Review: Hot on the heels of a re-work of Bobby Caldwell, edit stylist Caserta is back with another golden nugget. This time he turns his attention to the one and only Luther Vandross and serves up two equally essential but very different tunes that pay homage to his unique voice. The King Street Mix is all hip swinging claps and nodding bass riffs that are organic and heartfelt, whereas the Henry Street Mix nods to the '90s heyday of New York. With warm neon organ stabs that will get any floor pumping, both interpretations have Luther's soulful voice front and centre.
Praying For You (Louie Vega NYC Fender Rhodes Solo) (4:55)
Praying For You (Louie Vega Vonita dub) (5:43)
Praying For You (KDA remix) (6:10)
Praying For You (album version) (6:11)
Praying For You (Louie Vega Expansions NYC dub) (5:41)
Smile (David Morales remix) (7:01)
Review: Earlier this year, DJ Spen and Teddy Douglas's long-serving gospel-house group Jasper Street Co returned to action with their first album in 16 years. It's from that album that "Praying For You" is taken, though the selling point here is not the LP mix but rather a suite of reworks from Louie Vega. Our picks of the bunch are his jazzy and breezy "Main Mix", the brilliantly bass-heavy "Vonita Dub" (think righteous call-and-response gospel vocals and a killer groove) and the sleazy "KDA Remix". The latter is a basement-bothering stomper rich in fuzzy organ stabs and spacey electronics. The smooth, slick and pleasingly colourful David Morales remix is also rather good (it reminded us a little of vintage Frankie Knuckles rubs, which is no bad thing).
Review: In 2009, two years after the original version appeared on Somi's debut album "Red Soil In My Eyes", Joaquin "Joe" Claussell and Brian Bacchus joined forces as Soul Feast to remix Fela Kuti cover "African Lady". A decade on, Claussell has decided to reissue the package's most potent and percussive moment, the layered "Drum Dub" on a tasty seven-inch single. While there are key elements of Somi's original version present - the killer bassline, some delay-laden horns and fleeting glimpses of guitar - the mix is dominated by layered Afro-house percussion. This time round, the mix comes backed with an "Acapella EFXS" version, which contains all of Somi's superb vocal and is closer in tone to the duo's 2009 club mix. Like the A-side, it's superb.
Review: Since making his debut in 2015, Chris Stussy has released a remarkable amount of music. Yet it's hard to fault any of his 22 previous EPs, which tend towards the chunkier, tech-tinged end of the deep house spectrum. His latest four-tracker is naturally full of top-notch cuts, too. Check first opener "Edge of the Mirror", where wonderfully melodic musical elements wrap themselves around a tough electronic deep house groove, before diving into the bass-heavy early morning hypnotism of "Forever Moving", which sounds like something you'd have heard at Twilo in New York circa 1996. "Synchronicity" is a string-drenched treat blessed with a fantastically rush-inducing breakdown, while "Electro Girl" is a fine fusion of tech-house electronics and oven-hot deep house grooves.
Review: Fresh from delving into his ambient side on the pastorally-enhanced "Loom Dream" album for Whities, Leif revives his self-manned Tio Series with another double-shot of delicate but impactful cuts outside the conventional slipstream of modern techno. The rhythms fall crooked, the synths trickle, bubble and cascade around the groove and the atmosphere remains humid and heady, especially on ear-snagging B-side "Rumex". "Montpelier" sports more explicit dubby flourishes and a spread of sonic flora and fauna in the middle distance that truly brings the track to life.
Review: A big driver behind Mood Hut's success over the last few years has been their willingness to encourage collaboration between their extended crew of producers. Their latest co-produced affair comes from long-serving crewmember C.Z Wang (best known for his People Plus release earlier this year) and Aquarian Foundation's Chad Thiessen AKA Neo Image. "Just Off Wave" is warm, woozy and bass-heavy, with drowsy chords, fizzing electro noises and trippy vocals (courtesy, we think, of guests Seperated At Birth) riding a hybrid analogue house/electro groove. That beat is cut-up, beefed-up and heavily enhanced on flipside "Open Mic Beat", which is a sweaty drum track - with, it should be said, occasional chords - that should appeal to aging B-boys and girls.
