Suchergebnisse: Dance Music

Notes: ProFX10v3+ is a compact analogue mixer and USB-C audio interface with features from a studio recording console. Equipped with essentials including one-knob compression, EQ, Hi-Z switches and 100 Hz low-cut filters, it's the perfect centrepiece for your studio.

Mackie ProFXv3+ Series is a professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with Onyx preamps and channel EQ, add computer audio via loopback, bring in calls via Bluetoothr and enhance your sound with upgraded GigFX+ effects on a colour LCD screen.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. The award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetooth channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Features:

4 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance
High-resolution GigFX+ effects engine
Full-colour LCD display for editing and saving effects presets
24-Bit / 192 kHz 2x4 USB-C audio interface
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetooth for music playback and caller integration
3-band EQ on all channels
One-knob compression on channels 1 and 2
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 9/10
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line inputs: 10
Mic inputs: 4
Aux sends: N/A
Subgroups: 2
Compressors: 4
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording modes: Yes
Bluetooth w/MixMinus: Yes

Notes: The Wave Transformer is a complex single oscillator with 7 audio outputs. Its method of wave shaping differs from other complex oscillators in that it is not based upon classic wave folding such as is common in West Coast synthesis, or filtration such as is common in East Coast synthesis.

This analogue, vintage-voiced, voltage-controlled oscillator features over 8 octaves of accurate pitch tracking. Its 7 simultaneous wave outputs include a unique Complex output. This strange and novel output varies between a simple waveform (triangle, unless you patch a signal into the Shape Insert jack) and a complex transformation of the harmonic structure of the original waveform. It contains a unique mixture of the fundamental frequency, odd order harmonics, even order harmonics and subharmonics. The Sub Octave panel control will determine whether the sub harmonics are derived from one octave down, two octaves down, or are muted altogether. It will vary from a simple waveform to a silhouette of your cat watching you as you react to a "present" that it left for you on the counter. No, seriously.

The module's Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output using an asymmetrical multi differential audio transmutation circuit. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM.

Additionally, you can mute the source waveform to use the circuit as a harmonic gate/VCA, rendering the Wave Transformer a voice unto itself.

If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Morphor Mixer - 5 Channel Amplifier is a flexible analogue mixer module that can find a home in every type of Eurorack setup.

Each of the five channels feature an attenuator knob and mute switch to allow for instant playability, for example in live settings.

Input signals can be AC or DC-coupled depending on your preferred setting.

The output stage also features an extra attenuation/gain stage that allows you to double the mixed signal. An additional master mute switch, clipping LED are nice-to-haves that complete this intuitive mixer module.

Weight: 102 g
Dimensions: 128.5 × 40.3 × 30 mm
Width: 8 HP

Notes: Compact Tuner-metronome combo

The Korg TM-70T is a compact tuner-metronome combo. Offers precise tuning, clear metronome sound, and a user-friendly display. Features a transpose function, long battery life, and is ideal for a range of instruments. Made in Japan for quality assurance.

The TM-70T combo metronome and tuner is the latest evolution in our TM series, expertly blending a tuner and metronome in one practical unit. Designed for the modern musician, it delivers a suite of features in a surprisingly compact design, ensuring you stay in tune and on beat, whatever your instrument.

The TM-70T is designed to be portable and user-friendly. It's small enough to fit in your pocket, yet features an improved display for easy visibility, making it an ideal companion for musicians of all levels.

Korg have fine-tuned the TM-70T for precision and clarity. The tuning is quicker and more accurate, essential for every performance, and the metronome sound is loud and clear, cutting through even in noisy environments.

Notes: Compact Tuner-metronome combo

The Korg TM-70T is a compact tuner-metronome combo. Offers precise tuning, clear metronome sound, and a user-friendly display. Features a transpose function, long battery life, and is ideal for a range of instruments. Made in Japan for quality assurance.

The TM-70T combo metronome and tuner is the latest evolution in our TM series, expertly blending a tuner and metronome in one practical unit. Designed for the modern musician, it delivers a suite of features in a surprisingly compact design, ensuring you stay in tune and on beat, whatever your instrument.

The TM-70T is designed to be portable and user-friendly. It's small enough to fit in your pocket, yet features an improved display for easy visibility, making it an ideal companion for musicians of all levels.

Korg have fine-tuned the TM-70T for precision and clarity. The tuning is quicker and more accurate, essential for every performance, and the metronome sound is loud and clear, cutting through even in noisy environments.

Notes: Combining analogue-style sound with digital convenience, the KingKorg Neo is a proper all-rounder for both recording and live performance. Features modelled emulations of classic Korg synth features.

Supplier's Notes:
The KingKORG NEO: a virtual analogue synthesiser that stands out with its analogue-like layout and intuitive, flexible editing. This compact powerhouse features 37 full-size keys and a versatile vocoder, making it perfect for both studio and stage. With our cutting-edge XMT sound engine, it delivers a wide range of classic and futuristic sounds. Designed for the contemporary musician, the KingKORG NEO is the ultimate tool for exploring new soundscapes and pushing musical expression.

KingKORG NEO features our XMT virtual analogue sound engine. XMT stands for eXpanded Modelling Technology and was created to offer an expansive array of sounds while ensuring simplicity in operation.

Gone are the days of laborious oscillator adjustments for sound crafting. The KingKORG NEO streamlines this process with pre-set algorithms. These carefully designed combinations of different oscillator types and quantities empower you to quickly shape rich, stage-ready tones with ease.

Embracing the demand for diverse tonal capabilities, the KingKORG NEO comes loaded with a wide range of oscillator algorithms. From the classic sawtooth and square waves to the more intricate noise patterns typical of analogue synthesizers, and extending to PCM/DWGS, this synthesiser is equipped to cater to an extensive variety of musical needs and preferences.

Crafting character with iconic modelled filters

In the heart of the KingKORG NEO lies its meticulously designed filter section, a cornerstone in defining the synthesiser's unique sonic character. Korg have infused KingKORG NEO with a diverse range of filters, each adding a distinct flavour to your sound creations, an aspect where analogue modelling truly shines.

The KingKORG NEO's filter collection is a treasure trove for sound designers. It encompasses a wide array of essential analogue modelling filter types, enabling you to sculpt sounds with precision and ease. But there's more. Korg have painstakingly modelled filters that echo the iconic analogue monophonic synths of the '70s - the go-to for punchy leads and deep basses. Korg have also captured the essence of polyphonic synths from the vibrant new wave era of the '80s, and the legendary filters from Korg's own MS-20 analogue synth.

One of the most captivating features of these filters is their ability to self-oscillate when you dial up the resonance - a hallmark of classic analogue synthesis. This capability opens up a world of sonic possibilities, from creating ethereal textures to crafting powerful, resonant tones.

Vocoder wizardry

KingKORG NEO synth comes equipped with a balanced XLR input on its front panel, and includes a rugged, high-quality microphone. This setup invites you to dive into the world of vocoding instantly.

At the core of the KingKORG NEO's vocoder is a sophisticated 16-band filter, rivalling dedicated vocoder machines. This powerful feature allows you to craft classic vocoder tones, but that's just the beginning. By shifting the filter frequency with the formant shift function and finely adjusting the level and pan of each band, you open the doors to an array of unique and original sounds. Whether you're aiming for vintage charm or contemporary edge, this vocoder adapts effortlessly to any genre or style.

But there's more - the KingKORG NEO redefines flexibility. Timbre B can ingeniously be used as a modulator, providing an alternative to the traditional microphone input. This allows the vocoder effect to be seamlessly blended with the synth sound, paving the way for limitless sonic exploration.

Moreover, each of the three oscillators, A and B timbres, can be individually selected as a source for the microphone input. This unique feature enables you to synthesize a rich mix of voice and instrument, creating a fusion of timbres that's both innovative and captivating.

Masterful effects

The KingKORG NEO elevates your sound with three master effect slots, each offering six distinct effect types.

The PRE FX slot brings the grit and edge of effects like distortion and amp simulator. MOD FX infuses your tracks with the classic charm of phaser, chorus, and tremolo. For creating expansive atmospheres, the REV/DELAY slot offers ambient effects including hall reverb and modulation delay. Adjusting and selecting these effects is straightforward, thanks to dedicated dials on the front panel for each slot, complemented by FX control knobs for detailed fine-tuning.

Virtual patching

Embrace the spirit of classic synthesisers like the MS-20 with the KingKORG NEO's innovative Virtual Patch system. This intuitive feature brings the flexibility of physically patching synthesizers into the digital age. With six Virtual Patch assignments available for each timbre, you can virtually connect control signals like EG, LFO, or joystick movements to key sound parameters, including pitch and cutoff. This seamless integration allows for intricate modulation and a deeper exploration into sound-shaping, giving your music a new dimension of sonic creativity.

A universe of inspiration

KingKORG NEO's extensive library of 200 stage-ready preset programs is created for the modern music maker. These presets span across eight categories like SYNTH, LEAD, and BASS and offer an intuitive gateway to finding the perfect sound for any scenario.

Step up with arpeggiation

The KingKORG NEO comes equipped with a versatile step arpeggiator, a tool that breathes life into your performances by automatically generating arpeggio phrases based on the chords you play. Tailor your sound even further by selecting from six different arpeggio types. You can specify the duration, interval, and on/off status of each step, opening up a vast array of rhythmic possibilities.

Specifications

Keyboard: 37 keys (velocity and release-velocity sensitive)
Sound generating system: XMT (eXpanded Modeling Technology)
Maximum Polyphony: 24 voices
Timbres: Max. 2 timbres (Layer / Split)

Oscillator
Structure: 3 oscillators (choose from analog, noise, DWGS, PCM, and MIC IN types)
Number of types: 138 types (32 analog and noise, 40 DWGS, 65 PCM, 1 MIC IN

Filter
Structure: 1 filter (choose from LPF, HPF, BPF)
Number of types: 18 types (7 LPF, 5 HPF, 6 BPF)

Modulation
Structure: EG 2 units, LFO 2 units
Routing: Virtual patches 6 set

Effect
Sections: Program effects x 3 (PRE FX, MOD FX, REV/DELAY) + EQ (2Band)

Types:
PRE FX: 6 types (DISTORTION, DECIMATOR, RING MOD, GT.AMP, EP.AMP, TONE)
MOD FX: 6 types (FLANGER, CHORUS, U-VIBE, TREMOLO, PHASER, ROTARY) REV/DELAY: 6 types (HALL, ROOM, PLATE, TAPE ECHO, MOD DELAY, BPM DELAY)

Vocoder: 16-band vocoder, formant shift function, formant hold function
Arpeggiator: Up to 8 steps (number of steps can be changed), 6 types (UP/DOWN/ALT1/ALT2/RANDOM/ TRIGGER)

Programs
Number of programs: 300 programs (200 preset / 100 user)
Number of categories: 8 categories

Displays
Main: 16 x 2 character OLED display
OSCILLATOR, FILTER: 128 x 64 pixel OLED display

Audio

Mic input
Connector: XLR type (balanced)
L/MONO,R output
Connectors: 6.3mm TS phone jacks (Unbalanced)

Headphone output
Connector: 6.3mm (1/4") stereo phone jack
DAMPER (half-damper not supported)
SWITCH/PEDAL
MIDI IN/OUT
USB B connector

Power Supply: AC adapter jack (DC12V)
Power consumption: 9W
Dimensions (W x D x H)@ 565 x 338 x 92 mm / 22.24" x 13.31 " x 3.62
Weight: 3.1kg / 6.83 lbs.
Included items: AC Adapter, Vocoder mic (+ windscreen)
Accessories (sold separately): XVP-20: Expression/volume pedal, EXP-2: Foot controller, DS-1H: Damper pedal, PS-1, PS-3: Pedal switch

Notes: Originally designed as a percussion voice, the Incus Iteritas Alia also lends itself well to FM synth sounds, combining deep internal modulation with user-friendly front panel controls.

Supplier's Notes:
Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Incus Iteritas Alia

FM-based wave-mangling additive voice for synthetic percussion and instruments on a swappable oscillator platform

Incus Iteritas Alia is a new member of the Iteritas family, hammering big and bold sounds into your patches. Incus started as a percussion voice, and evolved into so much more: create kicks for any genre, snares, and metallic hits, or go melodic and create FM plucks, analogue-style basslines, and so much more. Incus uses a combination of waveshaping, saturation, wavefolding, FM, and additive synthesis, plus a slew of internal modulation, all behind easy-to-use parameters perfect for jamming.

IIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Incus Iteritas Alia

FM-based wave-mangling additive voice for synthetic percussion and instruments on a swappable oscillator platform

Incus Iteritas Alia is a new member of the Iteritas family, hammering big and bold sounds into your patches. Incus started as a percussion voice, and evolved into so much more: create kicks for any genre, snares, and metallic hits, or go melodic and create FM plucks, analogue-style basslines, and so much more. Incus uses a combination of waveshaping, saturation, wavefolding, FM, and additive synthesis, plus a slew of internal modulation, all behind easy-to-use parameters perfect for jamming.

IIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Proudly digital oscillator inspired by the last millennium on a swappable oscillator platform.

Ataraxic Iteritas Alia is a voltage-controlled and proudly digital oscillator based roughly on the original Ataraxic Translatron. Now brought to the Alia platform and beefed up with a suboscillator and performable hold button, it's back and ready to make some killer basslines or glitchy madness. Sound starts with waveshaped bit tables that are amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Ataraxic is ripe for sound design and exploration: a wide range of bright, digital timbres are readily available, and tuning below audio rates creates wonderfully unexpected textures. Guaranteed to make the fax machine jealous.

AIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Ataraxic Iteritas Alia

Proudly digital oscillator inspired by the last millennium on a swappable oscillator platform

Ataraxic Iteritas Alia is a voltage-controlled and proudly digital oscillator based roughly on the original Ataraxic Translatron. Now brought to the Alia platform and beefed up with a suboscillator and performable hold button, it's back and ready to make some killer basslines or glitchy madness. Sound starts with waveshaped bit tables that are amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Ataraxic is ripe for sound design and exploration: a wide range of bright, digital timbres are readily available, and tuning below audio rates creates wonderfully unexpected textures. Guaranteed to make the fax machine jealous.

AIA is available on our 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Cursus Iteritas Alia

Dynamically generated wavetable oscillator using orthogonal functions on a swappable oscillator platform

Cursus Iteritas Alia is Noise Engineering's take on a wavetable-inspired additive oscillator. Cursus creates sounds from a dynamically generated wavetable, then gives the user spectral controls to sculpt and modulate. Cursus has three different algorithms, based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets; and Walsh mode, using the Walsh transform. All that math is hidden behind a set of friendly controls that produces an extremely wide variety of harmonic sounds, perfect for melodic sound design. Cursus has long been regarded as the gentlest Iteritas, but if you need some beef and extra low end, try mixing the suboscillator output into your patch.

CIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Oof. Frap casually serve up one of the best filters we've seen in a long time. Quad multimode circuits with saturation and feedback give you extensive routing options. Delicious.

Supplier's Notes:
cunsa /'cu?nsa/ s.f. [dialect of Modena of uncertain etymology, probably from a Latin *comptiare, derived from comptus, participle of comere 'organize,' 'decorate'] i curing, seasoning (of foods), tanning (of leathers).

Seasoning is crucial for cooking. It is a process that enhances the flavors, glues the ingredients together, and even adds some unexpected kick.

From a gentle refining touch to a shovelful of spice, CUNSA is the perfect seasoning tool for your patches. It can sweeten a sour lead or beef up an insipid bass line, and anything in between.

And, just like a good oil, you can even taste it by itself!

CUNSA is a quadruple analog pingable multimode resonant filter, saturator, mixer, and oscillator.

It is Frap Tools' sound seasoning tool: it can gently even a patch, applying a final touch, or it can set it on fire with a ridiculous amount of spice. It's up to you and your cooking style!

It consists of four multimode resonant filters with a custom saturation and feedback control that you can use independently or in various combinations and roles thanks to a series of seminormalizations.

Four Analogue Resonant Multimode Filters

CUNSA features four state-variable filters that can be used independently or linked and mixed. Each filter provides three behaviors simultaneously: lowpass, bandpass, and highpass. Each behavior has a 12 dB/oct slope, except for the lowpass, which can be either 12 or 24 dB/oct.

Unique 'Character' Circuit for Feedback and Distortion

CUNSA handles feedback and gain staging with extreme control and versatility. Besides the usual Q control that emphasizes the cutoff frequency, the Character circuit defines the amount of soft clipping when the filter overloads. High clipping guarantees a controlled behavior with fat tone and pure resonance, while low or no clipping lets the signal saturate the filter stages and make it scream.

V/oct Tracking and Quadruple Oscillator

Each filter responds to the V/oct signal with excellent tracking. It is thus possible to move the cutoff frequency along with the main melody or make CUNSA resonate with no input and transform it into a multiple oscillator. The V/oct inputs are seminormalled so you can control more filters with the same CV. Easy chords stabs!

Ping and Ring

CUNSA is ideal for percussive and organic tones. The Ping circuit offers a behavior similar to the BRENSO but AC-coupled. Instead of shooting the frequency to the moon with any trig, CUNSA gently responds to different incoming gates with a selectable decay curve. The Ping circuit can thus create natural decay sounds when fed with trigs or smoother envelopes with any other voltage, like a linear integrator with a custom decay.

Besides this, you can also feed the filter's audio input with trigs and make it ring at high Q settings.

Linked or Individual Filtering

The four filters can work independently or arranged in groups through seminormalled inputs and sum outputs. CUNSA can thus be a 4×1, 2×2, or a massive 1×4 filter. Even odd configurations are possible, like 1+2+1 or 3+1. Mono, stereo, or quadraphonic audio is at your fingertips.

Filter and Combo Behaviour

When the filter behavior is set to COMBINED, every control of the cutoff frequency also affects the input VCA, reducing the signal amplitude and saturation as it approaches the lowest range. It can make organic decays with the ping circuit or tame the low range at high Q and Character settings.

Four Seminormalizations for Group Use

Four inputs have a cascaded seminormalization: audio inputs, VCA CV, V/oct, and Ping. Every signal patched to a filter will thus feed also those at its right, making simultaneous use even simpler. To remove a seminormalization, simply patch a dummy cable to the corresponding input.

Analog Mixing Stage and Group Outputs

Every filter output can be routed to an analogue mix bus that sums the four filters and outputs them in three combinations: all, 1+2, and 3+4. These outputs allow for versatile audio processing. Just like we did with FUMANA, we added a gentle shelving EQ for the higher frequencies of the All output to provide additional timbral variety.

CV Inputs with Attenuators

Besides the seminormalled inputs, every filter features additional CV inputs for cutoff frequency, Q, and Character, each with a dedicated attenuverter.

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


High-end interface specialists RME deliver another winner. Amazing sound quality in a compact package, with TotalMix control, ADAT expansion and built-in MIDI interface.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's notes:
Four years ago the Babyface Pro again demonstrated RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminium, this high-end portable interface incorporated newly designed analogue and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.
The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.
For the main I/O RME have designed an XLR socket, which integrates seamlessly into the housing and saves space.
Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.
Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.
The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analogue inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.
In digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The Babyface Pro FS offers the full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degradation, and SteadyClock FS ensures your sonic image will never experience degradation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.
Like all the latest RME interfaces, the Babyface Pro FS also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.
Babyface Pro FS ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in any situation. For example, mixing your guitar and vocals to headphones has never been easier. The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available.
The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available. Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock FS technology, result in exceptional specifications that will satisfy the most demanding of professionals. Combining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.
Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired. RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range. The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

Notes: Neat little interface module to help pad controllers play nicely with Eurorack. Hook up a device like a Launchpad or APC and jam out rhythms with retriggering options, dynamic control and MIDI sync.

Supplier's Notes:
Triggerpad is a dynamic trigger/gate sequencer in eurorack format on only 6hp. A USB MIDI controller with an 8×8 grid like Launchpad or APC is used to display and edit the patterns (see the list of compatible controllers). The user experience is tailored to live performance and detailed composition: dial in simple rhythms or complex polyrhythms, retrigger at audio rate, create dynamic percussions with velocity triggers or use longer pulses to create steppy modulations.

By using USB MIDI controllers that you might already have and maybe not use anymore, we avoid producing more plastic. Give your old gear a second life!

Dimensions & consumption

Width: 6hp
Depth: 39mm
+12V: 120mA (without USB MIDI controller connected)
-12V: 20mA
5V: 0mA
USB MIDI controllers consume up to 150mA on +12V

Connectivity

8 dynamic trigger/gate outputs (0-10V)
USB MIDI Host
Clock in
Clock out
Reset in
Reset out

Compatibility

Launchpad Pro Mk3
Launchpad X
Launchpad Mini Mk3
Launchpad Mini Mk2
Launchpad Pro
Launchpad Mk2
Launchpad S
APC Mini Mk1
APC Mini Mk2

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


*** Onyx Edition ***

Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analogue, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between.

Familiar controls like Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here, but Julianna employs some new tricks: The Secondary LFO speed, modulation drift, tap/expression control and momentary features will have you commanding all new kinds of sounds not found in traditional chorus pedals.

Unlike most other chorus pedals, the Julianna and Julia have a special feature called Lag control. The Lag knob lets you set the centre delay time that the LFO modulates. From smooth and tight modulation at lower settings, to a warbling detune at maximum, the Lag knob adds a new dimension to the traditional chorus/vibrato landscape.

D-C-V KNOB

The DCV knob sets the ratio of dry to wet signal through the mono channel of the Julianna. Traditional mono chorus sounds can be heard with the knob set around noon. Pitch vibrato is found in the full clockwise position. The ground in between offers unique blends of chorus and vibrato not commonly found on other chorus pedals.

When both outputs are connected, set the DCV knob to full counterclockwise to send your dry signal to the mono output and vibrato signal to the stereo output for a traditional stereo chorus sound. Explore other variations by turning the DCV knob up slightly to add some vibrato signal to the dry output changing the stereo image.
Dimensions and power consumption:

6,6 x 12,2 x 5,6 cm (W x D x H)
100 mA

In the box:

Walrus Audio Julianna
Manual
Sticker
Guitar pick
Pouch

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


*** Onyx Edition ***

The Julia is a fully analogue, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analogue LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds not found on traditional chorus pedals.

In 1999, spectrographs picked up an unexplained sound emanating from dark ocean depths. The source of the sound was untraceable. While most scientists attributed it to an iceberg dragging the ocean floor, some sceptics began to understand the true source of the sound. Julia, the water demigoddess. Crying from the deep in a chorus of melancholy hymns, she remains to be uncaught but the pursuit for her is unceasing. Walrus has captured a fraction of her powers in the Julia Analog Chorus/Vibrato.

9V DC, 30mA
121 x 66 x 41 mm, 0.27 kg
Made in Oklahoma, USA

Dimensions and power consumption:

6,6 x 12,2 x 4,1 cm (W x D x H)
100 mA

In the box:

Walrus Audio Julia V2
Manual
Sticker
Guitar pick
Pouch

Notes: DP-2 Digital Drum Practice Pad

DP-2 is a drum practice pad for solo practice and technique improvement. The pad can be used on a desktop or mounted to a snare drum stand and played with standard drum sticks. A built-in metronome produces audio prompts or spoken word beat counts through the integral speaker or via a headphone output. Each strike on the pad can be detected, which works with the internal modes to provide interactive rhythm training. Time signatures and beat types can be selected as needed within a wide range of tempo settings, all comprehensively displayed on the built-in LCD screen. Powered from its internal battery, the DP-2 can be re-charged via USB (5V 2A) using the supplied lead. An excellent and enjoyable training tool for drummers of all levels.

Comprehensive LCD display
Interactive rhythm trainer
USB type-C charging cable included

Battery: Internal 1300mA Li-ion rechargeable
Power in: USB type-C (for charging)
Speaker output: 0.5W
Recharge time: 2 hours
Tempo range: 40bpm - 208bpm
Time setting: 1, 2, 3, 4, 5, 6, 7, 8, 9
Dimensions: 270 x 240 x 27mm
Weight: 726g

In the box

The box for this item contains:

DP-2 digital drum practice pad
USB A to C lead (charge only)

Notes: Introducing the Ergonomic Studio Stand for Ableton Push 3: a game-changer in the world of music production. Designed with your comfort and productivity in mind, this stand is the ultimate solution for those seeking a more immersive and ergonomic music-making experience.

Crafted with precision, the stand offers a sleek and sturdy design that seamlessly integrates with your Ableton Push 3 controller. By elevating your controller to an optimal height and angle, it eliminates the strain on your wrists and neck, allowing you to focus on your creativity without any discomfort.

One of the standout features of this stand is its ability to enhance your visual experience. With a specially designed screen mount, it brings the Ableton Push 3's display closer to your line of sight, ensuring crystal-clear visibility of every detail. No more squinting or straining your eyes to read parameters or follow your music-making process. The screen becomes an extension of your creativity, effortlessly accessible at all times.

The stand's ergonomic design also promotes a more organized and efficient workspace. Its integrated cable management system keeps your cables neat and tangle-free, reducing clutter and allowing you to concentrate fully on your music production. Additionally, the stand's robust construction ensures stability, even during intense sessions, guaranteeing a secure and reliable platform for your Ableton Push 3.

Whether you're a professional music producer or an aspiring artist, the Ergonomic Studio Stand for Ableton Push 3 offers unparalleled comfort and convenience. It enhances your workflow, minimizes physical strain, and maximizes your creative potential. Take your music production to new heights with this exceptional accessory that is both stylish and functional.

Upgrade your studio setup today and revolutionize the way you create music with the Ergonomic Studio Stand for Ableton Push 3. Experience comfort, visual clarity, and an improved working environment that will elevate your musical journey to new levels of excellence.

Notes: For two Make Noise desktop units

Suitable for 0-Coast, 0-Ctrl and Strega

Made of biocompatible PLA plastic

Connection of the side parts via wooden rods

Colour: Black

Notes: MOOER, one of the world's leading guitar pedal innovators, has never been a stranger to octave pedals. The company has already enjoyed a successful response to its "Pure" and "Purer" Octave pedals, but the company's latest offering, the Tender Octaver X2, aims to take guitar octave capabilities to the next level.

Unlike the Pure and Purer Octave pedals which focus on pitch-shifting by the semitone, the Tender Octaver X2 is designed with a more specialized intention, focussing solely on octave shifts. When using the pedal, users can choose between two different octave shift modes, facilitating the addition of both subjacent and upper frequencies to a guitar signal. Both options have two dedicated rotatable dials, one for determining the volume of the added octave, and one for fine-tuning its tonal colour.

Both of these octave effects can be used independently and can be toggled on or off with their own easy-access footswitches, each paired with its own LED light to indicate its current activation status. Furthermore, both effects can also be used simultaneously, empowering guitarists to experiment with unique tri-octave guitar presets.

However, these subjacent and upper octave effects need not be explicit if the guitarist using the Tender Octaver X2 is looking for a more subtle octave manipulation. Thanks to the octave volume dials and the "Direct" dial for dry signal volume adjustment, anything from an explicit pitch shift to a subtle octave underlay can be achieved within the same pedal.

