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Cat: 643381 Rel: 27 Mar 17
 
Lo-fi digital reverb effect unit
Notes: Digiverb is a lo-fi reverb effect unit that uses an Accutronic digital reverb "tank" module. The sound is somewhere between a virtual spring reverb and a dense multi tap delay but the effect is quite musical and interesting.

Use the Digiverb as a simple and fun way to add some extra dimensions to your patches!
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 2 in stock $75.88
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Cat: 677565 Rel: 29 May 18
 
Mark II version of the Rubicon triangle core VCO module
Notes: Intellijel has made the already awesome Thru Zero VCO Rubicon even better! In addition to the seven waveforms plus sub-oscillator of the first version, the second generation offers a new Warp stage, which generates a hybrid of complex pulse and other waves - you can even use external audio material. In order to keep results in the range of 10 Vpp, there is a wave folder called Squish. On top, the FM capabilities were expanded.
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 1 in stock $387.87
Cat: 620696 Rel: 10 Aug 16
 
Analog compressor and tone shaper synth module in Eurorack format - 18HP wide
Notes: Analog coloring compressor module:

- 100% analog signal path and sidechain feedforward compressor
- Unique (log based RMS) detector
- Output routed through a specially selected Edcor transformer with highly desirable saturation qualities.
- Three carefully designed analog circuits to impose specific character on the output signal:
- TUBE adds non-linear distortion providing second order harmonics
- TAPE adds symmetrical distortion providing both even and odd harmonics
- XFRM modifies the transformer feedback circuit, giving a boost to low bass content
- All three color circuits can be engaged in any combination to react differently based on the input drive level and makeup gain
- Sidechain routed through a voltage controllable SVF filter with LP, BP and HP modes. A trimmer on the PCB allows you to adjust Q. This filter can be used independently of the rest of the module.
- External sidechain input allows triggering of the compressor with external sources.
- Link IN/OUT allows two Jellysquashers to be chained together for stereo operation.
- Full CV control of sidechain cutoff, threshold, ratio, attack time, release time, and makeup gain.
- Wet/Dry control allows for "New York" style compression where there is a blend of the dry and compressed output signal.
- LED bargraph with selectable display modes to view the signal level in VU or the gain reduction in dB.
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 1 in stock $316.19
Cat: 602207 Rel: 04 Apr 16
 
USB socket for charging/powering peripheral devices - 2HP wide
Notes: USB socket for charging/powering peripheral devices.

This tiny but handy module connects the USB A connector to the +5V bus on the Intellijel TPS series powered busboards. Allowing 1A or more of current to be supplied to USB devices such as lamps, phone chargers, and usb powered musical devices.

It connects to the bus via supplied two-pin cable.

*Compatible with the TPS30 MAX and TPS80 busboards. TPS30MINI board requires an adapter.
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 9 in stock $18.18
Cat: 739049 Rel: 19 Jul 19
 
Headphone amp capable of driving high impedance headphones via a 1/4" stereo Neutrik jack
Notes: Outs enables your modular system to output both professional and prosumer compliant audio, and send it to external amplifiers, mixers, recording devices, or DAW interfaces. Using the L+R Level knob, it scales modular-level voltages down to the level required to drive external gear at either the +4dBu balanced professional line-level standard or the -10 dbV unbalanced standard.

Headphone monitoring is also provided via a low noise built-in headphone amp (with its own independent level control), capable of driving a wide range of impedances - from studio grade headphones to portable style earbuds.

To use Outs, simply connect the final output of your patch to the 1/8" inputs (where the built-in activity LEDs light up to indicate the presence and intensity of the input signal). The left input is normalled to the right, so you can create a stereo signal from a mono source. Or if you have an Intellijel Mixup, you can remove a jumper from its rear panel, and connect it to the Outs module using the 3-pin link cable included with the Mixup.
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 3 in stock $140.18
Cat: 739050 Rel: 19 Jul 19
 
Three-channel active/buffered attenuverter & summing mixer
Notes: Triplatt is a three-channel active/buffered attenuverter and summing mixer. Each channel has a knob, which can function as a unipolar attenuator or a bipolar attenuverter, depending on the setting of its corresponding two-position polarity switch.

Each input is normalled to a built-in precision +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 V or -5 to +5 V depending on the position of the channel polarity switch. Outputs A and B are also capable of a range of 0-10 / -10 to +10 when using the special function switches.

Each output is normalled to mix into the output of the channel below, making it possible to do sub mixes in groups of two or three.

In addition, each channel has a "special function" switch to alter its input voltage in a specific way. Channel A has a 2x voltage multiplier switch, allowing you to double the voltage sent into Channel A. Channel B has a +5V switch, allowing you to add 5V to whatever voltage is sent into Channel B. Channel C has a mute switch, allowing you to completely turn off the signal being sent into Channel C.
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 1 in stock $107.51
Cat: 557491 Rel: 19 Dec 14
 
Two channel low pass gate synth module
Notes: A two channel Low Pass Gate, providing simultaneous voltage control over amplitude and frequency content of a signal. It is in essence, a Voltage Controlled Filter Amplifier (VCFA) that has an extremely organic response to control signals. The Low Pass Gate is a classic West Coast synthesis circuit.