Review: Following his recent strong turn on Cocktail D'Amore, Jules Etienne makes a trip back to Apersonal Music with more of that island groove for the smoothest slack-wearers in town. "Free As A Man" is a beautifully laid back but funky offering that speaks to all kinds of good times. Jex Opolis turns in a remix of the track that has a little more bite to suit the later demands of the dancefloor. "Don't Wanna Talk About It" sees Etienne linking up with Disco D and winding all kinds of slick strutting business into his sound, and then "Rhythm For The Garden" heads off into wonderful tribal percussion that serves as a handy tool for DJs who want to get some rich drum sounds into their set.
Review: Roberto Surace's "Joys" was undoubtedly one of the unofficial summer anthems out in Ibiza this year. It's the tune you could hear bleeding from bars, car windows and clubs from May until September and was a firm favourite in the sets of White Isle kingpin Marco Carola as well as the likes of wAFF and Andrea Oliva. Its earworm vocal is what wins you over from the off - a soulful voice that melts into crisp boom bap drums with a rattling conga adding a sense of summer craziness. After much demand, Defected has finally put it out for all to enjoy.
Poisoned Words (Ricardo Villalobos remix 1) (6:35)
Poisoned Words (Ricardo Villalobos remix 2) (13:39)
Review: The Mandar dream team of Lazare Hoche, Malin Genie and S.A.M revisit "Poisoned Words" with a double dose of remixes from none other than Ricardo Villalobos. The minimal overlord lives up to expectations on both flips of the original track, needling into the tiniest sonic details and holding down an insistent groove that will sit beautifully in the mix. The A side features a simmering version that revels in wriggling sound design with ample space to flex and mutate, while the B side stretches out into a quintessential Villalobos wormhole of a remix. Unmissable sonics from one of the scene's true legends.
Review: Plastik People cast their gaze back to a garage house staple and give it a new lease of life on this cool and deadly white label. The original "Blues For You" by Logic is a pinnacle on the Strictly Rhythm catalogue - some might say untouchable - but Danny J Lewis and Marc Cotterell are here to tell you otherwise. Lewis lands on the A side with a version that keeps the structure of the track intact, and speaks those iconic hooks through a different set of instruments that gives the track a new lease of life. Cotterell meanwhile smooths the garage jerk of the original out into a more linear house thrust while working the vocal samples with glee - it's a respectful approach that simply repositions the groove of the original to give it a fresh flavour.
Lenny Fontana, Tension - "A Place Called Heaven" (Joey Negro dub Groove) (6:58)
Jay Denes, Ada Dyer - "You Make Me Whole" (Joey Negro Rhodes dub) (5:17)
Julian Sanza - "To Love" (5:16)
Frankie Knuckles, Satoshi Tomiie, Andrea Mendez - "Bring Me Love" (Eventual dub) (6:56)
Review: Some serious no-nonsense house grooves for all true-school DJs to cop, dug out from the annals of club music history. Things kick off good and proper with Joey Negro's insanely powerful "Dub Groove" mix of Lenny Fontana's "A Place Called Heaven". Negro's on the buttons once again with the classic, pumping "Rhodes Dub" of "You Make Me Whole" by Jay Denes and Ada Dyer. On the flip, Julian Sanza drops the squelchy boogie inflected "To Love" before the record ends on a serious bang with the dream team of Frankie Knuckles, Satoshi Tomiie and Andrea Mendez's "Bring Me Love (Eventual Dub)". This is as actual house as actual house can get - the real deal, crystalised in four evergreen gems pressed on one handy record.
