Suchergebnisse: Dance Music

Notes: Grandmother is a semi-modular analogue synthesizer with a built-in arpeggiator, sequencer and spring reverb tank. Start playing immediately with "no patching required", and then explore an infinite sonic playground with Grandmother's reconfigurable front panel. Grandmother's circuits, spring reverb, and spirit are inspired by the classic Moog Modular Synthesizers, making this instrument a powerful addition to a Mother-32, DFAM or any Eurorack modular system.

Grandmother is a sonic playground that harkens back to Moog's modular roots, where synthesis is not only about the end result, but the journey of discovery and experimentation. While capable of highly complex sounds and modulation, Grandmother's semi-modular design requires absolutely no patching, ensuring that human beings of any skill-level can easily explore and experience the joys and magic of analogue synthesis.

Inspired by the classic Moog modular synthesizers that came before it, Grandmother's sound engine, modulation engine and onboard spring reverb tank are completely analogue, resulting in an unrestricted sonic vocabulary of immeasurable beauty and power. In addition, Grandmother also features an easy to use Arpeggiator and Sequencer for added enjoyment and programmable syncopation.

Though not required, creative patching and exploration are the keys to discovering exciting new relationships between modules and to truly unlocking Grandmother's infinite expanse of auditory inspiration. Patching can also be used to override internal connections, allowing each section to function just as an independent module would.

In addition to its standalone function, Grandmother is also an ideal analogue audio processor for external sound sources, and a powerful keyboard front end for expanding a Mother-32, DFAM or Eurorack modular system.

Specifications

Type: Semi-Modular Analog Synthesizer
Sound engine: Analogue
Number of keys: 32 Full-Size Keys
Type of keys: Velocity-sensing (Velocity signal is not hard-wired - available via MIDI and KBD VEL OUT jack)
Other controllers: Pitch Bend, Mod Wheel, Variable Glide
Polyphony: Monophonic
Sound sources: 2 Oscillators with selectable Waveforms (Oscillator 2 supports Sync to Oscillator 1 plus linear FM), 1 White Noise Generator, External Input jack

Notes: The Minitaurr is an inconspicuously compact, subharmonic bass machine designed to effortlessly integrate into any performance and computer-based music solution. Just as its progenitors, the Minitaur effortlessly does one thing above all others... wall splitting analog BASS.

For over 40 years, the Moog Taurus has been the secret weapon of artists and producers around the globe for generating earth-shaking bass.

The Minitaur is the newest addition to the Taurus family of Analog Bass Synthesizers. It is an inconspicuously compact, subharmonic bass machine designed to integrate seamlessly into any performance or computer-based music workflow . Just as its progenitors, the Minitaur effortlessly does one thing above all others... wall splitting analog BASS.

The solid steel enclosure of the Minitaur is deceptively simple - offering immediate access to critical sound design and performance controls only. This makes Minitaur extremely fast and easy to use--but just under the surface lies a vast expanse of dynamic and inspirational power that is instantly accessible from almost any laptop or MIDI controller.

The free Minitaur Editor software truly unlocks Minitaur's power and flexibility by making DAW integration and control completely seamless on both Mac and Windows machines. Load and save up to 128 presets onto your Minitaur, select from 6 different modulation waveshapes , engage Hard Sync, access full ADSR envelopes, MIDI sync the LFO, reset oscillator waveform cycles, polychain with other Moog synthesizers and more. Every feature can be manipulated, automated and recalled instantly.

Minitaur v2.2
The new Minitaur v2.2 update expands this powerful analog bass synthesizer with a host of new performance elements and user requested features, including front-panel access to new LFO wave-shapes, oscillator hard-sync and much more--and Minitaur's new Librarian/Editor Software makes DAW integration seamless between your synthesizer and Mac or Windows machine.

SPECS
SOUND ENGINE
Analog
PRESETS
128 Presets
POLYPHONY
Monophonic (Can be poly-chained)
EXTERNAL CONTROLLER RESPONSE
Keyboard, Pitch Bend, Mod Wheel, After Pressure and Velocity
SOUND SOURCES
2 Waveshape Oscillators with Square and Saw waveshapes

Notes: Another Moog classic, drawing on the brand's extensive modular synth heritage to create a semi-modular analogue powerhouse. Available here in the classy Dark Series colour scheme.