Revision 2 adds audio side-chain compression and expands CV generation and processing capabilities.
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 2 in stock $196.03
Cat: 581798 Rel: 04 Jan 16
 
Dual envelope generator & low frequency oscillator (LFO) eurorack module - 16HP wide
Notes: Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

The 540 Dual Envelope Generator and LFO (low frequency oscillator) is a multi-purpose modulation source. This unit features two independent ADSR (attack, decay, sustain, release) envelope sections that produce variable voltages for controlling other Eurorack format synthesizer modules such as oscillators, filters, and VCAs. Each section can be triggered externally, internally, or manually with dedicated jacks for each envelope, as well as an inverted output.

Additionally, the 540 includes a voltage controlled LFO with 5 waveform outputs. Front panel controls adjust both frequency and delay time of the LFO start. Delay and reset can be triggered from either envelope 1 or 2.
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 1 in stock $298.00
Cat: 687380 Rel: 20 Aug 18
 
Versatile Eurorack module inspired by Roland Systems-100m's output synthesiser
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 531 MIX:

Inspired by the SYSTEM-100m's 131 output module, the SYS-531 brings an updated approach with convenient and modern features. With six high-quality inputs, each with level slider, pan knob, and performance-friendly mute button, the SYS-531 is your central hub for mixing mono or stereo (PRE only) signals. It has high-fidelity sound with low noise, ensuring that your modular rig sounds its best. The six pan knobs are CV controlled so you can create space and dimension, and achieve interesting stereo effects. There's even a boutique-quality stereo preamp, so you can bring in mic or line level signals -and abusing this preamp's gain knob gives you pleasing overdriven tones. The headphone section has an easy-to-reach, dedicated volume knob as does the multi-format output section that lets you use both 1/4"and 1/8" cables. There's even an LED level indicator for visual feedback.
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 1 in stock $404.95
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2hp
Cat: 680015 Rel: 12 Mar 18
 
Random voltage generator & gate source
Notes: Rnd is a random voltage generator and random gate source with an internal clock.

The quantized and smooth outputs are completely independent, and each feature an attenuator to fine tune the output voltage between 0V and 10V. This allows for a musically useful range to be defined. When externally clocked, random gates erupt from the gate output.

Great for modulation and chaotic rhythmic events, Rnd is a universal solution for adding unpredictability to your system.
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 1 in stock $89.58
2hp
Cat: 686020 Rel: 04 May 18
 
Versatile hi hat with six oscillator architecture
Notes: Hat is a hi-hat cymbal with a wild side. Finding something unique is easy with a blend of sounds ranging from robotic to metallic. At its core are three unique sound sources made up of six oscillators, a noise generator, and a number of filters. Sizzle affects each source independently, adjusting oscillator and filter frequencies, allowing for a broad range of sounds. In addition, separate trigger inputs for open and closed allow for a complete hi-hat pattern on a single module. No matter what situation it's in, Hat provides shimmering, metallic timbres for any percussive purpose.
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 1 in stock $120.15
2hp
Cat: 709206 Rel: 05 Dec 18
 
Compact sampler featuring Micro SD slot for easy sample loading - silver faceplate
Notes: Play is a high-fidelity sample player with a full feature set.

Up to 32 samples can be loaded at a time and dynamically switched between using the file knob and associated CV input. Playback modes include one-shot, looping, or gated playback; all with extremely low latency. Transform your samples by pitching them up two octaves or down three octaves, all with a pitch knob that can be free running or quantized to semitones. The pitch CV input tracks volt per octave across its entire range and allows for musical sequencing of samples. Play ships with a pre-loaded SD card packed with loops, drum hits, and field recordings to get you up and running immediately.
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 1 in stock $135.96
2hp
Cat: 686037 Rel: 04 May 18
 
Snare drum module featuring classic to esoteric snare sounds & blips
Notes: Snare goes from short blips to 909 hits and everywhere in between. More than just a typical snare sound, this module is a powerful sound design tool that encourages exploration. 1V/Octave tracking allows percussive melodies with atypical timbres, while snap dials in the texture of the metaphorical membrane. Hit the back beat with Snare.
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 1 in stock $114.88
2hp
Cat: 686042 Rel: 08 May 18
 
2 channel passive attenuator
Notes: Trim is a 2 channel passive attenuator. It features two individual channels of attenuation.
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 3 in stock $39.53
2hp
Cat: 675793 Rel: 26 Jan 18
 
Versatile hi hat with six oscillator architecture
Notes: Hat is a hi-hat cymbal with a wild side. Finding something unique is easy with a blend of sounds ranging from robotic to metallic. At its core are three unique sound sources made up of six oscillators, a noise generator, and a number of filters. Sizzle affects each source independently, adjusting oscillator and filter frequencies, allowing for a broad range of sounds. In addition, separate trigger inputs for open and closed allow for a complete hi-hat pattern on a single module. No matter what situation it's in, Hat provides shimmering, metallic timbres for any percussive purpose.
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 2 in stock $120.15
2hp
Cat: 686006 Rel: 04 May 18
 
Four stage linear envelope module with two expressive ranges
Notes: ADSR is a four stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.
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 1 in stock $93.80
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2hp
Cat: 686016 Rel: 04 May 18
 
Rhythmic pattern generator
Notes: Euclid is a rhythmic pattern generator based on ideas originally presented by Euclid, the Greek mathematician. The Euclidean algorithm can be adapted to create rhythms by taking the total number of active steps in a sequence, and then distributing them across the entirety of the pattern.

