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Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

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Suchergebnisse: Dance Music

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Tangible Waves AE Modular FMOS FM Synthesis Module
Cat: 786477 Rel: 16 Oct 20 • View all Synth modules
 
Synthesis module
Notes: FM synthesis for the AE!

The FMOS is a new digital oscillator that brings FM synthesis to the AE modular! It offers the basic FM synthesis with one oscillator and one modulator, running both with sine waves or triangle waves. The modulation depth and frequency ratio of the modulator can be set with a knob and additionally by CV control. If you want pure sine waves, this is for you too - simply set the modulation level to 0.

The module is based on a simple 8-bit microcontroller and an adapted design of Jan Ostman.
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MRP:$53.16 SAVE 17%
 5 in stock $44.29
Erica Synths Syntrx Analogue Synthesiser (UK plug)
Cat: 750753 Rel: 16 Oct 20 • View all Synthesizer
 
Analogue synthesiser
Notes: Since its beginnings Erica Synths has promoted experimental electronic music and has developed instruments that enable musicians to explore it.

When it comes to standalone instruments, one of the most encouraging instruments in experimental music was Synthi AKS, so Erica Synths have teamed up with engineers from Riga Technical University to develop a synthesizer with a user interface inspired by Synthi AKS.

SYNTRX [sintrex] is developed from scratch all analogue synthesizer (no part of schematics is cloned from Synthi AKS) with digitally controlled patch matrix. Unlike most of patch matrixes around, that mechanically connect signals, our 16x16 matrix utilizes 32 (!!!) 16 channel analogue switch ICs AS16M1 (made in Latvia, Alfa RPAR) and is a mixer/buffered multiple with 3 level attenuation (gain 1, 0,6 and 0,3) in connection points. It has 256 patch memory, automatic patch switching in performance mode or via MIDI messages.

SYNTRX has 3 highly accurate VCOs that track great over 8 octaves, noise generator with "colour" filter, resonant VCF, ring modulator, spring reverb, looping envelope generator, joystick controller, input amplifier with adjustable gain for microphone to line level signals, 3 VCAs, output signal filter, analogue CV/audio signal level indicator and built in speakers. Extra features, not found on Synthi AKS, are Sample & Hold circuit with individual clock, octave switch for VCO1, synchronization of VCO2, AD mode on the envelope generator, as well as MIDI that accepts CV, Gate, Modulation wheel messages and program change messages for the matrix control. The SYNTRX comes in aluminium enclosure with ash tree side panels.

SYNTRX will inspire users to explore the space and travel to previously undiscovered audible realms.
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MRP:$3,500.55 SAVE 17%
 3 in stock $2,904.16
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Benidub DS-01 Dub Siren Effects Unit (requires a 12VDC 1A power supply) Benidub DS-01 Dub Siren Effects Unit (requires a 12VDC 1A power supply) Benidub DS-01 Dub Siren Effects Unit (requires a 12VDC 1A power supply) Benidub DS-01 Dub Siren Effects Unit (requires a 12VDC 1A power supply) Benidub DS-01 Dub Siren Effects Unit (requires a 12VDC 1A power supply) Benidub DS-01 Dub Siren Effects Unit (requires a 12VDC 1A power supply) Benidub DS-01 Dub Siren Effects Unit (requires a 12VDC 1A power supply)
Notes: The DS01 is the second-generation clone of the most classic dub siren in the known universe, old school transistors sound FX machine with unique feel and sound.

Audio output: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm x 5,5mm barrel type connector

Dimensions: 120mm x 90mm x 40mm

*PLEASE NOTE*: This product requires a 12VDC 1A power supply, which is not included.
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MRP:$197.07 SAVE 17%
 1 in stock $164.21
Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument
Cat: 789907 Rel: 16 Oct 20 • View all Drum Machines bei %s
 
Sampler & drum machine & synthesiser
Notes: MASCHINE+ is a sampler, a drum machine, a synth, and an on-stage superpower. In short, it's whatever you make it. Leave the laptop behind, jam with your other gear, and create beats in minutes with a wealth of on-board sounds, instruments, and effects.

It's the iconic MASCHINE workflow, with fewer strings attached.

Standalone means more focus, more freedom, and more music making. Plug in, power up, and get creating straight away in the embedded MASCHINE+ production environment - from first ideas to finished tracks. Dial in effects to tweak your sounds, or sample audio and make it your own with an intuitive interface designed to keep the creative juices flowing. And if you want to bring your ideas into a DAW, copy them over, and boot up the MASCHINE software on your computer to pick up where you left off.

As well as its classic groovebox workflow, MASCHINE+ includes MASCHINE+ Selection: A dedicated package of nine synths and sampled instruments, 35 effects, and seven Expansions (including two of your own choosing) that work seamlessly in standalone mode. It includes heavy-hitters like MASSIVE, FM8, MONARK, PRISM, the MASCHINE Factory Selection, RAUM, and PHASIS. That means its 16 pads can sound like a dusty vintage drumkit, a warped wavetable lead, or an organic modal synth - pretty much anything you can think of if you flex your sound design skills.