Supplier's Notes:
Grandmother Dark is a new color variant for Moog Grandmother. Grandmother Dark presents the same great features, sounds, and specs as the original colorful Grandmother, now offered in an all-black color scheme that invokes the timeless look of Moog's classic modular control panels.

Grandmother is a sonic playground that harkens back to Moog's modular roots, where synthesis is not only about the end result, but the journey of discovery and experimentation. While capable of highly complex sounds and modulation, Grandmother's semi-modular design requires absolutely no patching, ensuring that human beings of any skill-level can easily explore and experience the joys and magic of analog synthesis.

Inspired by the classic Moog modular synthesizers that came before it, Grandmother's sound engine, modulation engine and onboard spring reverb tank are completely analog, resulting in an unrestricted sonic vocabulary of immeasurable beauty and power. In addition, Grandmother also features an easy to use Arpeggiator and Sequencer for added enjoyment and programmable syncopation.

Though not required, creative patching and exploration are the keys to discovering exciting new relationships between modules and to truly unlocking Grandmother's infinite expanse of auditory inspiration. Patching can also be used to override internal connections, allowing each section to function just as an independent module would.

In addition to its standalone function, Grandmother is also an ideal analog audio processor for external sound sources, and a powerful keyboard front end for expanding a Mother-32, DFAM or Eurorack modular system.

WHAT'S IN THE BOX:

Grandmother Dark
Manual
Patch Cables (2x 6/12/18/24")
Registration Card
Drawstring Bag
IEC Cable
Power Brick
Instrument Catalog

WEIGHT
18 lbs.

DIMENSIONS
23"W x 14 1/4" D x 5 1/2" H

POWER
Included Power Adapter 12V, 2A -100 to 240 Volts AC, 50/60Hz

Notes: Subharmonicon is a semi-modular polyrhythmic analogue synthesizer that employs a 6-tone sound engine and multi-layered clock generator to explore the world of subharmonics, polyrhythms, and the unique relationships they create.

Subharmonicon's characteristic sound starts with two analogue VCOs and four Subharmonic Oscillators for a total of six powerful sound sources. Each subharmonic tone is mathematically derived from one of the two main VCOs, giving the resulting chord shapes a beautifully coherent quality. Onboard quantization lets you dial in perfect intervals every time with selections for multiple tuning systems. Choose from contemporary Equal Temperament settings, the heavenly intervals of Just Intonation, or the unlimited freedom of no quantization at all.

Animating Subharmonicon's distinctive chord shapes is done through a polyrhythmic pair of 4-Step Sequencers. Each sequencer is clocked by any or all of four Rhythm Generators that output mathematical divisions of the master tempo. Layer multiple Rhythm Generators on top of each other to create complex polyrhythms and discover inspiring new patterns and styles. Delve into Subharmonicon's dual Envelope Generators, Moog Ladder Filter, and analogue VCA to call up dynamic articulations ranging from lush pads and blurred edges to percussive plosives and ritualistic rhythms.

Although no patching is required to start creating, exploring Subharmonicon's modular patchbay unlocks worlds of possibilities as you make novel connections and plug into new ideas. The 32-point 3.5mm patchbay can be patched into itself, expanding Subharmonicon's onboard capabilities, or interfaced with Mother-32, DFAM, and other external Eurorack-compatible gear (MIDI Type A adapter included for DIN to 3.5mm MIDI input). Use as a standalone synth with included +12V DC power supply or simply remove the front panel to install into any Eurorack system.

The Moog Subharmonicon is a versatile analogue labyrinth of subharmonically derived synthesis and polyrhythmic sound, equally suited for losing oneself and simultaneously finding oneself.

Subharmonicon is inspired by Joseph Schillinger's mathematical system for musical composition and is influenced by two analogue innovations from the 1930s and 1940s: the Mixtur-Trautonium, which employed a series of subharmonic oscillators to generate electronic undertones, and the Rhythmicon (developed by Leon Theremin!), an instrument capable of sounding multiple harmonically related polyrhythm generators simultaneously.