This creates cyclical rhythms that are immediately musical and can be used for everything from EDM to IDM. Bring your patches full circle with Euclid.
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 1 in stock $86.42
2hp
Cat: 686047 Rel: 04 May 18
 
Lush sounding, voltage controllable stereo reverb
Notes: Verb is a lush stereo reverb with a full feature set and superior audio quality. A wide range of reverb times take your sound from small room to never-ending concert hall.

CV over mix allows dynamic movement between the dry and reverberated sound, and the dampening control lets you dial in the perfect timbre for the wet signal. Whether you need a traditional reverb for an FX send or an esoteric sound design tool, Verb can take you there. Get lost in space with Verb.
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 3 in stock $113.82
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quote 686047
2hp
Cat: 635861 Rel: 30 Dec 16
 
Signal splitter module
Notes: Mult is a 2 input, 6 output signal splitter. Channel 1 is normalled to channel 2 when no cable is present, allowing the user to split an input signal six ways, or two input signals with three outputs each.
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 1 in stock $31.61
2hp
Cat: 680016 Rel: 12 Mar 18
 
Compact voltage controlled LFO featuring 8 waveforms
Notes: LFO is a voltage controlled low frequency oscillator. 8 waveforms are available with smooth morphing between each, allowing for complex and unique patterns.

In addition to sine, triangle, sawtooth, and square waveforms on the primary output, four alternate waveforms are accessible simultaneously via the secondary waveform output. The alternate waveforms have been designed with modulation in mind and provide an innovative voltage source to use on filters, oscillators, and everything else.

Animate your modulations with LFO.
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 2 in stock $95.90
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quote 680016
2hp
Cat: 638777 Rel: 21 Feb 17
 
Voltage controlled burst generator & trigger delay module
Notes: Brst is a voltage controlled burst generator and trigger delay. Upon receipt of a gate signal, Brst will output a stream of triggers. Knobs and CV inputs give the user control over speed and the number of repetitions. Whether you're generating bouncing balls, crafting IDM drum beats, or humanizing a clock signal, Brst will prove an indispensable addition to your rack.
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 2 in stock $73.77
2hp
Cat: 638778 Rel: 21 Feb 17
 
Full featured two stage envelope generator module
Notes: EG is a full featured two-stage envelope generator. In addition to a colossal range from 3ms to 11 minutes per stage, EG features the ability to switch between linear and exponential curves on the fly, a built-in attenuator, and CV over attack and decay. Boasting more features than modules five times its size, EG can fill any envelope-sized gap in your system.
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 1 in stock $82.20
2hp
Cat: 635864 Rel: 30 Dec 16
 
Multi-scale pitch quantizer
Notes: Tune is a multi-scale pitch quantizer. It features 11 scales ranging from chromatic to octatonic with everything in between. In addition, the bias control allows the user to transpose the melody to a different octave or starting note.

This functionality opens up every musical mode for each of its 11 scales and provides a performable control for transforming melodies on the fly.
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 1 in stock $87.47
2hp
Cat: 725427 Rel: 03 Apr 19
 
Melodic percussion generator
Notes: Bell is a melodic percussion generator based on modal synthesis. By synthesizing the vibrations of complex geometric shapes, Bell provides a simple interface for creating metallic sounds that can both emulate acoustic instruments, and defy physics. Its sonic palette includes numerous physical models that span the range of vibraphone, marimba, glockenspiel and Tibetan bowls. In addition, damping allows for the articulation of all voices, and enables drastically changing the tone of your patch with a single knob turn.

It's time to ring your Bell!
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 2 in stock $145.44
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Cat: 584248 Rel: 15 Apr 16
 
Dual channel stepped voltage source and adder synth module - 6HP wide
Notes: 'Beast's Chalkboard' is dual channel stepped voltage source and adder for your eurorack modular synthesizer system. It primarily is intended as a dual octave switcher for VCO's but has many other uses including sequence transposition, FM ratio creation, buffered CV distribution and VCO calibration.

Technical Specifications:

Supply: +/-12V (Reverse voltage & polyfuse protection)
Current Draw: ~30ma
Size: 6 HP
Depth: 22mm (including power header)
Offset Error: +/- 10mV
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 7 in stock $100.12
Cat: 584261 Rel: 15 Apr 16
 
Dual voltage controlled oscillator (VCO) synthesiser module with authentic 4 operator digital FM - 38HP wide
Notes: 'Akemie's Castle' is a dual voltage controlled oscillator with authentic 4 Operator digital FM using 'new-old-stock' Yamaha IC's for audio signal generation.