Review: The Finale Sessions Select series finds Michael Zucker steering his label into new, techy pastures with a host of esteemed guests on board. For this fourth round, he's called upon Kai Alce and Reggie Dokes to stand alongside him in demonstrating exactly what's great about contemporary house and techno. Alce is up first with "Scene 2", bringing a bubbly, sleek confection of machine soul to the table. Zucker gets things rolling along steady with the heady trip of "Summer Time", and then Reggie Dokes sends the record drifting off on a wonderfully crooked tip with "Running".
M&M Vs Andrei Swipe - "Analog Express" (Don Carlos remix) (7:29)
Review: There's an undeniable air of quality that lingers over the 12"s emerging on 14th Level Of Paradise, the mysterious label presenting originals, edits and repressed tracks for true house devotees. First up is a little known track from Sasha Makin and Suntetic, given a shimmering polish by Don Carlos and Steven Perri to become a heavy funking masterpiece, before Joe Claussell drops in a percussive dub delight on Monday Michiru's "Higher". On the flip, Vincent Inc and LA get things pumping with the slow but chunky, jazz-licked "Red Room", before Carlos returns for another deep house reverie as he remixes M&M and Andrei Swipe's "Analog Express".
Review: New label Nuances de Nuit kick off in fine style with a various artists 12" that draws on some emergent names to lay out a vision of cross-style dance music that favours the deeper end of the pool. Things get going with an organ-rich house bumper from DJ Steaw that pumps in all the right places, before Armless Kid switches things up with an untitled slice of dynamic, richly layered electro. T. Jacques thumps out a crafty, swinging cut with techy inclinations and oodles of groove, and E. Wan takes things in a more linear, deep techno direction laden with gorgeous synth work and plenty of artful effects processing.
Review: With the sense of loss from the Oakland party fire tragedy still being felt, Jenifa Mayanja and Dakini 9's Sound Warrior label gathers together a stellar cast of artists to pay tribute to Cherushii, one of the artists who lost their lives. As well as featuring two unreleased tracks from Cherushii herself, Warrior Loves also features exclusive material from the likes of Aurora Halal, Lilith and Mayanja. As you might expect, the mood is reflective across the double pack, dealing in a spiritual kind of deep house through which the assembled artists pay their respects the best way they know how.
Review: Two years after they offered up the first part in the "Retrofitted Future" series, Primary Perception partners Mahy and Nichel Cruz return to Slow Life with volume three. They hit the ground running with "Valis", a crunchy romp through bold analogue bass, twisted acid lines and spacey electronics, before bouncing their way through more melodious, warm and ear-catching territory on the aptly named "Sci-Fi Jazz". Side B boasts two versions of "Funky Emotions" - the low-slung, bass-heavy and decidedly futuristic original mix and the altogether deeper and dreamier "Break mix" - as well as utterly gorgeous ambient track "Space Is An Ocean".
Review: Berlin-based Korean Peggy Gou has been surprisingly quiet since first bursting onto the scene back in 2016. Here, she returns to action having graduated from Technicolour to parent label Ninja Tune. Many may already have heard EP standout "It Makes You Forget (Itgehane)", a percussively ambidextrous beast based around a bouncy, off-skilter, snare-heavy rhythm track. It has been much discussed online after Gou included it her recent Resident Advisor podcast. On the B-side you'll find tracks representative of her developing style, which draws together elements of European deep house, electro, early '90s U.S house, the rubbery disco eccentricity of Maurice Fulton and the instinctive polyrhythms more often found in traditional African music.
Review: The high grade, leftfield approach to house music Lyssna have set out as their MO continues in fine style on this new Colours series, starting with the Yellow EP and a strong cast of characters from the outer reaches. Riciar Ghir opens up proceedings with the tumbling deep house of "Cargo", making the keys dance with distinction and injection a subby rumble where it counts. Minimal Afrika follow that up with a percussive tryst entitled "Drakma Queen" that blossoms into a sumptuous ambient excursion. Robotalco takes a very different approach with some classically pumping sample-powered house music to shake feel-good fists to, and then Klubbhuset finishes up with an impassioned romp through peak time disco licks for the peak of the night.
