My Love Is For Real (feat Haddaway - live At The Cathedral)
Review: We've long thought that Austrian artist Wolfram Eckert is destined for greatness - or, to be more specific, crossover success - but to date his authentically produced but often tongue-in-cheek take on Euro-pop has yet to catch on with the public. "Amadeus", his long awaited second album, has all the ingredients to be a massive hit. Rich in bold synthesizer motifs, knowing nods to classic new wave and Euro-disco hits, atmospheric electronics, on-point grooves (we can hear nods to Italo-disco, Hi-NRG, acid house and the Pet Shop Boys) and high profile collaborations (Egyptian Lover, Haddaway, Peaches and, bizarrely, Pamela Anderson all appear), it's an album that brilliantly combines a mature synthesizer sound with the catchy hooks and giddy rush of the best pop music.
Review: Kamaal Williams has described The Return, his now reissued debut solo album, as "a natural evolution from the Yussef Kamaal project". Yet while that was made in collaboration with drummer Yussef Kamaal and played around with jazz in its myriad forms, The Return sees the man sometimes known as Henry Wu stamp his own mark on proceedings. So while "visionary jazz" (as the press release puts it) is his aim, this manifests itself in a range of ways. Contrast, for example, the leisurely jazz-funk flex and stoned feel of opener "Salaam" with the more groove-driven, dancefloor vibes of "High Roller", where sinewy strings tumble down over hip-hop influenced live house beats, meandering Herbie Hancock style synths and a superb bassline.
Review: Ever-dependable hero of deep house since the good old days, Glenn Underground is back with fresh goodies for his Strictly Jazz Unit imprint, and if you liked what he's done before then there's no doubt you'll like this as well. "Shiloh (A King's Return)" is a steady roller, defined by the synth-sax freestyling over the top of a crisp beat and bluesy chord workout. "We, The Party (Let's Get Down)" is a more soaring affair, with some neat kinks in the drums and a sumptuous spread of Rhodes action all delivered in that quintessentially Blue Note GU flavour.
Review: Luca Murgia is Two Thou - an alias which has seen him land intriguing releases on Burek, Fields & Forests and his own Gifted Culture label. Now he's been snapped up by Uzuri with some star-gazing cuts that straddle broken beat, deep house and something more altogether cosmic. "Clavinet Discourse" is the consummate lead track, a true showstopper with astral synth flex and a sharp, snappy beat. "Talking Song" has a more pronounced deep house bump and leads that wouldn't sound out of place on Strictly Jaz Unit - the dub version does away with the leads if you want something subtler. "Thousands Of Chimes Together" completes the set with a spiritual throwdown to invigorate any open-minded dancefloor.
Review: Perpetual Rhythms continue to offer up fresh variations on the deep house formula with this classy new drop from Taelue. Crooked electro experiment "The 4th Dimension" opens the record up to any number of possibilities, before the forthright pump of "Twin Flame" locks things into a haunting workout. "Rage Against Oppression" takes things in an angrier direction, all ragged and snarling production values with an acid-techno leaning. "A Bleak Moment" provides more space for exploration away from the floor, and then "The Sunken Place" sinks into sinister soundwaves driven by a nervy arpeggio. "Reflections" finishes the EP off with a trip into slow, spaced-out, acidic ambience.
Review: The latest drop on Mr KS & Friends comes from Sylan 101, an artist making a truly accomplished debut brimming with musicality and fresh beat constructions compatible with, but not beholden to a deep house vibe. "Nostalgia (Healing Of Time)" is a smoky broken beat groove with gentle piano chords and muted trumpet, while "Brief Encounters" draws on subtle guitar licks and harmonious pads for decoration over snaking drums. "Been There Once" heads in a more mysterious direction, throwing some spoken word refrains into the mix and keeping the instrumentation more subtle and atmospheric.
Review: Roberto Surace's "Joys" was undoubtedly one of the unofficial summer anthems out in Ibiza this year. It's the tune you could hear bleeding from bars, car windows and clubs from May until September and was a firm favourite in the sets of White Isle kingpin Marco Carola as well as the likes of wAFF and Andrea Oliva. Its earworm vocal is what wins you over from the off - a soulful voice that melts into crisp boom bap drums with a rattling conga adding a sense of summer craziness. After much demand, Defected has finally put it out for all to enjoy.
Review: Since making his debut in 2015, Chris Stussy has released a remarkable amount of music. Yet it's hard to fault any of his 22 previous EPs, which tend towards the chunkier, tech-tinged end of the deep house spectrum. His latest four-tracker is naturally full of top-notch cuts, too. Check first opener "Edge of the Mirror", where wonderfully melodic musical elements wrap themselves around a tough electronic deep house groove, before diving into the bass-heavy early morning hypnotism of "Forever Moving", which sounds like something you'd have heard at Twilo in New York circa 1996. "Synchronicity" is a string-drenched treat blessed with a fantastically rush-inducing breakdown, while "Electro Girl" is a fine fusion of tech-house electronics and oven-hot deep house grooves.