The Mixtur-Trautonium created subharmonics by dividing the frequency of its primary oscillator, while the Rhythmicon created polyrhythms that were multiplications of its primary tempo. These concepts of subharmonics and polyrhythms form the historic roots of the Moog Subharmonicon.

The undertone series, or subharmonic series, results from the division of an initial fundamental frequency (f) by successive integer values (unlike the overtone series, which results from integer multiples of the fundamental frequency). Where overtones are found to occur naturally in acoustic sounds, undertones must be produced through more extreme or novel methods, such as electronic circuitry.

Polyrhythms employ multiple rhythms playing at once to create complex, interweaving phrases. In the same way that a subharmonic oscillator divides the fundamental frequency (f) to create a musically related subharmonic, each rhythm generator in Subharmonicon uses an integer value to divide the current tempo value (t) to create a new rhythm.

Specifications
Sound Engine: Analogue
Sources: VCO 1, SUB 1, SUB 2 / VCO 2, SUB 1, SUB 2
Filter: Self-Oscillating Ladder Filter, Low-Pass, 4-Pole (-24 dB/Octave)
Envelopes: VCA EG (Attack, Decay); VCF EG (Attack, Decay)
Sequencers: Analogue (x2)
Steps: 4 Steps per Sequencer, selectable Quantization
Clock: Driven by any and all of the Rhythm Generators

Notes: DFAM is the first addition to the Mother-32 family of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions.

Activated by an easy-to-use analogue sequencer, DFAM's emotive sound begins with a white noise generator and two wide-range analogue oscillators - effortlessly transitioning between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM's distinctive voice is then shaped by a classic Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations.

DFAM behaves much like a living organism, reacting in different ways to different individuals. 3 dedicated analogue envelopes work dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and cacophonous chaos can be spawned or subdued at the turn of a knob.Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviours, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analogue instrument into a modular Eurorack production environment.

Through exploration and experimentation, the vast potential of this expressive analogue instrument is realised.

Specifications

Sound engine: Analogue
Analogue sequencer: 8-Steps With Pitch and Velocity Per-Step
Sequencer panel controls: Tempo, Run/Stop, Trigger, Advance
Sound sources: 2 Oscillators With Square and Triangle Waveforms, 1 White Noise Generator, 1 External Audio Input
Frequency control: +/- 5 Octaves (10 Octave Range)
Mixer: Level controls for Oscillator 1, Oscillator 2 and White Noise/External Audio Input
Filter: 20Hz-20KHz Switchable Low Pass / High Pass 4-Pole Transistor Ladder Filter

Notes: The Mother-32 is a distinctive analog instrument that brings raw sound, step-sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive live performance and production synthesizer is designed to provide experimental musicians and synthesists with a diverse array of creative tools to inspire new ideas, unique sound and endless sonic exploration.

Drive synchronized sound with Mother 32's powerful step sequencer while utilizing its modular patchbay and assignable output to spawn a living, breathing organism with dynamic and modifiable sound processing. Patch multiple control and sound sources into Mother-32's voltage controlled mixers and truly unlock the vast potential of this powerful instrument, or pull all of the patch cables, plug in a MIDI cable and simply drive your Mother-32 from any MIDI-equipped device.

The Mother-32 is secured in an extruded aluminum enclosure with wood sides, but can also easily be relocated to almost any Eurorack enclosure.

During the prototype phase, Moog worked with 3 unique synthesists: Erika (Interdimensional Transmissions), Max Ravitz (Ghostly International), and Bana Haffar to produce a video that explores Mother-32's vast capabilities. Through performance and sound design, each artist displays the extensive vocabulary found within Mother-32. All patches were performed live, with no overdubs.

Specs

Sound Engine: Analogue
Polyphony: Monophonic
Keypad: 13 Note
Step sequencer: 32-Step with 64 Sequence Locations, Keyboard and Step Edit Modes
Sequencer panel controls: Tempo, Swing, Run/Stop, Hold, and Reset
Sound sources: 1 Oscillator With Pulse and Saw Waveforms, 1 White Noise Generator, 1 External Audio Input
Oscillator range: 8Hz-8KHz (16KHz max with LFO/CV)

Notes: The latest in a series of iconic instruments from Moog, the Etherwave Theremin harks back to the very start of Bob Moog's career but introduces modern touches and CV outputs to control modular gear.