Whether you're digging records or ripping radio edits, record any sound into MASCHINE+ and quickly chop and stretch the results into your own custom kits. Or transform and twist them in real-time with the Audio plug-in. The same goes for guitars, vocals, drums, and anything else - more sounds means more creative ways to make music.

Bring real expression to live performances with intuitive control over your music - tap out beats, run arpeggiators, or tweak synth melodies in real time. MASCHINE+ is an intuitive live sequencer, a fully-fledged groovebox, and a powerful performance synthesizer rolled into one.

Clips let you arrange your ideas with even more freedom. Create transitions across scenes, add unique variation to patterns, record MIDI directly into the full arrangement, and freely add audio wherever you need it. Once you've fleshed out your ideas, you can use MASCHINE+ as a powerful tool to push tracks past the finish line.

Play and sequence outboard gear and capture the results, or manipulate external audio in real time with effects. MASCHINE+ can control, mix, and manipulate the rest of your setup with MIDI, line, and mic inputs to bring everything together instantly. And if you want to work with a computer, it doubles up as a classic MASCHINE controller too.

MASCHINE+ is Wi-Fi enabled, which means you can install new sounds, instruments, and effects at the touch of a button, without a computer in sight. When it comes to jamming with others or playing out live, keep in sync with other music apps, DAWs, and compatible gear with Ableton Link.

Need more sounds? Expansions are great for giving MASCHINE+ some sonic love, with presets for its synths, one-shot samples, loops, and kits.

AUDIO INTERFACE SPECIFICATIONS

Line-In
Full Scale Level: +18,6 dBu
Dynamic Range: 100 dB
THD+N: 0.003 %
Frequency Response:: 20Hz-20kHz +/- 0.1 dB
Crosstalk L/R: -96 dB

Mic Input (max gain)
Full Scale Level: -32 dBu
Dynamic Range: 90 dB
THD+N: 0.01 %
Frequency Response:: 20Hz-20kHz +/- 0.4 dB

Mic Input (min gain)
Full Scale Level: -3.4 dBu
Dynamic Range: 102 dB
THD+N: 0.004 %
Frequency Response:: 20Hz-20kHz +/- 0.15 dB

Line Out
Maximum Output Level: +18.0 dB
Dynamic Range: 102 dB
THD+N: 0.003 %
Frequency Response:: 20Hz-20kHz +/- 0.5 dB
Crosstalk L/R: -100 dB

Headphone Out:
Maximum Output Level: 29.4 mW @ 33 Ohm load
Dynamic Range: 102 dB
THD+N: 0.007 %
Frequency Response:: 20Hz-20kHz +/- 0.35 dB
Crosstalk L/R: -60 dB

Dimensions: 322 x 301 x 51 mm / 12.68'' x 11.85'' x 2.01''

Weight: 2.50 kg / 5.51 lbs
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MRP:$1,424.85 SAVE 17%
 2 in stock $1,183.06
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Mutable Instruments Shades Attenuator Offset Mixer Module (2020) Mutable Instruments Shades Attenuator Offset Mixer Module (2020) Mutable Instruments Shades Attenuator Offset Mixer Module (2020)
Cat: 794969 Rel: 14 Oct 20 • View all Synth modules
 
attenuator / offset / mixer synth module
Notes: 2020 update of this versatile three-channel mixer/attenuverter. Versatile and effective, updated with a fresh look to match Mutable's other modules.

Supplier's Notes:
The mixer/attenuverter that does not get in the way.

Shades provides 3 channels of audio/CV processing which can be configured either as active attenuators or as attenuverters.

Unconnected inputs are normalized to an internal precision voltage reference, which can produce either a +5V or +10V constant voltage.

Shades' outputs are daisy-chained, allowing adjacent groups of 2 or 3 channels to be mixed together.

This 2020 revision matches the design language used in the most popular and recent Mutable Instruments modules like Marbles, Plaits or Rings.

Useful in every patch.

Mix audio sources or CVs.

Add offsets to CVs, or change their polarity.

A companion for other modules.

Transpose the output of a sequencer without compromising V/O tracking.

Attenuate/invert CVs sent to modules which do not have attenuverters on their CV inputs.

Control with a knob parameters of other modules that are only accessible through CV inputs (like Just Friends' RUN or the Dixie's PW).

6HP
25mm
+12V:15mA
-12V:15mA

Specifications:

Input impedance: 100k.

All inputs DC-coupled.

Low-distortion audio op-amps and thin film 0.1% resistors improve transparency in audio mixing applications, and allow exact unitary gains for precision summing of pitch CV signals.

Stable and precise voltage reference, independent of power supply fluctuations.
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MRP:$115.39 SAVE 21%
 More than 10 in stock $90.74
Reloop sPodcaster Go Professional USB Podcast Microphone Reloop sPodcaster Go Professional USB Podcast Microphone Reloop sPodcaster Go Professional USB Podcast Microphone Reloop sPodcaster Go Professional USB Podcast Microphone Reloop sPodcaster Go Professional USB Podcast Microphone
Cat: 783826 Rel: 16 Oct 20 • View all Vocal microphones
 
USB podcast microphone
Notes: Quality and flexibility are more important than ever for musicians and podcasters nowadays. The professional USB condenser microphone continues the successful sPodcaster series in an outstanding retro design and is built in a portable and slim aluminium housing.