Review: Eliphino continues to explore his emotionally charged, modern sound with this new mini LP for Secretsundaze. Following the trend laid out by his previous turns on Hypercolour, The Love Below and Meda Fury, he unfurls a richly harmonic sound that places emphasis on melodic progression to tell a particularly personal story, ranging from the emotive "Studio Time" to the crooked break-flecked "Old Lemons". "Second Sunday" flirts with electro and "Breaking Up Is Hard" veers towards jungle, but throughout Eliphino's personality binds the record together in fine style. Thoroughly contemporary and unbounded by genre restrictions, this is the sound of someone making the record they want to make.
Review: The Dessert Island Discs series continues with yet more arch remixes from across the disco and boogie spectrum. Bubbles The Pimp kicks off the A side with a tasteful treatment of Gil Scott Heron's "Winter In America," which gets rustled up into a sweet and sassy house number with a cheeky acid b-line underneath. Nelly Wilson whips up a storm on the tightly clipped, peak time-oriented "Trapped & Confused". Pierre Pressure's "Love & Beyond" takes it easy on the B side with plenty of fluttering synth wobbles to offset the choppy funk of the guitar - it's a cosmically enhanced floor burner to get you all astral under the collar.
Review: Back in the early-to-mid 2000s, Warren Harris AKA Hanna was responsible for making and releasing some of the most sumptuous and seductive blends of future jazz, broken beat, soul and deep house around. This 12" from Melodies International offers a neat reminder by serving up two tracks previously featured on a CD-only album from 2004. A-side "I Needed" is the clear standout: a glassy-eyed and loved-up slab of jaunty dancefloor deep house that combines the swing of future garage and the snappiness of jacking Chicago house with the smoothness of soul and the kaleidoscopic synthesizer lines of jazz-funk. Flipside "Intercession, On Behalf" is similarly minded with more of an emphasis on vibrant jazz-funk and the soul motifs and the soul-powered swing of U.S garage.
Review: Munich duo Rhode & Brown have been bringing the good stuff to Toy Tonics for some time now, and they're sounding especially vibrant on this new joint. "Nine To Shine" is a sweet and soulful, 90s flavoured deep house jam with catchy vocals and a bittersweet mood to help you throw off the baggage of the working life once the weekend rolls around. "Honeymoon Affair" piles on uplifting piano chords and smooth acid bass for a full-fat house burner, while "Sumthin" chops up some serious funk samples for a massive dose of feel-good. "Your Beauty Is A Spoiler" completes the set with a wistful mood centered on an impeccably edited soul hook, making this a house 12" with plenty of mileage for a multitude of situations.
Review: Valencia's Pepe has built up quite a discography over the last few years, with this fine outing on Church following similarly impressive releases for Let's Play House, Lobster Theremin, Loose Fit and Sprung. The EP's impressive title track is available in two variations: the sparkling, breakbeat powered "Roll Mix" - think hip-house style drums, weighty dub bass and occasional dreamy chords - and a "Bleep Mix" that beefs up the sub-bass while adding some suitably sparse, computer game style electronic melodies. Another clear highlight is "You Must Not Be Me", a fine combination of rush-inducing, sunrise-ready electronics and bustling breaks, while closing cut "Recollection" is a rather lovely drift into opaque ambient territory.
Review: Ever-dependable hero of deep house since the good old days, Glenn Underground is back with fresh goodies for his Strictly Jazz Unit imprint, and if you liked what he's done before then there's no doubt you'll like this as well. "Shiloh (A King's Return)" is a steady roller, defined by the synth-sax freestyling over the top of a crisp beat and bluesy chord workout. "We, The Party (Let's Get Down)" is a more soaring affair, with some neat kinks in the drums and a sumptuous spread of Rhodes action all delivered in that quintessentially Blue Note GU flavour.
