Suchergebnisse: Dance Music

Review: This expansive 70-track collection spans the Dragon Age game series, including songs from Dragon Age: Origins (2009), Dragon Age II (2011), and Dragon Age: Inquisition (2014) throughout discs 1-3. As a bonus, the fourth disc features seven tracks chosen from DLC plus an additional nine fan-favorite bard songs from Dragon Age: Inquisition. Deluxe package features all-original artwork by Dragon Age concept director Ramil Sunga and lead UX artist Danny Richardson, created exclusively for this album set. The beautifully detailed artwork presents a pictorial timeline following the lore of the Dragon Age series, beginning at the dawn of the golden city, throughout the city's fall and culminating in its re-emergence as the black city, seat of the old gods.

Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.

Notes: The Zoom G2 Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
An external expression pedal can be used to control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2 Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

Zoom G2 Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been sampled at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historic guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2 Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones
The G2 Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, you set up the G2 Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2 Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: The Zomo RS-250 XT LP case satisfies by its modern design and compact construction. By the 30/70 divide the recordcase can be comfortably splitted and the content can be separated in 3 halves. The 2 lockable snap locks can be closed by the including keys to safe the content.


Sheer genius and totally cool! It's ZOMO!

Notes: The SVF is a 4hp 2 pole 12dB State Variable Filter Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It provides Low Pass, Band Pass, and High Pass outs inspired by WASP and Thomas Henry filter topologies. The filter has 2 audio inputs, but channel 2 is jumper selectable between standard audio in or Ping-able operation. The 2019 revision also adds improved cutoff and resonance response and attenuversion through the ACV IN using the above pot. CV IN provides another unattenuated voltage input to modulate the frequency.

At the CV in, +10v will open the filter completely if the cutoff pot is CCW(counter clockwise). With the cutoff knob at noon the filter can be opened with +5v or closed with -5v. CV input at the ACV in is dependent on the CV attenuverter knob.

There are also several jumper selectable modes for max resonance, self oscillation or no oscillation based on the setting of the resonance pot. According to the jumper configuration, the filter is capable of clinical and clean, to juicy and drippy, to low pass gate sounding plonks, to screaming chaotic resonance. When set to self oscillation mode, the filter can produce a sine like wave with no input and a trapezoid like wave in the max resonance jumper setting. In max resonance mode, the filter output can exceed 10Vpp. On the newest version, there is a trimmer on the top pcb to set the lowest cutoff frequency.

The new black and white pcb/panel is reversible meaning, one side is classic (first picture) and the other side is soulless (second picture).

Notes: The Foldiplier is a 4hp odd/even harmonics generator with 2 different oscillating feedback paths. The folding core of the design originates from the odd harmonics (middle)section of the Serge Wave Multiplier. But the Foldiplier adds voltage control over the symmetry and offset as well as a switch for feedback, jumper selectable between, a transistor based oscillating fuzz inspired by the Hemmo Bazz Fuss with a lot more low harmonic content and a passive oscillating half wave rectification circuit with more high harmonic content. When these feedback oscillations mix with an incoming waveform some unpredictable and unique nonlinear timbres can be achieved. The module can also be used as a no-input experimental oscillator with the feedback switch engaged. All diodes in the module are silicon.

The Fold knob controls the amount of times the waveform is folded in on its self (indicated by the red led window below the knob). The C.V. knob below is an attenuator for incoming control voltage corresponding to the Fold jack(indicated by the red led window above the jack, it only responds to positive voltage). So, the Fold knob acts like an initial amount of folding depending on its position. For example, with the Fold knob fully clockwise you can get even more folds with a control voltage in at the Fold jack. The Offset knob controls how much positive DC voltage(0 to 5v, clockwise) or negative(0 to -5v counter clockwise) DC voltage(indicated by the led window above the Offset jack, red for positive, yellow for negative) injected into the waveform via the Symmetry knob. With the Offset knob position at noon(0v) there will little effect from the Symmetry knob. The Offset jack is expecting +5v to -5v with knob position at noon to scan through the positive and negative voltage. The Symmetry knob controls the amount of negative or positive offset voltage(dependent on the Offset knob) mixed with the waveform(indicated by the yellow led window above the Symmetry jack). If positive voltage is mixed with incoming waveform more folds will occur on the positive troughs of the waveform, likewise, when negative voltage is introduced more folds happen on the negative troughs. This part of the circuit can also be broken down by thinking of the Offset as a voltage controlled crossfader swinging between positive and negative voltages into a VCA controlled by the Symmetry knob and jack. When a voltage is present at the Symmetry jack the Symmetry knob becomes an attenuator. The Symmetry jack only responds to positive voltage.

