Review: Secretsundaze return with a second volume of their new mixtape series. After the success of the Joe Claussell tape they turn to Carista for another introspective mix aimed at a relaxed home-listening session.
In May 2018, Carista performed one of her first international gigs at Secretsundaze in London and went on to play 2 other shows for them that year. A year later, she has become a mainstay on the European club & festival circuit, playing to an ever growing, passionate and loyal fanbase week in week out, already playing shows that most DJs would only dream of, including closing a stage at Lowlands festival to an audience of 10000. No wonder a recent Mixmag article crowned her as "A DJ star in the making".
Her residencies on NTS and Red Light Radio showcase her love of house, boogie, broken beat, disco, funk and beyond. Her DJ gigs can also see her explore further into house and techno but this mixtape showcases a different, softer side of Carista blending ambient soundscapes, jazz, dub and soul as well as some poignant words from Nina Simone.
This is Carista's debut physical format release so don't sleep!
Review: An integral figure on the Motor City scene for the best part of two decades, Specter has always been a particularly prolific producer. Built To Last - appearing on Theo Parrish's significant Sound Signature label - is his first album-length excursion. It offers an expansive summary of his inspirations and influences - many will notice subtle nods towards local deep house, techno and electro heroes, as well as more experimental synthesizer music, off-kilter electronic jazz-funk, deep space dub and eyeliner-clad early '80s synth-wave - while also showcasing a trademark sound that's every bit as dusty, warm, loose and lo-fi as his lauded Detroit peers.
Review: Hot Chip are back! The coolest dudes since Devo return like a monkey with a miniature cymbal with their seventh full length album. With vocoding effects layered over the sweet tone of Alexis Taylor's voice referencing all matter of contemporary and retro-active pop and trance sensibilities, this album once again sees Hot Chip at the front of pioneering, friendly and avant garde pop music. Produced by the late Philippe Zdar (one half of Cassius) - also responsible for applying award winning touches to albums by Phoenix and Cat Power, Domino is calling the record "a celebration of joy but recognises the struggle it can take to get to that point of happiness". Our tips: album opener "Melody Of Love" and the '80s trance-pop that is "Hungry Child".
Review: When is a psychedelic rock album not a psychedelic rock album? Anyone who has quickly scrawled answer-on-postcard reads "when it's Temples" can go straight to the top of the class. Evidently you have been paying attention over the course of the British three piece's last two full length records. It's not that things don't sound pretty out there and trippy. All the elements to achieve that are here, but the accessibility is ramped up to the level of a pop album, with arrangements owing more to traditional song craft than anything particularly experimental. Don't read that as criticism, though. Tracks like "Not Quite The Same" are huge, proud, instantly catchy but far from obvious numbers. "You're Either On Something" thumps and lunges through its various permutations, "Atomise" pares everything back, luring us in, before opening up into a frantic, grunge-metal guitar line. We can only imagine the fun they had recording it.
Review: To be a fan of Ty Segall must be a rewarding thing as the Californian singer-songwriter can deliver at the very least one album per annum. This does nothing to diminish the quality of his much loved and trusted music and this time around, with the help of his backing group the Freedom Band, he delivers a live album recorded at Los Angeles' Teragram Ballroom. Mixed by American legend Steve Albini, this album even comes with a rendition of a Segall track commissioned by Comedy Central, and though "Deforming Lobes" may be on a slightly different tip from Segall's cover album "Fudge Sandwich" - and the four albums he released in 2018 - there's no denying the raw take of a wild, uncensored performance.
Review: By the time you reach the muffled, eccentric opening bars of "Tenderness", just past halfway on "Anak Ko", Jay Som's remit is clear. The Los Angeles singer-songwriter has left her shoes, or rather shoegaze, behind. This time she's walking barefoot through a lo-fi musical tapestry, baring soles and heartbreak while musing on the importance of self-value. Highlights are plentiful throughout, from the head-noddingly agreeable "Nighttime Drive" to the jerking, grunge-y "Peace Out", it's equal parts gorgeous and effortlessly- not to mention breathily- cool, sexy and surprising. Perhaps what's most reassuring, though, is that there's every chance this could all come across as affected and a little too self-aware. Nothing could be further from the truth from what we can hear- an honest work representing the next step in the evolution of a truly exciting American indie talent.