altered FM Digital Keyboard Synthesiser
Cat: 954768 Rel: 30 Aug 23 • View all Synthesisers
 
A 61-note natural touch digital keyboard syntheiser with aftertouch.
Notes: Premium version of the excellent Opsix, Korg's contemporary take on FM synthesis. Full 61-note natural-touch keybed with aftertouch, 80-voice stereo polyphony and full metal construction.

Supplier's Notes:
The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.
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MRP:$1,997.43 SAVE 23%
 1 in stock $1,534.62
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quote 954768
Korg Opsix SE Platinum Altered FM Digital Keyboard Synthesiser (limited edition) Korg Opsix SE Platinum Altered FM Digital Keyboard Synthesiser (limited edition) Korg Opsix SE Platinum Altered FM Digital Keyboard Synthesiser (limited edition) Korg Opsix SE Platinum Altered FM Digital Keyboard Synthesiser (limited edition) Korg Opsix SE Platinum Altered FM Digital Keyboard Synthesiser (limited edition) Korg Opsix SE Platinum Altered FM Digital Keyboard Synthesiser (limited edition) Korg Opsix SE Platinum Altered FM Digital Keyboard Synthesiser (limited edition)
Cat: 954771 Rel: 30 Aug 23 • View all Synthesisers
 
A 61-note natural touch digital keyboard syntheiser with aftertouch.
Notes: Special edition Platinum version of the excellent Opsix SE. Metallic finish, aluminium front panel, stainless steel sides and the same powerful FM synth engine as the standard Opsix SE.

Supplier's Notes:
Special limited edition of opsix SE.

Celebrating the release of the long awaited opsix SE, a stunning Platinum model (*) will be available in very limited quantities. While this model shares the same features as the standard model, it boasts a high-end metallic finish with an aluminum front panel and stainless steel side panels. This magnificent instrument is bound to command attention, whether on stage or in the studio.

(*) Differences are only cosmetic, specifications are exactly the same as the standard model. opsix SE Platinum also includes an exclusive set of stickers.

The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.
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MRP:$2,207.80 SAVE 30%
 2 in stock $1,553.55
Korg Wavestate SE Platinum Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Platinum Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Platinum Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Platinum Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Platinum Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Platinum Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Platinum Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Platinum Wave Sequencing Digital Keyboard Synthesiser Korg Wavestate SE Platinum Wave Sequencing Digital Keyboard Synthesiser
Cat: 953237 Rel: 30 Aug 23 • View all Synthesisers
 
The ultimate Wavestate, the limited edition Wavestate SE Platinum features a stunning premium silver aluminium panel and stainless steel side panels
Notes: The premium version of Korg's excellent Wavestate gets the Platinum look in this limited-edition model. 61-note keyboard, metal chassis and limited-edition Platinum finish.

Supplier's Notes:
Wavestate SE Platinum

The ultimate Wavestate, the limited edition Wavestate SE Platinum features a stunning premium silver aluminium panel and stainless steel side panels.

Wavestate SE is the powerful evolution of Korg's legendary Wavestation, taking Wave Sequencing to a new level. Designed in California and built in Japan, Wavestate SE includes a premium 61-note keyboard with aftertouch, in an all-metal chassis.

Built for a new era of musicians, composers, and producers, Wavestate SE features hundreds of dynamic sounds, extensive hands-on control and 120 notes of stereo polyphony to inspire new levels of creativity.

A sonic evolution

Wavestate SE is the powerful evolution of Korg's legendary Wavestation, taking Wave Sequencing to a new level. Designed in California and built in Japan, Wavestate SE includes a premium 61-note keyboard with aftertouch, in an all-metal chassis. Built for a new era of musicians, composers, and producers, Wavestate SE features hundreds of dynamic sounds, extensive hands-on control and 120 notes (stereo) of polyphony to inspire new levels of creativity.

Premium, expressive touch

Featuring a 61-key natural-touch keyboard, Wavestate SE feels incredible to play. The inclusion of aftertouch gives fingertip control of the unique constantly changing sound. All factory presets have been meticulously programmed to take full advantage of this expressive control.

Beauty meets brawn

Wavestate SE's all-metal design is as hard-wearing as it is beautiful - with a matte-black aluminium panel complimented perfectly by glossblack stainless-steel sides. The premium finish continues to the controls themselves, where metal-plated knobs are perfectly weighted and add a luxurious touch.

Easily expressive. Exceptionally deep.

The Wavestate SE puts filters, envelopes, LFOs, effects and more at your fingertips with dedicated front-panel controls. Eight programmable Mod knobs are customised to bring out the most in every sound, for real-time performance and also when saving results as new patches. Pitch bend and modulation wheels, and the unique Vector Joystick, give you instant access to multiple dimensions of real-time expression. Digging deeper, almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Gigabytes of samples

Totalling in the gigabytes, Wavestate SE's sample library is vast. At a thousand times larger than that of the original Wavestation, the amount of great-sounding raw material for Wave Sequences is astounding.

Three of the key sound designers from the original Wavestation, John Bowen, John "Skippy" Lehmkuhl (Plugin Guru), and Peter "Ski" Schwartz, joined Belgian artist Airwave and the renowned Korg voicing team to create the incredible Wavestate SE sound library.

Powerful effects

An arsenal of superb effects ensures Wavestate SE delivers production-ready sounds. Each performance has a master reverb and parametric EQ while each layer has three dedicated effects. Alongside compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb, plus modelled effects including Vox guitar amps and wah pedal, multi-head tape echo, and a collection of other classic guitar pedals.

Multiply by four

Take all that power, and quadruple it! You can layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four layers, and can also modulate any other parameters. This sheer sonic power is further enhanced with 120 notes (stereo) of polyphony. Set Lists offer effortless organisation of your Performances, and deliver instant access at the gig or in rehearsal. And thanks to Smooth Sound Transitions, previously-played voices and effects continue to ring out naturally, even when a new sound has been selected.

Deep connectivity

Connect to recording or monitoring systems with balanced stereo outputs, and a stereo headphone output is provided for private playing or onstage cueing. Din-style MIDI jacks ensure connection to other MIDI-equipped instruments and audio gear. The Wavestate SE supports class-compliant USB MIDI connections to Windows and Mac computers, and the Wavestate SE Editor/Librarian and Sample Builder programs are available as free downloads from Korg.

Wave Sequencing 2.0

The original Wavestation gave each step of a wave sequence a duration, a sample and a pitch. This created ear-catching repetitive patterns, giving rise to entirely new approaches to sound design. But what if the sounds could evolve in organic and unexpected ways, instead of just repeating? Wave Sequencing 2.0 separates the timing, the sequence of samples, and the melody, so that each can be manipulated independently. It also adds new characteristics, including shapes, gate times, and step sequencer values. Each of these is a "Lane", and each Lane can have a different number of steps, start, end and loop points. Every time the sequence moves forward, the individual Lanes combine to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different! Lanes can also randomise the step order every time they play, with real-time control over the range of included steps, and individual steps can be randomly skipped (with a modulatable probability from 0 to 100%). The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

Specifications

Keyboard: 61 keys (Natural touch keyboard with velocity and release-velocity
sensitive, aftertouch)
Sound generation: Wave Sequencing 2.0
Polyphony: 120 stereo voices
Sounds: 261 Performances, 799 Programs, and 1,042 Wave Sequences. Storage for tens of thousands of user Performances
Performance: 4 Layers, Reverb, EQ; all edits are stored in the Performance, DAW-style (saving as separate Programs, Wave Sequences etc. is supported but not required)
Layer: Program, Arpeggiator, Key and Velocity Zones
Program: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Filters: 2-pole LPF, 2-pole HPF, 2-pole BPF, 2-pole Band Reject, 4-pole LPF, 4-pole HPF, 4-pole BPF, 4-pole Band Reject, Multi Filter, MS-20 LPF, MS-20 HPF, Polysix
Controllers: Mod Wheel, Pitch Wheel, Vector Joystick X/Y, 8x
Program/Performance Mod Knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack) OUTPUT L/MONO and R (impedance balanced 6.3 mm TRS phone jacks)
DAMPER (6.3 mm phone jack)
MIDI IN and OUT connectors
USB B port

Power supply: AC adapter (DC12V, 2500mA)
Consumption: 5W
Dimensions: 1,014 x 344 x 108 mm
Weight: 8.6 kg

Included items

AC adapter, hard case, t-shirt, stickers
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MRP:$2,207.80 SAVE 27%
 1 in stock $1,617.72
Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller
Cat: 931138 Rel: 15 Mar 23 • View all DJ-Controller
 
Advanced 4-channel controller designed for creative DJ performances with RANE’s industry-leading build-quality and signature sound.
Notes: Designed for seamless integration with Serato and the Stem-Split feature, the Four is Rane's flagship controller. Clever compatibility options let you add vinyl, CDJs and other controllers like the Rane Twelve or Denon LC6000.

Supplier's Notes:
Designed for creativity, built to last

The FOUR brilliantly combines the latest in performance-focused DJ technology with RANE's tried-and-true build and industry-leading sound quality. The result is a bulletproof, great sounding, feature-packed DJ controller that will unleash exciting new levels of creativity in your DJ sets and livestreams. With never-before-seen features like STEM-SPLIT, Performance Pad OLED displays, and a new dynamic internal FX engine, the FOUR is the world's most advanced 4-channel Stems DJ controller.

Harness the power of Serato stems

RANE and Serato have a long history of creating ground-breaking DJ products together, dating back to the RANE SL1 box in 2004. The RANE FOUR takes this partnership to the next level by melding the industrial-grade build and sound quality of RANE hardware with the powerful new Stems capabilities of Serato DJ software. The result is a next-level DJ controller with unprecedented Serato Stems control. A dedicated Stems Pad Mode, Instrumental and Acapella buttons, and RANE's exclusive STEM-SPLIT feature provide you with the ultimate Stems workflow and experience to fully elevate your creativity as a DJ.

New levels of creative FX

The newly designed internal FX suite features 22 paddle-triggered, fully customizable Main FX and 4 knob-controlled Channel FX for adding flavour and personality to individual Stems elements and tracks. This robust FX suite features traditional FX classics like Reverb and Echo and exhilarating new additions including Scale Down, Recycler, Riser, and more. The Channel FX section offers dynamic, hands-on manipulation of 4 knob-controlled FX including Filter, Filter Roll, Noise, and Flanger. The RANE FOUR also allows you to switch seamless back and forth between the built-in hardware FX and Serato's software FX, providing limitless options for any style of DJing.

Four channels of performance possibility

The 4-channel mixer section features full EQ control and intuitive FX assignment options, plus 2 external Line/Phono inputs for external turntables or decks. The FOUR is DVS-enabled and unlocks both Serato DJ Pro and Serato Pitch 'n Time when connected to laptop running the latest version of Serato. Enhanced Sampler routing options allow you to control the Sampler volume via a dedicated knob, or assign the audio to Channel 4 so that you can layer FX on top of your DJ drops, instruments, and other samples. The quick-access deck selection buttons allow for swiftly switching platter control between software decks, and the FOUR also supports external modular decks like the RANE TWELVE MKII and the Denon DJ LC6000 for a full physical 4-deck mixing experience.

Focus on your performance, not your laptop

The 8 OLED displays above the Performance Pads on each deck offer visual feedback for all pad modes, making it easier than ever to see the function of each pad without having to look at the computer. See Cue, Loop, and Sample names as well as Roll and Loop lengths, beat divisions, Pitch Play tuning, and Stem elements and FX.