Supplier's Notes:
Moog's Etherwave Standard and Etherwave Plus set the bar of performance theremin design over the last two decades. Now, the all-time highest selling theremin models get an update to become simply the Moog Etherwave Theremin.

Combining analogue playability with unprecedented performance potential, Moog's Etherwave Theremin provides an accurate five-octave pitch range and balanced spacing between notes for a highly sophisticated degree of playability.

Updated analogue electronics have been used to create Bob Moog's classic theremin circuit design while improving bass response in the lower registers.

The refined cabinet features hand-finished hardwood and two quickrelease plated-brass antennas. Additionally, rear-panel I/O connections and a detachable mic stand adapter ensure quick setup on the go.

Easily accessible front-panel controls allow for spontaneous changes in timbre, and the antennas' response can be adjusted to suit any player and their environment (advanced users can go a step further via the calibration access panel on top of the instrument).

A front panel headphone output-with dedicated volume control-pairs with the addition of a Mute button that silences the main audio output, while leaving the headphone output active for privately adjusting timbre and tuning. In addition, Etherwave Theremin can connect directly to-and control-your other modular, semi-modular, and Eurorack synthesizer systems via CV (Control Voltage).

Control your synthesizers or effects while playing the theremin by patching into Etherwave Theremin's 3.5mm Pitch CV, Volume CV, and Gate CV jacks for a completely new performance experience.

Technical specs:

Sound Source: Analogue Heterodyning Oscillator
Sound Modifier: Analogue VCA
Pitch Antenna: Performance control of the frequency range, from approximately 0 Hz to 4.2 kHz, based on hand proximity
Volume Antenna: Performance control of the dynamic range of over 70dB, based on hand proximity
Mute Button: On: Audio Out muted; Phones Out active
Off: All outputs active
Switch Jack: 1/4" jack for momentary footswitch (not included)
controls Mute function
Power: LED indicator (front panel); Button (rear panel)
Headphones: 1/4" output jack
Audio Out: 1/4" Audio output jack
CV Out: 3.5mm jacks for Volume CV Out, Pitch CV Out, Gate CV Out
Power Supply: Style: wall adapter; barrel connection; center-pin positive
Input: 100 - 240VAC; 50 Hz - 60 Hz
Output: +12VDC; 2A

In the box

Etherwave Theremin
Detachable Pitch Antennae
Detachable Volume Antennae
Calibration Tool
Power Supply
Quickstart Guide
User's Manual
Product Catalog ue
Registration Card

Weights & dimensions

Product only

Weight (lbs): 6.3 lbs
Weight (kg): 2.85 kg
Imperial (in) With Antennas: 18.73" H x 26.81" W x 6.59" D
Metric (cm) With Antennas: 47.58 cm H x 17.72 cm W x 16.74 cm D
Imperial (in) Without Antennas: 3.31" H x 17.72" W x 6.26" D
Metric (cm) Without Antennas: 8.4 cm H x 45 cm W x 15.9 cm D

Product in box
Weight (lbs): 9.6 lbs
Weight (kg): 4.35 kg
Imperial (in): 9.5" H x 21.25" W x 6.5" D
Metric (cm): 24.13 cm H x 53.97 cm W x 16.51 cm D

Notes: ***B-STOCK: Box opened, product in perfect working order***


Subharmonicon is a semi-modular polyrhythmic analog synthesizer that employs a 6-tone sound engine and multi-layered sequencers to explore the world of subharmonics, polyrhythms, and the unique relationships they create.

Subharmonicon's characteristic sound starts with two analog VCOs and four Subharmonic Oscillators for a total of six powerful sound sources. Each subharmonic tone is mathematically derived from one of the two main VCOs, giving the resulting chord shapes a beautifully coherent quality. Onboard quantization lets you dial in perfect intervals every time with selections for multiple tuning systems. Choose from contemporary Equal Temperament settings, the heavenly intervals of Just Intonation, or the unlimited freedom of no quantization at all.

Animating Subharmonicon's distinctive chord shapes is done through a polyrhythmic pair of 4-Step Sequencers. Each sequencer is clocked by any or all of four Rhythm Generators that output mathematical divisions of the master tempo. Layer multiple Rhythm Generators on top of each other to create complex polyrhythms and discover inspiring new patterns and styles. Delve into Subharmonicon's dual Envelope Generators, Moog Ladder Filter, and analog VCA to call up dynamic articulations ranging from lush pads and blurred edges to percussive plosives and ritualistic rhythms.