Both the dubbing of musical instruments and the recording of speech and vocals, whether on the road or in project studios, are recorded in studio quality with high-quality A/D converters, thanks to the integrated audio interface (class compliant). Thanks to the advantageous cardioid polar pattern, the system is directed towards a sound source, so that ambient noise and feedback are largely cancelled out.

The 3.5 mm jack connector on the back panel allows you to connect headphones or speakers to listen instantly to the recording. All of the computer's audio output is thus played back via the sPodcaster Go's audio interface and can be comfortably adjusted using the volume buttons. A USB connection between PC or Mac is plug 'n' play without any additional driver installation and also supplies the microphone with power.

The tabletop stand, pre-mounted on the underside of the microphone, folds completely to transport the sPodcaster Go in a space-saving manner. Alternatively, the table stand can be unscrewed to allow attachment to a conventional stand with M10 threads. The sPodcaster Go's rugged construction makes it well-prepared for the daily challenges of mobile use.

The Reloop sPodcaster Go includes a matching USB cable and a functional carrying bag.

Professional USB condenser microphone for portable podcasting
Perfect for recording on the go and smaller studio environments
Integrated USB audio interface (class compliant)

Technical Data
Voltage: USB feed, 5.0 V
Sensibility: -65 i5 dB @ 1 kHz
S/N ratio: -59 dB
Frequency range: 50 Hz - 18 kHz
Plug&Play compatible with Windows Vista, XP, 8 and Mac OS X
Connection: USB
Dimensions: 148 x 65 x 56 mm
Weight: 350 g
Incl. USB cord, table stand and software
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MRP:$71.31 SAVE 17%
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UDG Creator Novation Launchpad X Hardcase (black) UDG Creator Novation Launchpad X Hardcase (black) UDG Creator Novation Launchpad X Hardcase (black)
UDG
Cat: 795486 Rel: 16 Oct 20 • View all Keyboard hard cases
 
Hard case for Novation Launchpad X Controller
Notes: A Digital DJ looking for a professional, durable case solution for your Novation Launchpad X controllers? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Novation Launchpad X controllers, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications:

Colour: Black
Weight: 0,99 kg / 2.178 lbs
Outer Dimensions (W x H x D) - cm: 30.2 x 30.2 x 4 | inch: 11.9 x 11.9 x 1.6
Material: Durashock molded EVA foam
Protection: Protective egg-crate foam prevent damage from vibrations & shocks

Soft fleece interior: Extra's
Easy grip zipper puller
Convenient carry handle
Fits Novation Launchpad X Controller

Please note: The Novation Launchpad X is not included in this purchase, it is shown for demonstration purposes only.
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MRP:$47.97 SAVE 17%
 1 in stock $39.97
Nux NMP-2 Dual Foot Controller Nux NMP-2 Dual Foot Controller Nux NMP-2 Dual Foot Controller Nux NMP-2 Dual Foot Controller
NUX
Cat: 784822 Rel: 14 Oct 20 • View all Effects pedals
 
Dual foot controller
Notes: Dual foot switch controller for on-the-fly control of guitar effects and amplifiers. Dual mono or stereo jack compatible with individual latching/momentary options for each switch. Designed for use with NuX pedals and compatible with many other types of equipment.

LED indicator per pedal
Latching or non-latching selectable
Compatible with NUX Loop Core Deluxe, JTC Drum & Loop PRO and Cerberus

The box for this item contains :

NuX NMP-2 dual foot controller

Power supply: 9Vdc (5.5 x 2.1mm, centre-negative) optional for LEDs
Dimensions: 96 x 50 x 46mm
Weight: 200g
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MRP:$45.38 SAVE 14%
 1 in stock $38.90
Mackie MP-360 Professional In Ear Monitor Headphones Mackie MP-360 Professional In Ear Monitor Headphones
Cat: 762130 Rel: 13 Oct 20 • View all Ohrhörer
 
in-ear monitor headphones
Notes: Superb in-ear monitoring option from a trusted brand. Audiophile-quality sound and up to 40dB isolation to ensure clarity. Ideal monitoring for vocalists.

Supplier's Notes:
When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

Mackie have been helping artists perform their best for decades with our renowned loudspeaker designs, and now that signature sound has been brought straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

Like its sibling above, MP-360 features a 3-way crossover but instead of dynamic drivers, this model is all custom-designed balanced armature. With the precise nature of this driver type, you will experience breathtaking clarity and detail. This is great for vocalists that need to hear themselves and their mix as faithfully as possible and makes listening to your favorite music a brand new experience.