The best static platters... ever

The 8.5" capacitive jog wheels were designed to be the smoothest and most accurate static jog wheels available on a DJ controller. A central colour display indicates play head position, BPM, pitch percentage, pitch range, overview waveform with Hot Cue markers, song key, time, loop size, deck selection, Beat Jump length and more.

Trusted Rane quality

The RANE FOUR is the only 4-channel DJ controller built to RANE's rigorous standards. Solid, bulletproof construction, MAG-FOUR crossfader with curve adjustment and channel assignment switches, aluminium FX toggles, and industry-leading sound quality and connections ensure that the RANE FOUR will always perform like a champ, no matter what.

Technical Specifications

Digital Audio

Converters: Cirrus Logic, 24-bit PCM, 48 kHz
Digital Signal Processing: 32-bit, Floating Point, Double precision
Dynamic Range (A-weighted, unity gain): ADC: 113 dB DAC: 113 dB
CD Input to Analog Output: 110 dB
CD Input to USB Output: 113 dB
USB Input to Analog Output: 113 dB

Connections

(2) XLR / 1/4" (6.35 mm) TRS inputs (Mic 1-2)
(2) RCA stereo input pairs (Deck 3-4)
(2) XLR outputs (Main)
(2) 1/4" outputs (Booth)
(1) RCA stereo output pair (Main)
(1) 1/4" (6.35 mm) TRS output (Headphones)
(1) 1/8" (3.5 mm) TRS output (Headphones)
(2) USB Type-B ports
(2) USB Type-B ports

Audio Outputs

Main Outputs (XLR):
Gain Trim: Off to 0 dB
Maximum Output: 8 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Main Outputs (RCA stereo pair):
Maximum Output: 4 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Booth Outputs (1/4"):
Gain Trim: Off to 0 dB
Maximum Output: 8 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Headphone Outputs (1/4"/6.35 mm and 1/8"/3.5 mm TRS):
Maximum Output: 4 Vrms Voltage: (no load)
Output Power: 50 mW (50 ohms)
Dynamic Range (A-weighted): 108 dB

Audio Inputs

Microphone 1/2 (Combo XLR/1/4" [6.35 mm] TRS):
Analog Gain: 25 dB
Maximum Input: 110 mV
Gain Trim: Off to +26 dB (unity at center)
Tone Control: 2-band

Line/Phono Inputs 3/4 (RCA stereo pairs, switchable):

Line: Line
Maximum Input: 4 Vrms
Gain Trim: Off to +12 dB
Tone Control: 3-band, full-cut to +10 dB
THD+N (20 kHz BW @ 1 kHz: 0.004%

Phono: RIAA
RIAA Curve: +/-0.25 dB
Gain (@ 1 kHz): 31.5 dB
Maximum Input (@ 1 kHz): 106 mV
Dynamic Range (A-weighted): 102 dB

Pads: (16) on/off multi-colour back-lit pads (8 per deck, 9 modes each
Wheel Displays: (2) 320 x 240 Colour LCD's
Pad & FX Displays: (9) 128 x 32 Monochrome OLED's
Faders: (1) MAG FOUR tension-adjustable crossfader with contour, (4) Standard channel faders

Power:
Connection: IEC
Voltage: 100-240 V, 50/60 Hz
Consumption: 20 W

Dimensions (width x depth x height):
Dimensions (width x depth x height): 30.8" x 15.9" x 4.2" / 782.32 x 403.8 x 106.6 mm
Weight: 18.25 lbs./8.27 kg
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MRP:$1,577.75 SAVE 13%
 2 in stock $1,366.33
RME FireFace UFX III 188-Channel USB 3.0 MADI Interface RME FireFace UFX III 188-Channel USB 3.0 MADI Interface RME FireFace UFX III 188-Channel USB 3.0 MADI Interface
Cat: 934392 Rel: 21 Apr 23 • View all Audio- & MIDI-Interfaces
 
188-channel USB 3.0 MADI interface.
Notes: Ultra-high-quality audio interface with unbeatable versatility. Up to 94 channels I/O, 64 MADI channels, DSP and extensive digital options including two optical ADAT I/Os.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's Notes:
RME Fireface UFX III: The Flagship Multi-channel Interface

The Fireface UFX III is a powerful all-in-one solution for modern recording studios, live audio playback systems and multi-channel location recording rigs, handling up to 188 channels (94 Inputs / 94 Outputs) with ease.

Unprecedented flexibility and compatibility combines with RME's famous low latency hardware and driver designs, guaranteeing flawless operation for any multi-channel recording application, whilst the inclusion of DURec (Direct USB Recording) provides extensive options for backup recordings and stand-alone operation.

The ultimate professional tool for multi-track recording, mixing and mastering, the RME Fireface UFX III is packed with professional features including:

USB 3.0 (full 94 channel I/O Class Compliant; USB-C compatible)
SteadyClock FS
Powerful integrated DSP
TotalMix FX
TotalMix Remote
DURec (Direct USB Recording)
MADI I/O (64 channels)
And support for the Advanced Remote Control USB (sold separately)

Powerful USB 3 Performance

The front panel of the Fireface UFX III provides four high-performance XLR/TRS combo inputs for microphone, instrument and line signals, two stereo headphone jacks with +19 dBu output level, MIDI I/O, and a USB port.

In combination with the DURec function (Direct USB Recording), the USB port allows independent recording of selected input and output signals (up to 80 channels) to a connected USB storage medium.

The rear panel reveals the full connectivity of the Fireface UFX III. Besides another MIDI I/O, the two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analogue outputs with line level (including XLR stereo monitor outputs) are available.

With the new Multi-Mode, the two ADAT I/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I/O. Furthermore, the Fireface UFX III offers an optical MADI interface (SC) with 64 bidirectional channels. The Word Clock connectors (BNC) work as additional coaxial MADI input and output if required.

Comprehensive MADI Connectivity

The Fireface UFX III opens the doors to a host of RME and 3rd party digital and analogue I/O solutions.

Expanding your analogue channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series.

To further enhance MADI flexibility, the Fireface UFX III boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I/O (12 analogue plus 16 ADAT plus AES), the MADI I/O is still available via RME's integrated hardware mixer TotalMix FX.

Word Clock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode even supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial.

SteadyClock FS - FemtoSecond Clocking Technology

The RME Fireface UFX III also features RME's latest digital clocking and jitter rejection technology, 'SteadyClock FS'.

Originally developed for RME's award-winning ADI-2 Pro FS range of high-end converters, SteadyClock FS reduces intrinsic jitter to a new all-time low, when converting to and from analogue over all digital formats.

All clock modes provide excellent performance and astonishingly high-quality analogue conversion, allowing you to hear your mix exactly as it is.

What's more, RME's digital format conversion occurs without any loss to the signal, and SteadyClock FS ensures your sonic image will never experience any kind of degradation, ensuring the soundstage is replicated to the fullest depth and clarity.

Powerful Applications for Mixing, Monitoring and Measurement included

The Fireface UFX III comes with the TotalMix FX DSP mixer, offering comprehensive routing and monitoring options for all analogue and digital audio channels, as well as the DIGICheck Analyzer, which allows users to measure and analyze digital audio data feeds (in both directions) with maximum precision.

TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, including main monitors, submixes, and headphone mixes for musicians.

A free companion app, TotalMix Remote is a network-controllable remote for TotalMix FX, enabling control over interface's hardware mixer and effects from another Mac, PC or iPad, including wirelessly over Wi-Fi.

TotalMix Remote mirrors the current state of the host system on the iPad and Windows/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real time.

DC-Coupled Outputs - CV/Gate Voltage Control

Most audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies.

Whilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs.

All of the Fireface UFX III's line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog/MOTM/Synthesizers formats) and other studio hardware.

USB 3 Class Compliant Audio

The Fireface UFX III operates in two different modes: driver-based and Class Compliant.

Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions, allowing for Plug 'n' Play operation of the Fireface UFX III. No proprietary drivers are required, the device will be directly recognised when the CC firmware is loaded.

The Fireface UFX III is RME's first audio interface with full USB 3.0 support in Class Compliant Mode. This makes all channels available in driverless operation for Linux, Mac and iPadOS.

An iPad Pro with USB-C can manage up to 94 channels for recording and playback in TotalMix FX for iPad and on system level.

ARC USB Remote Control (sold separately)

The ARC USB is an optional remote control for the Fireface UFX III, along with all other RME devices that use TotalMix FX.

15 user-assignable illuminated buttons, one encoder wheel, and a TS jack (for connecting a foot switch) provide access to all of the most used functions of TotalMix FX.

The ARC USB can be connected directly to the Fireface UFX III via the second USB port on the back of the interface, or directly to a USB port on a Mac or PC.

Operating as a UAC 1 class device, the RME ARC USB is natively compatible with Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX III.

DURec (Direct USB Recording)

DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the front USB port. The Fireface UFX III records on USB thumb drives or hard drives with up to 2 TB capacity.

The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. The Direct USB Recording converts the Fireface UFX Series both into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks.

Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software.

General Specifications

Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts
Idle power consumption: 19 Watts
Typical power consumption: 22-25 Watts
Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5")
Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3")
Total depth: 240 mm (9.4")
Weight: 3 kg ( 6.6 lbs)
Temperature range: +5- up to +50- Celsius (41- F up to 122-F)
Relative humidity: < 75%, non condensing

Included Accessories:

Cable USB 3.0, 1.8 m (6 ft), USB-A/B
Cable USB 3.0, 1.8 m (6 ft), USB-C/B
Optical cable
4 rubber feet, self-adhesive
Power cable
Printed Manual
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MRP:$2,734.77 SAVE 11%
 1 in stock $2,438.15
Alpha Recording System MODEL4200 Rackmount 4-Channel Rotary DJ Mixer With Crossfader Alpha Recording System MODEL4200 Rackmount 4-Channel Rotary DJ Mixer With Crossfader Alpha Recording System MODEL4200 Rackmount 4-Channel Rotary DJ Mixer With Crossfader
Cat: 936504 Rel: 03 Apr 23 • View all DJ-Mischpulte
 
Rackmount 4-channel rotary DJ mixer wth crossfader.
Notes: The successor to the outstanding Model 4100, this updated four-channel, rack-mounted design offers exceptional audiophile sound quality. Hand built in Japan.

Supplier's Notes:
ARS MODEL 4200 DJ Mixer is a Japanese made, All hand-crafted DJ mixer.
It is the result of a pursuit for pure sound quality.
It is designed with purist ideals with only essential features.
It gives a focus on the role of DJ mixers as the "music mixing tool".

Avoiding all other features that are the source of sound deterioration.
On the rotary faders, Alpha Recording System selected original custom curve to deliver smooth and intricate mixes between 4 Channel - 3 Phono, 5 CD/Line, inputs.
Strikingly smooth operation feel.
Offering thick punchy bass and fine high-frequency sound, an overall sound character of MODEL 4200 is warm and deep.
Simple design, with front panel offered in 2 colours; Silver and Black.

* No power switch avoiding accidentally turning power off while playing.
* Minimizing the power noise by designing the main circuit board and the power circuit board independently and setting them apart.

