Suchergebnisse: Dance Music

Notes: You've got triggers, gates, clocks and other such binary signals that you want to mix - but you'd much prefer if they did not interact and interrupt each other!

What you need is OR logic - and this passive OR logic in 2hp makes it easy to mix up to four signals in one, and even allows you to switch any off the signals on or off at will. Your trigger sequencing will become truly next level.

The ABCD/OR: It's the logical choice.

Notes: The CP3PLUS is an accurate recreation in Eurorack format of one of the most appreciated vintage modular audio mixers. The specific distortion makes it not only a great summing unit but also a great sound design tool. The included MULTI is a welcome bonus.

Tech specs:

-width 10HP
-22mm depth behind the panel, including the power connector
-4 mono analog input
-4 input level pots
-1 dual level pot
-one inverting and one non-inverting output jacks
-one 4 jack passive multiple
-standard 10 pin euro power (+12V / -12V)
-power consumption +12V 23mA -12V 25mA

Notes: This is probably the fastest envelope generator in Modularland.

Why? Because it is based on the fastest one. The classic Japanese modular from the seventies everyone loves.

Tech specs:

- Panel width 6HP
- 35mm depth behind the panel, including the power connector
- 4 control pots : Attack, Decay, Sustain, Release
- 1 gate switch : triggers ADSR cycle
- 1 time switch : switches between fast and slow envelope times
- One normal and one inverting output jack 8V peak
- Standard 10 pin euro power +12V/-12V
- Power consumption +12V 20mA , -12V 15mA

Notes: This is an envelope generator based on the SMD AS3310.

The AS3310 is a modern recreation of the classic Curtis CEM3310 chip, used in many famous mono and poly analogue synth from the eighties.

Feedback took the best ideas from all the classic 3310 circuits and tried to squeeze the maximum from this fantastic chip.

Tech Specs :

- Panel width 6HP
- 35mm depth behind the panel, including the power connector
- 4 control pots : Attack, Decay, Sustain, Release
- 1 gate switch : triggers ADSR cycle
- 1 mode switch : Normal (ADSR), Damp (ADRR), Auto (ASR)
- 1 re trigger input
- One normal and one inverting output jack 10V peak
- Standard 10 pin euro power +12V/-12V
- Power consumption +12V 55mA , -12V 16mA

Attack Time 2.5ms-1.5s
Decay Time 6ms-4s
Sustain Level 0-10V
Release Time 6ms-4s

Notes: This little module is an evolution of the LFO of the famous MS monophonic synth from the seventies, adapted to eurorack format.

Tech specs:

4HP width
35mm depth behind front panel including the power connector
2X control pots for FREQUENCY and WAVEFORM

1X FREQUENCY RANGE switch: LOW and HIGH
LOW - 18mHz (55sec) - 0,7Hz (1.4sec)
HIGH - 0,63Hz (1.6sec) - 24Hz (42msec)

2X outputs : SQUARE 0/10V Vpp and TRIANGLE -5V/5V Vpp
standard 10 pin euro power +12V / -12V
power consumption +12V 20mA , -12V 15mA

Notes: A premium headphone amp module capable to drive low and high impedance phones to high enough SPL, with good dynamic range and very low distortion.

Tech specs:

- Panel width 6HP
- 35mm depth behind the panel, including the power connector
- 1 control pot : Phones Level
- 1 mode switch : Switch from stereo to mono for both channels
- 2 input jacks
- 1 stereo output jack
- standard 10 pin euro power +12V/-12V
- power consumption +12V 100mA , -12V 50mA

Notes: The STATIC module is a comprehensive collection of noise sources generated with different methods.

Tech specs:

-width 10HP
-38mm depth behind the panel, including the power connector
-2 control pots : MORPH, SPECTRUM
-1 switch : spectrum type TR/CHIP
-8 outputs : MSWHITE, MSPINK, ZNWHITE, ZNPINK,
DARK, MORPH, TROUT, RNDVOLT
-standard 10 pin euro power +12V / -12V
-power consumption +12V 35mA , -12V 30mA

Notes: SQUEEZE2 is the improved variant of SQUEEZE:

- SMD transistors are changed to matched through hole ones
- all capacitors are now through hole Panasonic LowESR
- added trimming circuit to adjust 0 gain for the center of make-up gain pot so the SQZ will have 0 amplification on middle adjustments

4HP Compressor designed for continuous adjustment of gain, threshold and compression ratio with a single potentiometer.