Width: 4hp
Panel Material: Double Sided PCB panel with Classic and Soulless
Reverse Power Protected
Current Consumption: +12v: 40mA, -12v: 35mA
Depth: 47mm or 1.75"
All through-hole build
Ships with M3 black nylon screws
Expandable: No

Notes: Raising the Bar.

Condenser microphones have become a staple of most studio and broadcasting environments around the world for good reason. Their ability to capture the most subtle nuances of vocal and instrument performances has made them the preferred choice for a majority of studio and broadcast professionals.

The YCM01 is a studio-quality condenser microphone that adopts a cardioid polar pattern for more focused sensitivity, making it ideal for a broad range of applications, from live streaming or gaming voice chat, to remote meetings, and of course, music production. Offered in both black and white versions to adapt to your preferred streaming or recording environment, the stylish iconic design of the YCM01 will add a new level of professionalism to your creative content.

Hone in on your sound

The cardioid polar pattern of our condenser microphone ensures the highest sensitivity to sound directly in front of your mic while substantially reducing ambient noise from the rear and sides.

This allows the YCM01 to capture the distinct tones and timbre of your voice or instrument with stunning accuracy, giving your streaming audio an added quality and performance advantage.

*The YCM01 can also be mounted on a tabletop stand, a standard microphone stand, or a desk arm.

Specifcations

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 130 dB
Dimensions (Microphone Only): (Diameter) 55 x 166 mm ((Diameter) 2.2" x 6.5")
Weight (Microphone Only): 0.4 kg (0.9 lbs)
Included Accessories: Microphone stand adaptor x 1, Microphone pouch x 1, Owner's manual, Technical specifications

Notes: Raising the Bar.

Condenser microphones have become a staple of most studio and broadcasting environments around the world for good reason. Their ability to capture the most subtle nuances of vocal and instrument performances has made them the preferred choice for a majority of studio and broadcast professionals.

The YCM01 is a studio-quality condenser microphone that adopts a cardioid polar pattern for more focused sensitivity, making it ideal for a broad range of applications, from live streaming or gaming voice chat, to remote meetings, and of course, music production. Offered in both black and white versions to adapt to your preferred streaming or recording environment, the stylish iconic design of the YCM01 will add a new level of professionalism to your creative content.

Hone in on your sound

The cardioid polar pattern of our condenser microphone ensures the highest sensitivity to sound directly in front of your mic while substantially reducing ambient noise from the rear and sides.

This allows the YCM01 to capture the distinct tones and timbre of your voice or instrument with stunning accuracy, giving your streaming audio an added quality and performance advantage.

*The YCM01 can also be mounted on a tabletop stand, a standard microphone stand, or a desk arm.

Specifcations

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 130 dB
Dimensions (Microphone Only): (Diameter) 55 x 166 mm ((Diameter) 2.2" x 6.5")
Weight (Microphone Only): 0.4 kg (0.9 lbs)
Included Accessories: Microphone stand adaptor x 1, Microphone pouch x 1, Owner's manual, Technical specifications

Notes: The Yamaha MG Series of mixers feature a design and construction that will handle the standard wear and tear of the active musician. Featuring the steel chassis that is impact resistant and powder coated, this mixer will take any bumps and scratches without it getting damaged or looking old. The sleek design does not compromise any part of the finished product.

A state of the art design allows for convection cooling, meaning your power unit will not overheat your unit after continuous use. Separating the power supply from the analog circuitry inside the mixer allows for near silent background noise, allowing for a serious and high quality output sound. As well as this, the knob placement has been put above the chassis of the console, thus not damaging circuitry underneath should the device ever be dropped or mishandled.

The MG06 includes a number of features that make it stand out above the rest of compact mixers on the market. It has phantom power on the first two channel's class A preamps for any condenser microphones as well as a mono/stereo select button for instant control and flexibility. These two channels also include a 2 band EQ and a high pass filter, allowing a lot of frequency control on such a small mixer.

As well as this, two stereo channels for jack devices make up channels 3 through to 6. Outputs are aplenty on the MG06, featuring stereo jack and XLR outputs, as well as a phones output for monitoring purposes.

