Review: New pop-up Keeps Going takes us on an intercontinental genre spanning ride through the tempos. Eight nuggets lovingly re-touched, tweaked, tucked and tailored for the floor, shore and record bore by the gentle hand of Any Gram. It's bell ringing! It's hammock swinging! Stick it in your fumando and inhale!
Notes: The socket with durable metal construction with polished nickel finish, is recommended for demanding professional, studio, recording and live performance applications.
The stereo channels on the stereo female mini jack are combined to a single mono signal on the full-sized male mono jack. It is ideal for plugging mini jack cables from a stereo source (iPod, MP3, portable CD, laptop/notebook/desktop PC, Apple Mac etc) into equipment expecting a mono input (amps, mixing desk, in-ear monitors/earphones etc).
The socket is used to connect cables and plug headphones, microphones, speakers fitted with cables terminated in 3.5mm mini jack plugs into equipment with full size 6.3mm (1/4") jack sockets.
Pair of female phono (RCA) to male stereo 3.5mm (mini-jack) plugs
Notes: This adapter converts the stereo 3.5mm output found on some audio devices into two phono/RCA sockets. This allows you to connect your audio device to a Hi-Fi or amplifier using standard phono cables
Review: To accompany the reissue of Man Jumping's Jumpcut album, Emotional Rescue offers 2 remix EPs that showcase the band's music with versions by contemporary producers.
Starting with stalwarts and friends in duo Khidja, it's not often you can put together a reissue that modern day wunder producers have requested, however, that is precisely what occurred. Badgering over several years about their love of Man Jumping and how they should be revered, when the call came that the reissue was happening, Khidja were the first names down.
After breaking through on sister label [Emotional] Especial way back in 2013, the pair have gone on to much acclaim with releases for Malka Tuti, Hivern Discs and DFA to name (drop) a few.
Handed the tapes, their love of Man Jumping's virtuoso playing is evident in these amazing remixes. Walk On, Bye takes its Reich meets Pop aspirations and drifting across 9 minutes of laidback but bass heavy rhythms, intricacies of clarinet, sax and trumpet are stretched and fused to repetition perfection.
Following, Down The Locale's jazz roots is developed, recast and updated, extenuating the bass, while piano and vocals interplay over scattered, skipping drums to become a latter day 'contemporary dance' odyssey.
Review: Emotional Rescue completes its trilogy exploring the music of Vox Populi with Alternatif Realisme. Highlighting the music that followed 1989's Aither (ERC030) as they transitioned from ethno-industrial roots towards a more expressive "world" sound, until the band's dislocation in 1994.
The band's development saw original members Axel Kyrou (electronics), Mitra (vocals) and Arash Khalatbari (percussion) augmented by a number of guest musicians, bringing an energy to their spontaneous recordings sessions at their studio.
The additional vocals of Dierdre Dubous is indicative of this change. Her onomatopoeia singing features heavily, invoking songs Letsam La, Chaque Jour Est Un Bon Jour and the ethereal She Walks So Easily Across The Sky.
With this, Mitra's vocals lift Chaque Jour Est Un Bon Jour, Razaye Axel Jube Hast and closing paean Chirine, showing their best. Surrounding instrumentals - often built out of long improvisational jamming - underpin. Soleymani Dub, with its Laswell dub groove is a clear stand out, while the melodics of Vapanda's Electric Garden come like a wonderful Woo outtake.
Largely unreleased, the recordings were a step outside of the changing shift towards a more digital sound. The album captures Vox Populi!, mixing their atmospheric mastery with heartfelt arias, that have familiarity but are completely unique.
Review: Emotional Rescue reissue 'Into Dark Water', the second album from UK post-industrial ambient pioneers O Yuki Conjugate (OYC).
The willfully obscure OYC formed in Nottingham in 1982 and have had a
sporadic career on the outskirts of musical culture ever since. Initially associated with the early 80s post-industrial scene - along with Soviet France and Muslimgauze - OYC quietly forged their own brand of ambient music at a time when it was distinctly unfashionable to do so.
Always reluctant to categorise their sounds, OYC have been variously described as post-industrial, ambient, darkwave, tribal ambient, chill out, electronica and Fourth World. Take your pick.
'Into Dark Water' was recorded in 1986 over four days in an eight-track garage studio in Nottingham. Produced and engineered by John Kaukis, the result was a blend of flutes, percussion, electronics and loops that focused their sound and became for many the definitive OYC album.