There is also a knob for input level and a knob for make-up gain.

The module is based on high-performance THAT4305 Blackmerr VCA chip.

Tech specs:

-width 4HP
-35mm depth behind the panel, including the power connector
-1 audio input : IN
-1 audio level pot : INPUT
-2 control pots : LESS/MORE (compression), MAKE-UP Gain
-1 output : OUT
-standard 10 pin euro power +12V / -12V
-power consumption +12V 25mA -12V 25mA

Notes: VCA2600 needs no introduction. The best sounding VCA in 4HP with matched and thermo coupled transistors.

Tech specs:

-width 4HP
-35mm depth behind the panel, including the power connector
-standard 10 pin euro power +12V / -12V
-power consumption +12V 25mA -12V 25mA

Notes: The 2hp Buff is a buffered multiple capable of splitting an input signal to multiple outputs. Due to its active architecture, inputs retain their full integrity as they are copied to multiple destinations. One input signal can be copied to six outputs, or two inputs can be copied to three outputs each. The Buff is especially great for splitting pitch or audio signals where signal integrity is critical. Keep your signals in shape with Buff.

Notes: MISO is a multipurpose utility module, a laboratory for synthesizing control voltage signals and audio. MISO combines multiple CV tools into one module for making complex CV shapes at the output stage. The name comes from the four main functions available: Mix, Invert, Scale, and Offset.

MISO's 2 sections (1/2 IN and A/B IN) are identical. Each section has two inputs that can be used to Mix signals, Invert polarity/shape, Scale magnitude and Offset voltage. Each function can be used independently or simultaneously with the total shape summed to the mix output.

At the centre of the module is another processor, an accurate smooth linear voltage-controlled crossfader that mixes equally between the outputs of the top and the bottom MISO sections. Feed the MISOs with envelopes, LFOs, Sequences to create new shapes and then crossfade them manually or with CV using the centre section for even further complexity of shapes and animation of control signals. Crossfade between the waveforms of a VCO or audio samples with CV for more motion.

There are an endless number of ways to patch MISO with unexpected and inspiring results. MISO is the kind of module that gives modular synthesizers its incredible replay value, rewarding hours of creative explorations and its experimental and non-traditional mixing.

MISO offers a lot in a small comfortable module that matches Tiptop's system look with clean white faceplate styling. A red/yellow indicator light next to each section makes it easy to see signals and visualize polarity.

Notes: The Doepfer A-126-2exp is an expander for the A-126-2 Voltage Controlled Frequency Shifter.

It adds two outputs from the Dome filter (+45 and -45 degrees) as well as separate outputs from the ring modulators 1 and 2, and from the internal envelope generator. Furthermore, it offers dedicated outputs for Up and Down Shift, allowing the module to be patched in stereo.

*Note: The expander can only be used in conjunction with the module A-126-2.

HP : 2

Notes: The Doepfer A-126-2exp is an expander for the A-126-2 Voltage Controlled Frequency Shifter.

It adds two outputs from the Dome filter (+45 and -45 degrees) as well as separate outputs from the ring modulators 1 and 2, and from the internal envelope generator. Furthermore, it offers dedicated outputs for Up and Down Shift, allowing the module to be patched in stereo.

*Note: The expander can only be used in conjunction with the module A-126-2.

HP : 2

Notes: Erica Synths Black VCO Expander essentially is an advanced waveform mixer plus two octaves down suboscillator, it allows you to explore wave design in brand new areas.

Features
Waveform mixer/inverter
Sine/Triangle/Tits waveform switch
Transistor-based -2 octave suboscillator
-1 and -2 octave suboscillator crossfade
Suboscillator lowpass filter
Diode limiter on output signal amplitude
Three simultaneous outputs

Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, we did not economise on the module width, we put design and usability first. Big knobs are assigned to functions that make difference in sound. Together the Erica Black series are a range of modules that make an entire synthesizer.

NB! This expander module can be connected only to Black VCO and Black VCO2. It will not work as a standalone eurorack module.