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 1 in stock $377.06
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RME ADI-2 Pro FS R 2-Channel High-End AD/DA Converter With Remote Control (black edition) RME ADI-2 Pro FS R 2-Channel High-End AD/DA Converter With Remote Control (black edition) RME ADI-2 Pro FS R 2-Channel High-End AD/DA Converter With Remote Control (black edition)
Notes: Black version of RME's premium stereo AD/DA converter, offering exceptionally accurate conversion for mastering and critical listening applications.

Supplier's Notes:
RME's reference AD/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry's biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs. The new ADI-2 Pro FS R Black Edition features the AK4493 chip, slightly improved specs and comes with the new extended Multi-Remote Control (MRC).

Ultra-fidelity PCM/DSD 768 kHz AD/DA Converter
As the most flexible converter available, the ADI-2 Pro offers balanced/unbalanced analog I/Os, double Extreme Power headphone outputs, SteadyClock III, 4-stage hardware input and output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD record and Direct DSD playback (256 / 11.2 MHz).

Analog or Digital - Options Galore
The ADI-2 Pro includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio.

The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases.
As a computer interface the ADI-2 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance.

Perfect Sound Capture and Reproduction
Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact.

The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate.

For easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME's latest SteadyClock III technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used.

High Resolution Display Operation
RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages.

Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME's famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display.
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MRP:$2,189.79 SAVE 24%
 1 in stock $1,656.28
Frequency Central Logic Bomb Dual CV Addressable Boolean Logic Module
Cat: 795615 Rel: 16 Oct 20 • View all Synth modules
 
Boolean logic/utility synth module
Notes: Logic Bomb is a Boolean logic module with two independent but identical sections.

Both sections feature addressable Boolean logic, with a choice of any one of:

NOT A

NOT B

AND

NAND

OR

NOR

XOR

XNOR

Logic gate type may be chosen either via knob or via CV input.

When addressed via CV, the knobs become attenuators. CV range is 0V to 5V.
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MRP:$186.70 SAVE 23%
 1 in stock $143.69
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Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply)
Notes: Filtro is a 4 pole HP/LP VCF. Its performance-oriented design makes it a playable FX unit that allows for dynamic use of its features both in studio or live environments. Switchable HP/LP mode, tap tempo and a wide range of LFO waveforms provides a large variety of filter effects.

Audio output: impedance balanced 1/4" TRS Jack

Audio input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm*5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

*PLEASE NOTE*: This product requires a 12VDC 1A power supply, which is not included.
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MRP:$409.69 SAVE 14%
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quote 791735
Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply)
Notes: The Spring Amp II allows using spring-reverb tanks with standard audio mixers. It combines a HiFi amplifier for spring reverb tanks with a 2 pole VCF that can be used to shape and equalize the spring's output. Different kinds of spring tanks can be used with Spring Amp II offering a wide selection of possible reverb tones.

Audio output: impedance balanced 1/4" TRS Jack

Audio input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 1A, centre positive, 2.1mm*5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

*PLEASE NOTE*: This product requires a 12VDC 1A power supply, which is not included.



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MRP:$395.43 SAVE 14%
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quote 791745
Maxon FA-10 Fuzz Elements Air Ten Series Fuzz Pedal
Cat: 783271 Rel: 15 Oct 20 • View all Effects pedals
 
Fuzz pedal
Notes: The FA10 Fuzz Elements Air accurately recreates the distinctive square wave clipping and octave harmonics of one of history's most desirable dirt boxes, the Super Fuzz.

The original Super Fuzz was created by Shin-Ei, but saw later incarnations under brands such as Apollo, Shaftesbury, JAX, Tiesco, Memphis, and most famously, Univox.

It was used on countless recordings in the late 60's & 70's, most notably the Who classic Live at Leeds. Long out of production, the Super Fuzz saw resurgence in the 90's during the Grunge & Alternative Rock era, appearing on the Beastie Boys' Gratitude, Mudhoney's Big Muff Super Fuzz album and Monster Magnet's stoner-rock classic, Superjudge.

The Super Fuzz used dual germanium diodes and a unique full-wave rectification circuit to produce sizzling upper octave harmonics as well as subtle lower harmonics that filled out the guitar sound.

The FA10's analog circuitry nails the Super Fuzz's crushing, compressed tone with surgical precision, and includes the two position Tone switch to toggle between flat and scooped EQ curves. These settings produce wildly different sounds, offering stark contrast to one another and effectively making the FA10 two pedals in one.

A unique aspect of the FA10 is its ability to reproduce rhythm or lead lines with equal clarity, yet without changing settings on the pedal.

Featuring authentic Vintage tones and modern features, the Fuzz Elements Air is the perfect vehicle to make your playing soar.

TECH TALK:
The FA10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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MRP:$187.99 SAVE 21%
 1 in stock $149.08
Maxon FWA-10 Fuzz Elements Water Ten Series Fuzz Pedal
Cat: 783307 Rel: 15 Oct 20 • View all Effects pedals
 
Fuzz pedal
Notes: Reproducing the sounds of the EH Big Muff has become a cottage industry within this cottage industry of effect building. Yet with dozens of circuit variations and wildly inconstant component selections, it's virtually impossible to cite any one particular Big Muff incarnation as the most desirable version to pay homage to.