Specs

Frequency Response: +-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Retrun: RCA Unbalanced Impedance 20K Ohm

Headphone Monitor Switch: Cue-Mix/Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: Front Panel 2U (W)482.6x(H)88x(D)200 mm
Front Panel Colour: Black
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MRP:$3,539.42 SAVE 20%
 1 in stock $2,838.90
RME Digiface Ravenna 256-Channel Bus-Powered USB 3 Ravenna Interface RME Digiface Ravenna 256-Channel Bus-Powered USB 3 Ravenna Interface RME Digiface Ravenna 256-Channel Bus-Powered USB 3 Ravenna Interface
Cat: 920655 Rel: 06 Mar 23 • View all Audio- & MIDI-Interfaces
 
256-channel bus-powered USB 3 Ravenna interface.
Notes: Based on the Digiface Dante but with the added benefit of low-latency Ravenna audio-over-IP, the Digiface Ravenna offers 128 Ravenna channels and 64 MADI channels.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's Notes:
The Digiface Ravenna is a lightweight, portable audio interface, based on the proven Digiface Dante equipped with a RAVENNA module developed by DirectOut and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation.

Mobile RAVENNA Solution via USB

The combination of RME's renowned drivers (Mac/Windows) and DirectOut's RAVENNA implementation offer a reliable and flexible networked computer audio interface. Equipped with the latest TotalMix FX it can not only route, but also mix as many independent submixes as outputs are available. The included high quality phones output offers a quick listen to any audio channel, but can also be used as line output to provide an additional analog stereo mixdown.

RAVENNA & MADI

RME made the two BNC sockets for word clock I/O switchable to MADI I/O, with up to 64 channels. The total sum of Ravenna and MADI, 128 channels, are transferred via USB 3.0 and handled via the included RAVENNA web server or RME's TotalMix FX, for full and struggle-free control of all audio.

On the network side, the interface features a full-fledged RAVENNA stack with AES67 and ST2110-30/31 support and redundant audio-over-IP streaming as per ST2022-7. In addition, the interface can also be used as a mobile 64-channel RAVENNA/MADI converter without a USB connection to a computer. The coaxial MADI I/O connectors may also be configured to work as word clock sync I/O.

TotalMix FX and TotalMix Remote

Like all the latest RME interfaces, the Digiface Series also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs.

The Digiface Series includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more. The Digiface Series does not support DSP based effects (FX) like EQ or reverb.

Additionally RME's latest software, TotalMix Remote, enhances the power of RME interfaces by enabling remote control via iOS, PC or Mac. With a straightforward set up process - simply enter the IP address of the computer you would like to control with TotalMix Remote and get going - users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.

TotalMix FX - Mixing/Routing with superior features for Studio and Live Work

Since 2001 TotalMix added unlimited routing and mixing to RME's audio interfaces. Its unique capability to create as many independent submixes as output channels available turned it into the most flexible and powerful mixer of its kind.

RME USB - Transport audio with lowest latency and industry leading stability

Use your RME audio interface on Mac and PC with reliable, stable, and regularly updated drivers for RME products. RME Audio develops its own interface core, it's not dependent on 3rd parties for upgrades, modifications or bug fixes, so customers can use latest operating systems without interruption or delay."

DigiCheck - The Secret Weapon of High Resolution Audio Measurements

RME Audio interfaces not only provide you with a professional digital audio interface, but also with a free available software tool: DigiCheck, for metering, testing, measuring and analyzing digital audio streams.

Specs

Digiface Ravenna
Gigabit Ethernet Port

RJ45

100 Mbit/s, 1 Gbit/s
Standard port LEDs: yellow connected, green data transmission
Supports straight and crossover cables (Auto MDI-X)
Network-based remote control of the unit (TotalMix Remote)

RAVENNA Modul

Supports RAVENNA, AES67, ST 2110-30 / -31, ST 2022-7
Network Layer 3
Modes: Switched and Redundancy according to ST 2022-7
32 streams
128 channels Single Speed, 64 channels Double Speed, 32 channels Quad Speed
Clock sources: PTP, Internal
Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz, +/-12.5 %
Routing: Channel-based routing matrix
Configuration: Browser GUI, globcon control, NMOS IS-04 / IS-05

MADI Input

Coaxial via BNC, 75 Ohm, according to AES10-1991
High-sensitivity input stage (< 0.2 Vpp)
Accepts 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48 kHz
S/MUX: up to 32 channels 24 bit 96 kHz
S/MUX4: up to 16 channels 24 bit 192 kHz
Lock range: 25 kHz - 54 kHz

MADI Output

Coaxial via BNC, 75 Ohm, according to AES10-1991
Output voltage 400 mVpp
Cable length: up to 50 m
Generates 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48 kHz
S/MUX / 96k Frame: up to 32 channels 24 bit 96 kHz
S/MUX4: up to 16 channels 24 bit 192 kHz

Output Analog Phones 129/130

Dynamic range (DR): 110 dB RMS unweighted, 113 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz - 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz - 45 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
THD @ -1 dBFS: - 96 dB, 0.0016 %
THD+N @ -1 dBFS: -95 dB, 0.0017 %
Channel separation: > 100 dB
Output: 6.3 mm TRS jack, unbalanced
Output impedance: 2 Ohm
Output level at 0 dBFS, 1 kOhm load: +9.5 dBu
Max power @ 0.1% THD: 50 mW

Word Clock In

BNC, not terminated (10 kOhm)
Switchable internal termination 75 Ohm
Automatic Double/Quad Speed detection and conversion to Single Speed

Word Clock Out

BNC
Max level: 5 Vss
Level with termination 75 Ohm: 4.0 Vss
Internal impedance: 10 Ohm
Output Analog Phones 129/130
Dynamic range (DR): 110 dB RMS unweighted, 113 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz - 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz - 45 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
THD@-1dBFS:-96dB,0.0016%
THD+N @ -1 dBFS: -95 dB, 0.0017 %
Channel separation: > 100 dB
Output: 6.3 mm TRS jack, unbalanced
Output impedance: 2 Ohm
Output level at 0 dBFS, 1 kOhm load: +9.5 dBu
Max power @ 0.1% THD: 50 mW

Digital

Clocks: Internal, RAVENNA (PTP), word, MADI
Supported sample rates: 44.1 kHz up to 192 kHz
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MRP:$2,030.04 SAVE 11%
 1 in stock $1,797.84
RME FireFace 802 FS 60-Channel 192 kHz High-End USB 2.0 Audio Interface RME FireFace 802 FS 60-Channel 192 kHz High-End USB 2.0 Audio Interface RME FireFace 802 FS 60-Channel 192 kHz High-End USB 2.0 Audio Interface
Cat: 951257 Rel: 12 Jul 23 • View all Audio- & MIDI-Interfaces
 
60-channel 192 kHz high-end USB 2.0 audio interface
Notes: Upgraded FS version of the Fireface 802 features improved digital connectivity and DC-coupled analogue outputs. Same TotalMix DSP, high-end pre-amps and low-latency conversion as the original version.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's Notes:
The Fireface 802 FS is a highly integrated pro audio solution for live and studio use, designed for users who require stability and ultra-low latency operation, as well as an unrivalled professional feature set.

Alongside 60 channels (30 inputs / 30 outputs) of analogue and digital I/O, the Fireface 802 FS benefits from newly developed analogue and digital circuitry with improved performance, as well as a host of professional features.

Like all RME audio interfaces, the Fireface 802 FS benefits from TotalMix FX, RME's digital high-end mixer and signal router. Driven by powerful DSP with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller, TotalMix FX offers powerful, flexible control of all audio channels.

The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME's app to fully control the 802 FS from the iPad, without any computer. The easy-to-use app includes metering for all 60 channels plus effects bus, different setup screens, and complete control of all features.
A high-end recording, mixing and mastering solution, the RME Fireface 802 FS is packed with professional features including:

DC-Coupled Outputs
SteadyClock FS
Class Compliant Operation
Powerful integrated DSP
TotalMix FX
TotalMix Remote
Support for the Advanced Remote Control USB (sold separately)

Enhance Your Recording Setup - Discover Unmatched Flexibility

The Fireface 802 FS benefits from ultra-low latency operation thanks to RME's renowned USB driver technology and driver stability. SteadyClock FS jitter suppression, individually switchable reference levels for all inputs and outputs and identical operation on Windows PC and Mac completes the package.

The Fireface 802 FS is based on a newly developed analogue and digital board. While the analogue board offers DC-coupled analogue outputs as well as new AD and DA converters, the digital board also enables interesting new features thanks to updated high-tech components.

The front panel of the Fireface 802 FS provides four high-performance XLR/TRS combo inputs for microphone, instrument and line signals and two stereo headphone jacks with +17 dBu output level, to provide high volumes even with hi-impedance headphones.

The rear panel reveals the full connectivity of the Fireface 802 FS. As well as MIDI and Word Clock I/O, the Fireface 802 FS is equipped with two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analogue line-level inputs and outputs.

With the new Multi-Mode, the two ADAT I/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I/O. Users will also find a USB A port for connecting directly the optional ARC USB, offering tactile control of TotalMix FX.

Professional High-Transparency Preamps

The Fireface 802 FS features four crystal-clear preamps with ultra-low latency converters, using the classic technology of the OctaMic II, a high-end preamp providing supreme sonic quality.

All four preamps deliver extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response, providing a premium solution for transmitting and amplifying any audio input exactly as it is heard, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.

The four inputs on the front use balanced XLR/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required. Each channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.

The Fireface 802 FS continues RME's tradition of designing full-featured, flexible and expandable audio systems. Adding additional preamplifiers or more analogue inputs is easily done via the dual ADAT optical I/Os on the rear.

SteadyClock FS - FemtoSecond Clocking Technology

The RME Fireface 802 FS also features RME's latest digital clocking and jitter rejection technology, 'SteadyClock FS'.

Originally developed for RME's award-winning ADI-2 Pro FS range of high-end converters, SteadyClock FS reduces intrinsic jitter to a new all-time low, when converting to and from analogue over all digital formats.

All clock modes provide excellent performance and astonishingly high-quality analogue conversion, allowing you to hear your mix exactly as it is.

What's more, RME's digital format conversion occurs without any loss to the signal, and SteadyClock FS ensures your sonic image will never experience any kind of degradation, ensuring the soundstage is replicated to the fullest depth and clarity.

Powerful Applications for Mixing, Monitoring and Measurement included

The Fireface 802 FS comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DigiCheck Analyzer allowing to measure and analyse the digital data feed in both directions with maximum precision.

TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

The additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi.

General Specifications

Power supply: Internal switching PSU, 100 - 240 V AC, 30 Watt
Idle power consumption: 15 Watts
Typical power consumption: 22 Watts
Dimensions including rack ears (WxHxD): 483 x 44 x 242 mm (19" x 1.73" x 9.5")
Dimensions without rack ears (WxHxD): 440 x 44 x 235 mm (17.3" x 1.73" x 9.3")
Weight: 2.8 kg ( 6.2 lbs)
Temperature range: +5- up to +50- Celsius (41- F up to 122-F)
Relative humidity: < 75%, non condensing
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MRP:$1,893.30 SAVE 11%
 2 in stock $1,681.09
Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances
Cat: 951248 Rel: 28 Jun 23 • View all DJ-Controller
 
4-deck standalone DJ controller For computer-free DJ performances
Notes: High-end standalone system from Denon. Four-deck design with 10.1-inch touchscreen, Serato and Virtual DJ support and top-quality sound. All powered by Denon's excellent Engine DJ OS.

Update September 2023: Serato is introducing plug-and-play support from Serato DJ Pro for the Denon DJ PRIME 4+. Along with the update, excitingly, customers get to unlock this subscription for free; no cost involved!