Dimensions
10 HP
25 mm deep

Current Draw
5 mA +12V
5 mA -12V

Notes: Erica Synths Black Mixer is compact, high quality audio mixer with bonus features - mute switch on each input and three buffered outputs. This allows you to add audio signals to your mix instantly and in exactly right level, plus you can send signals to several post-mixer devices simultaneously, for example, split the output signal to LP and HP VCFs and create advanced bandpass and notch filters.

Technical specifications:
Max input level: -10V - +10V
Mixer gain: 1
Power consumption : +8mA, -8mA
Module width: 6HP
Module depth: 25mm

Notes: Introducing a four independently buffered input mixer and a buffered output signal splitter, in one module!

Erica Synths Black Mixer/Splitter V2 is an advanced replacement for stackable patchcables.

Everyone who knows a bit more about electronics will point out that stackable patchcables are not a really wise choice for such sensitive things as musical instruments because they mechanically connect electrical signals that at best can cause undesired modulations or even damage the modules.

Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, design and usability were prioritised first. Big knobs are assigned to functions that make difference in sound. Together the Erica Black series are a range of modules that make an entire synthesizer.

Technical specifications:

Input signal level: -10V - +10V
Power consumption: +25mA, -25mA
Module width: 4HP
Module depth: 25mm

Notes: Module A-115 is a four-way frequency divider. The frequency of a signal at the input is halved (half frequency = first sub-octave), quartered (1/4 frequency = second sub-octave), and so on. In this way, the DIVIDER produces four sub-octaves (F/2 down to F/16).

At the output, the A-115 produces a summed mix of the original and the four sub-octaves. There are attenuators to control the amount (i.e. Amplitude) of the original signal and each of the sub-octaves.

Bear in mind that the sub-octaves output by the A-115 are all true square waves. At the output there are always four square waves and the original signal available.

Notes: LINK is the module that bridges Eurorack to destop mixers - it has 5 sections that attenuate Eurorack signals to line level signals and sends them to 6.3mm jacks for quality connection to the mixer.

Notes: The Touellskouarn Eread Jedonian is a quad splitter from TRS to 2x mono mini jack combined with a bidirectional Hz/V converter. Additionally it offers V-Trig to S-Trig conversion.

The Hz/V standard works with Korg MS and old Yamaha CS among others.

Notes: The 'Stereo Sum' is a unity gain summing mixer that features four stereo input pairs summed as pairs to two independent mix outs or all as a single combined mix. It is a useful utility for efficiently combining outputs of multiple stereo sources, such as the MEGA-TANG and Jumble Henge mixers or multiple MFX returns. The inputs accept stereo or mono signals (via normalisation) which can be audio or CV (module is DC coupled) and the top mixer's outputs are normalised to the bottom mixer section meaning if the upper output is left unpatched the two upper inputs will be added to the lower output.

Stereo input pairs

Stereo inputs. Can be used with audio or CV (inputs are DC coupled).

Left ins normalised to Right for mono signals.

Stereo mix output 1

Stereo mix output. Normalised to bottom mixer section if ouput is left unpatched.

Stereo input pairs

Stereo inputs. Can be used with audio or CV (inputs are DC coupled).
Left ins normalised to Right for mono signals.

Stereo mix output 2

Final stereo mix output.

Technical specifications

Power: +12V 8ma / -12V 8ma
Size: 4HP
Depth: 32mm

Notes: Need an offset voltage? Of course you do, you probably need one all the time, and you can never seem to find one. Well, here's two.

Yes, the Stereo Offset boasts not one but TWO linked offset voltages, and even better, they can be independently set as unipolar or bipolar with jumpers on the back of the module. To further aid your adventure in offsetting, bicolor LEDs will indicate the current state of both outputs.

Smoothly transition between voltages to simultaneously control other functions in your system, either by applying identical voltages to two different places, or by using simultaneous unipolar and bipolar signals for advanced control over your Eurorack system.

Do the right thing - get an offset generator you will love.

Dimensions: 2 HP

Notes: ***B-STOCK: Box opened, product in perfect working order***


ADSR is a four stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.

Notes: ***B-STOCK: Without original box, product has light surface marks but otherwise in perfect working condition.***


ADSR is a four stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.