Each of the 4 operators feature independent waveform selection, frequency multiplier and level control via direct panel operation and voltage control. Operators can be combined in various ways across both oscillators, which together with independent feedback control on each VCO, offer an extremely wide palette of sounds.

Oscillator A also features a chord mode providing a range of up to 5 voice chords and voltage controlled inversion.
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 4 in stock $467.97
Cat: 584257 Rel: 15 Apr 16
 
Envelope generator synthesiser module - 4HP wide
Notes: 'Pip Slope' is an envelope generator. It supports both Attack/Decay and Attack/Sustain/Decay type functions with both direct and voltage control of Attack and Decay times. Envelopes can be automatically looped and the function curve type changed between exponential and linear.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~50ma
Size: 4 HP
Depth: 32mm (including power header)
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 4 in stock $92.74
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quote 584257
Cat: 688775 Rel: 31 Jan 19
 
Flexible five stage function generator - 19HP
Notes: The 'Quaid Megaslope' is a five stage function generator or modulator which operates in one of 3 modes; a multistage 'CZ' or 'Juno' style complex envelope, a super flexible LFO and a step sequencer with per step programmable slew or slides.

Each mode produces a varying output voltage moving from point to point across a set number of chained together stages. Each stage features a destination level, an overall rate or time to reach its destination level and a variable slope for the output path to take. As well as direct control, every stage feature voltage control of both level and rate. There are both unipolar and bipolar voltage outputs together with triggers emitted for the end of each stage and the end of a full cycle.

The Quaid Megaslope is designed to be fun, flexible and intuitive to use.
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 2 in stock $225.55
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quote 688775
Cat: 745794 Rel: 10 Sep 19
 
3-way logic module featuring two internal signal inverters - 8HP
Notes: Dual logic module with 3 inputs for each unit. The logical states of the inputs ("1" = high / "0" = low) are linked together in 3 ways: AND, OR, EXOR (exclusive OR). The three functions are available simultaneously at three outputs with LED display of the output states.

Additionally, two inverters are available to obtain the inverted functions NAND, NOR and NEXOR. The sockets of each triple unit are "normalized", i.e. the switched contact of socket 2 is connected to input 1 and the switched contact of socket 3 is connected to input 2. Provided that no plug is inserted into socket 1 resp. socket 2 the socket is connected to the input above it. This simplifies the usage of the module when only 2 signals are combined, e.g. the logic functions AND and OR have different neutral input levels ("1" is the neutral state for AND, "0" is the neutral state for OR).

In case of a fixed input level for the unused input one of the functions (AND or OR) would work no longer.

Applications: combination of digital signals of the A-100 (e.g. gates, clocks, triggers), e.g. to obtain "gated" clocks or certain rhythmic patterns.
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 1 in stock $105.39
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quote 745794
Cat: 739048 Rel: 29 Jul 19
 
Eurorack power supply module - 4HP
Notes: Row Power is a clean, regulated, and protected power solution for eurorack systems. Row Power 35 provides 35W of power, suited for any typical eurorack row (84HP to 168HP):

+12V @ 1.4A
-12V @ 1.25A
+5V @ 1.0A

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Daisy-chain multiple Row Powers to use a single power brick for multiple rows (typically 3-5 rows per power brick). Each row will be independently regulated and protected for ultra-low cross-talk between rows. Rows can also be hot-swapped (plugged/unplugged without powering the whole system down).
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 1 in stock $134.90
Cat: 716922 Rel: 29 Jan 19
 
Dual crossfader module for voltage controlled morphing between two audio or CV signals
Notes: Module A-134-2 contains two identical voltage controlled crossfader units.

Each unit has two voltage controlled amplifiers (VCAs) with opposite control behaviour available. The outputs of the two VCAs are mixed together to obtain a common output. The behaviour of the control voltage inputs can be chosen with an internal jumper:

Symmetrical mode: If the corresponding jumper is not set both VCAs of the crossfader have the same 50% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. A negative CV has the opposite result. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about -2.5....+2.5V. This mode is useful for bidirectional (i.e. positive and negative) control voltages, for example LFO or joy stick (adjusted to 0V CV in centre position).

Asymmetrical mode: If the corresponding jumper is set VCA2 is fully closed and VCA1 has full 100% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about 0...+5V. A negative CV has no function in this mode. This mode is useful for unidirectional (i.e. only positive) control voltages, for example ADSR, ribbon controller or Theremin control voltage.

The CV input of the upper unit (CV1) is normalled to the CV input of the lower unit (CV2). I.e. if no plug is inserted to CV2 the CV input of the upper unit (CV1) also controls the lower unit.

The second signal input of the upper unit (In1B) is normalled to the first signal input of the lower unit (In2A). I.e. if no plug is inserted into In2A the signal In1B is used as the first signal input of the second unit.