Review: Having sprung into action with the Sol Explorer EP on Girasole, William Caycedo is back with a new selection of jams on the ever-developing SlapFunk. As the label's remit for minimal house and techno broadens, we're treated to low slung leftfield beats on "Booty Call" before the peppier broken beat groove of "Ain't No Joke". "Creepin'" and "G Groove" head into more familiar territory for SlapFunk fans, but there's still space for the crisp, laid back funk of "Tales From The West" and the off-kilter jazzy vibes of "Yes We Do" thrown in for good measure.
Review: Atjazz & Jullian Gomes released their "Big Bad Crazy" album nearly a year ago to wide acclaim, and here is one of the LP's standout tracks which receives a rework from Freerange/Delusions Of Grandeur chief Jimpster. He replaces the sensual late night deepness of the original version of "It's My Time" with a slinky, hypnotic and absolutely mesmerising vibe, awash in shimmering melodies, delay drenched snippets of the original vocals and an absolutely addictive bassline. There's a handy instrumental on the flip too. Braintree's finest delivers the goods once again on this hit that's sure to have wide crossover appeal.
Review: Rory "Hammer" Hamilton has released on numerous labels since making his debut in 2015 - Optimo Music and Sulta Selects Secret Service included - but it seems like he reserves his best work for the imprint he's most associated with, Feel My Bicep. His latest EP for the Northern Irish outlet is certainly strong, with A-side "Parabola" offering an attractive, ear catching mixture of undulating neo-trance riffs, sustained sub-bass notes, relaxed machine beats and suitably psychedelic electronic effects. The same balance of rush-inducing melodic bliss, tactile synth bass and crispy drums comes to the fore on B-side opener "Panoptic", while closing cut "Entropy" is a slightly more psychedelic but no less melodic jaunt through big synth riffs, emotive chords and bustling drums.
Review: We were really impressed by "Invisibility Theory", the Sushitech released debut album from Christi Cons and Vlad Caia's Sideways Invisibility Theory project. This speedy follow-up for Half Baked Records (under the truncated SIT pseudonym) is rather good, too. Check first A-side "Spectral", a typically epic excursion where warm ambient chords, deep space electronics and glistening electric guitar motifs bob and weave around a chunky analogue bassline and locked-in tech-house drums. B-side opener "Owl Farm" is notably wonkier and weirder, with druggy drums, mind-altering electronics and the trademark glitch-laden shuffle we've come to expect from Romanian electronic music. That vibe is explored further on twisted closing cut "Animation", a particularly alien example of skewed tech-house funk.
Review: Dutch producer Larry De Kat has been spotted delivering an album to Lazare Hoche and sliding his wares onto SlapFunk and Dungeon Meat alike, but his Katnip label it the one to watch for some of his most personal wares. This new release finds him purring his way through downtempo, soul-inflected selections that open out a whole new dimension to this talented, versatile producer. Juno's vocals are the icing on a particularly funky cake on "Do For Love", while "So Damn Fine" is an instrumental beat worthy of D'Angelo (sadly not included). The jazzy licks pour out of this release like honey - Larry De Kat just upped his game yet again and we strongly advise you to take heed.
Review: Mainz-based house hooligan Butch teams up with good studio pal Christian Vogt (Yellow Tail/Rebirth) once again for their new thumper - a remix of Andy Gibbs of The Bee Gees' 1980 hit "Desire". Said to have been circulating for more than a year on selected USB sticks, it's finally available for all. The sexy and low slung main remix is sure to burn up any dancefloor, and is backed by a groovy and swing-fuelled dub version, a handy and functional drum tool and a nifty vocal tool too. It's what Gerd Janson & Co. best described themselves as "blue-eyed R&B house.. made to please and evoke those unifying and uplifting dancefloor moments".