Notes: ***B-STOCK: Without original box, product in perfect working order***


Pico BBD is surprisingly great sounding (we were surprised ourselves), full analogue 4092 stage bucket brigade delay module; the smallest BBD in Eurorack. Besides nice and clean flanger and delay effects, at full CW settings of TIME and feedback knobs it can produce extreme sonic artefacts. Tweak knobs and enjoy!

Notes: Switchy is a module that allows you to turn on or off up to three modules (or busboard) independently of each other.

No need to turn off the whole case: All three voltages (+12V, -12V, 5V) are interrupted at the same time.

Used to reduce the background noise of certain "noisy" digital modules when not in use, to initialize certain modules or change their function, to change an SD card, to relieve the power supply with energy-consuming modules, etc.

Dimensions
6 HP
30 mm deep

Current Draw
20 mA +12V
20 mA -12V
20 mA 5V

Notes: PanMix Jr is a high quality 3 channel mixer with manual panning and volume controls with dual concentric knobs. Each channel's output is separately available. Also channels 1 and 2 can be switched to be mixed with the subsequent channel, allowing for 1-1-1, 1-2, 3 mix configurations. Equal power pan law (3dB) is provided. Left and Right led indicators available for all three channels.

Several modules can be chained together via connections on the back side. This connection is possible with other Happy Nerding stereo modules too. At the moment PanMix Jr stereo output can be internally sent to another PanMix Jr, 3x Stereo Mixer and Isolator module. Or stereo signal can be received from another PanMix Jr, OUT, 3x Stereo Mixer, latest revision of PanMix.

55 mA +12V
55 mA - 12V
35 mm Depth
6 HP wide

Notes: PanMix Jr is a high quality 3 channel mixer with manual panning and volume controls with dual concentric knobs. Each channel's output is separately available. Also channels 1 and 2 can be switched to be mixed with the subsequent channel, allowing for 1-1-1, 1-2, 3 mix configurations. Equal power pan law (3dB) is provided. Left and Right led indicators available for all three channels.

Several modules can be chained together via connections on the back side. This connection is possible with other Happy Nerding stereo modules too. At the moment PanMix Jr stereo output can be internally sent to another PanMix Jr, 3x Stereo Mixer and Isolator module. Or stereo signal can be received from another PanMix Jr, OUT, 3x Stereo Mixer, latest revision of PanMix.

55 mA +12V
55 mA - 12V
35 mm Depth
6 HP wide

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
24HP wide

Notes: Drawing inspiration from the MMI Maxima, the MMI Helios is intended as a middle ground between the gestural control surface of the Maxima and the fingertip control of the smaller MMI.

Less density, but a much higher degree of patch control is the key point of the Helios, which complements other MMI devices very well, and can be joined with other Helios (Helii?) to form larger and creative control surfaces.

The design is greatly simplified compared to the original MMI, with only two I/O jacks - either can function as input and output, and their interaction with each other is determined by touching both plates simultaneously to form a connection, or in cooperation with other MMI devices.

Available in a "right" and "left" version - one is an exact mirror image of the other, which makes it suitable for having two units adjacent to one another.

Dimensions: 8 HP

***Please note: the "righthand" version is not included, it is shown in the picture for demonstration purposes only. ***

Notes: Bartender? The power of gate signals at the touch of a button, please - but make mine a narrow one!

You already know what this is: it's a gate signal generator, and it generates gate signals. That's all there is to it. You press the button, the LED indicator lights up, and you get a 5v gate signal! Brilliant!

You get three, in just 2hp! That's 1 1/2 gate signal generators per hp! That's more than [competing product] from [competing brand]! You knew you made a good decision when you decided to look at this product.

All that remains now is to open your heart, and your wallet. Buy this gate generator - this version is the latching model (stays on or off after pressing). In fact, it works really well with the Quad Gate to Trigger Converter, also from Herzlich Labs - now you can generate both gates and triggers with ease! And in such little hp!

Oh, one more thing? Your friends are going to be very envious of this, when you show it off. Gold plated nuts, gold plated front panel, tastefully matte indicator LEDs, pleasantly tactile buttons, black hardware. All the details have received the closest care and attention.