As the inputs and outputs are DC coupled the module can be used for both audio and control voltage signal processing.
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 2 in stock $69.55
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quote 716922
Cat: 738619 Rel: 09 Jul 19
 
Voltage controlled envelope generator, standard edition - 14HP
Notes: The A-141-2 module is an ADSR envelope generator with voltage controlled attack, decay, sustain and release parameters. Other features include LFO functionality as well as digital end-of-attack and end-of-release outputs. Besides positive and inverted outputs there is an output with voltage controlled amplitude available.

Attack, Decay, Sustain and Release parameters of the A-141-2 can be adjusted manually as well as via control voltages. The CV inputs come equipped with attenuators. In addition, a Comm-CV socket was implemented. Control voltages fed to this input influence all time parameters (A, D and R) simultaneously. Thus, it is possible to make high pitched notes shorter and more percussive. - Just like the behaviour of many acoustic instruments. The time range of the envelope goes from 50 microseconds to six seconds. Using a toggle switch, it is possible to increase these values by a factor of ten (500 us to 60 s) or a factor of hundred (5 ms to 10 min). To activate the envelope, there are gate and retrigger inputs.

The A-141-2 is equipped with a normal and an inverted output. Both connectors work with a fixed level. Furthermore, there is a third, variable output. Here, before reaching the out socket, the envelope signal is fed to a voltage controlled VCA. - Perfect for velocity CV signals. A jumper on the circuit board allows you to choose between a unipolar and a bipolar mode of operation. Other jumpers make it possible to normalize the CV inputs.

Last but not least, there are two digital outputs called EOA and EOR, which emit a gate signal after the attack respectively release phase. This is useful for delayed triggering of other envelopes. By connecting EOA or EOR output to the gate input, you can make the A-141-2 oscillate like a LFO. Adjustments to the envelope times change the frequency and waveform. If you connect the Attack CV input to the inverted output or the Decay respectively Release CV input to the normal output, you can alter the curve characteristics.
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 1 in stock $116.98
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quote 738619
Cat: 733026 Rel: 02 Nov 16
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company
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 1 in stock $368.90
Cat: 589504 Rel: 02 Nov 16
 
Advanced audio processor synthesiser module for creative synthesis - 20HP wide
Notes: Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company
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 3 in stock $373.11
Cat: 731940 Rel: 11 Jun 19
 
Compact two-channel VCA - 4HP
Notes: Module A-130-2 is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

The module is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

- Gain: manual gain control (Initial Gain) in the range 0...1
- CV: attenuator for the CV input
- Lin/Exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)

Inputs and outputs (for each of both units):

- CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
- In: signal input, max. 16Vpp (+8V...-8V) without distortion
- Out: signal output
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 2 in stock $75.88
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quote 731940
Cat: 671550 Rel: 29 Nov 17
 
VCO module featuring four precision oscillators - 18HP
Notes: A-111-4 contains four precision VCOs and has individual controls, inputs and outputs for each VCO available as well as a common control and output unit. After all the A-111-4 is very similar to four A-111-3 without LFO mode but built in output mixers for the three waveforms, and a master unit for all four VCOs.

Controls, inputs and outputs for each of the four VCOs:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: ~ 2 semitones / ~ 1 octave / ~ 4 octaves)
- Modulation CV input
- Modulation destination:
- Upper position: exponential frequency modulation (XM)lower position: linear frequency modulation (LM) or pulsewidth modulation of the rectangle (PM), selectable via internal jumper
- Frequency Modulation (FM) or Pulsewidth Modulation of the rectangle (PWM)
- Modulation intensity
- Triangle output
- Sawtooth output
- Rectangle output (about 50% without external PWM)
- Sync input (hard or soft sync internally selectable via jumper, CEM3340 hard sync type)
- Min. 10 octaves range (with appropriate external CV)
- CEM3340 based VCO (triangle core)
- Each VCO has it's own separate internal +/- power supply for each for best stability and the prevention of unwanted synchronisation of the VCOs

Controls, inputs and outputs of the master section:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: 2 semitones / 1 octave / 4 octaves)
- Frequency Modulation CV input (FM)
- FM intensity
- Triangle sum output
- Sawtooth sum output
- Rectangle sum output
- As soon as the single waveform output of a VCO is patched this waveform of the VCO in question is removed from the sum (this function can be turned off for each single output socket by means of solder bridges on the pc board, i.e. the sum contains then all signals independent of the patching of the single output)
- CV output (outputs the sum CV that is used to control all four VCOs)
- Bus CV (selectable via jumper)

Typical applications:

- Fat sounding monophonic VCO with the possibility to adjust any intervals
- Paraphonic patches in combination with the polyphonic CV interface A-190-5 (all four VCOs processed by one VCF/VCA)
- Full polyphonic patches in combination with the polyphonic CV interface A-190-5 and four complete VCF/VCA sections
- Complex VCO patches with up to four VCOs by means of the frequency modulation features (exponential an linear) and the sync functions
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 1 in stock $387.86
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quote 671550
Cat: 671561 Rel: 18 Dec 17
 
Pair of multicore signal connectors
Notes: A-180-9 is another simple but useful tool. It can be used to connect up to 14 signals between different cases by means of standard network cables (RJ45). These cables are available all over world smoothly in different lengths and colours. From the factory two black network cables with 0.5 m length are enclosed.