The pedal also contains 14 preset slots, allowing users to experiment and save their favourite parameter combinations with the "Save" button. In classic MOOER fashion, this has been presented in a minimalistic fashion, with 7 LED lights representing the full range of 14 save slots, lighting up blue or red depending on which half of the slots are being browsed. Each slot can be saved into or browsed through the two "Sub" and "Upper" footswitches, providing a further example of MOOER's dedication to making the most out of a minimalistic interface.

Using the pedal will be as simple as plugging it into the included DC 9V power supply, and plugging in a guitar with a standard 1/4" guitar cable. Overall, the Tender Octave X2 is set to be an exciting new addition to MOOER's octave pedal catalogue, and if paired with the "Pure" or "Purer" Octave products, just about any pitch-shift combination is made possible for guitarists of any style or experience level.

Features:
Precise octave-shifting DSP algorithm
Two octave effect options - subjacent and upper
Two effect volume dials, one for each octave
A 'Direct' dial for adjusting the dry signal volume
14 unique user preset slots
A dual-function 'Save' button for presets
7 dual-color preset LEDs, with red representing one half of presets, and blue representing the other half
Two additional LEDs, indicating the activation status of both octave effects
Two footswitches that function both independently and simultaneously for effect toggling and preset browsing
1/4" mono input and output
DC 9V power supply
Minimalistic and compact casing design

Notes: Ever since MOOER launched onto the guitar pedal scene in 2010, it has been producing pedals that have consistently pushed the boundaries of audio effect processing. 2023 has seen many impressive new entries, but the new Harmony X2 is set to sit at the top of Christmas lists this year. This device is a highly specialized and versatile harmonic shifting pedal, complete with every harmonic capability a guitarist could need for live performance and recording.

First and foremost, users of the Harmony X2 can select between the 12 pitches of the chromatic scale to customize their harmonies, with each pitch facilitating both major and minor scales. Once a root note has been chosen, a further 11 harmony modes enable further customization of harmonic intervals, including classics such as thirds, fifths, sevenths, and octaves.

Interestingly, the Harmony X2 is designed to specifically facilitate independent stereo harmonies. This means that guitarists can choose separate harmonic intervals for the left and right output, both of which can also have their volume adjusted independently by their dedicated dials. This allows the pedal to stand out from other harmonic pedals, facilitating harmonically rich tones that make optimum use of the stereo field.

After experimenting with these versatile parameters, guitarists can finely tune the intensity of the effect with the 'Dry' dial, determining the level of unprocessed guitar signal in the overall mix. Once satisfied, users can then save their favourite harmonic combinations with the 'Save' button, enabling them to return to their favourite preset at any time.

Despite the advanced nature of the Harmony X2 pedal, its use has been designed to be very simple. A dual foot-switch setup is provided to seamlessly toggle harmonic effects independently for both left and right pannings, and a simple and sleek combination of dials and LED indicators help the user clearly visualize their harmonic effects.

The Harmony X2 supports standard 1/4" inputs and outputs, with both containing two ports to facilitate both mono and stereo usage. However, these can interestingly be used in 'mixed' or 'individual' mode, enabling outputs that either correlate or merge the stereo inputs. The pedal is powered by the included DC 9V power supply, ensuring that guitarists never are never limited by the frustrating process of swapping out batteries during a performance or recording session.

Features:
High-quality pitch processing module
12 pitch options with 11 harmonic modes
Two dials for isolated left and right harmonic customization
Two dials for left and right harmony volumes
Dedicated dial for adjusting the level of dry signal
Support for both major and minor scales
LED indicator for harmony mode
Two LED indicators for major or minor mode
Multi-purpose 'Save' button
Dual-footswitch setup for independent harmonic bypassing
Two 1/4" inputs, supporting both mono and stereo
Two 1/4" outputs that support stereo mixed or individual output modes
Powered by included 9V DC power supply

Notes: The BOSS RC-1 is Boss' simplest and most user-friendly Loop Station ever, and it's a ton of fun! Since the RC-20 Loop Station was first released in 2001, BOSS has led the way by continually releasing new looping products. Though they've been used and enjoyed by various looping artists and performers, BOSS still pursued an easier and more affordable solution. The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. And of course, the RC-1 retains the BOSS quality and performance that musicians around the world have come to expect and rely on.

On the top panel, there is a new and innovative loop indicator, which consists of a 24-segment LED laid out in a circular pattern. You can quickly and easily determine the current status of the Rec/Overdub/Play modes. With a maximum 12 minutes of stereo recording time, the RC-1 is capable of capturing any extended performance that you can create or imagine! The stereo in/out jacks can be used with stereo effects and amplifiers. Additionally, they allow you to connect stereo instruments, such as synthesizers. Other convenient features include battery and AC power, as well as flexible external footswitching capabilities. The RC-1 is an especially great partner to start enjoying looping!

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Maximum Recording Time: Approximately 12 minutes

Controls: Pedal switch, LEVEL knob
Indicators: CHECK indicator, LOOP indicator

Connectors:
INPUT A (MONO) jack: 1/4-inch phone type, INPUT B jack: 1/4-inch phone type, OUTPUT A (MONO) jack: 1/4-inch phone type, OUTPUT B jack: 1/4-inch phone type, STOP/UNDO jack: 1/4-inch TRS phone type, DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 95 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline: Approx. 3 hours

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)

Options (sold separately) AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 430 g / 1 lb

Notes: Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.

Featuring best-in-class 32-bit AD/DA and 32-bit floating-point processing, the RC-5 captures your personal sound with full fidelity and keeps loops crystal clear, even with multiple overdubs. And with 13 hours of stereo recording time, there's plenty of space for extended creative journeys.

The RC-5 features the most advanced interface available in any compact looper pedal. The LCD lets you keep an eye on loop status as you perform, with a backlight that changes colour to indicate recording, overdub, and playback states. And coupled with the multi-function parameter knob, it's quick and easy to navigate rhythms, kits, system settings, and more in the heat of the moment.

The RC-5's versatile pedal switch controls all looping functions-record, overdub, play, stop, and undo/redo. But deeper control is also supported if you need it. Connect up to two external footswitches for direct control of many assignable functions, or an expression pedal for continuous adjustments. Players with advanced systems will love the TRS MIDI I/O, which saves space and enables remote operation from MIDI switchers and foot controllers, plus MIDI sync with drum machines and DAWs.

With 57 preset rhythms and seven different drum kits, the RC-5 is ready to elevate loop and practice sessions with inspiring grooves for any style. For each rhythm, A/B variations can be selected from the panel or controlled via MIDI while performing. The RC-5's looper engine also includes a cool reverse function that's great for infusing your music with fresh sonic colours.

The RC-5 provides 99 phrase memories, letting you store loops as fast as you create them. In addition to audio, a phrase memory includes the selected rhythm and kit, so it's ready to go when you call it up. Loop audio can be backed up to a computer via USB. And with WAV import via BOSS Tone Studio, the RC-5 becomes a pedalboard playback hub for lesson material, jam tracks, or backing music for your next gig.

Notes: Make your playing soar with majestic ambience

Powered by Multi-Dimensional Processing technology (MDP), the TE-2 Tera Echo produces a dynamic new stereo ambience effect that goes far beyond traditional delay and reverb.

Multi-Dimensional Processing for Superior Tone

Roland's innovative Multi-Dimensional Processing (MDP) analyses audio signals in many dimensions and applies ideal effects to each. By giving different dynamic changes relative to the input signal in real time, MDP can create bold, all-new sounds with a previously unattainable range of expression.

TE-2: Inspirational Echo

Thanks to MDP, the TE-2 delivers an amazing new ambience effect that satisfies and inspires. Complex internal processing produces an incredibly deep and spacious sound, dramatically enhancing the straight guitar tone without overwhelming it. Through the TE-2's simple, familiar stompbox controls and incredible sensitivity to your playing dynamics, an extremely wide range of sounds can be achieved. And with the expressive Freeze function, you can hold the current effect sound to create rich soundscapes for lead playing and sonic exploration.

The 100th BOSS Compact Series Model!

The TE-2 Tera Echo represents a milestone as the 100th model in the long history of the BOSS compact series. Starting with the release of the OD-1 Overdrive in 1977, BOSS' legendary stompboxes have been integral tools of artistic expression for millions of players around the world. Fuelled by a spirit of dedication and innovation that began nearly four decades ago, the TE-2 carries on the BOSS legacy of bringing inspiring, leading-edge technologies to musicians everywhere.

Specifications:

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, E. LEVEL knob, TONE knob, FEEDBACK knob, S-TIME (Spread Time) knob
Indicator: CHECK indicator (Used for indication of HOLD, and to check battery)
Connectors:, INPUT-A (MONO) jack, INPUT-B jack, OUTPUT-A (MONO) jack, OUTPUT-B jack, AC adaptor jack (DC 9 V)
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Current Draw: 90 mA

Expected battery life under continuous use:
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information")
Alkaline battery (9V, 6LR61)

Options: (sold separately): AC adaptor (PSA series)

Size & weight (including battery)

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 435 g / 1 lb

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Premium version of the excellent Opsix, Korg's contemporary take on FM synthesis. Full 61-note natural-touch keybed with aftertouch, 80-voice stereo polyphony and full metal construction.

Supplier's Notes:
The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.

Notes: Infinite inspiration, ready to play

Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.

Simply Great-Sounding Reverbs

Packing the latest BOSS DSP and updated algorithms, the RV-6 gives you eight highly musical reverb effects in one compact pedal. Add body and depth to your core tone with standards like Room, Hall, and Plate, dial up swirling richness with the Modulate setting, or surf it up with a vintage-style Spring reverb. Dynamic mode automatically adjusts the effect depth to your playing touch, providing deep, immersive reverb that won't turn your tone to mud. And modern players will love the new Shimmer and Reverb + Delay modes.

Dialled-In Sounds at Your Command

The RV-6 makes getting high-quality reverb sounds with your guitar quick and easy- just select a sound mode, tweak the knobs to taste, and play. But while its operation is simple, the RV-6's sound is rich and sophisticated. Under the hood, each mode includes a huge array of detailed reverb parameters, all perfectly tuned for guitar by the BOSS engineers with direct input from many pro players and sound engineers. Even as you adjust the selected mode with the Time and Tone knobs, many parameters are simultaneously adjusted inside to create the ideal voicing for every setting.

Analogue Dry Tone and Versatile I/O

While the RV-6's reverb effects are high-tech digital, you can rest assured that your straight guitar tone always remains pure analogue as the effect is blended in. Convenient auto-switching jacks let you integrate with any pedal chain, with support for mono, mono-to-stereo, and stereo-to-stereo operation. And by plugging into the B input only, the RV-6 outputs a 100-percent wet sound, great for working with more complex rigs that employ parallel processing chains and mixers. There's also a jack for connecting an optional expression pedal, allowing you to control the effect level in real time as you play.

Reverb Modes

+DELAY - This is reverb combined with delay. The synergistic effect provides rich reverberation.
SHIMMER- This reverb is distinctive for its sparkling high-frequency range. It produces fantasy-like reverberation wrapped in spacious overtones.
DYNAMIC- This reverb automatically sets the depth of the effect according to your performance. It produces deep reverberation without blurring the overall shape of your playing.
ROOM- This reverb simulates the reverberation of a room. It produces warm reverberation.
HALL- This reverb simulates the reverberation of a hall. It produces clear and spacious reverberation.
PLATE- This simulates a plate reverb (a reverb unit that uses the vibration of a metal plate). It produces metallic-sounding reverberation with an extended high-frequency range.
SPRING- This simulates a spring reverb built into a guitar amp.
MODULATE- This reverb adds modulation to hall reverb, producing extremely good-feeling reverberation.

Specifications


Reverb Modes:

8 modes- HALL, PLATE, ROOM, SPRING, MODULATE, +DELAY, SHIMMER, DYNAMIC
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, E.LEVEL knob, TONE knob, TIME knob, MODE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors: INPUT-A (MONO) jack, INPUT-B jack, OUTPUT-A (MONO) jack, OUTPUT-B jack, EXP jack, AC adaptor jack (DC 9 V)
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Current Draw: 95 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline: Approx. 3 hours

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information")
Alkaline battery (9V, 6LR61)

Options (sold separately) AC adaptor: PSA series
Expression Pedal: BOSS FV-500H, FV-500L, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb

Notes: SkipLog, a probability processor with sequence capturing and looping features, along a range of other versatile functions waiting to be explored.

SkipLog is a 3-channel rhythmic probability processor designed for inventive rhythmic exploration in modular setups. Introduce unpredictable rhythmic possibilitis to your creative flow.
SkipLog's basic operation is simple: when a trigger or gate is received at one of its three channels' inputs, the same channel’s Probability knob allows you to control the likelihood of these triggers or gates reaching the output. This inputs are internally connected .

SkipLog continuously captures the binary outcomes of its use, storing them for potential sequences. Activate the Loop function to break from pattern creation and loop the recorded sequences. Individual Loop Length knobs for each channel allow adjustment of the loop sizefrom 1 to 16 or 32 steps (as selected on the back), providing evolving rhythmic patterns.

To fine-tune your arrangement, SkipLog introduces functions like Mute for real-time channel silencing, Inv for signal inversion, and Choke for establishing channel priorities. Lastly, the G/T (Gate/Trigger) Mode enables users to specify whether the channel output is a gate or a trigger.

Dimensions
8 HP
33 mm deep

Current Draw
100 mA +12V
22 mA -12V

Notes: Unbelievable "talking" wah effects!

The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.

A "Talking" Pedal

The AW-3 Dynamic Wah is the first compact wah pedal to incorporate human voice-type sounds through a new "Humanizer" Mode. Of course, you can also choose from standard up-and-down wah effects, plus a Tempo Mode and resonant synth-like Sharp Mode.

Endless Possibilities

Choose from both fixed and auto wah settings using the Manual control or pedal for tempo input. By connecting an optional expression pedal, the AW-3 can also be used for Pedal Wah effects. A dedicated Bass input permits direct processing of bass guitars.