Dimensions: 2 HP

Notes: Bartender? The power of gate signals at the touch of a button, please - but make mine a narrow one!

You already know what this is: it's a gate signal generator, and it generates gate signals. That's all there is to it. You press the button, the LED indicator lights up, and you get a 5v gate signal! Brilliant!

You get three, in just 2hp! That's 1 1/2 gate signal generators per hp! That's more than [competing product] from [competing brand]! You knew you made a good decision when you decided to look at this product.

All that remains now is to open your heart, and your wallet. Buy this gate generator - this is the momentary model (is normally off, and temporarily on when you press it). In fact, this also works really well with the Quad Gate to Trigger Converter, also from Herzlich Labs - now you can generate both gates and triggers with ease! And in such little hp!

Oh, one more thing? Your friends are going to be very envious of this, when you show it off. Gold plated nuts, gold plated front panel, tastefully matte indicator LEDs, pleasantly tactile buttons, black hardware. All the details have received the closest care and attention.

Dimensions: 2 HP

Notes: Fade between two signals with the fader, just as nature intended

Do you have aspirations to smoothly fade between two signals? The Herzlich Crossfade lets you do exactly that, and exactly nothing else, using well-designed active circuitry and a smooth and performance friendly sliding potentiometer.

Whatever your aspirations are, this crossfader lets you live out your crossfading dreams in the simplest possible way, with not a fraction of an inch wasted on unnecessary features. Only delightful build quality and pleasantly smooth crossfading lies ahead for you.

Dimensions: 2 HP

Notes: Two bipolar LEDs allow you to visualize your voltages as they swing between positive and negative, as well as their level of intensity, without affecting the signal you input.

Think of it as a 1D oscilloscope in just 2hp! An easy way to grasp what your patch is currently doing, without sacrificing the money or space on more fully-fledged solutions. Useful as part of a patch to keep track of your oscillations, as a troubleshooting device to quickly verify that something is doing what it should be doing, or simply as a healthy dose of blinkenlights in addition to your existing array of sparkling LED pleasures. Best of all? You get two in just 2hp - you'll have to spend some serious cash to get that kind of function-per-hp density anywhere else!

Dimensions: 2 HP

Notes: Beauty. Refinement. Attenuversion.

It's another Herzlich Labs release: the 2hp stereo Attenuverter. Two channels of connected attenuversion, allowing you to fully and smoothly invert any signals you plug in - turn negative to positive, turn phase to antiphase, and find all the variations in between.

With the usual pleasantly tactile sliding pot, the sAttenuverter is both performance friendly and inspiring to use. Extremely suitable for linked mono signals and stereo alike, it will feel right at home in the increasingly popular stereo setups in modular.

Dimension: 2 HP

Notes: Two channel USB module.

Standard Mode - Send two channels into your USB device and receive two channels from USB.

Insert Mode - Send two channels to your USB device and get a copy of the sent signal in the outputs.

Toggle between the modes via a pair of jumpers on the back. The USB-B to USB-A cable is provided with the module. Why use the cutting edge USB-B? I felt the jacks were way more sturdy than mounting USB-C jacks vertically.

Expandable - Bartender, Barbacks, DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 4HP
12V: 10mA
-12V: 10mA

Notes: A simple VC panner with CV-controlled level. The left input normals to the right input to give an easy way to add panning to a mono signal.

Expandable

Bartender, Barbacks, DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 4hp
12V: 40mA
-12V: 40mA

Notes: Tilt is the first in Laine's series of core modules, which will take cues from the main product line and strip back the features so both the module width and cost can be shrunk dramatically.

Comprising an 'Ambler' style tilt EQ network similar to the 'Stilts' topology, Tilt allows simultaneous cut and boost of low and high frequencies using a single control.

Tilt control circuits are known for the transparency of their cut and boost curves, coupled with the inherent emphasis gained from cutting one end of the frequency spectrum whilst boosting at the opposite end.

It sounds pretty good on all audio source material but is especially suited to tracking drums, guitar and lead, or manipulating effects sends and returns.

With the control knob at 12o'clock the sound passed is neutral. Turning the control knob clockwise will boost high and cut low frequencies pivoting from a fixed mid-range point. Turning the control anti-clockwise below 12 o clock will in turn boost low frequencies and cut the highs.