Originally released in 1987 on the Leeds-based Final Image label, 'Into Dark Water' quickly sold out and has been highly sought after ever since. The re-issue, featuring a lovingly recreated sleeve, makes a vinyl version of this classic available again for the first time in over 30 years.
Review: The second EP of remixes from Man Jumping's reissue on Emotional Rescue features luminaries Bullion, Reckonwrong, Gengahr and William Doyle with their reversions of songs from the Jumpcut album.
Nathan Jenkins aka Bullion follows his recent rerub of Thomas Leer (ERC072) to provide two remixes. His remake of In The Jungle keeps the originals (leftfield) dance floor roots, but sprinkles the ubiquitous warm glow and off kilter fun(k) that he evokes; while his retake of Walk On, Bye drifts back, highlighting intricate percussion; congas, bass and vocal atmospherics along some breezy swing.
Reckonwrong is next; turning the bossa vibes of Sqeezi into his own new wave meets italo reversion; topped with his unique 'under the cupboard stairs' vocals. Funky, driving, this overlooked star adds to his cannon for Whities, Pinkman and DEEK.
After a string of impressive releases for Trangressive / Beggars, Gengahr make a surprise addition, lifting Down The Locale from deceptive beginnings to anthemic heights, adding echo-laden guitar and vocals to the original's underbelly, before a bass break and return lifts to the heavens.
Finally, William Doyle provides perfect closure. Moving away from his East India Youth moniker (XL Recordings), his output has drifted towards ambient introspection, however, here points to addtional layers; rebuilding Belle Dux On The Beach with added bass, guitar, drums and finally vocals that culminate in a prefect 'to the skies' outrospection.
Review: Emotional Rescue presents the music ensemble Man Jumping, with a reissue of their experimental, post-minimalist meets pop debut album Jumpcut, to be followed by 2 special remix EPs featuring Khidja, Bullion, Reckonrong and more.
Formed in 1983 out of the disbanded The Lost Jockey (Les Disques Du Crepuscule), Man Jumping's aim was to move on from the unwieldy nature of that collective to combine the 'systems music' of Steve Reich, Terry Riley, LaMonte Young etc with rock, funk, dance and world music and create a new cross over.
Consisting of studied musicians and created from theory as well as technique, the liberation from formal restrictions took shape over four years that spawned 2 albums and one 12".
Released on Bill Nelson's 'Cocteau' label in 1985, Jumpcut's was critically praised but destined for more discerning ears. The 7 songs - including here a 12" mix of Aerotropics - developed from 16 stave manuscript into live recordings straight to tape, with no sequencing to keep their live feel intact.
Carefully planned but made in the moment, members Charlie Seaward, Glyn Perrin, John Lunn, Orlando Gough and Shaung Tozer's legacy is demonstrably durable, a testament to their originality of thought to an idea of what might be rather than an imitation of what has been.
Review: Be With Records and Emotional Rescue team up to present a special release of US jazz vocal group Rare Silk and their cult song, Storm.
A diggers cut for many years, more recently it's become an algorithm "hit". Presented here as a stand-alone limited 10" release, the song is backed by a spellbinding echo-drenched remix by New York's exemplary electronic sonic explorer, Arp.
Originally formed when sisters MaryLynn and Gaile Gillaspie met Marquerite Juenemann in southern California in the late '70s, with the arrival of Todd Buffa the trio quickly expanded to a four-part harmony vocal group. Signed to Polydor, they rose to prominence over the ensuing decade with the release of three albums that gained them multiple Grammy nominations.
Taken from their 1985 album American Eyes, Storm is based on a Stanley Turrentine song of the same name, from his 1971 album Salt Song. With additional vocals written by MaryLynn, as with much of their music -underpinned as it is by an otherworldly exotica - the artisanal, crafted care of the instrumental and vocal arrangements, featuring lush, rich phrasing, is evident in their exquisite reading of the song.
When deciding how best of present the song it seemed right to ask a favourite of both labels. Having appeared on Emotional Response in 2017/18, Alexis Georgopoulos returned to his Arp project with last years' much-heralded Zebra album on Mexican Summer. Stripping out the vocals, the remaining instrumental is rearranged, rebuilt and then soaked in heavy tape echo. The result is a discerning dub to act as the perfect accompaniment.