Although no patching is required to start creating, exploring Subharmonicon's modular patchbay unlocks worlds of possibilities as you make novel connections and plug into new ideas. The 32-point 3.5mm patchbay can be patched into itself, expanding Subharmonicon's onboard capabilities, or interfaced with Mother-32, DFAM, and other external Eurorack-compatible gear (MIDI Type A adapter included for DIN to 3.5mm MIDI input). Use as a standalone synth with included +12V DC power supply or simply remove the front panel to install into any Eurorack system.

The Moog Subharmonicon is a versatile analog labyrinth of subharmonically derived synthesis and polyrhythmic sound.

Subharmonicon is inspired by Joseph Schillinger's mathematical system for musical composition and is influenced by two analog innovations from the 1930s and 1940s: the Mixtur-Trautonium, which employed a series of subharmonic oscillators to generate electronic undertones, and the Rhythmicon (developed by Leon Theremin!), an instrument capable of sounding multiple harmonically related polyrhythm generators simultaneously.

The Mixtur-Trautonium created subharmonics by dividing the frequency of its primary oscillator, while the Rhythmicon created polyrhythms that were multiplications of its primary tempo. These concepts of subharmonics and polyrhythms form the historic roots of the Moog Subharmonicon.

The undertone series, or subharmonic series, results from the division of an initial fundamental frequency (f) by successive integer values (unlike the overtone series, which results from integer multiples of the fundamental frequency). Where overtones are found to occur naturally in acoustic sounds, undertones must be produced through more extreme or novel methods, such as electronic circuitry.

Polyrhythms employ multiple rhythms playing at once to create complex, interweaving phrases. In the same way that a subharmonic oscillator divides the fundamental frequency (f) to create a musically related subharmonic, each rhythm generator in Subharmonicon uses an integer value to divide the current tempo value (t) to create a new rhythm.

SOURCES: VCO 1, SUB 1, SUB 2 / VCO 2, SUB 1, SUB 2

FILTER: Self-Oscillating Ladder Filter, Low-Pass, 4-Pole (-24 dB/Octave)

ENVELOPES: VCA EG (Attack, Decay); VCF EG (Attack, Decay)

ANALOGUE SEQUENCERS (X2)

STEPS: 4 Steps per Sequencer, selectable Quantization

CLOCK: Driven by any and all of the Rhythm Generators

RHYTHM GENERATORS (X4)

RHYTHM: Derived by dividing the Tempo by an integer value (1-16)

CLOCK: 20 BPM to 3,000 BPM (Beats per Minute; 1 Pulse per Quarter-note), MIDI Clock, EXT CLOCK
PATCHBAY

JACKS: 32 x 3.5mm

MIDI: 3.5mm MIDI Input (Type A dongle included)

REAR PANEL AUDIO: 1/4" TRS Headphone or 1/4" TS Instrument

POWER: Power supply connection

SECURITY: Kensington lock slot

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Minitaur is a compact analog bass synthesizer that features a classic one knob per function layout. It is the first instrument in the Taurus family that does not have foot pedals.

The Minitaur has all the growl, snarl and body associated with the Taurus family of bass synthesizers. Moog are really excited to be able to offer this in such a compact package that is both immediately playable as an extremely versatile analog synth and also integrates seamlessly into the world of MIDI and USB control environments, says Cyril Lance, Chief Engineer of Moog Music.

The Taurus Bass Pedals enjoy a nearly 40-year history and have made a seismic impact in the music world since their introduction in the mid-Seventies. The Taurus opened up so many possibilities for me, it also opened up a whole way of looking at what I do, says Geddy Lee, of the multi-platinum band Rush.

In 2009, Moog Music released the Taurus 3 Bass Pedals, a modern reinterpretation of the classic Taurus Bass Pedals. The Taurus 3 is currently used by artists such as The Black Keys, Animal Collective, Jean Michel Jarre, Yes, Weezer, Rush and The Dave Matthews Band.