In addition to the EQ there is a soft clipping network which will begin to saturate signals over 15 volts peak to peak.

Tilt uses the same high quality OPA op amps, Alpha pots and ENIG PCBs as found in our main product line.

Features

Compact EQ tilt control in 1U
Soft clipping network
High-quality components used throughout

Specifications

Intellijel 1U format
Width 8HP
Depth 28mm
Power requirements ~10mA +12V/~10mA -12V
Impedance Input 100k / Output 1k

Notes: The module was named Kuzmin Filter in the past as a tribute to the developer of the Polivoks, Vladimir Kuzmin. For certain reasons, the module will now be called GRUNGE Filter (due to the sound), with the circuitry remaining unchanged.

The Polivoks was a Russian synth that was produced between 1982 and 1990.This module is the AE version of the filter that gave the Polivoks a unique, rough sound.

Beyond the basic design, this filter offers some additional features:

Two different resonance characteristics, hard and soft
An FM function, that adds the input signal to the modulation of the filter
An optional overdrive for the output, making the sound even more rough and untamed.

Notes: Unique, vintage reverb sound.

The SPRINGREVERB module brings the unique sound of this quite old (introduced in the 60's) technique for creating reverbs to the AE modular.

The reverb works by sending the audio signal to a set of 3 springs; at the other end of the springs the sound is picked up by a transducer, converting the mechanical movement of the springs back into an electrical signal. When the audio signal arrives at the end of the springs, the waves are reflected several times; these reflections create the reverb sound.

The spring "tank" (a metal box containing the springs and transducers, size approx. 24 x 9 x 3.5 cm) is connected externally by a cable.

The product contains all components: The module itself, the spring tank and the connection cable.

Note: The sound of a spring reverb is quite unique and has a strong vintage character; if you are looking for a more "clean", natural sounding reverb please take a look at the MULTIFX module.

Notes: This is an envelope follower based on a classic module from the seventies but with some improvements to suit modern needs.

The IN signal is bifurcated to the envelope follower circuit and also to a THRU output, so the original signal is also available for external processing.

The envelope follower has three controls, a switch to select response time (fast, medium, slow), a pot to adjust GATE threshold and a pot to adjust the envelope CV level.

This little module will help you shape the timbre and/or the level envelopes of your sounds. From dynamic envelope filtering to compressor like side chaining there are lots of possibilities to mangle your audio.

Tech specs:

- 4HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 18mA , -12V 16mA

Notes: As the name suggests this module can produce sub frequencies of -1 and -2 octaves relative to the square wave signal provided at the input jack.

But this is not just a simple SUB generator. It also has a little mixer that will let you add different levels of -1 and -2 octave signals to the original square wave. You can select the -2 octave signal to be a square wave or a pulse wave.

The module has individual outputs for the mixed signal, the -1 octave and the -2 octave.

This little modules can produce enough timbral variation to make you bass sound exciting.

Tech specs:

- 4HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 12mA , -12V 9mA

Notes: Module A-130-2v is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

Gain: manual gain control (Initial Gain) in the range 0...1
CV: attenuator for the CV input
lin/exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)
Inputs and outputs (for each of both units):

CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
In: signal input, max. 16Vpp (+8V...-8V) without distortion
Out: signal output

A-130-2v is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

Power consumption: 30mA at +12V and 30mA at -12V

Depth: 50mm

HP : 4

Notes: Module A-147-5 contains four voltage controlled low frequency oscillators (VCLFO) with triangle waveform outputs. All LFOs share a common frequency control. Each of the LFOs 2, 3 features a Delta control which is used to shift the frequency of the LFO in question up or down. With the Delta controls at center positions the frequencies of all LFOs are roughly the same. To control the frequencies by external control voltages four CV inputs are available which follow roughly the 1V/oct standard.