Supplier's Notes:
Prime 4+

The world's most advanced DJ system just got even better

*** Update March 2024- Engine DJ 3.4 Performance Software for Hardware (OS) ***

New Features
Bluetooth Audio Input and Keyboard Connection for Supported Devices

Bluetooth Audio Input - Wirelessly play audio from a Bluetooth-capable device on your supported Engine DJ hardware

Assign to any individual hardware channel or main audio output
Assign to layer A or B on the Denon DJ SC6000 and SC6000M
Bluetooth transport controls allow you to play, pause, and track skip using the touch screen or hardware controls when connected to a capable Bluetooth device
Hardware screen displays Track Title, Artist, and track progress when connected to a capable Bluetooth device

Bluetooth Keyboard Support - Search for songs on your Engine DJ hardware more quickly and efficiently
Bluetooth menu option in the Control Center allows you to connect and manage Bluetooth keyboards and audio devices

Additional Bluetooth Compatibility Information

It is recommended that you confirm the Bluetooth connectivity and functionality of your computer, smartphone, or other device before using it in a live situation

Not all Bluetooth devices and audio applications provide support for Bluetooth Transport controls and track information

Track Progress is not updated on Engine OS when it is adjusted using the originating software/app

Engine DJ Preparation Software (Desktop)
Improvements and Fixes

Fixed an issue where sync manager export would take longer if SoundSwitch content is being packed

Fixed an issue where tracks would not pack via drag and drop if there are 2 drives with the same or similar names connected

Various other stability enhancements and improvements


Proven performance, elevated

The PRIME 4+ brings a fresh new look and next-level features to the legendary proven performance power of the PRIME 4. The world's most powerful, advanced standalone DJ system is now better than ever with a new refined look, unrivalled streaming music accessibility, new dynamic FX options, 10% larger jog wheel surface, and the ever-expanding performance features of Engine DJ including the industry's first standalone Stem separation (Stems beta starts summer 2023).

Designed for the working DJ

Made by working DJs, for working DJs. The PRIME 4 + combines the powerful creative possibilities of 4 standalone decks with unmatched professional features and rugged build quality to ensure solid DJ performances night after night and gig after gig. The 2 independent microphone mixer sections ensure that you and your MC or guests always sound their absolute best, thanks to dedicated EQ, volume, and FX controls and automatic talkover options. While commanding the main dancefloor, you can also send a secondary mix or playlist to a separate lounge or cocktail area using the Independent Zone Output, upping your flexibility and value as a working professional DJ.

Easily handle any request

Confidently approach any event or gig knowing that you are 100% prepared to tackle any guest request. With support for more music streaming partners than anyone else on the market, including Amazon Music Unlimited, the PRIME 4+ allows instant access to over 100 million tracks across all genres. The lightning-fast on-board analysis buffers streaming tracks into internal memory, ensuring uninterrupted playback of streaming tracks from any Wi-Fi source or cell phone hotspot.

Enhanced dynamic FX suite

The PRIME 4+ boasts over 25 fully customizable Main FX and 4 dynamic, knob-controlled Sweep FX so that you can unleash your full creative mixing potential. The 2 dedicated Main FX sections feature dedicated OLED displays, knobs, and buttons to dial in and manipulate the frequency, parameters, beat divisions, and wet/dry mix of the selected FX. To add even more drama and excitement to your sound, the 4 Sweep FX can be automatically engaged by turning the Sweep FX knob on each channel and can even be layered with the Main FX for endless immersive FX combinations. The expressive Touch FX transforms the 10.1" touchscreen into an XY controller that puts live FX manipulation literally at your fingertips!

Unparalleled integrated lighting control

Confusing DMX lighting programming and cumbersome controls are now a thing of the past. The Prime 4+ makes it easy to set up and execute an immersive, impressive lighting experience for any event or gig. With the on-board power of Engine Lighting, you have full access to customized or automatic light shows for saved or streaming tracks. Plus, you'll have full control over colour, dimming, chase sequence, moving head position, strobe, blackout, and even on/off control over cold spark fountains, dry ice machines, and haze or fog.

First ever standalone Stems integration

The original PRIME 4 made creative laptop-free DJing a reality. Now, the PRIME 4+ brings the insane creative power of Stems to a standalone DJ controller for the first time ever! Exclusive to the PRIME 4+, the brand-new Stems separation allows you to isolate the vocals or instrumental with the tap of a finger. The power of the multi-core processor of the PRIME 4+ combined with the formidable Engine DJ OS finally makes laptop free on-board Stems analysis a reality! (Stems beta starts summer 2023)

Technical specifications

Connections

Audio Outputs

(2) XLR outputs (master left/right, balanced)
(1) RCA output pair (master left/right, unbalanced)
(2) XLR outputs (booth left/right, balanced)
(2) XLR outputs (zone left/right, balanced)
(1) 1/4" (6.35mm) stereo output (headphones)
(1) 1/8" (3.5mm) stereo output (headphones)

Audio Inputs

(2) RCA input pairs (line-level, unbalanced)
(2) RCA input pairs (phono- or line-level, unbalanced)
(2) XLR+1/4" (6.35mm) input

Other

(4) USB ports (for USB drives, 5V, 1A)
(1) USB port (to computer)
(1) Ethernet port
(1) IEC power cable input

Audio Main Outputs

Frequency Response: 20 Hz - 20 kHz +/- 1 dB
Dynamic Range: > 117 dB (A-weighted)
Signal-to-Noise Ratio: > 93 dB (A-weighted)

Headroom

Line Input: > 15 dB
Mic Inputs: > 20bB
Outputs: > 20 dB
Channel Separation: < -90 dB (1 kHz, unity)

T.H.D.

Line/Phono: < 0.01% (1 kHz, unity)
Microphone: < 0.02% (1 kHz, unity)

Analogue Input

Microphone: -40 dBu (unity) / -60 dBu (minimum)
Line: +15dBV (minimum) / 0dBV (maximum)

Analogue Output

Main, Balanced: +20 dBu (maximum) / +4 dBu (unity)
Main, Unbalanced: +20 dBu (maximum) / 0 dBu (unity)
Zone, Balanced: +24 dBu (maximum) / +4 dBu (unity)
Booth: +24 dBu (maximum) / +4 dBu (unity)
Headphone Output: < 150 mW

Power

Connection: IEC
Voltage: 100-240VAC, 50/60Hz
Consumption: 38W~39W

Dimensions (width x depth x height)

Width x Depth x Height: 28.68 x 19.56 x 4.08" / 5728.47 x 496.82 x 103.63mm

Weight

21.34 lb./ 9.7kg
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 1 in stock $2,312.98
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quote 951248
Synclavier Regen Digital FM Desktop Synthesiser Synclavier Regen Digital FM Desktop Synthesiser
Cat: 960269 Rel: 19 Sep 23 • View all Synthesisers
 
Digital FM desktop synthesiser.
Notes: The iconic Synclavier brand returns with this digital powerhouse, based around FM synthesis but also offering additive and subtractive methods. Super versatile, with up to 98-voice polyphony and MPE support.

Supplier's Notes:
The new buck in the Synclavier stable

Synclavier Regen is the newest in an auspicious line of Digital FM synthesizers. Designed for desktop use, it contains the power of the Synclavier II DSP engine, enhanced and optimised. Full colour screen, liquid-like touch controls, high fidelity audio output coupled with a sound design powerhouse makes this the synth you always dreamed of.

Regen supports additive synthesis for full control of 24 harmonics. Synclavier have now added subtractive synthesis to the Synclavier synthesis engine, especially for Regen, allowing creation of super saws, PCM square waves, and noise generation. Or you can use samples for your carrier waveform.

And these different waveform generators can be mixed. You have up to 12 partials to use in your sound design creation with crossfades assignable to inputs such as velocity, pressure, mod wheel, and of course, keyboard.

Regen is loaded with content to get you inspired fast. There are over 550 timbre presets across 10 newly commissioned timbre libraries. On top of that, there are over 2000 royalty-free samples built-in, including over 350 selected original samples from the NED era and 2 exclusive artist sample libraries.

When you're done exploring the factory content, you'll have fun with the sound design possibilities. You can layer up to 12 partials with different sound generators (additive, subtractive, samples) then apply dynamic effects per partial. It's truly an expressive instrument, both to program and to play. Polyphonic aftertouch and MPE is fully supported and there's a sophisticated modulators section where you can apply responsive curves to properties driven by pressure, velocity, mod wheel position, and so on.

Synclavier Regen is a desktop unit measuring 310mm wide by 260mm tall and 42mm deep.

Housed in aluminium, finished with a sand-textured black and Synclavier red surround. It has rubberized plinths.

User interface consists of many silicone buttons with multi-colour backlighting, a virtual knob capacitive-touch slider with epoxy-coating. A VK display is included as well as a main modal display that shows current parameters, user settings, timbre library, etc.

Over 40 years of synth design has led to this product. It's a sound-designer's dream in a timeless desktop package.

Sound-design Capabilities

Advanced DSP synth engine, as used on Synclavier II, has been extended for Regen.
12 separate tracks of multi-timbrality, assignable to MIDI tracks and keyboard ranges.
Up to 98 simultaneous voices. Voice count is dependent on system load and is likely to be much higher in typical scenarios.
12 partials per timbre. Each partial can be 1 of 3 oscillator synth modes: additive, subtractive, or samples.
Additive mode supports coefficient and phase control of 24 harmonics.
In samples mode, up to 128 samples can be placed on the partial's patchlist.
Subtractive can have a noise generator or up to 9 de-tunable continuous sawtooth waveforms.
Hybrid (resynthesized samples)
Timbre-level effects, including:
Stereo reverb algorithm with pre-delay and library of presets.
Highly-optimised multi-mode filter with sophisticated filter envelope.
Bit-crusher (for use with additive, sample, and hybrid modes).
Frequency modulation (FM) controllable per partial (all modes) with envelope.
Sophisticated modulation system that allows many Regen parameters to be controlled via MIDI, LFOs (24 per timbre), or driven by envelopes (24 per timbre).
Approx 300MB of sample space in memory = 100 mins @ 48Khz 24-bit mono shared across all active tracks and partials.

Hardware

Balanced stereo output through XLR connections at pro-level 4dBu. Designed for studio and home use. These are DC-coupled for maximum bass impact.
Single-ended TS stereo outputs, also DC-coupled.
Convenient headphones TRS jack for monitoring master audio with independent volume
control. For headphones in range 32O - 300O.
DAC circuit is designed for ultra-low noise floor. 11dB of headroom over nominal level. A
measured 130dB of dynamic range. 24-bit, 50kHz sample rate, as per Synclavier II.
Hybrid sound design engine: original Synlcavier II hardware is modelled in software.
High quality audio components throughout, including a precision temperature compensated crystal oscillator for jitter-free digital audio.
Two glorious full-colour sunken displays.
Responsive silicon back-lit parameter buttons.
The vertical value swiper is touch accurate to 128 levels of resolution for precise control
of every parameter.
12 selector buttons are touch-sensitive and can handle gestures to quickly select
multiple partials or tracks.
SD Card reader for unlimited user timbre and sample libraries.
4 USB accessory ports for MIDI keyboards, sequencers, and audio interfaces. Plus 1 USB Host port for connecting to a computer for MIDI input from a DAW.
Take it on the road. Rugged, full metal enclosure.
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 2 in stock $2,482.33
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quote 960269
Enjoy The Godfather Creative Multi-Channel Audio Processor Enjoy The Godfather Creative Multi-Channel Audio Processor Enjoy The Godfather Creative Multi-Channel Audio Processor Enjoy The Godfather Creative Multi-Channel Audio Processor Enjoy The Godfather Creative Multi-Channel Audio Processor
Cat: 962370 Rel: 19 Sep 23 • View all Effects units
 
Creative multi-channel audio processor.
Notes: Process up to four channels of audio with a range of hands-on EQ, compression, saturation, filters and multiple independent delays. A creative approach to real-time effects.