Since the inception of Moog Music, Bob Moog tested his ideas, instruments and sounds on musicians as a key part of the product development process. In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, the renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.

In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, Holy F*ck and renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Subharmonicon is a semi-modular polyrhythmic analog synthesizer that employs a 6-tone sound engine and multi-layered sequencers to explore the world of subharmonics, polyrhythms, and the unique relationships they create.

Subharmonicon's characteristic sound starts with two analog VCOs and four Subharmonic Oscillators for a total of six powerful sound sources. Each subharmonic tone is mathematically derived from one of the two main VCOs, giving the resulting chord shapes a beautifully coherent quality. Onboard quantization lets you dial in perfect intervals every time with selections for multiple tuning systems. Choose from contemporary Equal Temperament settings, the heavenly intervals of Just Intonation, or the unlimited freedom of no quantization at all.

Animating Subharmonicon's distinctive chord shapes is done through a polyrhythmic pair of 4-Step Sequencers. Each sequencer is clocked by any or all of four Rhythm Generators that output mathematical divisions of the master tempo. Layer multiple Rhythm Generators on top of each other to create complex polyrhythms and discover inspiring new patterns and styles. Delve into Subharmonicon's dual Envelope Generators, Moog Ladder Filter, and analog VCA to call up dynamic articulations ranging from lush pads and blurred edges to percussive plosives and ritualistic rhythms.

Although no patching is required to start creating, exploring Subharmonicon's modular patchbay unlocks worlds of possibilities as you make novel connections and plug into new ideas. The 32-point 3.5mm patchbay can be patched into itself, expanding Subharmonicon's onboard capabilities, or interfaced with Mother-32, DFAM, and other external Eurorack-compatible gear (MIDI Type A adapter included for DIN to 3.5mm MIDI input). Use as a standalone synth with included +12V DC power supply or simply remove the front panel to install into any Eurorack system.

The Moog Subharmonicon is a versatile analog labyrinth of subharmonically derived synthesis and polyrhythmic sound.

Subharmonicon is inspired by Joseph Schillinger's mathematical system for musical composition and is influenced by two analog innovations from the 1930s and 1940s: the Mixtur-Trautonium, which employed a series of subharmonic oscillators to generate electronic undertones, and the Rhythmicon (developed by Leon Theremin!), an instrument capable of sounding multiple harmonically related polyrhythm generators simultaneously.

The Mixtur-Trautonium created subharmonics by dividing the frequency of its primary oscillator, while the Rhythmicon created polyrhythms that were multiplications of its primary tempo. These concepts of subharmonics and polyrhythms form the historic roots of the Moog Subharmonicon.

The undertone series, or subharmonic series, results from the division of an initial fundamental frequency (f) by successive integer values (unlike the overtone series, which results from integer multiples of the fundamental frequency). Where overtones are found to occur naturally in acoustic sounds, undertones must be produced through more extreme or novel methods, such as electronic circuitry.

Polyrhythms employ multiple rhythms playing at once to create complex, interweaving phrases. In the same way that a subharmonic oscillator divides the fundamental frequency (f) to create a musically related subharmonic, each rhythm generator in Subharmonicon uses an integer value to divide the current tempo value (t) to create a new rhythm.

SOURCES: VCO 1, SUB 1, SUB 2 / VCO 2, SUB 1, SUB 2

FILTER: Self-Oscillating Ladder Filter, Low-Pass, 4-Pole (-24 dB/Octave)

ENVELOPES: VCA EG (Attack, Decay); VCF EG (Attack, Decay)

ANALOGUE SEQUENCERS (X2)

STEPS: 4 Steps per Sequencer, selectable Quantization

CLOCK: Driven by any and all of the Rhythm Generators

RHYTHM GENERATORS (X4)

RHYTHM: Derived by dividing the Tempo by an integer value (1-16)

CLOCK: 20 BPM to 3,000 BPM (Beats per Minute; 1 Pulse per Quarter-note), MIDI Clock, EXT CLOCK
PATCHBAY

JACKS: 32 x 3.5mm

MIDI: 3.5mm MIDI Input (Type A dongle included)

REAR PANEL AUDIO: 1/4" TRS Headphone or 1/4" TS Instrument

POWER: Power supply connection

SECURITY: Kensington lock slot