Suchergebnisse: Dance Music

Review: Gorje Hewek perfectly taps into the Shanti Radio sound with a new EP that is deep, exotic and dreamy house music of the highest order. First up is 'Never Been' which is a collaboration with Makebo & Amonita that lays up shakers, keys and rolling bass into a tropical sound. With Volen he creates the yawning synth work and light and airy grooves of 'Otoko', then gets more textural with the twinkling tech and fuzzy synths of 'Huracan' with Bakka, and last of all he links with Volen Sentir for the hypnotic charms of 'Ghosts (Blurredub)'.

Review: The latest short form offering from Scottish alternative indie rockers Teenage Fan Club will do nothing to dissuade fans the Glaswegians remain at the cutting edge of their sound. After a four year hiatus, they've returned to hit us with catchy, upbeat, sweet and jangly aural sugar that masks the rather melancholic lyrical content. 'Home' bounds along with summer seemingly pouring from every guitar chord, while Bellshill's finest sing of dejection, frustration and longing.

Then we are told 'Everything's Falling Apart' through harmonious vocal delivery on the B-side: an understatement of epic proportions given the current global situation, it's indicative of the band's well-established modus. Packing suggestion and inference beneath easily-accessible instrumentation is a sure fire way to make as many people as possible stop for a long, hard think.

Review: sTia is the nom de plume of Natia Sartania, a Tbilisi-based musician who runs the CES Records label and is co-founder of the Georgian Music Legacy Collection. For this new seven-track album she lays down her signature piano with electronic ambiance and some squeaky pedal sounds A late hip-hop instrumental also features as do plenty of melancholic melodies and collaborations with Luna Flowers and Sabana, the founding members of key Georgian hip-hop collectives KayaKata, LTFR and Temple Pharmacy. Another promising young star of that scene, Nikala, also features on the flip.

Review: Romare's third album is another exercise in finding the exact sweet spot where happy and sad collide. By now he is something or a master at it and here laces those sorts of sounds with a sense of spirituality, hints of disco, touches of identity and plenty of funk. These more serious influences come as a result of the artist becoming a father, but the album never grows too sentimental (though "Deliverance" sure is a nice adult lullaby.) Elsewhere there is slow acid on "High" and joyous, heartfelt melodic house on "Dreams." Versatile, emotional, dancey - what more could you want?