The FWA10 Water narrows the playing field by taking the authentic Ram's Head replication of the Fuzz Elements Earth and adding a parametric EQ circuit to the mix.

Water's powerful parametric equalizer covers a massive frequency range from a punchy 100 Hz to ear-splitting 5 kHz. Select a frequency and then boost or cut to tweak your tone with pinpoint accuracy.

By manipulating Water's EQ, the user can dial in the entire palette of Big Muff variations, from the more mid-heavy, musical snarl of the original Triangle-Knob Muff to the harmonically-rich sustain of the Ram's Head all the way through to the super-compressed, scooped-mid mayhem of the Green Russian Sovtek's.

The FWA10 Water: Why settle for one Muff, when you can have them all?

TECH TALK:
The FWA10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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MRP:$187.99 SAVE 17%
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quote 783307
Maxon RTD800 Real Tube Series Overdrive/Distortion Pedal
Cat: 783432 Rel: 15 Oct 20 • View all Effects pedals
 
Overdrive/distortion pedal
Notes: With independent Overdrive, Distortion, Boost and Noise Gate circuits all under one hood, the RTD800 may be the last "dirt" pedal that you'll ever need.

By combining various solid-state clipping stages with a real dual-triode tube, the RTD800 offers a massive array of saturated guitar tones. From traditional tube overdrive through full-on gated metal distortion, no other drive pedal offers this degree of versatility in a single package.

The RTD's 3-band EQ circuit is incredibly versatile and can literally dial in any tone imaginable. With zero frequency overlap, all the three controls are highly interactive and make even the slightest of tone tweaks possible under any playing situation.

The Overdrive channel of the RTD creates a warm, organic tone that's like driving a maxxed-out amp with an OD pedal. Where some pedals can get in the way of your dynamics, the RTD retains an expressive and dynamic interaction between your guitar and amp, cleaning up beautifully when you roll back on your guitar's volume and effortlessly tracking picking nuances.

The RTD's Distortion channel offers up all the gain and character of a hot-rodded Plexi, JCM800 or Soldano. Searing, sizzling solo tones and sustain for days, yet with a distinct clarity that lets individual notes "pop" and chime through. Even at maximum distortion settings the RTD retains an expressiveness and dynamic response that takes your playing to the next level.

For even more versatility, the RTD800 features a foot switchable Boost function that can be varied between 3-9 dB via an internal trim pot. The boost comes post OD/Distortion, allowing the user to dial in the perfect level boost for solos.

Higher gain settings on either channel can be kept tight and noise-free using the RTD's switchable Noise Gate with variable Threshold. The gate itself is incredibly responsive and tight, with none of the false-triggering and "sputter" common to other pedals.

Like all Maxon products, the RTD800 features True Mechanical Bypass switching using a 3PDT switch. The RTD800 comes complete with the Maxon AC2009 9-Volt power supply, an auto sensing digital power supply that can be used anywhere in the world.

When you require an unparalleled variety of REAL-tube tones, only the Maxon RTD800 will do.

With four independent functions averaging around $100 apiece, the RTD800 may be the most cost-effective, versatile and space-saving pedal available.

TECH TALK:
The RTD800's independent and selectable Overdrive and Distortion modes are configured as follows:

The Overdrive circuit features two stages of clipping - a bi-directional clipping diode in the feedback loop of the op-amp and then a single-diode in the second stage for asymmetrical clipping.

The Distortion circuit also features two clipping stages, but configured differently - a bi-directional clipping diode in feedback loop of the op-amp, and then a 2nd stage with a passive bi-directional clipping circuit.

Unlike other tube overdrive pedals, the RTD800 places the tube after the OD/Distortion circuits, making it the best tube overdrive pedal to recreate an authentic tube-amp tone.

The RTD features an In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch). This system dramatically extends the tube life. Once the pedal is engaged, 12.6 VDC is applied to the tube heater.

The RTD800 features mechanical true bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE RTD800 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Max Gain: 72dB (at 1.5 kHz)

Equivalent Input Noise: -110 dBu or less (Input shorted, IHF-A weighted)

Control: GAIN, NR, MASTER, BASS, MID, TREBLE

Switch: BYPASS/EFFECT (Mechanical 3PDT); BOOST ON/OFF, NR ON/OFF, OD/DIST

I/O: INPUT JACK, OUTPUT JACK, DC INPUT JACK

Indicator: BYPASS/EFFECT LED, BOOST LED, GATE LED

Internal Circuit Voltage: 12.6VDC (DC to DC Converter)

Power Consumption: 440mA / 9VDC

Dimensions: 121 (W) × 152 (D) × 60 (H) mm / 4.8" (W) x 6" (D) x 2.4" (H)

Weight: Approx. 620g / 1.4 Lbs. (without power supply)

Power Supply: AC adaptor AC2009

Accessory: AC adaptor AC2009* 0dBu = 0.775Vrms
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quote 783432
Maxon DS-830 Distortion Master Vintage Series Pedal
Cat: 783425 Rel: 15 Oct 20 • View all Effects pedals
 
Distortion pedal
Notes: Despite its modest array of controls, the DS830 is one of the most flexible distortion boxes you will ever encounter.