The upper network connector is wired to the eight sockets 1-8, the lower to the six sockets A-F. That way it's possible to pre-patch different cases and connect signals, that are required in all cases (e.g. clock, start/stop, master CV) by means of one or two cables only instead of 14 individual patch cables. When only eight signals are required only the upper network connector is required and the sockets 1-8 are used. When more than eight signals have to be patched both network connectors have to be used. It's also possible to wire the upper and lower network to different cases (i.e. signals 1-8 to external case #1 and signals A-F to external case#2).

The module is fully passive (no power supply required) and simply wires the 14 sockets to 14 pins of the network connectors.

The A-180-9 comes in pairs for combining two modular systems.
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 9 in stock $105.39
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quote 671561
Cat: 671592 Rel: 29 Nov 17
 
12dB multi-mode filter based on classic SEM filter circuitry
Notes: Module A-106-5 is a 12dB multimode filter that is based on the filter circuit of the Oberheim SEM module. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self oscillation in contrast to most of the other filters of the A-100 system. The module generates a distorted audio signal if the level control is set to about 50% (i.e. centre position) or more with A-100 standard signals like VCOs.

Inputs: Audio In, CV1 In without attenuator, CV2 In with Polarizer
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio Attenuator, CV2 Polarizer, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the Wasp filter module A-124. But the sound of both filters is very different! We will publish no separate user's manual for the A-106-5 but a combined manual for both A-106-5 and A-124. The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer)

Width: 8HP / 40.3mm
Depth: 55mm (Measured from the rear side of the front panel)
Current: +12V: +30mA, -12V: -20mA
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 3 in stock $87.47
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quote 671592
Cat: 717585 Rel: 06 Feb 19
 
Utility module to convert signals to Eurorack level - 6HP
Notes: The Listen IO is a simple module which gets signals in and out of a Eurorack system by converting to and from normal modular levels. The top section converts any external signal to modular levels by providing up to 30x gain (+30dB), allowing you to use table-top synthesizers, keyboards, phones/tablets, computers, toys, microphones, etc. in your patches. The bottom section does the opposite: modular signals are converted to normal line level signals. The bottom two jacks can be used as line outs or as headphone jacks, so you and a friend can listen in stereo at the same time.

Each section has two inputs and outputs for use with a stereo signal or two mono signals. An LED bar graph for each output shows the signal level and clipping.
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 2 in stock $119.09
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quote 717585
Cat: 716933 Rel: 29 Jan 19
 
Generates four phase shifted copies of a VCO signal applied to the audio input
Notes: Module A-137-2 is another version of a wave multiplier. In contrast to the A-137-1 Wave Multiplier I, the A-137-2 generates four phase-shifted copies of a VCO signal applied to the audio input. The four shifted signals are added to the original signal to obtain a fat sound similar to five independent VCOs. The phase shifting is made by a simple circuit that works only for sloped signals like sawtooth, triangle or sine, but not for rectangles or pulses.

The audio input signal (typically a sawtooth, triangle or sine wave from a VCO) is compared with a slowly varying control voltage (CV Shift In). The output of the comparator is a rectangle wave with variable pulse width. When the output of the comparatur is added to the input signal (a sawtooth in the example) with the correct level relation between both signals one obtains a phase shifted sawtooth. The left picture shows the incoming sawtooth wave on top. The two horizontal dashed lines (blue and orange) indicate two different comparison levels. Below the incoming sawtooth the two resulting comparator outputs (rectangle waves) and the two resulting shifted sawtooth waves are shown. It is not a "real" phase shift but an algebraic function. But the result is virtually the same. One could obtain the same function even with several comparator modules A-167 and mixers A-138a/b or polarizing mixers A-138c. But this would require a lot of modules.

The module has available four manual shift controls and four control voltage inputs with attenuators for the four internal shifting circuits. Typical sources for these inputs are LFOs, VCLFOs, random voltages, envelope generators, sequencers or other control voltage sources. Internally eight single outputs are available at single pins: the four shifted signals and in addition four rectangle outputs. A corresponding breakout module with eight sockets is in the planning stage and will be released provided that there are sufficient inquiries. The original signal and the four shifted signals are equipped with internal jumpers. If external toggle switches are used instead of the jumpers each of the 5 signals can be turned on/off individually.

The audio input is equipped with an attenuator to adjust the level for the right summation of the original and the comparator signals (as described above).
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 2 in stock $76.93
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quote 716933
Cat: 716920 Rel: 29 Jan 19
 
Voltage-controlled panning module consisting of 2 linear VCA's - 8HP
Notes: A-134-1 is a voltage controlled universal panning and/or crossfader module. If the module is used a voltage controlled Panning device one audio signal is panned to two different outputs. If the module is used a voltage controlled Crossfader two audio signals are mixed to one common output. The module enables even compositions of both functions.