Supplier's Notes:
Creative multi-channel audio processor

The GodFather is the first creative multichannel audio processor designed to inspire.

Its secret is a unique combination of manipulation parameters that will make you definitively abandon the conventional mixing concepts and immediately improve your creative skills.

Unlock limitless possibilities in sound design and music creation with this unique device.

Equipped with advanced features and expertly crafted for musicians and producers, this revolutionary product sets a new standard in audio processing and creativity.

This is a product that:

Processes 4 separate audio channels, allowing you to mix, equalize, compress, saturate, filter, and add emphasizing effects.

Stimulates your creativity both in the studio and on stage with multiple independent delays for each channel, capable of generating captivating grooves, surprising rhythmic junctions, and complex polyrhythms. Enhance your music production experience, offering unique sound manipulation possibilities.

Creates additional sound layers by adding filtered repeats within the main repeats for each of the 4 channels.

Offers an immersive experience by adjusting the offset between left and right channels, creating engaging bounces.

Features a large OLED display and numerous LEDs that provide instant, precise, and effective feedback on various functions, allowing you to focus on the creative aspect even in the most challenging lighting situations?


Here's what else this product can do:

Expands sound design possibilities almost infinitely with dedicated buttons to add, replace, and delete sounds within the repetitions for each channel.

Controls all parameters through 2 internal LFOs and 4 multi-assignable external CV inputs.

Correlates the dynamics of individual channels through a side-chain compressor, giving the right space and presence to the sounds of different channels.

Adds atmosphere, depth, and three-dimensionality to your mix with a large stereophonic reverb equipped with dedicated hi-pass filters.

Syncs with the rest of your setup via MIDI or CV Clock, receives external signals, or controls other devices.

Integrates into a 60Hp semi-modular rack, offering total manipulation of audio, MIDI, and CV.

Is crafted with the attention to detail typical of a Made in Italy product, using high-quality potentiometers, aluminium knobs, durable finishes, and precious wooden side panels.

After two years of hard work, design, emotions, technical challenges, and crucial choices, are excited to present this revolutionary device.

The Challenge

Featurings and Power all in small-scale spaces

The Electronic, Mechanical and Graphic Designs have been synergically worked out to be able to insert all the controls, the LEDs, the buttons necessary to create a device that would allow a naturalness in the use without compromises.

Tailor made knobs

For a performer, staying focused on the creative phase requires that the right number of controls are available, and that they are positioned in such a way as to allow natural use. This naturalness comes from a meticulous study and from dozens of configurations tested before reaching the perfect solution! To achieve the high level of usability prefixed, 36 knobs and 11 buttons needed, accurately positioned in the right places. To be able to get the right size, finish, feel, design and hide the potentiometer nuts, Enjoy have designed and made aluminium knobs manufactured exclusively for this product!

High quality potentiometers, aluminium knobs, durable finishes, involve high costs, but are essential to create a high-end device that will last over time.

LEDs

On the panel there are 154 LEDs to drive!

Thanks to the meticulous positioning, the instant feedback they offer is essential for those who must focus on the creative aspect and have everything under control at a simple glance. It wasn't easy at all! But, for us, it was essential to have them, and to have them like this! Enjoy had to design and test different solutions and prototypes before finding the ideal configuration, which would satisfy targets such as position, luminous homogeneity, no-light interference between neighbouring LEDs. Attention to detail remains the guideline.

Case: design, shape and compatibility

The unique shape of the case is produced in a single piece of aluminium thanks to the extrusion technique.

To get it, Enjoy worked closely with aluminium extrusion experts to create a matrix that granted us very tight tolerances, despite the multitude of curves, corners and grooves.

Aluminium and wood case

This strong shell is powder-coated in black, offering the highest resistance against scratches, dents and absolutely no chance for paint flaking. To make it, Enjoy are committed to ordering a huge volume of parts and investing significantly in advance.

Performance Oriented

Months were spent to carefully consider all the function and parameters. After that Enjoy invested a lot of time in designing the "one-knob-per-function" interface with a studio and stage performance perspective. All the visual indication that "The Godfather" provides are extremely useful and intuitive. Despite the great complexity behind The Godfather, it is surprisingly simple to use. You will see and feel the effort when playing with the GodFather.

60HP Semi-Modular footprint

Despite the unique design, The Godfather has the same footprint as a Mother32, DFAM, SubHarminicon, allowing it to perfectly fit into Tier Rack stands (4,3,2 sizes)

All functions

Complex mixing functions:

4 CHANNEL AUDIO IN
4 CHANNEL AUDIO OUT
COMPRESSOR
SIDE CHAIN
SHAPE EQ
PAN
STEREO WIDTH
GAIN STAGING
4 independent DELAY
4 INFINITE LOOPER FEEDBACK
4 STEREO OFFSET
4 Double Pulse Delay
13 HP/LP FILTERS
4 SATURATORS
CUSTOMIZABLE STEREO REVERB engine with DEDICATED HP FILTER
2 MULTI ASSIGNABLE LFO?s
4 independent TRIGGER BUTTONS
3 independent TRIGGERING MODES for creative routing possibilities

Connectivity:

4 AUDIO MONO IN
4 AUDIO MONO OUT (2 stereo pairs)
4 CVs input from -8V to 8V
2 CVs outputs from 0 to 5V
2 Gate input / Clock input 5V
1 Gate / Clock output 5V
MIDI IN/OUT (TRS and CLOCK to DIN adaptors included)

Design:

60hp EURORACK
LED INDICATOR on each channel
OLED DISPLAY
ALUMINIUM CASE
ITALIAN WOOD PANELS
BACKLIT SIDE PANELS

Technical Specifications

Power Supply: 100 to 240 VAC; 50/60 Hz, +12 VDC 1200 mA (included)
Dimensions: 319 x 107 x 133 mm
Patchbay: 19 x 1/8" / 3.5 mm jacks
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 1 in stock $1,102.32
Waldorf M 16-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 16-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 16-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser
Cat: 962645 Rel: 16 Aug 23 • View all Synthesisers
 
16-voice polyphonic & 4-part multitimbral wavetable desktop synthesiser.
Notes: Waldorf draw on their proud history with a new wavetable synth building on the classic Microwave 1 and modern Microwave II / XT. Serious synth power from this eight-voice monster.

Supplier's Notes:
M's musical heart is an eight-voice polyphonic, (16 voices for the M16) four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control).

With M, Waldorf are musically returning to their roots by bringing back classic Microwave and 'modern' Microwave II tone generation as a new-generation classic hybrid wavetable synthesizer with an analogue lowpass 24 dB/Oct VCF - SSI 2144 Improved Ladder Type - with resonance and analogue saturation feature, true stereo analogue VCA with panning option, and much more to explore in a desktop-friendly form factor featuring a wide range of unique sounds. M has a total of 16 banks with 128 memory slots each. The included sound presets - 1024 in total (divided into 8 banks of 128 sounds) - professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M's myriad new features - from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator).


But beating at M's musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators - OSC 1 and OSC 2 - offer the same panel parameters.

Two LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. However, unlike other Waldorf synthesizers, there is no classic modulation matrix in M. Making a conscious design decision to set up M's modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave.

Back in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronise to MIDI clock. Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations.

Musically making a connection to the outside world is important to any synthesizer, so M offers five (rear panel-positioned) stereo analogue outputs - arranged as MAIN OUT (L/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired; a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob); 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data); an SD Card slot (for updating M's firmware, importing/saving sound patches, and importing/saving M-specific data, such as user wavetables); and - last but not least - a Kensingtonr compatible security lock slot.

Specifications

Oscillators: 2 Wavetable oscillators with independent wavetables and two different tone generation models - Waldorf Microwave I model and Waldorf Microwave II model. 96 Factory Wavetables + 32 slots for User Wavetables
Filter: Analog low-pass 24 dB/Oct VCF (SSI 2144 Improved Ladder Type) with saturation and resonance
Amplifier: Analog true stereo VCA for each voice with panning option
Envelopes: 4 Envelope Generators; 8 point loopable time/level Wave envelope generator, VCF and VCA ADSR envelopes and a free assignable loopable 4 points time/level envelope
LFOs: 2 LFOs with different waveforms
Arpeggiator with 16 preset patterns, chord mode and the ability to synchronise to MIDI clock
Sound storage: 2048 Sound programs + 128 Multi programs
Polyphony: 8/16 voices
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 1 in stock $1,901.18
Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK)
Cat: 967496 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Waldorf draw on their proud history with a new wavetable synth building on the classic Microwave 1 and modern Microwave II/XT. Serious synth power from this eight-voice monster.

Supplier's Notes:
M's musical heart is an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control).

With M, Waldorf are musically returning to their roots by bringing back classic Microwave and 'modern' Microwave II tone generation as a new-generation classic hybrid wavetable synthesizer with an analogue lowpass 24 dB/Oct VCF - SSI 2144 Improved Ladder Type - with resonance and analogue saturation feature, true stereo analogue VCA with panning option, and much more to explore in a desktop-friendly form factor featuring a wide range of unique sounds. Plentiful presets - totalling 2,048 sound programs (divided into 16 banks, each with 128 sounds) - professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M's myriad new features - from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator).

But beating at M's musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators - OSC 1 and OSC 2 - offer the same panel parameters.

Two LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. However, unlike other Waldorf synthesizers, there is no modulation matrix in M. Making a conscious design decision to set up M's modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave.

Back in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronise to MIDI clock. Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations.

Musically making a connection to the outside world is important to any synthesizer, so M offers six (rear panel-positioned) stereo analogue outputs - arranged as MAIN OUT (L/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired; a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob); 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data); an SD Card slot (for updating M's firmware, importing/saving sound patches, and importing/saving M-specific data, such as user wavetables); and - last but not least - a Kensington compatible security lock slot.
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MRP:$1,744.99 SAVE 27%
 2 in stock $1,275.62
Alpha Recording System MODEL9500B 4-Channel Rotary DJ Mixer Alpha Recording System MODEL9500B 4-Channel Rotary DJ Mixer Alpha Recording System MODEL9500B 4-Channel Rotary DJ Mixer Alpha Recording System MODEL9500B 4-Channel Rotary DJ Mixer Alpha Recording System MODEL9500B 4-Channel Rotary DJ Mixer
Cat: 988071 Rel: 14 Dec 23 • View all DJ-Mischpulte
 
4-channel table top mixer
Notes: Hand built in Japan to exacting audiophile standards, the Model9500 is a thing of beauty. Four-channel rotary design with five-band master EQ. Also available with wooden side panels.

Supplier's Notes:
MODEL9500B Music Mixer

4-channel table top mixer

MODEL9500B (broadcast mixer) Music Mixer STD

ARS MODEL 9500B DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-EQ Mid-EQ Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator and 5Band Equalizer on the master.5Band Equalizer Control: 75Hz 300Hz 1Khz 3Khz 10Khz 5BandPotentiometer and Switch are All ALPS .

A long time in the development phase, this mixer is a beautiful example of Japanese hand made precision workmanship. Highly recommended.

It is designed with purist ideals with only essential features.

ARS 9500 has 3 band hybrid iso-EQ hi-EQ mid-EQ low-iso on each channel and 3band Iso and 5band EQ on the master.

The Master Isolators can be boost of cut from +18db ~.

The Ch hi-EQ mid-EQ can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9500 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Wood is a natural material, so there may be unevenness in the wood grain. Thank you for your understanding.