Kerri Chandler - "Peace Of Mind" (D'Julz remix) (6:46)
Lafayette - "Better Late Than Never" (Kettama Garage remix) (5:00)
Jiletta Riley - "The Way It Was" (Marquis Hawkes Classic club vocal) (6:57)
Review: There's little better, house-wise at least, than vintage Kerri Chandler productions, though these fresh remixes of tracks by the New York maestro would certainly run them close. German producer Henrik Schwarz steps up first to re-imagine Chandler and Jerome Sydenham's "Powder" as a fluid but hypnotic chunk of building, synthesizer-heavy house in his usual melodic, tech-tinged style, before D'Julz turns in a wonderfully warm, locked-in revision of "Peace of Mind" full of drum machine handclaps, woozy chords and fizzing electronics. Over on side B you'll find a superb Kettama Garage mix of Lafayette's Chandler-produced classic "Better Late Than Never" - think late '90s UK speed garage and you're close - as well as a partoculalry reverential take on Jiletta Riley jam "The Way It Was" by Marquis Hawkes.
Review: Alphonse has already dropped a pair of 12"s on Especial in the past, but he's on especially excellent form this time around. A veteran of the halcyon rave days of the 90s, he's got a lot to draw on to conjure his particular kind of machine jams. "Moan Up" is a truly dazzling track, all twinkling synth lines interweaving around a crisp old school groove. As well as the loved up peaks of the original, there's also a beatless mix of the track that lets the melodies shine on their own. "White Pepper" takes things moodier and lets some sultry sax wail over the top, while retaining some of that boxy drum machine energy. There's even space for some tasteful guitar wailing - excellent.
Review: Finale Sessions welcomes Anaxander to join label main man Michael Zucker for another one of those impeccable trips through top shelf deep house. Anaxander gets busy with "Stabs Of Love", a truly ear nagging piece that cuts through the glut of soundalike productions to say something truly special. Meanwhile his "Heart 2 Heart" resides on the B2, presenting a lighter, more playful cut peppered with pattering bongos and sprightly keys. Zucker gets into a slightly off kilter funk on "Greater Is He" before dropping into a perfect bump on "Lost Without You", putting some swing into dub house and making it sound natural.
Review: Trinidadian Deep is a master of long, winding, enchanting house grooves that are deep but also spiritual and laced with afro percussion. Shelter acquires his latest two efforts and the glorious "Native Culture" opens things in subtly uplifting fashion. Trilling organ chords rise through the mix to give life to the jumbled drums and sustained pads in the background which keep things deep and ensure maximum hypnosis. "Eggun" has a more bubbling sense of rhythm, with vocal coos and surging chords peppering the track and bringing motion. Powerful stuff.
Pieces To Share (Kyle Hall & Steve Lehane mix) (3:14)
Nothing To Fear (4:00)
Review: Some ultra-limited business here from Kyle Hall, which remarkably marks his first release of 2019. The Detroiter is in fine form from the off, first peppering a hip-hop tempo "beatdown" groove with 8-bit sounds, jazz-funk synth doodles and rich Fender Rhodes motifs on "Rising" before breaking up the beats and channeling Kaidi Tatham/Dego on the warm and luscious "Full Play". Turn to the flip for the similarly inclined, loose and languid, analogue-heavy melodiousness of "Pieces To Share" and the delay-laden sunrise shimmer of "Nothing To Fear", a glistening and smile-inducing number that's almost overwhelmingly positive.
Review: Perpetual Rhythms continue to offer up fresh variations on the deep house formula with this classy new drop from Taelue. Crooked electro experiment "The 4th Dimension" opens the record up to any number of possibilities, before the forthright pump of "Twin Flame" locks things into a haunting workout. "Rage Against Oppression" takes things in an angrier direction, all ragged and snarling production values with an acid-techno leaning. "A Bleak Moment" provides more space for exploration away from the floor, and then "The Sunken Place" sinks into sinister soundwaves driven by a nervy arpeggio. "Reflections" finishes the EP off with a trip into slow, spaced-out, acidic ambience.