Review: In 2009, two years after the original version appeared on Somi's debut album "Red Soil In My Eyes", Joaquin "Joe" Claussell and Brian Bacchus joined forces as Soul Feast to remix Fela Kuti cover "African Lady". A decade on, Claussell has decided to reissue the package's most potent and percussive moment, the layered "Drum Dub" on a tasty seven-inch single. While there are key elements of Somi's original version present - the killer bassline, some delay-laden horns and fleeting glimpses of guitar - the mix is dominated by layered Afro-house percussion. This time round, the mix comes backed with an "Acapella EFXS" version, which contains all of Somi's superb vocal and is closer in tone to the duo's 2009 club mix. Like the A-side, it's superb.
Don't You Let Go (feat Kenny Wesley - DJ Spinna Galactic Soul remix) (8:21)
Don't You Let Go (feat Kenny Weslet - Caserta At Work remix) (7:17)
Review: Sol Power Sound has had a solid 2019 but they aren't done yet: this new one features an all star cast with remixes by legendary DJ Spinna and LA's Joseph Caserta. DC-based vocalist Kenny Wesley is at the heart of the operation and features on "Don't You Let Go", with multi-layered drums and dub weight soaring to the skies. "Number One Station" features Daniel Meinecke and is a golden broken beat with all the hits and scattered percussion that make this such perfect body music. Spinna's remix is pure feel good, good time house music with old school spirituality, while Caserta pays more than a subtle tribute to Masters At Work's famously chunky drums with his "Caserta At Work" remix.
Review: Despite being one of London's premier dancefloor-focused fusionists of the last two decades, Simbad Stanislas has not released very many albums. In fact, "Collections" is only the soul and jazz loving producer's second full length outing, with his first, "Supersonic Revolution", dropping way back in 2007. This, then, is a long overdue excursion. It contains tracks recorded (but for the most part never released) between 2003 and 2017, and includes collaborations with a wide range of vocalists and fellow producers. Musically, it's as vibrant and addictive as you'd expect, delivering tracks that effortlessly join the dots between soul, hip-hop, jazz, broken beat, jazz-funk, deep house, two-step garage and much more besides.
Review: Returning to production with his first LP in 13 years, Will Saul's "Open Too Close EP 1" is said to be a journey through the influences that have helped shape the Aus Music boss' career and his forward-facing, unblinking passion for new music. It is a concept which reflects on Saul's extensive experience as a selector, with all tracks being dancefloor ready and exactly the sort of material he'd be proud to play in his own DJ sets. Split across two releases, the first volume features the deep and emotive swagger of "Openings" and "Visions", the evocative classic house vibe of "Pingalatu" calling to mind anthems of The Windy City from the late '80s and the hypnotic Todd Terry influenced rhythmicity of "Moorings".
Review: Katie Campbell AKA Roza Terenzi has been in fine form over the last couple of years, offering up must-check EPs on Dekmantel, Kalahari Oyster Cult, Butter Sessions and Bizarro. Here the Australian producer makes her first appearance on Klasse Wrecks, offering up the delightfully clanking, funk-fuelled analogue bounce of "Metal Glo"- a wonderful combination of Syclops style electronic refrains, loose-limbed machine drums and attractive melodies - and the even wilder and sleazier, acid-fuelled peak-time wonkiness of "Allstarz", whose dreamy chords offer a neat counterpoint to the ragged antics underpinning them. There are two tidy "Metal Glo" remixes, too: a deliciously glassy eyed, bleeping revision from label bosses Luca Lozano and Mr Ho, and a Morgan Wright and RP Remix that turns the track into a sweaty, off-beat treat.
Review: Munich duo Rhode & Brown have been bringing the good stuff to Toy Tonics for some time now, and they're sounding especially vibrant on this new joint. "Nine To Shine" is a sweet and soulful, 90s flavoured deep house jam with catchy vocals and a bittersweet mood to help you throw off the baggage of the working life once the weekend rolls around. "Honeymoon Affair" piles on uplifting piano chords and smooth acid bass for a full-fat house burner, while "Sumthin" chops up some serious funk samples for a massive dose of feel-good. "Your Beauty Is A Spoiler" completes the set with a wistful mood centered on an impeccably edited soul hook, making this a house 12" with plenty of mileage for a multitude of situations.
Review: Following up a great release by Wyndom Earl earlier this year and a couple of wicked ones by label boss Arsy, the ever reliable Hamburg stalwart Christopher Rau (Smallville/Money $ex) presents the next installment for Berlin-based Rixdorf Jams - serving up material that's much more ferocious and upfront than we've ever heard from him. From the hard hitting subterranean electro-bass of "Lapidem", to the hypnotic tribal techno banger "MTP" and the mesmerising B side cut "Drei Und Zwanzig Karl Heinz", this is exactly the type of utlra-deep mood music you have come to know and love from Rau.
Review: German artist Ben Rau has been amassing a fine back catalogue on two of his own labels, Inkal and Meta, since first debut on Fuse in 2011. Seth Troxler and The Black Madonna have been dropping plenty of his material in recent times and this firmly club focused new 12" is another useful weapon. "Out There" in particular is a big house track with propulsive drum programming and busy bass that will get large crowds bumping. "What Is Love" on the flip is a deeper but driving cut with spaced out pads that will be perfect for later in the night when things get more cosmic and introspective.
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