Specs

Frequency Response: +/-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop: Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm

Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -?.
5Band Equalizer Control: 75Hz 300Hz 1Khz 3Khz 10Khz 5Band

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 30w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)366 x (H)250 x (D)100 mm
Model: 9500BW
Unit weight: 5400g
ACBOX:1100g
Front Panel Colour: Black
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 1 in stock $3,523.65
Isla Instruments S2400 Desktop Audio Sampler & Sequencer (B-STOCK) Isla Instruments S2400 Desktop Audio Sampler & Sequencer (B-STOCK) Isla Instruments S2400 Desktop Audio Sampler & Sequencer (B-STOCK) Isla Instruments S2400 Desktop Audio Sampler & Sequencer (B-STOCK) Isla Instruments S2400 Desktop Audio Sampler & Sequencer (B-STOCK)
Cat: 988956 Rel: 01 Jan 90 • View all Samplers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Combining vintage sound with modern features, the S2400 draws heavily on the iconic Emu SP1200 to create a new instrument with a distinctive character. One of the best samplers money can buy.

Supplier's Notes:
A legend, reborn.

The S2400 is nothing short of a passion project. Along with a small team of talented Software Engineers, CAD Engineers and revered artists, Isla Instruments have developed a future classic.

The S2400 is a passion project - to recreate the sound of one of the world's most iconic sampling drum machines, and bring it up-to-date with modern features. The result is the very best of old school and new school technology coming together.

Brad has been obsessed with drum machines for many years - owning, repairing, restoring, modifying countless makes and models (see his HR-16 mods on YouTube).

Staying true to form in both sonic characteristics and design aesthetic were the main drivers in the realisation of this project, while bringing the hardware into the 21st Century and keeping the same 'instant gratification' and intuitiveness of its spiritual pre-predecessor at heart.

A machine built for the now and the future.

S2400 Specifications

Sampler / Audio:
16-Bit 48Khz 'Hi-Fi' Sampling/Playback Engine
12-Bit 26Khz 'Classic' Sampling/Playback Engine
Engine type assignable to each of the 32 sample slots
Sample up to 21.5 minutes per slot (Classic / Mono),
5.5 minutes (Hi-Fi / Stereo)
Simultaneous (Full Duplex) playback and record with 8 channel LiveLooping functionality.
On-screen waveform display (slice audio, set loop-points with ease)
128 MB of built-in factory drum kits (from some of our featured beta team)
Independent Headphone output for monitoring (effectively 2 extra channels)
DSP based LP/HP Filtering per track (more FX planned for future)

Sequencer:
Multiple sequence entry methods: Live recording, Step Sequence, Piano Roll GUI, TR x0x Style
32 Stereo Audio Tracks w/ 16 Voice polyphony
32 MIDI Tracks (for sequencing external equipment)
96 PPQN Clock
Per track quantization and swing (including classic mode)
Patterns are up to 100 measures, any time signature
All parameters (level, pitch, envelope, filters) configurable per pattern step
Song mode

Hardware

Bright 128 × 64 pixel OLED display (viewable from any angle)
Ultra High quality Grayhill Optical Data Entry Encoder
8 x 60mm Professional Dual Rail Faders
8 x Dual 'concentric' Pro-Audio rotary pots
Broadcast Equipment grade A/V backlit pushbutton switches
Tactile silicone pads backlit with RGB LEDs
SD Card storage (up to 1TB currently tested)
Classic (OG) input and output analogue filtering circuitry.

I/O

MIDI In/Out/Thru (Standard 5-pin DIN)
2 × 1/4" Stereo Mix Out jacks (psuedo balanced)
8 × 1/4" Individual audio out jacks (psuedo balanced)
4 × 1/4" External input jacks (with adjustable pre-amp modes)
2 × Stereo RCA Line/Phono Inputs (with dual phono pre-amps)
Hi-speed USB 2.0 device port. (USB Audio/MIDI)
USB Host port (connect external USB peripherals, MIDI controllers etc).
3.5mm Clock/trigger in and out jacks (to sync/trigger vintage equipment or modular synths)
Universal Voltage100-250V AC Mains powered.

Physical

Rock Solid 16Ga Cold Rolled Steel enclosure with 6mm Anodised aluminium sidewalls.
Aluminium knobs
Dimensions: (Including knobs, jacks, feet)
Imperial: W18" x D12" x H5" (back) 3" (front)
Metric: W460mm x D310mm x H130mm (back) 80mm (front)
Weight: approximately 13lbs / 6Kgs (metric)

*** Please note: This product does not come with the three-pin PSU kettle leads required, please purchase separately. ***
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 1 in stock $1,688.02
Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (B-STOCK) Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (B-STOCK) Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (B-STOCK) Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (B-STOCK) Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (B-STOCK) Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (B-STOCK) Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer (B-STOCK)
Cat: 990083 Rel: 01 Jan 90 • View all DJ-Mischpulte
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Top-of-the-range option from A&H, with a focus on pure analogue sound and ease of use. 4+2 channel design with four-band EQ, built-in soundcard and the brand's trademark Xone filters.

Supplier's notes:
Xone:96. The long-awaited follow-up to a genuine club classic.

A new, uncompromising analogue DJ mixer, destined to be the heart of your creativity, Xone:96 takes the legendary soul of the acclaimed Xone:92 and redelivers it, enhanced, and with state-of-the-art digital connectivity.

It's all here. The huge, detailed, space-shaking analogue sound that only Xone delivers. A refined, precision 4-band EQ. Unrivalled dual Xone:VCF filters with CRUNCH harmonic distortion. And a dual 32-bit USB soundcard (24 Channels @ 96kHz) with Traktor Scratch certification right out of the box.

Xone:96 lets you connect your whole rig, from laptops and turntables, to pedals, synths and drum machines.

Two dedicated FX sends, four stereo input channels (with 4-Band EQ), two stereo input channels with all new 3-Band Parametric EQ + two auxiliary stereo return channels. And a separate master insert for your outboard hardware.

Explore new possibilities with a familiar layout of beautifully tactile controls. And rely on the industrial build quality that exceeds the demands of relentless back-to-back performances, night after night.

Xone96: You mixed. We listened.
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 1 in stock $1,934.17
MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects
Cat: 992959 Rel: 31 Jan 24 • View all Audio- & MIDI-Interfaces
 
28x32 USB3 audio interface
Notes: One of the most trustworthy brands in the industry delivers another winner. Proper high-end business, with 12 analogue inputs and 12 outputs, plus an extensive array of digital connections. Great value at this price point.

Supplier's Notes:
Next-gen 28 x 32 USB3 audio interface - Builds on 22 years of proven success as an industry-leading audio interface brand.

New 3.9-inch TFT display - The bright, 24-bit RGB LCD provides 480 x 128 pixel high-resolution metering for all analogue and digital I/O, plus detailed status info and access to hardware settings from a simple and convenient menu.

Superb analogue audio quality and high-end converters - Renowned ESS Sabre32 DAC technology delivers 125 dB dynamic range. Support for all standard sample rates up to 192 kHz.

Ultra-low latency and proven, high-performance MOTU drivers - Round-trip latency (RTL) performance as low as 2 ms at 96kHz with high-performance DAW hosts.

Universal connectivity - Connects to your computer with 5 Gbps USB3 (compatible with USB2) for up to 60 audio channels. Class-compliant firmware and industry standard drivers work with any audio apps. Connects to an iPad™ with USB-C or a Lightning adapter kit (sold separately).

60 simultaneous audio channels - 28 inputs and 32 outputs, including two combo XLR/TRS mic/line/hi-Z guitar inputs with send/return inserts, 8 TRS analogue (line-level) in/out, separate main outs on XLR jacks, two banks of 8-channel optical I/O, stereo RCA S/PDIF digital I/O, and two front-panel headphone outputs.

Advanced mic channels - Cutting-edge components deliver ultra-transparent sound with -114 dB THD+N, 118 dB dynamic range and -129 dBu EIN. Each mic channel provides individual controls for +74 dB of preamp gain, -20 dB pad, 48V phantom power, and phase invert. All settings can be controlled remotely from a computer or iOS device. Each mic channel includes a dedicated send/return insert for outboard gear processing.

Flexible insert returns - When nothing is connected to the front-panel mic inputs, the two rear-panel returns function as additional line inputs with identical signal path characteristics as the other eight line inputs.

DSP mixing and effects processing - Flexible 24-input digital mixer with 8 stereo busses and DSP effects, including reverb, 4-band EQ, gate and compression.

Wi-Fi control - If the 828 is connected to a computer on your Wi-Fi network, you can control everything wirelessly from the CueMix 5 app running on mobile devices or other computers on the same network - even multiple devices at the same time. Manage access to the 828 with network discovery and password protection.

Precision boost/trim for analogue I/O - Calibrate analogue input and output signals in precise 1 dB increments. Apply phase invert individually to analogue inputs.

Control room features - Control your sessions with front-panel "talk" button and "A/B" speaker select buttons to quickly compare your mixes on two sets of studio monitors.

Two flexible headphone outputs - With independent volume control, each headphone output can mirror each other, the Main Outs, any other analogue output pair, any CueMix bus, or any USB output channels. Or you can create a completely customized mix for each headphone that includes live 828 inputs and built-in reverb.

Two banks of optical I/O - Connect outboard digital processors, digital mixers or other gear with 16 channels of ADAT at 44.1/48 kHz or 8 channels of SMUX at 88.2/96 kHz. Bank A can optionally provide stereo TOSLink (optical S/PDIF) I/O up to 96 kHz.

Foot switch input - Connect a standard foot pedal switch (sold separately) for hands-free punch-in and punch-out while recording. Or map the pedal to any keystroke function in your host software.

MIDI in/out/thru - connect MIDI gear without the need for a separate MIDI interface.

Word clock in/out/thru - Supports all sample rates up to 192 kHz.

DC-coupled TRS outputs - Use the 828 to manipulate and sequence voltage-controlled modular synthesizers from a host DAW.

Loopback for live streaming and podcasting - Easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the 828 in your host software for live streaming or podcasting.

Guitar re-amping - Connect your guitar to the front-panel input, use CueMix's near-zero latency to loop to any output (with a re-amp adapter, if needed), and record both the dry signal and your mic'd up amp simultaneously. Then re-amp the dry signal later with different amps and cabs - or amp modelling plug-ins - to experiment with different tones.

CueMix 5 app - Control mixing and settings from your Mac, PC or iOS device.

Performer Lite - Workstation software with over 100 included instruments, dozens of effects and 6 GB of included loops to make music right away. Also includes Ableton Live Lite.