Notes: Updated expander module for the Moskwa II sequencer. The Ostankino adds additional connectivity to the Moskwa II, allowing CV control of most parameters, plus extra outputs.

Supplier's Notes:
Ostankino II expander adds CV inputs for many Moskwa II functions, as well as a transpose input, clock out and individual gate/bit outputs for each step.

Notes: Lipsk facilitates the inversion of the individual bits produced by Drezno (or any other module connected to its input header at the back), and delivers the resulting code to its output header. Bit inversion can be manually controlled by pressing any of combination of its eight illuminated buttons, or it can be automated by patching gate signals into its gate input sockets. An active (5V) gate flips the state of the respective bit. If the button is active (bit already flipped), then the gate flips the bit again yielding double inversion (no inversion). The corresponding LEDs show the combined effect of both manual and gate actions. The bit processing logic is hardware-based, so there is virtually no latency, allowing the binary signals to be manipulated at extreme rates.

Notes: Gera is a component of the Leibniz subsystem that allows masking individual bits of the digital data by the use of logical AND operation.

It features 8 individual gate inputs that affect the individual bits of data, as well as 8 illuminated tact switches for manual inverting of each control input. When connected to Drezno that is processing a waveform or voltage, masking of individual bits yields various forms of quantization. However, Gera can function on its own. The AND operation is a basic building block for sequence automation, chaos and rhythm generation, and various computer-like modular patches.

Bit processing logic in Gera is hardware based, hence there is virtually no latency, and the binary signals may change at extreme rates.

Main features:

Logical AND operation on Leibniz data
Masking of individual bits controlled manually and by gate signals
Visual indication by illuminated buttons
6HP
30 mm depth (including ribbon cable brackets)
- +12V: +45mA / -12V: 0mA / +5V: 0mA

Notes: Creatively inspiring business from Xaoc as usual. The Erfurt is a digital phase accumulator, digital oscillator, binary counter or clock/audio frequency divider. Versatile stuff.

Supplier's Notes:
Xaoc Devices Erfurt is a digital module that may be used as an 8-output clock and audio frequency divider, a bi-directional binary counter, or a component of the Leibniz binary system, i.e. a programmable digital oscillator.

Erfurt features an 8-bit register which holds its current state: an 8-bit number representing digital values from 0 to 255. The state is available at the front panel via eight binary (5V gate) outputs and reflected by the 8 status LEDs. There are three clock inputs: one incrementing the state at each impulse, one decrementing, and one resetting the state to zero. The state may also be changed manually with two buttons.

When operating alone, the state of Erfurt changes by 1 at each impulse from the clock inputs, so that it counts from 0 to 255 in a cycle (modulo 256). This yields the signal frequency divided by 2, 4, 8, etc. up to 128, available at individual bit outputs. Depending on which clock input is used, the clock patterns correspond to the so called mathematical or musical divisions of the rhythm.

With two different clocks patched to the inputs, the counter alternately increases and decreases its state, and ultimately it counts with a rate proportional to the frequency difference between the clocks. A third clock patched to the Reset input may be used to shorten the sequence thus making the cycle incomplete for even more rhythmic diversity.

When there is a Leibniz data source connected at the back (even as simple as Lipsk), the state increases or decreases in larger steps, depending on the data present at the Leibniz bus (eg. the value programmed by the Lipsk buttons). The counter overflows quicker, and produces more complex patterns.

The state of the counter may be used as a phase input to a digital wave table. Connected to other Leibniz modules, Erfurt may play various roles, eg. it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc. Since Erfurt is based on CMOS logic (no CPU!), it can be clocked at very high frequencies (exceeding audio rate), therefore some selection switches are provided for clock pre-scaling.

Dimensions:
6 HP

Current Draw:
25 mA +12V
30 mA -12V
0 mA 5V

Notes: The tiny but mighty Eurorack power supply. Winterbloom's love letter to DIYers is perfect for custom cases.

Micronova is a miniature 100x30mm power supply with a big soul. It can provide up to 18W of power for your modules and multiple units can be easily daisy chained to power larger systems.

Despite being adorably small, Micronova provides lots of flexibility for custom case builds. It can be powered through an attached DC barrel jack, screw terminals, or through an optional front entry panel.

Micronova is equipped with two Eurorack power headers that can be expanded using a busboard or flying bus cable.

Micronova also has critical safety features including reverse polarity protection, a resettable polyfuse, and over-current shutdown.