Specifications:

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
MODE knob
SENS knob
MANUAL knob
DECAY knob
Pedal switch

Indicator: CHECK indicator (Used for indication of check battery)

Connectors:
GUITAR IN jack: 1/4-inch phone type
BASS IN jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
EXP/CTL jack: 1/4-inch phone type
DC IN jack

Power Supply:
Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)

Current Draw: 50 mA

Expected battery life under continuous use:
Alkaline: Approx. 8 hours
*These figures will vary depending on the actual conditions of use.

Accessories:
Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)
Options (sold separately):
AC adaptor: PSA series
Expression Pedal: EV-30/FV-500H/FV-500L, Roland EV-5
Footswitch(momentary-type): FS-5U/FS-6/FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 430 g / 1 lb

Notes: Journey to New Sonic Frontiers

With the SY-1, it's never been easier to infuse your creative arsenal with BOSS's legendary guitar synth technology. This amazingly expressive tool is filled with 121 ultra-responsive sounds, all distilled down into a BOSS compact pedal that slides easily into any setup. Best of all, it's as simple to use as a standard stompbox, so you don't need any background in synth programming to bring a new world of sonic textures to your music.

SY-1 SYNTHESIZER Sound Tryout

Get interactive with Boss' custom TonePedia player and explore hundreds of sound variations. Select your instrument, tweak and choose pedal settings.

Expressive Synth Sounds, No Programming Needed

The SY-1 transforms any guitar or bass into a versatile synthesizer that's fun, inspiring, and ready to play. Backed by advanced tech first developed for the SY-300, this super-cool pedal delivers a huge selection of analogue-style synth sounds while occupying minimal space on your board. What's more, all the sounds are polyphonic, allowing you to play both single notes and chords.

Plug-and-Play and Latency-Free

The SY-1 can be used with any guitar or bass via a standard 1/4-inch cable, providing an easy, plug-and-play experience. Thanks to custom DSP and the latest BOSS innovations, the SY-1 offers latency-free performance that's a natural extension of your instrument, letting you to play freely and organically without altering your normal technique in any way.

A Universe of Synth Sounds Inside

With its 11 categories and 121 total sounds, the SY-1 puts an enormous array of synth colours at your fingertips. Expressive leads, sweeping pads, layered organs, fat basses, and more are all on tap, plus a variety of rhythmic synth patterns that are a blast to jam with. And with the grab-and-go Tone/Rate and Depth knobs, you're able to adjust any synth voice just how you like, including changing the pitch on some sounds.

At Home in Any Rig
As a standard BOSS compact, the SY-1 drops into a serial pedal chain like any other stomp. But with the send/return loop and dedicated mix controls, it's also possible to blend one or more pedals in parallel with the SY-1's synth voices. For example, you can patch drive pedals in the loop, and then send the combined output to mod, delay, and reverb pedals for overall processing. The send can be used as a direct out as well, enabling you to route synth and guitar sounds to separate destinations.

Enhance Performances with Real-Time Control
The SY-1 offers a numbers of ways to make your synth performances even more dynamic and expressive. Pressing and holding the pedal switch sustains the last-played synth sound, allowing you to jam with regular guitar over the top. You can also connect an external footswitch for tap tempo and octave-shift effects, or plug in an expression pedal for continuous Tone/Rate control.

SY-1 Sound Types

LEAD 1/2 - A wide range of sounds suitable for single-note soloing.
PAD - Full tones that work great with chords, from layered pads to synth brass and more.
BASS - Fat synth bass sounds, including filtered and sub-octave tones.
STR - Classic analogue-style strings, including layered voices and sweeping textures.
ORGAN - A large selection of organ sounds, including many with rotary-style modulation.
BELL - Percussive synth sounds with metallic resonance.
SFX 1/2 - A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
SEQ 1/2 - Pulsating sounds with rhythmic pitch or filter changes.

Specifications

Nominal Input Level: INPUT, RETURN: -20 dBu
Input Impedance: INPUT, RETURN: 2.2 M ohms
Nominal Output Level: OUTPUT, SEND: -20 dBu
Output Impedance: OUTPUT, SEND: 1 k ohms
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass

Controls: Pedal switch, GUITAR/BASS switch, TYPE knob, VARIATION knob, TONE knob, DEPTH knob, EFFECT knob, DIRECT knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
SEND jack: 1/4-inch phone type
RETURN jack: 1/4-inch phone type
EXP/CTL jack: Stereo 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 115 mA

Expected battery life under continuous use: Alkaline: Approx. 2 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (9 V, 6LR61)

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Heigh: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb

Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The DD-200 Digital Delay brings together sounds and features inherited from the flagship DD-500 into an even smaller footprint. Twelve different modes offer an inspiring variety of delay colours from modern digital to classic analogue, letting you dial up everything from basic echoes to rich ambient pads and everything in-between. There's also a looper that's always ready to use, plus a selectable carryover function for seamless transitions between memories.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current DD-200 system software

Twelve Modes, Unlimited Sounds

With 12 different modes to choose from, the DD-200 provides nearly any flavour of delay in an amazingly compact size. At your command are super-clean digital delays, gritty analogue echoes, and spot-on retro sounds from the Roland RE-201 Space Echo and Binson Echorec 2. There's also a variety of options for creating reverse effects, lo-fi tones, and pulsing rhythmic sounds with layered delays. And with the Tera Echo, Shimmer, and Pad Echo modes, immersive ambient colours are just a knob twist away.

Dial in Sounds Fast

The DD-200 features a no-nonsense interface, making it easy to craft inspiring sounds in the heat of the moment. Essential delay parameters are provided on dedicated controls for direct, hands-on access. And in each mode, the function of the PARAM knob changes to parameters tailored for the selected type, delivering extended control with no need to menu dive.

Save and Recall Your Favourite Setups

The DD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. If you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device. And by enabling the carryover function, delay repeats will keep sounding as you change memories for smooth, free-flowing transitions.

Deep Real-Time Control

By default, the DD-200's multi-function footswitches provide access to basic functions like bypass, memory scrolling, tap tempo, and looper control. But you can easily reassign them to hold, warp, and many other functions. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control a wide range of functions from MIDI devices like the ES-8 and ES-5 effects switchers.

Ready-to-Go Looper

Any time you're ready, pressing the DD-200's two footswitches together puts you into looper mode. Up to 60 seconds of mono recording time is available, and operation is simple and direct with the onboard switches. And since the looper engine functions independently, you're able to develop expressive loops with any of the DD-200's rich delay sounds.

DD-200 Delay Modes

Standard-Clear digital delay. PARAM adjusts the delay attack.
Analog-Emulates classic analogue "BBD" delays like the BOSS DM series. PARAM controls character and distortion amount.
Tape-Emulates the warm tape-based sound of the legendary Roland RE-201 Space Echo. PARAM selects different combinations of three playback heads, and also adjusts the amount of distortion in the delay sound.
Drum-Models the drum-based Binson Echorec 2. PARAM selects different combinations of four playback heads, and also adjusts the amount of distortion in the delay sound.
Shimmer-Pitch-shifted delay for lush, heavenly textures. PARAM adjusts the delay brightness.
Tera Echo-Spacious, animated ambience effect derived from the BOSS TE-2 pedal. PARAM adjusts the sound character.
Pad Echo-Newly developed delay sound for creating drifting ambient textures. PARAM adjusts the delay attack.
Pattern-Rhythmic sounds with 16 delay lines layered together. PARAM selects different pattern variations.
Lo-Fi-Delay sound with fat, distorted character. PARAM adjusts the distortion effect.
Dual-Two different delay lines connected in series. PARAM adjusts the time of the second delay.
Reverse-Backwards delay for cool psychedelic effects and other unique tones. PARAM adjusts the delay attack.
Ducking-Delay with a built-in ducking effect. PARAM adjusts the input sensitivity.

*The product names mentioned on this page are registered trademarks or trademarks of their respective owners. These names are used because it is the most practical way of describing the sounds that are simulated.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point

Modes: 12 modes
STANDARD, ANALOG, TAPE, DRUM, SHIMMER, TERA ECHO, PAD ECHO, PATTERN, LO-FI, DUAL, DUCKING, REVERSE

Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/TAP switch
MODE knob, TIME knob, FEEDBACK knob, E. LEVEL Knob, PARAM knob, TONE knob, MOD DEPTH knob
TAP DIVISION button, MEMORY button

Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA

Expected Battery Life Under Continuous Use
Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms

Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

Outfitted with algorithms from the flagship MD-500, the MD-200 Modulation delivers an array of world-class effects in one small, convenient pedal. Twelve different modes provide every mod sound you need and more, and each includes customized controls that unlock deep tone shaping right from the panel. And with the powerful insert function, it's simple to patch in drive pedals and other effects for selectable pre or post processing.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current MD-200 system software.

Twelve Mod Essentials in One Pedal

Compact and mighty, the MD-200 gives you every key mod effect in a minimal footprint. Modern and vintage BOSS chorus effects are included, plus phaser, flanger, rotary, vibrato, and tremolo. Classic vibe and '70s phaser effects are also available, complete with selectable distortion for added versatility. BOSS's famous Slicer delivers lots of cool rhythmic grooves, while the rich Overtone effect dishes up fat octave tones and unique sonic colours. There's a highly adjustable auto wah as well, which can double as a foot wah when an expression pedal is connected.

Dial in Sounds Fast

With the MD-200's simple and direct interface, it's easy to craft inspiring sounds in the heat of the moment. Using dedicated controls, you can quickly dial in rate, depth, and level for any selected mode. You can also tap in the rate with a footswitch while playing, and visually set note subdivisions right from the panel. Going further, three additional parameter knobs dynamically change functions with each mode, providing extended tone shaping with no need to menu dive.

Save and Recall Your Favourite Setups

The MD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. And if you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device.

Instantly Change Effect Order for Optimum Tone

Using the MD-200's insert loop function, you're able to patch external pedals, set the ideal effect order, and save the setting to an onboard memory. For example, you can place a phaser or classic vibe before an external pedal in one memory, a chorus or flanger after in the next, and then switch between them. This is particularly useful with drive pedals, where the signal order can have a dramatic effect on the selected mod sound.

Deep Real-Time Control

By default, the MD-200's multi-function footswitches control bypass, memory scrolling, and tap tempo, but you can easily reassign them to alternate functions as needed. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control various functions from MIDI devices like the ES-8 and ES-5 effects.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes:12 modes; CHORUS, CE-1 CHORUS, FLANGER, PHASER, VINTAGE PHASER, CLASSIC VIBE, VIBRATO, TREMOLO, ROTARY, AUTO WAH, SLICER, OVERTONE
Memory: 127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/TAP switch, MODE knob, RATE knob, DEPTH knob, E. LEVEL knob, PARAM 1 knob, PARAM 2 knob, PARAM 3 knob, TAP DIVISION button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack

USB port: USB micro B-type (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA
Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight
Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot)65 mm 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery)680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms

Notes: Part of Boss's 200 series, the SY-200 is the latest in a range of guitar synth pedals dating all the way back to the 1970s. Plug in any guitar or bass and layer synth sounds over the raw tone. A versatile and creative way to explore new sounds.

Supplier's Notes:
A World of Synth Tones at Your Feet

Offering a universe of rich, analogue-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS's expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

A Massive Library of Expressive Synth Tones

The SY-200 transforms your guitar or bass into a versatile analogue-flavoured synth, ready to infuse your music with dynamic, compelling, and evocative new voices. This streamlined stomp gives you 171 total sounds organized in 12 intuitive categories, along with adjustable parameters for customizing the tone and response. And with 128 memory locations, you're able to store your favourite sounds and instantly recall them while performing.

Build Custom Sounds Fast

With the SY-200's informative display and hands-on controls, it's quick and easy to call up sounds and balance the direct and synth levels. All the preset synth tones have been dialled in by the BOSS engineers to be inspiring and playable right away. But if you want to go deeper, you can tweak three different parameters for each sound via dedicated knobs.

Flexible Connectivity

The SY-200 smoothly integrates into your setup in a variety of ways. Patch it in your chain like a regular pedal, or use the send and output jacks to route synth and straight guitar sounds to different destinations. And with the send/return loop and level knobs, it's possible to craft unique hybrid sounds by blending one or more pedals in parallel with different synth voices.

Powerful Real-Time Control

The SY-200 provides a massive range of control options while taking up minimal space on your pedalboard. Two customizable footswitches offer multi-functional operation with press-and-hold functionality, allowing you to control synth on/off, memory scrolling, pitch bend, synth hold, and more. Expanded control is possible via external footswitches or an expression pedal, and MIDI I/O is also available to interface with other MIDI-equipped pedals and devices like the ES-8 and ES-5 loop switchers.

Plug-and-Play and Latency-Free

You can use the SY-200 with any guitar or bass-just plug in with a standard 1/4-inch cable and start creating. Thanks to custom DSP and the latest BOSS innovations, you'll enjoy latency-free performance that's a natural extension of your instrument, letting you play freely without altering your normal technique in any way.

Supercharge Your Music with a Diverse Range of Sounds

The SY-200 is loaded with a large library of synthesizer tones to inspire new ideas and bring fresh voices to your music.

LEAD-A wide range of sounds suitable for single-note soloing.
PAD-Full tones that work great with chords, from layered pads to synth brass and more.
STRING-Classic analog-style strings, including layered voices and sweeping textures.
BELL-Percussive synth sounds with metallic resonance.
ORGAN-A large selection of organ sounds, including many with rotary-style modulation.
BASS-Fat synth bass sounds, including filtered and sub-octave tones.
DUAL-Fat synth tones with stacked oscillators.
SWEEP-Dynamic sounds with expressive and engaging movement.
NOISE-Classic analog-style synth noise. Great for percussive sounds and dramatic effects.
SFX-A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
SEQ-Pulsating sounds with rhythmic pitch or filter changes.
ARPEGGIO-Generate rhythmic arpeggios based on the notes you play.