Next-gen 28 x 32 USB3 audio interface with DSP, mixing and effects
New 3.9-inch 24-bit RGB LCD with precision metering for all I/O
Superb analogue audio performance driven by ESS Sabre32 Ultra™ DAC Technology
Ultra-low latency and proven, high-performance MOTU drivers (~2 ms RTL with a 32 sample buffer @ 96 kHz)
Universal connectivity with 5 Gbps USB

Technical Specifications
Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz

Mic/line/instr inputs
2 x XLR/TRS "combo" jacks
Individual -20 dB pad and 48V phantom power
Preamp gain: +74 dB in 1 dB increments
1 MO impedance on the line/instr inputs
Independent balanced send/return inserts

Analogue inputs
8 x 1/4-inch TRS line in (balanced/unbalanced)
2 x 1/4-inch insert returns function as balanced TRS line inputs (with no mic inputs connected)
Max level: +21 dBu
+20 dB digital gain on each input

Analogue outputs
8 x 1/4-inch TRS line out (balanced, DC coupled)
2 x male XLR out
Max level: +21 dBu
2 x 1/4-inch TRS stereo headphone
2 x 1/4-inch TRS sends (balanced, pre-converter)

Digital I/O
2 banks (16 ch) of ADAT optical I/O at 1x sample rates
2 banks (8 ch) of S/MUX optical I/O at 2x sample rates
Bank A switchable to stereo TOSLink I/O (optical S/PDIF)
1 x stereo S/PDIF I/O on RCA (up to 96 kHz)

Computer I/O
1 x USB-C 3.2 Gen 1 (5 Gbps) Type C - USB2 compatible USB audio class compliant (no driver needed)
1 x IF-certified USB 3.2 Gen 1 Type C-to-C cable included
Compatible with USB Type A (with a C-to-A cable, sold separately)
Total USB audio channels: see "Total Audio I/O" below
Round Trip Latency (RTL): ~2 ms (32 sample buffer at 96K)

Total audio I/O
28 in / 32 out (60 total channels) at 1x sample rates
20 in / 24 out (44 total channels) at 2x sample rates
10 in / 14 out (24 total channels) at 4x sample rates

MIDI I/O
1 x MIDI In
1 x MIDI Out/Thru
16 MIDI channels to/from computer host

Headphone
2 x 1/4-inch TRS stereo headphones
Output impedance: <1O
Max output: 14.4 dBu

Phantom power: 2 x individual +48V

Foot Switch
1 x 1/4-inch foot switch input
Mapping: pedal up/down to any host keystrokes

Sync I/O
1 x BNC Word Clock In
1 x BNC Word Clock Out/Thru
Sample rates: all (from 44.1 to 192 kHz)

Front panel
2 x XLR/TRS combo inputs
2 x 1/4" TRS headphone outputs
2 x potentiometer - headphone volume
2 x potentiometer - mic/instr input gain
1 x potentiometer - menu navigation
1 x large potentiometer - main volume
12 x switches - (2) 48V, (2) pad, (6) control room, (2) nav
1 x 3.9-inch 480 x 128 pixel 24-bit RGB TFT display
1 x latching power button

Power
Internal 100-240V autoswitching supply
50-60 Hz - 0.5A max

Dimensions and weight
(width x depth x height, enclosure only)
19 x 12.25 x 1.75 inches / 48.26 x 31.1 x 4.44 cm
11 lbs / 5 kgs
Read more
 2 in stock $1,032.90
Modor DR-2 6-Instruments Digital DSP Drum Synthesiser (B-STOCK) Modor DR-2 6-Instruments Digital DSP Drum Synthesiser (B-STOCK) Modor DR-2 6-Instruments Digital DSP Drum Synthesiser (B-STOCK) Modor DR-2 6-Instruments Digital DSP Drum Synthesiser (B-STOCK)
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Killer digital drum machine from the excellent Modor. Six instruments, 128-step sequencer and some of the freshest, most innovative drum sounds we've heard in a long time.

*** New upgrade - July 2023 ***

Introducing this new upgrade for the DR-2, OS010. Built in cooperation with Berlin-based Canadian electronic music artist Nicolas Bougaieff!

Bougaieff frequently uses polyrhythmic structures, dividing bars or musical phrases of different instruments into different numbers of steps. Have one instrument play 17 steps in the time another instrument plays only 16 steps, or 8 steps in 5 steps, or... Like stretching N steps of one instrument over M steps of a second one, giving them an N:M speed ratio.

He felt that there were only rather limited possibilities in hardware sequencers and drum machines to achieve this.

The process of achieving this was quite challenging, but the result was worth it! This is a very intuitive way to work with polyrhythms, making use of stretched clocks. It is ready for download now on Modor's download page on their site!

Apart from the main sequencer clock, the DR-2 now has 2 polyrhythmic clocks (or 'polyclocks'), called polyclock A and B. Each of these 2 clocks relates to the regular 'main' clock with a certain N:M ratio. The polyclock takes N steps in the time the main clock takes M steps.

Next, every instrument can separately choose a clock:
the main clock,
the A polyrhythmic clock,
or the B polyrhythmic clock.

This means, you can let, for example, a snaredrum play 7 steps while the rest of the instruments plays 8 steps. The 7 steps are stretched equally in time over the 8 steps of the other instruments.

How is this done?

Keep the A or B button down, and set the N:M ratio using the SELECT/BPM (for N) and VALUE/SWING (for M) knobs.

Keep an instrument button A...F down and hit the A or B button to assign that instrument to one of the polyrhythmic clocks. Hit it again to return to the main clock.

Supplier's Notes:

The DR-2 is a 6 instrument digital DSP drum synth, with a built-in 128-step drum sequencer. At first sight, it will feel recognizable in some ways. There are sounds that will remind you of the good old classic drum machines, and the step sequencer will get you building drum riffs from the first second you touch it. But Modor uses digital sound synthesis to get beyond the possibilities of a classic drum machine, and the step sequencer does more than just hitting drums...

First of all: although it's digital, the DR-2 is not about sampling. It's a drum synthesizer, like a classic analog drum machine, but it uses digital sound synthesis algorithms instead of analog circuitry. There are no samples in the DR-2, and there's no sample memory.

Just like the Modor NF-1, the DR-2 is not built to recreate the classics of the past. The DR-2 uses digital sound synthesis to innovate drum sounds and rhythms. Many sounds will be recognizable. It is possible to make classic sounding bass drums, snares and rimshots. It's not difficult to program classic floorfillers with the DR-2. But with 12 synthesis parameters per drum, you'll easily find yourself creating your own individual sound.

The DR-2 has 6 drum 'channels', drumsets made of 6 drum instruments. These channels don't have predefined instruments. You can choose freely which instruments you want in your 6-channel drumsets. The DR-2 works with drum 'models', of which you can pick one for every channel. You can consider these 'models', or synthesis algorithms, as a collection of small but dedicated drum synthesizers, of which you can pick 6 to form a drumset. There are models for bass drums, snares and cymbals, but also for some more unusual drum sounds, clicks and ticks.

Every model has up to 12 sound synthesis parameters: Pitch with pitch decay, curve and amount, amp volume with panning, amp decay and curve, and parameters X, Y, Z and T that have a different function in every model, see the table below.

The DR-2 has an output jack connector for each of the 6 channels A-F, and 2 master L/R outputs. If there's no cable connected to a channel output, the corresponding channel is sent to the master L/R outputs. The individual channel outputs are mono, but have a panning parameter to give it a stereo position in the master mix.

But there is more! The A-F output connectors are actually insert points, you can use 6.35mm (1/4") TRS jack connectors to route a channel out of the DR-2, and send it back in if you want. This way, you can use external effects, equalisers, compressors, ... on each of the 6 channels individually, and still have them panned and mixed in the master outputs of the DR-2.
Next to the audio connectors, the DR-2 has 6.35mm (1/4") TS connectors for 24PPQN clock input and output, and has classic din-5 MIDI IN, OUT and THRU connectors.

The sequencer of the DR-2 has a lot more options than just the classic 16-step sequencer. First of all: you can use 32nd notes, so the DR-2 doubles the resolution of a classic 16-step sequencer. The DR-2 has 16 step buttons but you can see 32 step leds on the front panel. Keep the '16/32'-button pressed to access the steps-between-the-steps.

A pattern can use up to 4 of these 16/32-step pattern parts, these can be accessed with the 1-16/17-32/33-48/49-64 buttons. Using SHIFT + one of these buttons sets the pattern length. So, it's actually a 4x32 or 128-step sequencer.

But there's more: each instrument has it's own Accent, Flam, Tuplet, Break and Reverse patterns. Keep the ACC, FLAM, SHIFT+FLAM, BREAK or REV button pressed while using the step buttons.

MEASUREMENTS
Width: 440mm without rack ears, 480mm with rack ears (19")
Height: 267mm (10.5"/ 6U)
Depth: 40mm (front) - 80mm (back)
Weight: +/- 6kg

CONNECTIONS
9V, 600mA adapter connection, positive voltage on center pin
MIDI IN/THRU/OUT connections, 3x 5-pin DIN connection
Clock In/Out connections, 2x 6.35mm mono jack
Audio Instrument Outputs/Inserts, 6x 6.35mm TRS or mono jack, unbalanced
Audio Left/Stereo output, 6.35mm TRS or mono jack, unbalanced, capable of driving headphones
Audio Right output, 6.35mm mono jack, unbalanced
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MRP:$1,945.89 SAVE 22%
 1 in stock $1,521.87
Melbourne Instruments Nina 12-Voice Analogue Polyphonic Synthesiser Melbourne Instruments Nina 12-Voice Analogue Polyphonic Synthesiser Melbourne Instruments Nina 12-Voice Analogue Polyphonic Synthesiser Melbourne Instruments Nina 12-Voice Analogue Polyphonic Synthesiser Melbourne Instruments Nina 12-Voice Analogue Polyphonic Synthesiser Melbourne Instruments Nina 12-Voice Analogue Polyphonic Synthesiser
Cat: 939909 Rel: 18 Jan 24 • View all Synthesisers
 
12-voice analogue polysynthesiser with motorized controls.
Notes: Melbourne's hybrid synth combines analogue circuits with wavetable options, all controlled by motorised knobs. A beautiful flagship instrument with lush sound and features to back up its unique interface.

Supplier's Notes:
NINA combines the tactile and sonic qualities of classic analogue synths with modern functionality, patch recall and automation.

NINA: 12 Voice Analog Polysynth
4 part Multi-timbral
Motorized, recallable, automatable, assignable, and robust high resolution control panel
Unlimited & quick to edit Modulation Matrix
3 Oscillators per voice. 2 Analog VCOs, 1 Digital Wavetable.
Patch morphing
Onboard effects

NINA Specifications

Oscillators

3 Oscillators per voice. 2 Analog VCOs, 1 Digital Wavetable.
Oscillator 1 & 2 with waveforms morphable between triangle to sawtooth and PWM square-wave.
Sub octave mode for VCO 1 square wave.
Hard Sync Oscillator 2 from VCO 1.
Fine & Course tune control with up to 8 octave range.
96kHz 24bit Wavetable Oscillator Resolution.
User loadable Wavetables.
Selectable Fuzz & Noise sources - Pink, White, Oscillator 1 & 2 XOR (Fuzz).
LFO with selectable shapes, through-zero modulatable rate & level controls.

VCF
Classic 4 pole transistor ladder VCF
Modulatable resonance, available as a matrix destination.
Extremely over-drivable, or perfectly smooth low noise modes.
Dedicated control for Envelope to Cutoff modulation amount.

VCA
Traditional ADSR envelope with ultra-fast slopes possible.
Melbourne Instruments designed four-quadrant (through zero) VCA.
Stereo: 2 VCAs per voice.
Infinite panning.

Unison polyphony
Play up to 12 voices in unison or polyphonically.
Mono Triggered and Legato modes.
Selectable polyphonic panning schemes

Modulation
Extensive modulation matrix. 16 sources to 27 destinations. No bus count limitation.
Morphable modulation settings.
Quick to edit MOD mode. Select a source and dial in amounts instantly on control panel.
All MOD amounts are through zero (bipolar)

Patch morphing

Morph between patches to create new timbres.
Morph entire patch including Modulation Matrix.

ADSR envelope generators

2 x ADSR envelopes available as mod sources
Modulate Attack, Decay, Sustain, Release, and Level using velocity or any other mod source

Multi-timbral layers

Up to 4 layers for 4 Timbres controllable via MIDI channel and note ranges
User selectable number of assigned voices per layer
Optional linked note ranges across layers for quick keyboard splits & layering

Effects

Upgradable VST3 effects algorithms built on an Open Source architecture.
96kHz 24bit resolution
Parallel or Series mix modes. Parallel mode retains analogue sound.