The module contains two linear high quality VCAs (made with CEM3381/PA381 until April 2013, SSM2164 from May 2013). VCA2 works in the opposite direction of VCA1 i.e. the more VCA1's loudness increases the more VCA2's loudness decreases. The panning or crossfading is adjusted with a control knob (manual control) and by two external control voltages, one equipped with an attenuator. Suitable control voltage sources are e.g. LFOs (A-145, A-146, A-147), envelope signals (A-140, A-141, A-142, A-119), random (A-118), Theremin (A-178) or a voltage coming from a MIDI-to-CV-Interface (A-190, A-191). The panning/crossfading is displayed with 2 LEDs.

A-134-1 has an audio input with attenuator for each VCA. If the audio input of VCA2 is not used the audio input of VCA1 is connected with audio in of VCA 2, i.e. the sockets are "normalled". The module has three audio outputs: Left Output (VCA1), Right Output (VCA2) and Mix. For Panning applications the outputs Left Out and Right Out are used. If the module is used as a Crossfader the Mix Output functions as output.

Module A-134-1 enables voltage controlled stereophonic panning effects (one audio signal distributed to two outputs), crossfading effects (two audio inputs mixed to one audio output with voltage controlled loudness proportion) and combinations of both effects.
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 1 in stock $82.20
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quote 716920
Cat: 717581 Rel: 06 Feb 19
 
Four channel stereo mixer with balanced 1/4-inch & headphone out - 12HP
Notes: The Listen Four Quarters is a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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 1 in stock $178.12
Cat: 669145 Rel: 28 Jan 18
 
Complex multi-tap delay - 18HP
Notes: The Tapographic Delay is a complex multi-tap delay in the Eurorack format with a unique interface designed for live performance. It excels at transforming the simplest audio (a drone, a percussive sound) into complex rhythmic structures, meshes of organic textures, lush harmonic mille-feuilles, liquid and resonant effects.

Have you ever got tired of the monotonous repetitions that your standard delay pedal/module produced? Have you ever wished for a more complex rhythmic structure than just decaying repetition? If yes, you have come to the right place: the Tapographic Delay is an advanced effect that lets you handle repetition in a completely novel way. It is to a traditional delay what a full rhythmic sequencer (with pattern recall, velocity control, tactile input) is to a simple clock. With the TD, you interactively define the rhythm that the repetitions will follow: a velocity-sensitive sensor allows you to record, edit, modify, and sequence your own arrangements of delays. In a sense, the TD is the converse of the classic Frippertronics sound-on-sound setup popularized by Robert Fripp in the 70's: you don't play the guitar, you play the tape loop!

The Tapographic Delay is an expressive experimental instrument meant to be played in real-time, rather than a set-and-forget end-of-chain effect. Interact with it! Experiment! Push it to its limits!
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 1 in stock $346.76
Cat: 745791 Rel: 10 Sep 19
 
Simple & effective voltage-controlled frequency divider - 8HP
Notes: Module A-163 is a voltage controlled audio frequency divider. The frequency of the input signal (preferably the rectangle output of a VCO) is divided by an integer factor N (N = 1, 2, 3, 4 ... up to 32). N can be adjusted manually and modulated with an external control voltage (e.g. from LFO, ADSR, Random, MIDI-to-CV, Theremin, Light-to-CV, analogue sequencer) with attenuator. The control input has polarizing function, i.e. the manually adjusted dividing factor can be modulated upwards or downwards. The basic idea of a polarizer is described in the modules A-133 Voltage Controlled Polarizer and A-138c Polarizing Mixer.

The output waveform is rectangle with 50% duty cycle. Unlike the A-115 with fixed dividing factors (2, 4, 8, 16) the dividing factor of the A-163 is voltage controlled and can be any integer value between 1 and about 20 (but only one output). In contrast to A-113 the dividing factor of the A-163 is voltage controlled and the output waveform is rectangle (the A-113 has 4 sawtooth outputs with 4 adjustable but not voltage controlled dividers).
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 1 in stock $79.05
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quote 745791
Cat: 745775 Rel: 10 Sep 19
 
Two sample & hold units in one module for generating stepped random voltages or slicing signals
Notes: Module A-148 (Dual S&H) has two identical sample & hold modules, designed to produce 'staircase' voltages. The signal present at the sample input is sampled at a rate set by the signal at the trigger input, and held at that voltage at the S&H output.

The exact shape of the staircase depends on the sort of waveform at the sample input: NOISE or RANDOM signals produce random patterns; an LFO produces rising or falling staircase patterns.

Two LEDs for each S&H indicate the voltage (positive or negative) of the sampled signal.
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 1 in stock $67.45
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quote 745775
Cat: 589497 Rel: 09 Dec 15
 
Rotating Clock Divider (RCD) synthesiser module - 4HP wide
Notes: The Rotating Clock Divider (RCD) produces eight divided clock tempos from a single input clock. The divisions range from /1 to /64, including all odd and non-standard divisions such as /3 and /17 and /62. A Rotate CV input re-assigns the division number of each jack, allowing for creative mix-ups and experimentation. A Reset input jack helps to sync/start with an external clock.