The DS830 can generate insane amounts of gain while still retaining remarkable evenness and transparency. Yet far from being a one-trick pony, the DS830 is also capable of lightly overdriven blues tones and even semi-clean solo boosts at lower Gain settings.

Clarity and punch may seem like self-canceling traits, yet the DS830 provides both. The high-gain settings don't force a particular color on your tone - a great trait if you're pleased with your particular guitar/amp combination.

The DS830's dual tone controls are surgically effective and highly interactive. The Bass knob contributes low-end muscle that makes a combo sound like a stack and turns a full stack into a wrecking ball. The Treble control dials in just the right amount of bite without excessive top-end sizzle. Between the two, you can get everything from penetrating bite to an obese square-wave bordering on fuzz.

This additional tone-shaping makes the DS830 ideal for use with Bass Guitar, generating an edgy, aggressive tone that retains the note clarity and character of your instrument.

For full-bodied distortion with an amp-like feel and a huge variety of useable tones, the DS830 Distortion Master is unrivaled in its sonic range.

*Please note: Maxon has discontinued the AC210 AC Adapter. Due to this, the Maxon Vintage series pedals will no longer ship with power supply included. The Maxon Vintage Series Pedals can be run with a standard 9vdc Center Negative Adapter. The PA-9 Power-All is recommended.

TECH TALK:
The DS830's gain section features a dual-stage clipping design that combines the classic "808" clipping (diodes in feedback loop) with a pair of diodes to ground ala' the SD-9 and RAT. This design effectively clips the signal twice, and the round smooth clipping of the feedback loop followed by the edgier diodes to ground adds a degree of "chewiness" to the pedal's voice.

The DS830 features a complex tone control which acts like an active two-band filter by changing the gain of the treble and bass frequencies going into the Op Amp. The Bass and Treble controls are highly interactive and complementary. For example; turning up the Bass doesn't just add low-end, but will also help to smooth out any harshness in the Treble frequencies.

The DS830 features buffered, Mechanical bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Output: 1

Equivalent Input Noise: -114 dB (VR Max)

Residual Noise: -110 dB (Level, VR Min)

Maximum Gain: +59 dB (VR Max) (At 1 KHz)

Controls: Gain, Bass, Treble, Level

Switch: Normal/Effect

Current Consumption: 8 mA (9 V)

Dimensions (whole): 117 mm (W) x 150 mm (D) x 60 mm (H)

Weight: 500 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783425
Maxon FV-10 Fuzz Elements Void Ten Series Fuzz Pedal
Cat: 783304 Rel: 15 Oct 20 • View all Effects pedals
 
Fuzz pedal
Notes: Strangled squeals, cacophonous chords, raucous ring modulations and other amazingly unpredictable mayhem - that's just a sample of what you can expect from the Fuzz Elements FV10 Void.

Designed to emulate the otherworldly sounds of the vintage Ampeg Scrambler, the FV10 circuit is loaded with tons of even-order harmonics to create unique octave/fuzz sounds that are dynamic- and frequency-dependent. This means that the FV10's effect is generated not only by which notes you play, but how you play them!

The FV10's effect is not for the faint of heart - Spongy, strangely synthetic guitar tones that swell up out of the depths of some black Void and then sizzle off into infinity. Octave-up OR octave-down effects can be produced, depending on the position of the controls and the playing position on the neck. Likewise, single notes or chords can both be played, each generating their own unique sounds.

By chaining the FV10 with other distortion devices and adjusting the Blend knob, an entire new range of unique fuzz/distortion effects can be achieved as the FV10's circuit interacts with the complex harmonic content of the other device.

Unlike the original Scrambler, the FV10 features a Level control with a significant volume boost. This allows the user to match the pedal's output level to unity gain or to other effect pedals in their signal chain.

Mechanical True Bypass switching makes certain that all this chaos is kept locked up until you decide to unleash it.

TECH TALK:
The FV10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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quote 783304
Maxon CS-550 Stereo Chorus Pro Vintage Series Pedal
Cat: 783420 Rel: 15 Oct 20 • View all Effects pedals
 
Chorus pedal
Notes: With a circuit based around the Panasonic MN3207 Bucket Brigade IC, the CS550's "straight-outta '79" chorus effect is bold and resonant without sounding harsh. Unlike the sterile chorus sounds of the 80's, the 550 has an edgy, almost grainy quality that keeps your tone articulate and prevents wash-out.

The CS550's custom-tuned oscillator circuit provides enough speed for authentic rotary speaker simulation, and just the right amount of modulation for a lush vibrato that won't leave you feeling queasy.

With its Delay Time control the CS550 can venture into Flanger territory, adding a resonant, hollow quality to the effect that's great for solos.

A rear-mounted Blend control allows you to adjust the level of the Chorus effect to set it back in the mix against your dry signal.

A unique feature of the CS550 is its ability to create spatial effects that add dimension to your guitar tone without the traditional Chorus wobble. With Speed and Depth set low and the Delay Time at max, the 550 thickens your sound much in the manner of a double-tracked guitar, adding girth and life without excessive modulation.