A suitable AC-DC power adapter is required.

A tiny 100mm x 30mm board with M3 mounting holes
Provides +12V @ 1A, -12V @ 300mA, and +5V @ 500mA
Includes two 16-pin Eurorack power headers
Requires a 15V to 20V center positive DC power supply
Multiple units can be daisy chained
Reverse-polarity, over-current, and over-temperature protection

Review: ***B-STOCK: Torn inner sleeve, otherwise in excellent working condition***


Amused To Death is the third studio album from Roger Waters outside of his work in Pink Floyd. As one of the fundamental creative forces in the prog behemoth, of course it's hard to separate his solo work from that most famous of bands, but this is indeed its own beast. At times it's an experimental space in which Waters uses space and minimalism to great effect, creating a foreboding sound peppered with speech samples and field recordings. There are of course plenty of more straightforward tracks too, like lead single 'What God Wants, Part 1'. This lavish issue of the 1992 album spreads the music out across four discs and comes in a box set format, a must-have for devoted Floyd and Waters collectors.

Review: ***B-STOCK: Record has light surface marks/scratches, otherwise in excellent working condition***


Amused To Death is the third studio album from Roger Waters outside of his work in Pink Floyd. As one of the fundamental creative forces in the prog behemoth, of course it's hard to separate his solo work from that most famous of bands, but this is indeed its own beast. At times it's an experimental space in which Waters uses space and minimalism to great effect, creating a foreboding sound peppered with speech samples and field recordings. There are of course plenty of more straightforward tracks too, like lead single 'What God Wants, Part 1'. This lavish issue of the 1992 album spreads the music out across four discs and comes in a box set format, a must-have for devoted Floyd and Waters collectors.

Notes: The Fundamental Tremolo is a classic optical tremolo, giving you that iconic chewy movement. With three wave shapes to select from, you can get sounds from smooth and soothing to glitchy, wild, and crazy.

Use the Rate slider to set how fast or slow the LFO is oscillating. A lower rate gives a gentle wavering texture, while a higher rate gives a rapid pulsating effect.

The Depth slider controls the strength of the tremolo effect. Move the slider to the left for subtle tremolo or to the right for maximum chop.

The Volume slider sets the overall output volume of the pedal.

The slide switch allows you to change between three distinct oscillator waveforms:

Sine: Gradually adds and decreases volume smoothly for a easy and subtle tremolo.
Square: Much more pronounced than sine, square wave has a more on-off pattern.
Random: Uses sample and hold that picks new random values at an interval set by the rate control.

For the Fundamental Series, the team at Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three sliders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in Oklahoma City, USA.

Notes: For the Fundamental Series, Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three faders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in OKC, OK.

Because vast ambient sounds shouldn't just be for larger pedals with vast price points, the Fundamental Ambient brings expansive pillowy reverb to the Fundamental Series with three atmospheric modes in a compact size. The Fundamental Ambient offers a great entry point into ambient exploration with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. With Ambient's three reverb algorithms, you can experiment with deep, dark pad-like sounds to AM Radio-like lo-fi sounds with the flip of a switch.

The Fundamental Ambient provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes with plenty of decay time for pillowy soft pad-like decay.

Modes:

Deep - A dark ambient reverb with an added low octave, perfect for creating murky, cavernous sustain or adding a touch of moody atmosphere.
Lush - A breathy, expansive reverb featuring ultra-long sustain. Perfect for generating silky pads and immersive soundscapes with every note.
Haze - A textured, lo-fi reverb featuring distortion, sample rate reduction, and a resonant bandpass tone control, great for vintage or experimental tones.
Decay: Control the amount of reverb decay time. Left is the minimum and right is the maximum amount of time.
Tone: Shapes the overall tonality of the reverb. On Deep and Lush this controls the cutoff of a synth-style lowpass filter. On Haze this controls the width of a resonant bandpass filter, filtering both high and low end at the right, and allowing more high and low to pass through at the left.
Mix: Control the mix of the effect and the original clean signal. All the way to the left outputs only the fully clean signal, and all the way to the right outputs only the affected Reverb signal.
Slide Switch - The slide switch allows you to change between three distinct Reverb algorithms.

Trails Mode - The Fundamental Ambient Reverb comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your reverb decay will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.

Notes: Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision.