Specifications

Sampling Frequency: 44.1 kHz
AD/DA Conversion24 bits
Processing: 32-bit floating point

Modes: 12 modes
LEAD, PAD, STRING, BELL, ORGAN, BASS, DUAL, SWEEP, NOISE, SFX, SEQ, ARPEGGIO

Memory: 128
Nominal Input Level: INPUT, RETURN: -10 dBu
Maximum Input Level: INPUT, RETURN: +7 dBu
Input Impedance: INPUT, RETURN: 2 M ohms
Nominal Output Level: OUTPUT, SEND: -10 dBu
Maximum Output Level: OUTPUT, SEND: +7 dBu
Output Impedance: OUTPUT, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT, SEND: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/CTL 1 switch
TYPE knob, MEMORY knob, 1 knob, 2 knob, 3 knob, D. LEVEL knob, E. LEVEL knob, VARIATION knob
MENU button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)

Connectors:
INPUT jack, OUTPUT jack, SEND jack, RETURN jack: 1/4-inch phone type
CTL 2, 3/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 230 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 5 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 630 g / 1 lb 7 oz
Weight (including battery): 700 g / 1 lb 9 oz

0 dBu = 0.775 Vrms

Notes: The Benchmark in Guitar Distortion

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS's first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that's been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

Genre-Defining Distortion

Before the DS-1, most distortion pedals produced harsh, buzzy tones and muddy sound at high gain settings. In 1978, BOSS engineers changed all that by developing a unique distortion circuit for the DS-1 that produces tight, hard-edged gain with rich harmonics while retaining the unique characteristics of different guitars and playing techniques. Hard rock, metal, and punk styles began to flourish in the '70s and '80s, and the DS-1's tone had a defining influence on these genres. That trend has endured through multiple generations, and players around the world continue to seek out the classic DS-1 sound.

Gain from Mild to Heavy

From its modest three-knob interface, many different sound colours can be coaxed from the DS-1. Its pioneering two-stage circuit incorporates both transistor and op-amp gain stages. This approach is critical to the DS-1's characteristic low-frequency fullness, which is loved by guitarists that play heavy music genres. The distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for monster rock riffs.

Powerful Tone Shaping

Unlike typical tone controls that only cut highs, the DS-1's tone circuit features an innovative design that offers far more range. Turning the knob clockwise increases highs and decreases lows, while going counter-clockwise has the opposite effect. This lets you dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The tone control is particularly effective for maintaining low-end definition when using the DS-1 as a booster with vintage-style amps, which often sound muddy when driven with other distortion pedals.

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, TONE knob, LEVEL knob, DIST knob
Indicator: CHECK indicator (Used for indication of check battery)
Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DC IN jack
Power Supply:
Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22)
AC adaptor (PSA series: sold separately)
Current Draw10 mA

Expected battery life under continuous use:
Carbon: Approx. 50 hours
Alkaline: Approx. 80 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Carbon-zinc battery (9 V, 6F22)
Option (sold separately)AC adaptor (PSA series)

Size & weight (incl. battery)
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height59 mm / 2-3/8 inches
Weight: 360 g / 13 oz

Notes: Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Notes: Advanced generative sequencer featuring mutes per channel and transposition facilities.

Akropoli is an extension and enhancement of our successful Little Melody and High Towers modules, offering the features of both of these modules as well as some of it's own unique features such as mute buttons per channel, manual transpose knob and 1V/oct transpose CV input. Akropoli operates using Frequency Central's proprietary TOOL V2 code, and can count in integers as well as multiples for even more subtle and evolving variations.

Akropoli is a generative sequencer based around clock divisions and a chromatic quantiser, used to create in-the-moment licks and riffs. It is more that the sum of it's parts.

Akropoli's internal operations can be considered as 4 clock dividers patched into a CV mixer via attenuators. The attenuators select notes over a 5 octave range, the clock dividers determine how often those notes are added to the mix. The final output of Akropoli is quantized chromatically for fast set up and continuously pleasing results. Akropoli has an onboard transposition knob, as well as a 1V/oct transposition CV input.

The 4 clock dividers are labelled A, B, C, and D. They all receive clocks from the same source, the divisions may be selected using the presets and the individual division selectors. The clock dividers can be set to count up, down, or to one of a variety of modes that move between counting up and down. For further information on Presets and Modes see the Little Melody User Guide.

Additionally, each clock divider has it's own binary output (either high or low), these 4 outputs can be used to clock/gate/trigger other stuff on other modules to great effect.

Product Specifications

12V draw
50mA

-12V draw
36mA

5V draw
0mA

Depth
35mm

Notes: Holds everything you need

Very high-quality and durable padded gig bags for transporting your semi-modular synth cargo. Sized specifically for Cascadia.

The padded main compartment protects your case from bumps and scratches.
Zipped outer pocket for stuffing accessories and other gear.
The rear pocket closes with velcro at the top but unzips at the bottom to become a handle sheath so your case can sit on top of a rolling suitcase.
Super beefy strap connectors with clipped strap.
Lightweight with a single-handle design

Notes: Polycarbonate Protection

Transparent polycarbonate lid for the Cascadia made by Decksaver. Keep your synth patched and dust-free:

Clearance to leave your Cascadia patched with a Lid attached.
Perfectly sized to fit with Cascadia in our Cascadia Gig Bag.
Lightweight and rigid.
Made by Decksaver UK with smokey polycarbonate.

Notes: Premium tone for players on the go

Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. And by connecting to BOSS TONE CENTRAL, you can download free pro patches, editing software, and more. Equally suited for beginners, weekend warriors, and traveling players, the GT-1 packs premium sound in a compact and rugged package.

Exceptional Sound

Thanks to its Premium BOSS sound engine, the GT-1 provides tone quality and sound-shaping ability that far exceeds typical compact multi-effects. A history of BOSS processing is at your fingers, from classics such as the OD-1 Overdrive to modern effects powered by innovative MDP technology. There's a huge selection of COSM amp tones on tap too, including vintage legends and BOSS original amps optimized for ideal tone and response. Specialized effects like Acoustic Simulator, Guitar Simulator, and others provide numerous tonal options, and there's even a looper to enhance your practice sessions and stage performances.

Portable Tone Partner

The GT-1 was designed for musicians on the move. It's surprisingly lightweight and compact, yet still delivers the rugged durability that BOSS is famous for. The modern design is easy to slip in and out of a guitar bag's accessory compartment, with no worries of hard edges causing damage to your axe. AC or battery power provides flexibility for any performing situation, and up to seven hours of battery life is available for street performing and other mobile gigs.

Easy Patch Selection and Sound Creation

With the GT-1, it's simple to find fantastic tones for your style, and just as simple to customize them to taste. Beginners can get great sounds right away, while more experienced players will appreciate how quick and intuitive it is to adjust sounds. The Easy Select function allows you to choose patches by genre, distortion, or effect type, while Easy Edit lets you tweak drive, modulation, and echo tones to perfection with little effort. Dedicated panel buttons provide quick on/off switches for effect groups, and also unlock deep-dive parameters for microscopic fine-tuning.

BOSS Tone Central and BOSS Tone Studio

At BOSS Tone Central, you'll find tons of free patch collections for playing all types of music with the GT-1. Created by pro guitarists, these patches are dialled-in and ready to use, and make great starting points for advanced players who like to create their own custom sounds. The free BOSS Tone Studio software provides a full-featured editor/librarian for the GT-1, as well as integrated access to all the patch collections at BOSS Tone Central.

Maximum Control in a Small Space

The GT-1's three footswitches are smartly designed to provide patch selection, tuner access, looper control, and more in a minimal footprint. The dedicated CTL1 switch is freely assignable to functions like tap tempo, effects on/off, and numerous others, while the expression pedal and toe switch are assignable to volume, wah, and various effects parameters. If you crave more control, there's even a jack for connecting up to two external footswitches or an expression pedal. And in addition to providing access to BOSS Tone Central and BOSS Tone Studio, the GT-1's USB jack lets you record tones with your favourite DAW.

Specifications

Sampling Frequency: 44.1 kHz
AD Conversion: 24 bits + AF method
* AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 24 bits
Effects: 108 types
Patches: 99 (User) + 99 (Preset)
Phrase Loop: 32 sec
Nominal Input Level: INPUT: -10 dBu, AUX IN: -20 dBu
Maximum Input LevelINPUT: +7 dBu, AUX IN: 0 dBu
Input Impedance: INPUT: 1 M ohm, AUX IN: 27 k ohms
Nominal Output LevelOUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu
Output Impedance: OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms
Recommended Load Impedance: OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater
Controls: DOWN switch, UP switch CTL1 switch, EASY SELECT button, EASY EDIT button, FX1/COMP button, OD/DS button, PREAMP button, FX2/MOD button, DELAY button, REVERB button, MEMORY EDIT button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)
Connectors: INPUT jack, OUTPUT (L/MONO, R) jacks: 1/4-inch phone type, CTL2, 3/EXP2 jack: 1/4-inch TRS phone type, AUX IN jack: Stereo miniature phone type, PHONES jack: Stereo miniature phone type, USB COMPUTER port: USB type B, DC IN jack
Power Supply: Alkaline battery (AA, LR6) x 4, AC adaptor (sold separately)
Current Draw: 200 mA

Expected battery life under continuous use:
Alkaline: Approx. 7 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Owner's manual, Leaflet "USING THE UNIT SAFELY", Alkaline battery (AA, LR6) x 4

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U, FS-5L, FS-6, FS-7
Expression Pedal: FV-500L, FV-500H, Roland EV-5

Size & weight

Width: 305 mm / 12-1/16 inches
Depth: 152 mm / 6 inches
Height: 56 mm / 2-1/4 inches
Maximum height: 74 mm
2-15/16 inches
Weight (including battery): 1.3 kg / 2 lbs 14 oz

Notes: The Ultimate CUBE Bass Experience for Home and Beyond

For over four decades, CUBE amplifiers have brought exceptional value to musicians everywhere, offering great sound and versatile features in portable, go-everywhere designs. The DUAL CUBE BASS LX is the most advanced compact CUBE bass amp yet, filled with evolved BOSS technologies for the ultimate home practice experience. This thunder box punches well above its size, delivering rich, full sound and a host of fun rhythm patterns to groove with. A generous array of connectivity options are also included, extending its range to performing, recording, and many other applications.

Stage Sound at Home

With its custom stereo speaker system and advanced cabinet design, the DUAL CUBE BASS LX delivers big, refined tones that you won't believe are coming from such a small amp. Five different preamp types are available, offering uncoloured sounds for studio and slap playing, vintage sounds for classic styles, and aggressive modern tones for heavy genres. With natural feel and organic response honed with decades of BOSS amp development, you have an endlessly inspiring platform to hone skills and explore new techniques.

Find Your Voice

The DUAL CUBE BASS LX features a variety of bass-tuned effects, including many with expansive stereo sound. Shape your core tone with compression or drive, add colour with touch wah, flanger, or chorus, and bring in spatial depth with delay or reverb. Each amp type includes three user memories, allowing you to store gain, EQ, and effect setups for quick recall. The DUAL CUBE BASS LX Editor lets you dive even deeper, providing access to effect variations and detailed parameter tweaks from your Mac or Windows computer.

Get in the Groove

Make your practice sessions more fun and productive with the powerful onboard Rhythm Guide. There are nine rhythm types with three pattern variations each, spanning from a basic metronome to realistic drum grooves in rock, jazz, metal, Latin, and other styles. Using the DUAL CUBE BASS LX Editor, you can explore a total of 91 rhythm variations and save your favorites in the amp. With the high-performance stereo speakers, rhythms and backing music are presented in full-range detail for a rich, immersive experience.

Beyond the Bedroom

Thanks to its ultra-flexible connectivity, the DUAL CUBE BASS LX goes far beyond the capabilities of other compact amps. Use the stereo XLR line output to directly connect to a PA system and perform on stage. Or capture mix-ready sounds in music software on a computer or mobile device via USB or i-CUBE-Link. If you like to livestream, you can capture your voice with a headphones mic and send it to the USB and i-CUBE Link outputs along with your bass sound. And with the ability to use AC or battery power, you can play absolutely anywhere.

Expand Your Possibilities

With optional FS-series footswitches, you can operate the Rhythm Guide hands free and unlock access to the onboard looper to create layered performances. And by connecting the optional Bluetoothr Audio MIDI Dual Adaptor, you can go even further with a smartphone or tablet. Wirelessly stream music from your device and jam along, or use the iOS/Android version of the DUAL CUBE BASS LX Editor to tweak functions remotely. Or pair the EV-1-WL Wireless MIDI Expression Pedal for cable-free operation of wah and volume.