The module has these controls and in/outputs available:

Control F: manual control of the frequency for all four LFOs
Control Delta F2, F3 and F4: manual control of the frequency shift up/down for the LFO in question
Sockets CV 1...4: Frequency control voltage inputs (normalled from top to bottom)
Sockets with triangle symbol 1...4: triangle outputs
LEDs: visual displays of the triangle outputs (red = positive, yellow = negative output voltage)

Application examples:

Generation of four triangle modulation signals with a common frequency control for all LFOs and individual controls for the frequency deviation of each LFO, manually adjustable and controllable by external control voltages
Generation of modulation signals for polyphonic FM/PWM applications. For this the four CV inputs are connected to the same control voltages which are used to control the frequencies of the corresponding VCOs. That way each LFO follows the frequency of the associated VCO with the possibility to control the frequency of all VCOs (control F) and the frequency deviations (Delta F controls). For the simultaneous modulation depth control the Quad VCA module A-130-4 is recommended.
Generation of complex modulation signals by summing up the outputs (e.g. by means of a mixer module A-138n / A-138i / A-138j)

Technical notes:

The level of the triangle outputs is about +/-5V (10Vpp)
The manually adjustable frequency ranges from about 0.025 Hz (about 40 seconds) to about 50 Hz with the delta controls of LFOs 2, 3 and 4 about center position
The frequency deviations adjusted by the delta controls are about +/-1:5. Example: with 1 Hz in center position the frequency shift ranges from about 0.2 Hz in position -5 to about 5 Hz in position +5 (1 Hz/5 = 0.2 Hz, 1 Hz*5 = 5 Hz).
The manual frequency controls and the control voltage inputs have an exponential control behavior
With external control voltage the max. frequency is about 150 Hz, the minimum frequency
The scale of the CV inputs is roughly 1V/oct (not adjustable)
The CV inputs are normalled from top to bottom. Provided that only socket CV1 is patched CV1 controls the frequencies of all four LFOs.
When each CV input is patched to it's own control voltage each LFO is controlled individually by it's own CV. In this case CV1 controls only the frequency of LFO1.
Internally the rectangle outputs are available at four terminals (typ level +/-10V or 20Vpp). If required they can be wired to four sockets of a DIY breakout module made by the user, 1k protection resistors are recommended to avoid short circuits. If lower levels are required passive attenuators (voltage dividers) may be used.
Internally is even an (unbufferd) triangle sum signal available. For this each of the four triangle outputs is simply connected to the sum output terminal via a 47k resistor. This output has high impedance and should be buffered or amplified to avoid level drop when the load changes (e.g. by means of an A-180-3 or A-180-4 or A-183-3).
By changing the values of the capacitors in the LFO circuits even other frequency ranges are possible (e.g. Quad VCO to form kind of a cloud VCO). Pay attention that the accuracy of the CV input scales is not sufficient for precise 1V/oct VCO applications. The 1V/Oct scales cannot be adjusted and the circuits are not temperature compensated.

Dimensions
4 HP
45 mm deep

Notes: MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analog summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analog mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labeled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Dimensions:
3 HP
43 mm deep

Current draw:
25 mA +12V
20 mA -12V

Notes: Uni is a triple attenuverter utility module designed to give cases gigantic macro control knobs.

Inputs:

CV inputs 1 and 3 - CV input for bidirectional attenuation. When input cables aren't plugged into these jacks, 5v reference signals will be used.
CV input 2 - CV input for either unidirectional or bidirectional attenuation. When an input cable isn't plugged into this jack, a 5v reference signal will be used.
Switch - toggles CV input 2 between unidirectional and bidirectional attenuation.

Outputs:

CV outputs 1, 2 and 3 - attenuated CV output. If no cables are plugged into an output jack, it is summed into the subsequent output jack.

25 mA +12V 20 mA -12V 0 mA 5V
10 HP 27mm deep

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


A-138s is a simple but useful 4-in-2 mixing tool. It has four inputs available. Each input is equipped with an attenuator (Level) and a panning control that is used to distribute the signal to the left and right output. Beyond stereo mixing it is equally suited to create variable parallel routings. For example: Any of the four inputs may be routed in variable intensity to feed two filters.

You may regard the A-138s as a smaller version of the A-138m Matrix Mixer.

Inputs and outputs are DC coupled, i.e. the module can be used for the mixing of control signals too.

- 3U Eurorack module, 8 HP wide, 30 mm in depth
- Power consumption: 10 mA at +12 V and 10 mA at -12 V