Packaged in the same tough-as-nails, tour-ready enclosure as all Walrus pedals, the Tuner features a bright 2.8" TFT LCD display that can be viewed under just about any stage lighting conditions, multiple screen orientations, i0.1 cent accuracy, buffered or true bypass options and more. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Uncompromising Accuracy

Precise and accurate tuning you expect with i0.1 cent accuracy and multiple tuning presets. Tune with confidence, allowing your music to shine with clarity.

A World of Sound at Your Fingertips

With a flat frequency range spanning from 20Hz to 20KHz, the Walrus Audio Tuner is ready to handle tuning for low bass notes to high-strung acoustics. Even bassists needing that low B rumble can tune with confidence.

See the Music Come to Life

The 2.8" TFT LCD display is your window to pitch-perfection. Its crystal-clear quality ensures your tuning is always on point, even under the blazing stage lights or glaring sunlight.

Tailored to Your Preferences

Tailor your tuning experience to your liking with multiple screen orientation options and selectable Strobe or Needle tuning modes. Your preferences, your performance.

Your Aesthetic, Your Way

Match your style with ease. The Walrus Audio Tuner comes with eight colour themes and multiple screen savers including a custom picture mode* allowing you to personalize your tuner to fit your unique aesthetic. *Photos can be uploaded to the tuner via walrusaudio.io.

Tune Faster with Tune Assist

Let Tune Assist guide you swiftly and accurately through your tuning process. Quick and easy tuning has never been so effortless. With Tune Assist, once your note stays in tune longer than a pre-determined threshold, a border outlining the display will flash letting you know that you are in tune and can move to the next string.

Versatile Bypass Options

Enjoy ultimate flexibility with buffered bypass which routes your audio through the clean, low-noise, high headroom audio buffer with a Total Harmonic Distortion ratio of .001%. This buffer offers a high input impedance of 1M Ohms and low output impedance of 400 Ohms to maintain the highest level of single integrity. Other available bypass modes include relay bypass, monitor mode, and pass-thru.

Customize Your Reference Pitch

Adjust the reference pitch from 390Hz to 490Hz to suit your musical needs. Precision tuning for any style of music.

Stay Current with Firmware Updates

Keep your tuner up to date with firmware updates via www.walrusaudio.io. Experience continuous improvement and new features as they become available.

Notes: Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Artists and producers can save time on tracking sessions by recording dry tracks first, then using Canvas Re-Amp's custom transformer to convert line-level signals, optimizing them to work with amps and guitar pedals of any kind to explore limitless tones and sounds.

Using a Re-Amp

1. From your DAW, audio track goes into the Canvas Re-Amp.
2. Out from Re-Amp into pedals or mic'd amp.
3. Out from pedals / amp back into DAW.

Specs

Frequency Response: 20Hz To 20kHz
THD+N: 0.07% @ 20Hz / +4dBu Input 0.001% @ 1kHz / +4dBu Input
Maximum Input Level: +21dBu @ 20Hz
Noise Floor: -116dBu
Signal To Noise Ratio: 114dB @ 1kHz
Input: Balanced Line-Level
Input Impedance: 3k Ohms
Output: Unbalanced Instrumental-Level
Output Impedance: 2.5k Ohms
Common Mode Rejection Ratio:79dB @ 20Hz / +4dBu Input
Power Requirement : None - Passive
Audio Circuit: Transformer Isolated

Notes: A simple noise generator and 4 band fixed filter bank.

The noise is normalled to the Filterbank input. The cutoff frequencies are matched to the Bark Filter, so that four bands of the Bark Filter correspond to a band on the Noise & Filter.

It is a small and quick noise source and pairs well with Scan & Pan and Amp & Tone.

HP : 4

Review: Studio Ghibli's beloved animated masterpieces, Kiki's Delivery Service and Porco Rosso, embark on a new sonic adventure with the long-awaited release of their soundtracks on vinyl. Composed by the legendary Joe Hisaishi, these vinyl releases offer a captivating auditory experience that transports listeners to the enchanting worlds of these cinematic treasures. Kiki's Delivery Service enchants with its playful melodies and heartwarming themes. Soaring orchestrations, ethereal vocals, and enchanting piano passages evoke the film's whimsical atmosphere. Hisaishi's score masterfully blends big band jazz, sweeping orchestral arrangements and atmospheric soundscapes. There has been new artwork made for this beautiful package, making this a must-have for fans of the iconic Japanese animation studio and music enthusiasts alike.