Standard Features
Ultra-portable stereo bass amplifier with professional sound and features
Two custom-designed 5-inch speakers
10-watt stereo power amp (5 watts x 2)
Five preamp types: Super Flat, Flat, Vintage, Modern, and Rock
Compressor/drive control tuned for bass
Chorus, flanger, touch wah, delay, and reverb effects
Three-band equalizer
Store amp and effects settings in 15 memories (3 memories for each amp type)
Powered via AC adaptor (included) or eight AA batteries
Onboard rhythms with 27 different patterns (nine types and three variations each)
Edit sounds, access additional rhythm variations, and more with the dedicated DUAL CUBE BASS LX Editor
Stereo XLR balanced line output
Phones/Rec jack with support for an inline headphones microphone
USB audio for direct recording and livestreaming
Control jack for up to two external footswitches
i-CUBE Link/Aux In jack for audio playback
Selectable Loopback function for USB and i-CUBE Link/Aux In
Onboard looper (requires optional footswitch)
Connector for optional Bluetoothr Audio MIDI Dual Adaptor (BT-DUAL)


Specifications

Rated Power Output: 10 W (5 W+5 W)
Nominal Input Level: INPUT: -10 dBu (1 M ohm), i-CUBE LINK/AUX IN: -20 dBu (15 k ohm)
Nominal Output Level: LINE OUT L, R: -10 dBu
Speakers: 12 cm (5 inches) x 2
Controls: POWER switch, COMP/DRIVE knob, DRIVE button, AMP TYPE knob (SUPER FLAT, FLAT, VINTAGE, MODERN, ROCK), MEMORY button, GAIN knob, VOLUME knob, BASS knob, MIDDLE knob TREBLE knob, EFFECTS knob (CHORUS, FLANGER, T-WAH), DELAY/REVERB knob, START/STOP button, PATTERN knob (METRONOME, JAZZ, ROCK, BLUES, R&B, FUNK, METAL, LATIN, COUNTRY), VARIATION button, TAP TEMPO button, VOLUME knob (RHYTHM GUIDE), MIC VOL knob, MASTER knob, LOOPBACK switch (i-CUBE LINK/AUX IN), LOOPBACK switch (USB)
Indicators: POWER, DRIVE, MEMORY, START/STOP, VARIATION, REC, PLAY, DUB

Connectors:
INPUT jack: 1/4-inch phone type
PHONES/REC OUT jack: Stereo Miniature phone type (Stereo, CTIA)
i-CUBE LINK/AUX IN jack: Stereo Miniature phone type (Stereo, CTIA)
LINE OUT L, R connectors: XLR type
FOOT SW jack: 1/4-inch TRS phone type
Bluetooth ADAPTOR connector: Dedicated connector
USB port: USB B
DC IN jack
Power Supply: AC adapter (DC 9 V), Alkaline battery (AA, LR6) x 8, Rechargeable Ni-MH battery (AA, HR6) x 8Current Draw370 mA
Expected battery life under continuous use: Alkaline battery: Approximately 8 hours
Rechargeable Ni-MH battery: Approximately 10 hours (*1)

*1 When using batteries having a capacity of 2,500 mAh.
* These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.

Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY, AC adapter, Power cord, Mini cable (4-pole miniature phone type)

Options (sold separately):
Footswitch: FS-5U, FS-6, FS-7
Bluetoothr Audio MIDI Dual Adaptor (MODEL BT-DUAL)
Wireless MIDI Expression Pedal: EV-1-WL

Size & weight
Width: 341 mm / 13-7/16 inches
Depth: 205 mm / 8-1/8 inches
Height: 261 mm / 10-5/16 inches
Weight (excluding AC adaptor): 4.4 kg / 9 lbs 12 oz

Notes: The Classic CUBE, Evolved for Maximum Flexibility

For over four decades, CUBE amplifiers have brought exceptional value to musicians everywhere, offering great sound and versatile features in portable, go-everywhere designs. The DUAL CUBE LX Guitar Amplifier carries on this long tradition, evolved with the latest BOSS advancements for unmatched flexibility. This desktop powerhouse is the ultimate guitar amp for home practice and jamming with friends. And with a generous array of connectivity options, its range extends to performing, recording, and many other applications.

Meet the Moment

With its compact size and authentic BOSS tones, the DUAL CUBE LX delivers instant gratification for everyday playing at home. And its ultra-flexible design lets you go much further when you want, providing advanced features that reach well beyond the capabilities of other desktop amps.

Practice and Jam Anywhere

Indoors and out, enjoy big, immersive sound with custom-designed stereo speakers and versatile power with the included AC adaptor or eight AA batteries.

Perform On Stage

Use the stereo Line Out jacks to directly connect to a PA system and perform with pro BOSS amp sounds, complete with mic'd cab emulation and expansive stereo effects.

Record to Your Favourite DAW

Use the DUAL CUBE LX to capture mix-ready sounds in music software on a computer or mobile device via USB or i-CUBE-Link.

Elevate Your Livestreams

With the Phones/Rec jack and mic volume control, you can capture your voice with a headphones mic and send it to the USB and i-CUBE Link outputs along with your guitar sounds.

Play Along with Backing Music

The DUAL CUBE LX offers many ways to play along with backing music from a mobile device or computer, including a stereo aux input, USB and i-CUBE Link Loopback, and an optional Bluetoothr adaptor.

Authentic Amp Tones

With its finely tuned stereo speaker system, the DUAL CUBE LX produces full, punchy guitar tones that belie the amp's small footprint. Choose from eight versatile amp types, all with natural feel and organic response honed with decades of BOSS amp development. Whatever your style or skill level, you'll find expressive sounds to build techniques and deliver inspired performances. There's also a dedicated mic preamp type, allowing you to use the amp as a portable vocal PA system.

Onboard BOSS Effects

The DUAL CUBE LX includes a variety of BOSS stereo and mono effects to enhance your sound. Out of the box, you can spice up tones with four mod effect types or Heavy Octave and add ambience with delay or two types of reverb. If you want to go even deeper, it's possible to change out effects and adjust settings via the DUAL CUBE LX Editor.

Deep Sound Customization

The intuitive panel controls on the DUAL CUBE LX make it easy to craft compelling sounds in the moment. Each amp type includes three user memories, allowing you to store all the knob settings for quick recall. And with the DUAL CUBE LX Editor, there's a world of additional creative power to explore. Select different amp and effect variations, adjust detailed parameters, and more from your Mac or Windows computer.

Stereo In for Modelers and Pedalboards

The DUAL CUBE LX features a special Stereo In amp type for connecting stereo devices, complete with advanced spatial processing that makes it sound like you're playing through a much larger cabinet. By default, it provides rich, full-range sound for an amp/effects processor such as the GT-1000, GT-1000CORE, GX-100, GT-1, or IR-200. With the DUAL CUBE LX Editor, you can alternately choose a neutral guitar amp tone inspired by the famous Roland JC-120, giving you an ideal platform for exploring the stereo capabilities of pedals like the BOSS 500 and 200 series.

Expand Your Possibilities

With optional FS-series footswitches, you can operate the onboard looper and switch memories while performing.


Specifications

Rated Power Output: 10 W (5 W+5 W)
Nominal Input Level: GUITAR/STEREO IN L, R: -10 dBu (1 M ohm), i-CUBE LINK/AUX IN: -20 dBu (15 k ohm)
Nominal Output Level: LINE OUT L/MONO, R: -10 dBu
Speakers: 10 cm (4 inches) x 2
Controls: POWER switch, AMP TYPE knob (ACOUSTIC SIM, JC CLEAN, US COMBO, BRIT COMBO, HI-GAIN STACK, METAL STACK, EXTREME, MIC, STEREO IN), MEMORY button, GAIN knob, VOLUME knob, BASS knob, MIDDLE knob, TREBLE knob, EFFECTS knob (CHORUS, FLANGER, PHASER, TREMOLO, HEAVY OCTAVE), DELAY/REVERB knob (DELAY, REVERB, SPRING), TAP button, MIC VOL knob, MASTER knob, LOOPBACK switch (i-CUBE LINK/AUX IN), LOOPBACK switch (USB)
Indicators: POWER, MEMORY, TAP, REC, PLAY, DUB

Connectors: GUITAR jack/STEREO IN L, R jacks: 1/4-inch phone type, i-CUBE LINK/AUX IN jack: Stereo Miniature phone type (Stereo, CTIA), FOOT SW jack: 1/4-inch TRS phone type, Bluetooth ADAPTOR connector: Dedicated connector, USB port: USB B type,, DC IN jack

PHONES/REC OUT jack: Stereo, Miniature phone type (Stereo, CTIA), LINE OUT L/MONO, R jacks: 1/4-inch phone type

Power Supply: AC adapter (DC 9 V), Alkaline battery (AA, LR6) x 8
Rechargeable Ni-MH battery (AA, HR6) x 8
Current Draw360 mA

Expected battery life under continuous use
Alkaline battery: Approximately 8 hours
Rechargeable Ni-MH battery: Approximately 10 hours (*1)

*1 When using batteries having a capacity of 2,500 mAh.
* These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.
Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY, AC adaptor, Power cord, Mini cable (4-pole miniature phone type)
Options (sold separately)
Footswitch: FS-5U, FS-6, FS-7
Bluetoothr Audio MIDI Dual Adaptor (MODEL BT-DUAL)
Wireless MIDI Expression Pedal: EV-1-WL
Size & weight

Width: 341 mm / 13-7/16 inches
Depth: 162 mm / 6-7/16 inches
Height: 215 mm / 8-1/2 inches
Weight (excluding AC adaptor): 3.3 kg / 7 lbs 5 oz

Notes: Customizable tones for jamming and practice

With its impressive sound, built-in effects, and the ability to swap COSM amp types via a free app for iOS and Android devices, the CUBE-10GX is the perfect small amp for jamming, bedroom practice, and recording. Built to the respected CUBE standard, the CUBE-10GX delivers big, full tones with its custom 8-inch speaker and heavy-duty cabinet design. Clean, Crunch, and Lead amp types come ready to play from the factory, but you can easily switch them out from your favourite mobile device. The CUBE KIT app includes multiple amps to choose from, including vintage classics, ultra-heavy gain machines, and even amps for bass and acoustic-electric guitar. The compact CUBE-10GX also includes options for shaping your tones even further with three-band EQ and onboard chorus, delay, and reverb effects.

Big Sound, Compact Package

Packing versatile amp sounds, simple-yet-powerful tone controls, and high-calibre effects, the CUBE-10GX is ideal for both beginning guitarists and experienced players looking for a great sounding small amp. Renowned CUBE construction quality provides rich, full sound and maximum durability, with a custom-designed 8-inch speaker, ultra-rigid cabinetry, heavy-duty corner protectors, and more. From bedroom practice to jamming with friends to tracking in the studio, the CUBE-10GX delivers top-shelf guitar tones wherever you play.

Easily Customize Amp Types from Your Smart Phone or Tablet

Out of the box, the CUBE-10GX comes ready to rock with Clean, Crunch, and Lead COSM amp types. But that's just where the fun starts-using the CUBE KIT app for iOS and Android devices, you can load up those three slots with a variety of different amp types and adapt the sound of the CUBE-10GX for the music you like to play! Available as a free download, CUBE KIT includes seven additional COSM amp types to cover any style, from jazz to classic rock to high-gain metal. For enhanced versatility, there are even amp types designed for bass and acoustic-electric guitar. Simple and intuitive to use, CUBE KIT makes it easy to customize the CUBE-10GX's sound in seconds.

Three-Band EQ, Built-in Effects, and More

The CUBE-10GX is equipped with Bass, Middle, and Treble controls for fine-tuning your tone, plus three high-quality effects. Chorus, delay, or reverb can be dialled up easily with a single intuitive knob, and the reverb section offers plate and retro spring variations for a wide range of sound. Via the rear-panel Aux In jack, you can plug in a music player or smart phone and riff along with your favourite tunes. There's also a Rec Out/Phones jack, which mutes the onboard speaker and provides a direct output complete with COSM speaker modeling. This is a great feature for quiet practice with headphones, and also for tracking the CUBE-10GX's pro COSM tones directly into your favourite recording devices.

Specifications

Maximum Power Output: 10 W
Nominal Input Level (1kHz)INPUT: -10 dBu (1 M ohm), AUX IN: -10 dBu
Speaker: 20 cm (8 inches)
Controls: POWER switch, AMP TYPE switch (CLEAN, CRUNCH, LEAD), GAIN knob, VOLUME knob, BASS knob, MIDDLE knob, TREBLE knob, EFFECT knob (CHORUS, DELAY, REVERB, SPRING)
Indicator: AMP TYPE

Connectors:
INPUT jack: 1/4-inch phone type
AUX IN jack: Stereo miniature phone type
REC OUT/PHONES jack: Stereo miniature phone type

Power Supply: AC adaptor (DC 5.7 V)
Current Draw: 700 mA
Accessories: Owner's manual, AC adapter

Size & weight

Width: 346 mm / 13-5/8 inches
Depth: 179 mm / 7-1/16 inches
Height: 317 mm / 12-1/2 inches
Weight: 4.7 kg / 10 lbs. 6 oz.

Notes: Crafted with the breakthrough design philosophy behind the acclaimed Katana guitar amp series, the Katana-110 Bass delivers premium sound and advanced features perfectly tuned for the needs of serious bassists. Three unique amp characters and onboard BOSS effects provide a wide range of tones, backed by a stage-ready, 110-watt class AB power amp, custom 10-inch woofer, and tweeter with on/off switch. And with comprehensive EQ, flexible connectivity, and more, the Katana-110 Bass is ready to take on any playing situation, from stage to studio to everyday practice at home.

Refined Tone And Authoritative Power

The Katana-110 Bass brings you high-performance amplification fuelled by decades of BOSS knowledge and expertise. Armed with 110 watts of time-tested class AB power, this gig-ready amp provides big volume, punch, and presence and smooth, natural drive as you turn up the gain. Three unique preamp types are also available-each with a powerful three-way Shape switch to fine-tune the character-so you'll always have the perfect sound for any style or genre.

Vintage-A classic tube voice with organic tone and natural drive.
Flat-Smooth, clear, and dynamic tone with rich harmonic character.
Modern-Quick dynamic response with extended bass range.

Command The Stage

With its custom-designed speaker system and rock-solid combo cabinet, the Katana-110 Bass produces a commanding voice to drive your band in any musical situation. The fundamental tone of the 10-inch woofer is complemented with a tweeter for high-frequency definition that's ideal for slap and other modern playing styles. Our efficient bi-amp design delivers clear and balanced sound, and the tweeter can be turned off with a panel switch for a more traditional bass tone if desired.

