Review: It's been a long time between drinks for Chris Korda, a transgender artist and activist whose last releases of note came on famed electroclash label International Deejay Gigolo way back in 2004. New album "Akoko Ajeji" is very much a surprise return to action, though its melodious, ear-pleasing and accessible blend of house and techno drums, digital synthesizer sounds and cheery post synth-pop refrains is both striking and hugely addictive. Korda's compositions offer subtle nods towards various vintage house and techno styles - particularly turn-of-the-90s deep house and early Chicago jack - but never sound anything less than thrillingly DIY productions giddily made in back rooms and bedrooms over the last decade and a half.
Review: In 1988, German siblings Ernst and Hans-Peter Stroer joined forces with Howard Fine and Nadeen Holloway to produce Kunstdisco Seoul, an EP of synth-pop/neo-classical/Euro-house fusion. "Night Falls", a cheery tribute to mid-to-late '80s Prince, was arguably the EP's strongest moment. Here, it gets the reissue treatment, with the tasty original version being joined by a trio of fresh remixes. Mudegg serves up two interpretations: the jaunty electrofunk-goes-synth-pop flex of the "Machine Mix" and the Balearic nu-disco inspired "Alpha Wave Mix". While these are both fine, the version that really stands out comes from German boogie revivalists First Touch. Their take - an authentic tribute to glistening NYC synth-boogie complete with vintage synthesizers and clattering drum machines - is almost worth the entrance money on its own.
Straight microphone stand with adjustable height and tripod base
Notes: This entry level steel microphone stand is great value for money. This straight microphone stand has an adjustable height from 950-1650mm, ideal for Musicians, Bands, Solo-artists, Schools, Stage and home use.
It also features folding tripod legs which can be folded inwards which allows easy transportation and storage, All in a stylish black finish.