The CS550 features stereo outputs for mono, stereo, or inverted mono signal routing.

The CS550 is about as close as you're going to get to the legendary Boss CE-1 chorus/vibrato sound, and also offers many additional sounds unattainable with that vintage gem.

TECH TALK:
The CS550 circuit is similar to the Arion SCH-1 Stereo Chorus, or an updated Boss Chorus Ensemble. A high-impedance input buffer passes next into a Compander stage that acts as a compressor/expander, bringing the input level of the signal up to an ideal output level and keeping it there as the signal decays - this provides a good signal-to-noise ratio and gives the chorusing section a nice, steady signal to modulate.

The Chorus effect is produced by a Panasonic MN3102 low-voltage clock driver IC and a Panasonic MN3207 BBD IC which is controlled by the MN3102.

The Delay Time control exhibits an inverse relation between the delay time and the frequency shift of the chorus - as the delay time increases, the frequency that is shifted decreases. This inverse relation creates "double level" and "cancellation" peaks and notches at particular frequency points to create an amazingly realistic, three-dimensional chorus effect. In addition, the Delay Time control is interactive with the Rate and Depth controls, so that if you increase the Depth, the Delay Time range increases, and if you increase the Speed, the Delay Time changes faster.

After the Chorus section, the signal hits another Compander to level everything out and is then fed to an output buffer.

At the end of the circuit the signal is phase-split and sent to the two low-impedance stereo outputs - Output A is in-phase and Output B is phase inverted (90 degrees out of phase).

The CS550 features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

* Please note: Maxon has discontinued the AC210 AC Adapter. Due to this, the Maxon Vintage series pedals will no longer ship with power supply included. The Maxon Vintage Series Pedals can be run with a standard 9vdc Center Negative Adapter. The PA-9 Power-All is receommended.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack (2)

Output: 2Residual Noise: -100 dB (Level, VR Min)

Maximum Output Level: +5 dB

Delay Time: 0.8 mSec 6.3 mSec

LFO Speed: 0.4 Hz 8 Hz

Controls: Delay Time, Depth, Speed, Mix-Level

Switch: Normal/Effect

Power Voltage: DC10 V (AC-adaptor)

Current Consumption: 21 mA (10 VDC)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 117 mm (W) x 150 mm (D) x 60 mm (H)

Weight: 500 g

Accessories: Maxon AC210N Adaptor (9VDC/200mA)

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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Maxon VJR-9 Vintage Jet Riser Flanger Nine Series Pedal
Cat: 783398 Rel: 15 Oct 20 • View all Effects pedals
 
Flanger/noise pedal
Notes: Designed in homage to classic 70's distortion modulators such as the Flying Pan and Jetlyzer (both of which Maxon designed and built for Ibanez), the VJR-9 Vintage Jet Riser creates a Doppler jet effect so realistic you can almost feel the wind in your hair.

Rather than sticking with the old-school Jet design of phase shifter into distortion, the VJR-9 features an analog Bucket-Brigade Flanger as the modulation source to add a more realistic depth of field to the effect. Speed and Width controls allow adjustment of the flanging from slow takeoff to sonic boom.

In similar fashion, Maxon has forgone the use of a distortion circuit in favor of a voltage-controlled white noise generator to more accurately simulate the sound of a jet in flight. Featuring a combination of VCA and VCF circuits, the VJR-9's Jet effect reacts to playing dynamics within a range preset by the Sensitivity, Range and Jet controls.

These two circuits can be used separately or in combination to create a wide variety of effects from subtle to extreme - classic chorus and flanging; tremolo-like auto-wah; massive sky-is-falling Jet sweeps; bizarre and other-worldly metallic tones bordering on ring-modulation - all these and more are possible with the VJR-9.

The VJR-9 also features a jack to connect an external switch (bypass or momentary) for the Jet function, allowing the user to add the effect in against the Flange when desired to accentuate certain note, phrases, or song sections.

The VJR-9's internal voltage-doubling circuitry provides maximum headroom to eliminate input distortion. The higher operating voltage also allows it to be used in an FX loop in order to place the effect post-gain.

The Maxon VJR-9 Vintage Jet Riser - get ready for takeoff.

The VJR-9 is an updated version of vintage FL-70 Jetlyzer with added features and superior performance.

TECH TALK:
The VJR-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE VJR-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the VJR-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Output Range: +12 dBu (400 Hz)

Controls: RANGE, JET, SENSITIVITY, SPEED, WIDTH

Switch: BYPASS/EFFECT (mechanical TBS)

External Foot Switch Jack: Jet Sound on/off

Delay Time: 1.0 mSec - 30.0 mSe

Speed Frequency: 0.04 Hz - 12 Hz

Residual Noise: -90 dBu or less (IHF-A)

Indicator: Bypass / Effect LED

Internal Circuit Voltage: 13 VDC (DC to DC Converter)

Power Supply: 9 volt battery of Maxon AC adaptor

Power Consumption: appox. 60 mA / 9 VDC

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Standard Accessory: AC adaptor AC2009, user's guide

Weight: approx. 630 g (including battery, excluding adaptor)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery life:
Manganese - 50 minutes @ 25 degress C
Alkaline - 3 hours @ 25 degrees C

Option: Maxon AC adaptor
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quote 783398
Maxon OSD-9 OD Soft Distortion Nine Series Pedal
Cat: 783330 Rel: 15 Oct 20 • View all Effects pedals
 
Distortion pedal
Notes: In 1977 Maxon released their first effect pedal - the OD880 Overdrive/Soft Distortion - and the world would never be the same.