Sequencer

Up to 16 Step Polyphonic
Adjustable note value
Hold mode
Send Sequencer to Arpeggiator
Tempo sync from external source

Computer

Hackable Open Source software built on a powerful Raspberry Pi 4 running Elk Audio OS.

Connectivity

Audio Out
4 assignable line level outputs.
Stereo main outputs with effects.
Aux outputs (3 & 4).
Headphone output.

Audio In
3 TRS Balanced Line or CV Inputs.
1 TRS/XLR Combo. Mic for line/CV input.
CV +/-10V max. Analog gain and offset trim.

Physical

Weight: 5.5kg (12.1lb)
Dimensions (length x width x depth): 446mm x 230mm x 71mm.
Solid metal construction.
19" rack mount ears available.
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 1 in stock $3,679.31
Alpha Recording System MODEL9100 4-Channel Rotary DJ Mixer (red, 25th anniversary limited edition) Alpha Recording System MODEL9100 4-Channel Rotary DJ Mixer (red, 25th anniversary limited edition) Alpha Recording System MODEL9100 4-Channel Rotary DJ Mixer (red, 25th anniversary limited edition)
Cat: 995346 Rel: 29 Jan 24 • View all DJ-Mischpulte
 
4-channel rotary DJ mixer, 25th anniversary limited edition to 100 units
Notes: ARS's four-channel Model9100 gets the red makeover to celebrate the brand's 25th birthday. Same beautiful audiophile design with three-band hybrid iso-EQ, master isolator and post-fader aux sends.

Supplier's Notes:
MODEL9100B RED Music Mixer

4 channel table top mixer

MODEL9100B RED LE(broadcast mixer) Music Mixer
ARS Anniversary limited edition red face model
(Headphone Monitor Trim: Cue-Mix-Pgm special version)

ARS MODEL 9100B DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-eq Mid-eq Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master.

Potentiometer and Switch are All ALPS.

A long time in the development phase, this mixer is a beautiful example of Japanese hand-made precision workmanship.

Highly recommended.

It is designed with purist ideals with only essential features.

ARS 9100 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel and 3band Iso on the master. The Master Isolators can be boost of cut from +18db ~ -8. The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8. Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Specs

Frequency Response: +/-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)306 x (H)250 x (D)100 mm
model9100BW Unit weight:4700g
ACBOX: 1100g
Front Panel Colour: Red
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 1 in stock $3,455.27
AlphaTheta Omnis-Duo Portable All-In-One DJ System
Cat: 995312 Rel: 15 Feb 24 • View all DJ-Controller
 
Portable all-in-one DJ system
Notes: All-in-one wireless controller from Pioneer's parent company. A fresh new take on DJ units, featuring a two-deck setup with large touchscreen, up to five hours' playback from the internal battery. A flexible, portable option for all DJs.

Supplier's Notes:
Portability and playability

Easily carry the OMNIS-DUO anywhere thanks to its compact size, modest weight, and rounded corners. The system's 2-deck + mixer layout feels great for DJing, and there are 2 modes for the touchscreen - Light and Dark - so you'll always see the displayed information, even in bright outdoor settings.

Bluetooth audio input

Invite a friend to connect their phone to the OMNIS-DUO via Bluetooth and you can drop their favourite track into your set. With the Bluetooth Playback function, you'll have control of the audio on the deck. So, you can adjust the volume and EQ, apply effects to the sound, change the tempo, use Hot Cues, and scratch.

5-hour battery

Play for up to 5 hours without plugging into the mains. You can also connect the AC adapter or plug in a compatible power bank (45W or more) to the dedicated USB Type-C terminal. And if you combine the OMNIS-DUO with the battery-powered WAVE-EIGHT speaker, which features ultra-low-latency SonicLink technology, you can enjoy wireless DJing for total freedom.

Support for multiple music sources

USB Type-A drives and SD cards can be plugged straight into the OMNIS-DUO, as well as a PC/Mac via the USB Type-C terminal for use with rekordbox Performance mode. The Wi-Fi function offers easy access to tracks on a PC/Mac, smartphone, or the cloud without a wired connection.

Flexible audio output options

There's no limit to the places you can hold a party, thanks to the Bluetooth audio output function. And when the time comes to play in a venue like a bar, you can use the professional XLR output, while the RCA terminals are perfect for plugging in monitor speakers at home.

Brand-new design

The OMNIS-DUO looks at home everywhere you take it - from professional events to spontaneous outdoor parties. Its new indigo colour is inspired by denim jeans, a classic and hugely versatile fashion item, and the unique curves of the unit create a sleek silhouette.

Specifications

Frequency Response: 20 Hz - 20 kHz
S/N Ratio: 112 dB (USB, SD)
Total Harmonic Distortion: <0.003% (USB, SD)
Battery Section Capacity: 47.52 Wh (Built-in rechargeable lithium-ion battery)
Play time: Approx. 5 hours
Charge time: Approx. 3 hours
Inputs: 2 MIC (1x XLR & 1/4" TRS Jack, 1x 1/4" TRS Jack), 1 LINE (Bluetooth [exclusive from output])
Outputs: 1 MASTER (XLR), 1 MASTER (RCA), 1 MASTER (Bluetooth [exclusive from input]), 1 BOOTH (Combined use with RCA output), 2 HEADPHONE MONITOR (1/4" Stereo Phone Jack, 3.5 mm Stereo Mini Jack)
USB: USB-A for thumb drive x 1, SD card x1, USB-C for PC/Mac control x 1 USB-C for power input (USB PD 45W) x 1
Maximum Dimensions (WxDxH): 500 × 307 × 71 mm / 19.7" x 12.1" x 2.8"
Weight: 4.6 kg / 10.1 lbs.

Wireless LAN section

Supported standards: IEEE 802.11 a/b/g/n/ac
Frequency band used: 2.4 GHz / 5 GHz

Bluetooth section

Wireless system Bluetooth: Ver.5.2
Frequency band used: 2.4 GHz
Compatible codecs: SBC, AAC
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 5 in stock $1,439.96
Moog Sound Studio Subharmonicon & DFAM Semi-Modular Analogue Synthesiser Bundle Moog Sound Studio Subharmonicon & DFAM Semi-Modular Analogue Synthesiser Bundle Moog Sound Studio Subharmonicon & DFAM Semi-Modular Analogue Synthesiser Bundle Moog Sound Studio Subharmonicon & DFAM Semi-Modular Analogue Synthesiser Bundle Moog Sound Studio Subharmonicon & DFAM Semi-Modular Analogue Synthesiser Bundle Moog Sound Studio Subharmonicon & DFAM Semi-Modular Analogue Synthesiser Bundle Moog Sound Studio Subharmonicon & DFAM Semi-Modular Analogue Synthesiser Bundle Moog Sound Studio Subharmonicon & DFAM Semi-Modular Analogue Synthesiser Bundle
Cat: 820419 Rel: 14 Jun 21 • View all Synthesisers
 
Synthesisers/mixer/2-tier rack kit/cable organiser/cables/reading materials
Notes: The most accessible route into Moog's semi-modular synths. Subharmonicon polyrythmic synth and DFAM percussion synth, plus accessories, mixer, cables and everything else you need to get started.

Supplier notes:
Moog Sound Studio: A complete analog synthesis studio in a box. Everything necessary to start patching today. All you need is a pair of headphones!

Ready to take the next step in your analog synthesis journey? The Moog Sound Studio has you covered. Moog Sound Studio is an all-inclusive bundle of semi-modular synthesizers and accessories created to provide users with all of the equipment, cables, accessories, and educational tools needed to enter the world of analog synthesis for the first time or to continue to explore sound in an immersive new way. All you need is your own headphones or personal speaker and you're ready to get started!

Moog's Subharmonicon and DFAM synthesizers are a magical combination. Subharmonicon is a rich sonic kaleidoscope of 6-tone subharmonic chord shapes and polyrhythmic sequences, while DFAM presents an inspiring new approach to drum synthesis and rhythmic pattern creation. While each instrument is uniquely powerful alone, pairing the two together creates an experience that is greater than the sum of its parts. Patch them together to create new sounds, unlock novel behaviors, synchronize patterns, and explore endless sonic possibilities.

Along with a duo of semi-modular analog synthesizers, each Moog Sound Studio includes a personal stereo summing mixer with 3-way power distribution to provide flexible signal routing and power your entire system conveniently from a single power supply. Also included are a series of guided exercises, exploration games, experimental patch sheets, imaginative studio art, and more to outfit your studio and take your synthesis skills to the next level. And of course, all of the cables and accessories needed to connect everything are included as well!

Moog Sound Studio takes the magical environment and hands-on learning experience of Moog installations found at events around the world and presents them in a way that empowers you to explore synthesis with joy and confidence from the comfort of your own home or studio.

This is an exciting time to be a part of the growing synth community. The Moog Sound Studio is here to provide a meaningful electronic experience that informs, inspires, and nurtures synthesists at any point in the creative journey.

WHAT'S IN THE BOX?

Subharmonicon
Subharmonicon is a semi-modular polyrhythmic analog synthesizer that employs a 6-tone sound engine and multi-layered clock generator to explore the world of subharmonics, polyrhythms, and the unique relationships they create. Subharmonicon Excels at: Unique subharmonic chord shapes and intricate polyrhythmic sequencing.

DFAM
DFAM (Drummer From Another Mother) is a semi-modular analog percussion synthesizer that empowers an expressive hands-on approach to percussive pattern creation. DFAM Excels at: Rich electronic drum patches and organic analog sequencing that breathes.

Personal Stereo Summing Mixer and Instrument Cables
This 4-input analog summing mixer (1/4" IN, 1/8" stereo OUT) features selectable mono or stereo configurations for versatile routing options, and the built-in 3-way power distribution hub supplies power throughout your Moog Sound Studio conveniently from a single power supply. The included instrument cables come in lengths and colors to compliment the system and reduce clutter.

2-Tier Rack Kit
Conveniently stack both synthesizers and the summing mixer together as one connected system to maximize studio space and orient instruments vertically for optimal interconnectivity.

Cable Organizer and Custom Patch Cable Set
The included patch cable organizer connects to the two-tier rack or mounts directly to any wall, keeping patch cables neat and orderly for a hassle-free workflow. A custom set of patch cables has been selected in lengths, colors, and quantities to maximize system patchability.

Guided Exercises, Exploration Games, and Experimental Patch Sheets
Learning synthesis doesn't have to be intimidating! Included games and educational materials allow the player to explore at their own pace while enjoying the journey. Developed with artists who know these instruments best, these detailed and fun exercises are designed to accelerate your synthesis experience by exploring new skills to support your ongoing synthesis practice - A perfect jumping-off-point for beginners or source of inspiration for the seasoned pro.

Studio Art
All original artwork, created by Jim Stoten (M32/DFAM) and Philip Lindeman (SUBH/DFAM), has been thoughtfully designed to aid users in the exploration of new imaginative worlds. The characters, poster, and objects that accompany each Moog Sound Studio come together to transform any space into an immersive creative environment.
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MRP:$1,680.83 SAVE 17%
 1 in stock $1,395.51
Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK)
Cat: 996144 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Premium version of the excellent Opsix, Korg's contemporary take on FM synthesis. Full 61-note natural-touch keybed with aftertouch, 80-voice stereo polyphony and full metal construction.

Supplier's Notes:
The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.
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MRP:$1,997.43 SAVE 22%
 1 in stock $1,555.03
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