Four Independent Effects Sections

The Katana series is famous for its onboard BOSS effects, and the Katana-110 Bass is no exception. Dedicated comp/limiter and drive sections provide core processing, while FX1 and FX2 offer a treasure trove of options from the BOSS bass effects library, from standards like chorus and flanger to octave, bass synth, and more. The FX2 section also includes delay and reverb, and over 60 total effect types are available for loading via the BOSS Tone Studio editor.

Precision Sound-Crafting Tools

With the intuitive panel controls on the Katana-110 Bass, you can quickly refine your tone in detail. The studio-inspired Blend section lets you mix in some dry signal, which you can pre-shape from the panel with three customizable settings for the optimum tonal fusion. A comprehensive four-band EQ is also on hand, complete with three selectable frequency centres in the low-mid and high-mid bands.

Rich Performance Versatility

The flexible Katana-110 Bass is your perfect partner for any live gig. Six Tone Setting memories are available for storing and recalling the sounds you create, including preamp type, EQ, Blend, and effect settings. You can switch memories from the panel and go even further with optional footswitches, an expression pedal, and the GA-FC Foot Controller. There's also a balanced XLR output for connecting to a house PA, along with a switch to select between direct, pre, or post signals.

Recording And Practice Powerhouse

The Katana-110 Bass is equally suited for studio recording and home playing. The compact footprint takes up minimal space, and the variable Power Control lets you dial up cranked-amp tones at family-friendly volume levels. A headphones/recording jack provides a direct output with effects and mic'd cab emulation with three Air Feel settings, while USB lets you interface with computer production software and track with great tone.

Specifications
Output Power: 60 W continuous (RMS), 110 W peak
Nominal Input Level: INPUT: -10 dBu (1 M ohm), POWER AMP IN: -10 dBu (20 k ohms), AUX IN: -10 dBu (20 k ohms), RETURN IN: -10 dBu (100 k ohm)
Speaker:
WOOFER: 25 cm (10 inches) x 1
TWEETER: x 1
Controls: POWER switch, MASTER VOLUME knob, POWER CONTROL switch (STANDBY, 1 W, MAX), TWEETER button

[INPUT EFX]: COMP button, DRIVE button, COMP knob, DRIVE knob

[AMPLIFIER]: PAD button, SHAPE button, TYPE knob (VINTAGE, FLAT, MODERN), GAIN knob, VOLUME knob

[BLEND]: BLEND button, DRY LEVEL knob

[EQUALIZER]: LOW MID button, HIGH MID button, BASS knob, LOW MID knob, HIGH MID knob, TREBLE knob

[EFFECTS]: FX1 button, FX2 button, TAP button, FX1 knob, FX2 knob

[TONE SETTING]: CH1 button, CH2 button, CH3 button, PANEL button

[BALANCED OUT]: GND LIFT switch (OFF, ON), SELECT (POST, PRE, DIRECT)
Indicators: COMP, DRIVE, PAD, SHAPE, BLEND, LOW MID, HIGH MID, FX1, FX2, TAP, CH1, CH2, CH3, PANEL, TWEETER

Connectors:
INPUT jack: 1/4-inch phone type
POWER AMP IN jack: 1/4-inch phone type
BALANCED OUT jack: 1/4-inch phone type
SEND jack: 1/4-inch phone type
RETURN jack: 1/4-inch phone type
REC OUT/PHONES jack: Stereo 1/4-inch phone type
EXP PEDAL/CTL CH1/CH2 jack: 1/4-inch TRS phone type
GA-FC jack: 1/4-inch TRS phone type
AUX IN jack: Stereo miniature phone type
USB port: USB B type
BLUETOOTH ADAPTOR SLOT: Bluetooth Audio MIDI Dual Adaptor
AC IN jack
Power Consumption: 77 W
Accessories: Owner's manual, Power cord, GA-FC sticker

Options (sold separately): Footswitch: BOSS FS-5L, BOSS FS-6, BOSS FS-7
Expression pedal: Roland EV-5, BOSS EV-30, BOSS FV-500L, BOSS FV-500H
GA FOOT CONTROLLER (GA-FC)
Bluetooth Audio MIDI Dual Adaptor (Model BT-DUAL)

Size & weight
Width: 470 mm / 18-9/16 inches
Depth: 300 mm / 11-13/16 inches
Height: 500 mm / 19-11/16 inches
Weight: 16.8 kg / 37 lbs 0.6 oz

Notes: Katana MkII takes the acclaimed Katana guitar amp series to the next level, turbocharging the core platform with more sounds, more effects, and more features. Newly voiced variations are now available for all five amp characters, doubling the tonal options. And the onboard effects categories have been expanded from three to five, providing even more real-time processing to choose from. The usability has been ramped up too, with a power amp input for modelers and multi-FX, updated editor software, and many other enhancements.

More Sounds, More Versatility

The stage-class Katana MkII lineup picks up where the first generation left off, building on the same core tones and features that have made the series such a worldwide smash. If you loved the original Katana amps, you'll love Katana MkII even more. And if you're new to the party, get ready for sound, feel, and versatility that soars far beyond its price class.

Five Amp Characters, Ten Overall Tones
Katana MkII's five primary amp characters offer everything from organic vintage tones to modern high-gain sounds, plus a dedicated voice optimized for acoustic-electric guitar. The characters have now been extended with newly voiced variations, providing a wider palette of tone options to craft your personal sound.

Five Effects At Once

Katana MkII now includes five simultaneous effects categories, putting the tone-shaping power of a massive pedalboard right inside your amp. Independent Booster, Mod, FX, Delay, and Reverb sections come loaded from the factory with three variations in each, providing 15 ready-to-play effects to choose from. Connecting to BOSS Tone Studio lets you dive much deeper if you want-customize the sections with over 60 different effect types, change the order with four different chains, and much more.

Full-Throttle Sound Every Time You Plug In

Backed by BOSS's Tube Logic approach, Katana MkII delivers the authentic output distortion characteristics of genuine tube amplifiers, with the sound and feel becoming richer and more responsive as you turn up the volume. But unlike that classic tube amp, Katana MkII's variable Power Control makes it easy to fly in the sweet spot without getting fired from the gig or kicked out of the house. Just throttle back the overall volume as needed to enjoy inspiring, cranked-amp sound anywhere you play, from bedroom to stage.

Amplify Your External Gear

The Katana-50 MkII rocks as a standalone amp, but it also excels as a powered cabinet for a favourite preamp, modeler, or multi-effects unit. Connecting to the rear-panel Power Amp In jack bypasses Katana MkII's preamp and effects, letting you tap straight into the Tube Logic power section, complete with grab-and-go Power Control. And with BOSS Tone Studio, the input can be easily optimized for your particular gear with a high-pass filter and adjustable gain.

One-Touch Recall Of Custom Setups

One of the Katana-50 MkII's most powerful features is the ability to store favourite amp character and effects setups in Tone Setting memories for instant recall. After you've dialled in a sound with the panel controls, simply save it to the desired memory with a quick button hold. Four Tone Settings (two banks of two) are available, with fast selection right from the panel. It's also possible to connect external footswitches for hands-free control on the gig.

Specifications

Rated Power Output: 50 W
Nominal Input Level: INPUT: -10 dBu (1 M ohm), AUX IN: -10 dBu (20 k ohms)
Speaker: 30 cm (12 inches) x 1

Controls:

POWER switch, MASTER knob, POWER CONTROL switch (STANDBY, 0.5 W, 25 W, 50 W)

[AMPLIFIER]: VARIATION button, AMP TYPE switch (ACOUSTIC, CLEAN, CRUNCH, LEAD, BROWN), GAIN knob, VOLUME knob

[EQUALIZER]: BASS knob, MIDDLE knob, TREBLE knob

[MULTI EFFECT]: BOOSTER button, MOD button, FX button, DELAY button, REVERB button, TAP button, BOOSTER knob, MOD knob, FX knob, DELAY knob, REVERB knob

[TONE SETTING]: CH1 button, CH2 button, PANEL button

Indicators: VARIATION, BOOSTER, MOD, FX, DELAY, REVERB, TAP, CH1, CH2, PANEL

Connectors
INPUT jack: 1/4-inch phone type
POWER AMP IN jack: 1/4-inch phone type
REC OUT/PHONES jack: Stereo 1/4-inch phone type
EXP PEDAL/CTL CH1/CH2 jack: 1/4-inch TRS phone type
AUX IN jack: Stereo miniature phone type
USB port: USB B type
AC IN jack
Power Consumption: 47 W
Accessories: Owner's manual, Power cord

Options (sold separately):
Footswitch: BOSS FS-5L, BOSS FS-6, BOSS FS-7
Expression pedal: Roland EV-5, BOSS EV-30, BOSS FV-500L, BOSS FV-500H
Amplifier Stand: BAS-1

Size & weight

Width: 470 mm / 18-9/16 inches
Depth: 238 mm / 9-3/8 inches
Height: 398 mm / 15-11/16 inches
Weight: 11.6 kg / 25 lbs 10 oz

Notes: Updated version of Boss's popular Katana amp, here in 100W combo incarnation. Designed with versatility in mind, the Katana offers five core amp characters, effects and Tube Logic valve emulation.

Supplier's Notes:
Katana MkII takes the acclaimed Katana guitar amp series to the next level, turbocharging the core platform with more sounds, more effects, and more features. Newly voiced variations are now available for all five amp characters, doubling the tonal options. And the onboard effects categories have been expanded from three to five, providing even more real-time processing to choose from. The usability has been ramped up too, with a power amp input for modelers and multi-FX, easy stereo expansion for dual amp setups, updated editor software, and many other enhancements.

More Sounds, More Versatility

The stage-class Katana MkII lineup picks up where the first generation left off, building on the same core tones and features that have made the series such a worldwide smash. If you loved the original Katana amps, you'll love Katana MkII even more. And if you're new to the party, get ready for sound, feel, and versatility that soars far beyond its price class.

Five Amp Characters, Ten Overall Tones

Katana MkII's five primary amp characters offer everything from organic vintage tones to modern high-gain sounds, plus a dedicated voice optimized for acoustic-electric guitar. The characters have now been extended with newly voiced variations, providing a wider palette of tone options to craft your personal sound.

Five Effects At Once

Katana MkII now includes five simultaneous effects categories, putting the tone-shaping power of a massive pedalboard right inside your amp. Independent Booster, Mod, FX, Delay, and Reverb sections come loaded from the factory with three variations in each, providing 15 ready-to-play effects to choose from. Connecting to BOSS Tone Studio lets you dive much deeper if you want-customize the sections with over 60 different effect types, change the order with four different chains, and much more.

Full-Throttle Sound Every Time You Plug In

Backed by BOSS's Tube Logic approach, Katana MkII delivers the authentic output distortion characteristics of genuine tube amplifiers, with the sound and feel becoming richer and more responsive as you turn up the volume. But unlike that classic tube amp, Katana MkII's variable Power Control makes it easy to fly in the sweet spot without getting fired from the gig or kicked out of the house. Just throttle back the overall volume as needed to enjoy inspiring, cranked-amp sound anywhere you play, from bedroom to stage.

Amplify Your External Gear

The Katana-100 MkII rocks as a standalone amp, but it also excels as a powered cabinet for a favourite preamp, modeler, or multi-effects unit. Connecting to the rear-panel Power Amp In jack bypasses Katana MkII's preamp and effects, letting you tap straight into the Tube Logic power section, complete with grab-and-go Power Control. And with BOSS Tone Studio, the input can be easily optimized for your particular gear with a high-pass filter and adjustable gain.

One-Touch Recall Of Custom Setups

One of the Katana-100 MkII's most powerful features is the ability to store favourite amp character and effects setups in Tone Setting memories for instant recall. After you've dialled in a sound with the panel controls, simply save it to the desired memory with a quick button hold. Eight Tone Settings (two banks of four) are available, with fast selection right from the panel. And for hands-free operation on the gig, just connect external footswitches or the GA-FC foot controller.

Specifications

Rated Power Output: 100 W
Nominal Input Level
INPUT: -10 dBu (1 M ohm)
AUX IN: -10 dBu (20 k ohms)
RETURN IN: -10 dBu (100 k ohm)
Speaker: 30 cm (12 inches) x 1
Controls: POWER switch, MASTER knob, PRESENCE knob, POWER CONTROL switch (STANDBY, 0.5 W, 50 W, 100 W)
[AMPLIFIER] VARIATION button, AMP TYPE knob (ACOUSTIC, CLEAN, CRUNCH, LEAD, BROWN), GAIN knob, VOLUME knob

[EQUALIZER]: BASS knob, MIDDLE knob, TREBLE knob

[MULTI EFFECT]: BOOSTER button, MOD button, FX button, DELAY button, REVERB button, TAP button, BOOSTER knob, MOD knob, FX knob, DELAY knob, REVERB knob

[TONE SETTING] CH1 button, CH2 button, CH3 button, CH4 button, PANEL button

[STEREO EXPAND] STEREO EXPAND switch
Indicators: VARIATION, ACOUSTIC, CLEAN, CRUNCH, LEAD, BROWN, BOOSTER, MOD, FX, DELAY, REVERB, TAP, CH1, CH2, CH3, CH4, PANEL

Connectors
INPUT jack: 1/4-inch phone type
POWER AMP IN jack: 1/4-inch phone type
LINE OUT jack: 1/4-inch phone type
SEND jack: 1/4-inch phone type
RETURN jack: 1/4-inch phone type
REC OUT/PHONES jack: Stereo 1/4-inch phone type
EXP PEDAL/CTL CH1/CH2 jack: 1/4-inch TRS phone type
GA-FC jack: 1/4-inch TRS phone type
AUX IN jack: Stereo miniature phone type
USB port: USB B type
AC IN jack
Power Consumption: 77 W
Accessories: Owner's manual, Power cord, GA-FC sticker

Options (sold separately) Footswitch: BOSS FS-5L, BOSS FS-6, BOSS FS-7
Expression pedal: Roland EV-5, BOSS EV-30, BOSS FV-500L, BOSS FV-500H
GA FOOT CONTROLLER (GA-FC, GA-FC EX)
Amplifier Stand: BAS-1

Size & weight

Width: 530 mm / 20-7/8 inches
Depth: 248 mm / 9-13/16 inches
Height: 484 mm / 17-1/2 inches
Weight: 14.8 kg / 32 lbs 11 oz

Notes: Serious Rock DNA forged into a compact, battery-powered amp

BOSS Katana amps have received accolades from guitarists everywhere for their fantastic sound and feel, onboard effects, and great value. Now, the Katana-Mini makes serious Katana tone accessible in a small, go-anywhere amp that runs on batteries. Offering sound quality that far exceeds other amps in its class, this miniature powerhouse features an authentic multi-stage analogue gain circuit for big, expressive sound, plus a traditional analogue EQ and an onboard tape-style delay. Ultra-compact and travel-ready, the Katana-Mini delivers inspiring Katana tone anywhere you want to play.