Jacks:
- Clock Input (5V to 15V clock, rising edge triggered), max 3kHz
- CV Rotate (0V to +5V input)
- CV Reset (5V to 15V trigger)
- Divided Clock Outputs (8 jacks):
Divide-by-(1+R)
Divide-by-(2+R)
Divide-by-(3+R)
Divide-by-(4+R)
Divide-by-(5+R)
Divide-by-(6+R)
Divide-by-(7+R)
Divide-by-(8+R)
...where R is the CV Rotation.
- Selectable Gate/Trigger mode:
- Selectable Divide range up to Divide-by-64:
Two jumper pins on the back can be pre-set with jumpers plugs, or used with (forthcoming) breakout panel.
- Selectable Auto-reset:
Auto-reset will reset the divide counter every 16/24/32 clocks, which keeps the beats more "dance-able" even when using the "weird" clock divisions (3/5/6/7/9/10/11/etc..) Two jumper pins on the back can be pre-set with jumpers plugs, or used with (forthcoming) breakout panel.
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 3 in stock $151.77
Cat: 676692 Rel: 18 Jul 18
 
Octal VCA module containing four VCA pairs - 8HP
Notes: A-132-8 is an octal VCA and primarily planned for polyphonic applications. The module contains four VCA pairs. Each pair includes two daisy-chained VCAs. One VCA has a linear control scale, for the second VCA linear or exponential control scale can be chosen by means of jumpers. We decided to provide two VCAs for each voice because usually one VCA is required for loudness envelope and a second one for velocity (or other functions like individual voltage-controlled loudness of each voice, amplitude modulation and so on).

These controls and in/outputs are available:

- Default Gain 1 (GL)
- Default Gain 2 (GX)
- CV Input VCA 1
- CV Input VCA 2
- Audio Input
- Audio Output

In addition, an Audio Sum Output is also available.

The module features two Default Gain controls (GL, GX), that enable the opening of the first VCAs (L) and/or second VCAs (X). For this the controls GL and GX generate two internal control voltages 0...+10V which are connected to the switching contacts of the sockets 1L...4L (control GL) and 1X...4X (control GX). As long as no patch cable is inserted into the socket in question the internal default control voltage (GL or GX) is used to control the corresponding VCA. This is necessary when the VCA in question is not in use (i.e. no external CV available). Otherwise the VCA would close and there would be no output signal even if the other VCA in the chain is open. The controls GL and GX are also useful for testing polyphonic patches (e.g. for tuning the VCOs).

In the factory the CV inputs are adjusted for a CV range 0...+10V - matching to the polyphonic ADSR module A-141-4. But the sensitivity of each CV input can be adjusted by means of a trimming potentiometer to adapt the CVs even to other control voltage ranges.
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 2 in stock $141.23
Cat: 738636 Rel: 09 Jul 19
 
Simplistic quad LFO module with intuitive front panel - 14HP
Notes: Module A-143-3 is a low-cost four-fold modulation oscillator, often called LFO (low frequency oscillator). Like the other modules of the A-143 series (A-143-1 and A-143-2) not a very "exciting" module, just a bread-and-butter device and a simple demon for work. The module contains four simple LFOs. Each LFO is equipped with three waveform outputs: triangle, rectangle and rising sawtooth. The frequency of the sawtooth output is twice the frequency of the other outputs. A three-way switch is used to select one of three frequency ranges mid-low-high, spanning from about two cycles per minute at the lowest, to moderate audio frequency at the highest (about 5 kHz).

If other waveforms or additional LFO features are required (e.g. reset input, adjustable waveform, voltage controlled frequency) the LFO modules A-145, A-146 and A-147 are available.
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 1 in stock $114.88
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quote 738636
Cat: 684460 Rel: 23 Apr 18
 
Two independent voltage controlled switches in one module - 4HP
Notes: Module A-150 (Dual VCS) contains two separate voltage-controlled switches.

Each switch has a control voltage input, a common Out / Input, and two In / Outputs. The switches are bi-directional: they can work in both directions, so can connect one input to either of two outputs, or either of two inputs to one output. Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Two LEDs show which in / output is active (i.e. which is connected to the common out / input).
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 2 in stock $59.01
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quote 684460
Cat: 577745 Rel: 29 Nov 17
 
Two sample & hold units in one module for generating stepped random voltages or slicing signals
Notes: Module A-148 (Dual S&H) has two identical sample & hold modules, designed to produce 'staircase' voltages. The signal present at the sample input is sampled at a rate set by the signal at the trigger input, and held at that voltage at the S&H output.

The exact shape of the staircase depends on the sort of waveform at the sample input: NOISE or RANDOM signals produce random patterns; an LFO produces rising or falling staircase patterns.

Two LEDs for each S&H indicate the voltage (positive or negative) of the sampled signal.
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 5 in stock $63.23
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