Unlike typical small, battery-powered guitar amps that offer so-so sound quality, the Katana-Mini produces big, full tone that inspires you to plug in and play for hours at a time. BOSS's comprehensive design approach includes a custom speaker, advanced hardware, refined circuitry, and special component selection, which all work together to produce maximum sound quality in a minimum footprint. The amp also incorporates BOSS's decades of research in energy efficient design, providing class-defying power and punch from only six AA-size batteries.

Inspiring Tones, Ready to Rock

The Katana-Mini's all-analogue input circuitry includes multiple gain stages that drive three classic sound settings, offering the same cascaded gain approach found in high-end amp designs. This is what gives the Katana-Mini its satisfying tone and quick, interactive feel, with distortion that's easily controlled with input volume and picking strength. Inspired by BOSS's flagship Waza amp, the Katana-Mini's Brown setting delivers expressive, high-gain tones rich with harmonics, perfect for heavy riffs and soaring solos. Crunch provides overdrive that's ideal for rock rhythms and bluesy leads, while Clean offers up crisp, sparkling tones with punchy dynamic response.

Analogue Tone Stack and Onboard Delay

In contrast to the limited EQs found in other small amps, the Katana-Mini comes equipped with a genuine three-band analog tone stack. This provides natural sound shaping via familiar bass, mid, and treble controls, just like the tone stack in a full-size stage amp. In addition, you can enhance your sound further with the Katana-Mini's cool tape-style delay. Using the dedicated time and level knobs, it's simple to dial in everything from subtle reverb-like ambience to long, warm delay repeats.

Jam at Home or Grab and Go

Thanks to the Katana-Mini's advanced-yet-compact design, you can plug into serious guitar tone any time and any place. Weighing just under three pounds, it sits easily on a tabletop or shelf at home. And with the integrated handle and battery operation, it's easy and convenient to grab the amp and play anywhere you want, indoors or out. With the aux input, you can even plug in your smartphone and jam along with your personal music library or tracks streamed from the web. And for private practice and recording situations, you'll want to take advantage of the phones/recording output, which features special cabinet voicing for real mic'd amp tone.

Specifications

Rated Power Output: 7 W
Nominal Input Level: INPUT: -10 dBu (1 M ohm), AUX IN: -10 dBu (20 k ohm)
Speaker: 10 cm (4 inches)
Controls: POWER switch, TYPE switch

GAIN knob: VOLUME knob

[EQUALIZER]
BASS knob
MIDDLE knob
TREBLE knob

[DELAY]
TIME knob
LEVEL knob
Indicators: POWER

Connectors
INPUT jack: 1/4-inch phone type
AUX IN jack: Stereo miniature phone type
PHONES/REC OUT jack: Stereo miniature phone type
DC IN jack
Power Supply: Alkaline battery (AA, LR6) x 6, Rechargeable Ni-MH battery (AA, HR6) x 6, or
AC adapter (sold separately)
Current Draw: 350 mA

Expected battery life under continuous use:
Alkaline battery: Approximately 7 hours
Rechargeable Ni-MH battery: Approximately 9 hours (When using batteries having a capacity of 2500 mAh.)
* This can vary depending on the capacity of the batteries and the conditions of use.
Accessories: Owner's manual, Alkaline battery (AA, LR6) x 6
Option (sold separately): AC adaptor (PSB series)

Size & weight

Width: 230 mm / 9-1/16 inches
Depth: 116 mm / 4-5/8 inches
Height: 181 mm / 7-1/8 inches
Weight (including battery): 1.2 kg / 2 lbs 11 oz

Notes: 2 x silicone isolation pads shaped to fit UNIT-4, with a 6° incline or decline. Tuned to improve stereo accuracy and clarity. Made from 100% recycled silicone.

Notes: Bumper case in extra rugged silicone. For extra protection on the go. Made from 100% recycled silicone.

Notes: Be Heard Anywhere

Wherever you perform, high-quality sound with great projection is essential to capture listeners and stand out from the pack. With the portable CUBE Street II by your side, you have the tools you need to deliver your message with confidence in any mobile setting, from musical performances on the street to public speaking events.

Evolved from the best-selling Roland CUBE Street-and newly rebranded with the BOSS name-this battery-driven powerhouse provides rich stereo sound for busking and other mobile gigs. Dual channels allow you to plug in mics and instruments and sound great immediately, with no extra gear to carry around. A vocal harmony function, looper, and effects are also on hand to lift your performances and impress the crowd. And with the optional Bluetoothr Audio MIDI Dual Adaptor (BT-DUAL), you can wirelessly stream backing tracks and control CUBE Street II functions from your phone or tablet.

Travel Light with Powerful Sound

Compared with its popular predecessor, CUBE Street II is even lighter and more durable thanks to its modern ABS injection-moulded design. The output power has been doubled too, giving you 10 total watts of crisp and clean stereo sound to cut through street traffic, train arrivals, and other noise challenges on the gig. In quieter situations where you don't need as much headroom, kicking in Eco mode reduces the power to extend battery life.

All the Connectivity You Need

With two ultra-versatile input channels, CUBE Street II supports all types of musicians and performers. The Mic/Instrument channel features a combo jack for either an XLR balanced mic or an instrument such as a keyboard or Roland's Aerophone. Equipped with a standard 14-inch jack, the Guitar/Mic channel provides plug-and-play sound for guitarists with seven acoustic and electric amp types, as well as settings for a line-level instrument or unbalanced mic. And if you ever need to expand your sonic reach, dedicated outputs are available for connecting to a house PA or another CUBE Street II.

Make Your Performances Shine

CUBE Street II is packed with features to enhance your sound and bring fresh energy to shows. Each channel provides dedicated three-band EQ and reverb, and there's a chorus/delay effect on the Guitar/Mic channel. The harmony function on the Mic/Instrument channel creates impressive vocal harmonies that will make audiences wonder where the background singers are hiding. Harmonies are produced as you sing based on the guitar chords you play or a key you set, and you can bring them in and out as needed with an optional footswitch. There's a built-in looper too, providing a powerful and fun way to create backing tracks on the spot.

From the Street to the World

CUBE Street II helps you reach both in-person and global audiences at the same time. Via i-CUBE Link and USB, you can send the amp's audio output to video, livestreaming, or music production apps for on-the-spot capture. The i-CUBE Link jack provides a mono output and connects to most phones and tablets with the included cable, while USB supports a stereo digital connection to a computer or an iOS device.*

*An Apple adaptor may be required to connect an iOS device to the CUBE Street II via i-CUBE Link or USB.

A Grab-and-Go PA for Everyone

While designed with performing musicians in mind, CUBE Street II excels in any situation that requires high-quality sound. It's easy to move and sets up anywhere, making it perfect for speaking in presentations, workshops, and school events. And with the ability to play music as well-either wired through the aux input or wirelessly with the optional Bluetoothr Audio MIDI Dual Adaptor (BT-DUAL) -CUBE Street II is ideal for background entertainment and impromptu karaoke performances.

Specifications

Rated Power Output: 10 W (5 W + 5 W)
Nominal Input Level: MIC/INSTRUMENT INPUT: -40 dBu (2 k ohm)/-20 dBu (11 k ohm), GUITAR/MIC INPUT:-10 dBu(1 M ohm), i-CUBE LINK/AUX IN: -20 dBu (15 k ohm)
Nominal Output Level: LINE OUT : -10 dBu (MONO)
Speakers: 16 cm (6.5 inches) x 2

Controls: POWER switch, OUTPUT POWER switch (MAX, ECO), LOOPER button, STOP button

[MIC/INSTRUMENT]: SELECT switch (MIC, INST), VOLUME knob, HARMONY knob, KEY button, BASS knob, MIDDLE knob, TREBLE knob, REVERB knob

[TUNER]: TUNER button

[GUITAR/MIC]: AMP TYPE knob (NORMAL, BRIGHT, WIDE, INSTRUMENT, CLEAN, CRUNCH, LEAD, ACOUSTIC SIM, MIC), GAIN knob, VOLUME knob, BASS knob, MIDDLE knob, TREBLE knob, CHORUS/DELAY knob (CHORUS, DELAY) REVERB knob, [i-CUBE LINK/AUX IN], i-CUBE LINK/AUX IN knob

Indicators: POWER, TUNER, KEY, REC, PLAY

Connectors

[INPUT]: MIC/INSTRUMENT jack: Combo type (XLR type, 1/4-inch TRS phone type), balanced; GUITAR/MIC jack: 1/4-inch phone type; i-CUBE LINK/AUX IN jack: 4-pole miniature phone type

[OUTPUT] LINE OUT jack: 1/4-inch phone type; PHONES/REC OUT jack: Stereo miniature phone type

[FOOT SW]: SW 1 HARMONY/MIC/INST jack: 1/4-inch TRS phone type, SW 2 LOOPER/GUITAR/MIC jack: 1/4-inch TRS phone type

Bluetooth ADAPTOR connector: Dedicated connector
USB port: USB B type
DC IN jack

Power Supply
AC adaptor (DC 9 V)
Alkaline battery (AA, LR6) x 8
Rechargeable Ni-MH battery (AA, HR6) x 8

Current Draw: 390 mA

Expected battery life under continuous use:

[OUTPUT POWER switch: MAX (Maximum power output: 10 W)]
Alkaline battery: Approximately 8 hours
Rechargeable Ni-MH battery: Approximately 10 hours (*1)

[OUTPUT POWER switch: ECO (Maximum power output: 5 W)]
Alkaline battery: Approximately 11 hours
Rechargeable Ni-MH battery: Approximately 14 hours (*1)

*1 When using batteries having a capacity of 2,500 mAh.
* These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.

Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY, AC adaptor, Power cord, Mini cable (4-pole miniature phone type)

Options (sold separately):
Bluetoothr Audio MIDI Dual Adaptor: BT-DUAL
Carrying case: CB-CS1
Footswitch: FS-5U, FS-6, FS-7

Size & weight

Width: 414 mm / 16-5/16 inches
Depth: 285 mm / 11-1/4 inches
Height: 255 mm / 10-1/16 inches
Weight (excluding AC adaptor): 4.4 kg / 9 lbs 12 oz

Notes: EarthQuaker Devices proudly present to you the new and improved Spatial Delivery V3 Envelope Filter!

EarthQuaker Devices took the already cosmic, original Spatial Delivery and added six available preset slots for you to store your preferred settings - whether they be dissonant sweeps, rhythmic auto wah frequencies, oscillating robot gibberish or honestly whatever filtered frequency fun you want.

Even the expression jack assignment can be saved and recalled in any of the slots so that the signature sounds you dial in are readily available with a quick tap of the switch.

Save your settings confidently on the go thanks to the two modes indicated by the LED Save/Recall switch. Green means you're in Live Mode so what you see is what you get; current control settings will be what you hear. Red means you are in Preset Mode, where your selected pre-saved setting will be what's taking the journey through your amp.

You didn't think this pedal could get any better, and then, bam!

And of course, for all of you Spatial Delivery diehards, all the familiar features of the original are still in place. This baby has three modes with the switchable Up Sweep, Down Sweep, and Sample and Hold functions, along with Range, Resonance and Filter controls.

Get some wild filter sweeps with the Up and Down modes and adjust the Range to control the sensitivity and reaction time of the envelope, which alters the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. But again, you're a smart player, you get this stuff.

In the Sample and Hold mode, the filter is controlled by random voltage and the Range controls the speed. The filter can be crossfaded between high pass (counterclockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice.

Due to its envelope control, it is recommend that you place the Spatial Delivery first in your signal chain, however, experimenting with pairing and signal chain placement can take the potential of the Spatial Delivery even further. How far will you take it? Only time will tell.

Each Spatial Delivery pedal is handmade in Akron, Ohio, USA and is hand delivered... espatially for you.

Notes: The Morphor LFO - Dual is a slim (6 HP) dual LFO. Each channel features analogue triangle, square, sine, saw and inverted saw outputs and a cycle reset input.

Frequency ranges:

Low: 0.005 - 1.5 Hz
Med: 1.5 - 425 Hz
High: 15 - 4250 Hz

Features

100% analogue
Dual channel
Triangle wave output
Square wave output
Sine wave output
Saw output
Inverted saw output
Cycle reset input
Low/Med/High frequency selector

Specifications

Panel width: 6 HP
Panel height: 3 U
Module depth: 25 mm
Current draw: 12 V : 22 mA | -12 V : 22 mA | +5 V : 0 mA
Dimensions: 128.5 x 30.3 x 25 mm
Weight: 71 g
Power Socket : 10-pin