Employing a passive distortion circuit based around the 741 Op Amp (also used in the popular DOD 250), the OD880 was coveted for its warm and natural overdrive tone. The 880 was perfect for use as a transparent booster to take a tube-amp over the edge, offering singing blues tones unrivaled by other boxes.

Japanese guitar legend Char made the OD880 famous as his booster-of-choice, causing original versions to skyrocket into the $600 range on the vintage market.

In the early 90's Maxon reissued a limited edition run of the OD880. Yet with no distribution outside of Japan, this model went largely unnoticed by the rest of the world, leaving its amazing tone a secret to all save the discerning collector.

Now Maxon has once again resurrected the OD880 in the form of the OSD-9 Overdrive/Soft Distortion.

The OSD-9 offers a warm, open-sounding overdrive with a mild high-end roll off. It reacts smoothly to input level changes, offering a highly interactive response to player dynamics. Perfect as a stand-alone dirt box or for pushing an amp, the OSD-9 can also be stacked with other OD's to add clarity and character to their tone.

The OSD offers up all these classic sounds in Maxon's indestructible, industry standard 9-Series chassis. Modern-day utility features such as mechanical true bypass switching and a voltage regulator have also been added to provide smooth, consistent performance.

Over 30 years after the original OD880 was released, the OSD-9 promises to bestow the legendary tones of its predecessor upon a new generation of discerning players - are you ready?

TECH TALK:
The OSD-9 signal path starts with a 2SK246 jFET buffer which provides high input impedance and low output impedance into the 1st Op Amp - a UA741CP. The UA741CP is a vintage style 741 single Op Amp with superior resistance to latching up (distorting in a non-musical way) - it is not as "precise" as modern IC's, giving it a more vintage, warmer, "analog-ish" response.

This 1st Op Amp is set up to provide a 20 to 120x gain in signal.

After the 1st Op Amp we have a pair of diodes to ground, just like classic boxes such as the MXR Distortion+, Pro Co Rat and Boss DS-1. From here it's into another UA741CP with an amplification factor of 10 to boost the signal back to a high enough level to drive the input of an amplifier if necessary - a feature that the Distortion+ and DS-1 do not offer.

From here the signal is routed to a 4558 Op Amp unity gain amplifier, a volume control voltage divider, and then another unity gain 4558 to provide a low impedance output.

The OSD-9 uses a NJM2374A Voltage converter to stabilize the operating voltage at 9 VDC regardless of the voltage level coming off the battery, providing a smoother, more consistent operation and tonality.

The OSD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch - the input of circuit is switched to ground when bypassed.

NOTE ON POWERING THE OSD-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the OSD-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 41.5dB (700Hz)

Equivalent Input Noise: -107dB or less (IHF-A)

Control: DRIVE, LEVEL

Operating Voltage: 9V

Power Consumption: 14mA/DC 9V, 14mA/DC 10V

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Weight: 580g (including battery)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery life: Manganese dry battery 17 hours 25deg C / 77deg F (Panasonic 6F22NB)
Alkaline dry battery 34 hours 25deg C / 77deg F (Panasonic 6LR61G)

Option: Maxon AC adaptor (Maxon AC210N for North America)* All specifications are subject to change for improvement without notice or obligation.
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quote 783330
Maxon AD-999 Analog Delay Vintage Series Pedal
Cat: 783426 Rel: 15 Oct 20 • View all Effects pedals
 
Analogue pedal
Notes: The AD999's Delay tone is pure analog heaven - rich, round and three-dimensional, it reacts to your playing and breathes life into your performance.

The AD999 is loaded with eight custom Bucket Brigade IC's for 900 milliseconds of warm, organic analog tone. These BBD's are clocked extremely low to achieve the longest delay time possible, creating a HUGE delay tone that recalls early 70's Pink Floyd with stunning accuracy.

Yet the real magic of the AD999 is in the Delay repeats - they exhibit a slightly overdriven tonality that sits perfectly behind dirty tones and adds depth and dimension to clean sounds. This distortion reacts dynamically to your pick attack, making the initial repeat pop slightly while the remaining repeats blend seamlessly with your original notes.

The repeats also feature a slight EQ spike at around 1.5 kHz, preventing them from getting muddy or non-descript. This also allows the AD999 to maintain presence in a mix without having to raise your volume.

While there are more affordable and more feature-laden Delays out there, you'd be hard-pressed to find one that sounds better than the AD999. When players wax poetic about the mojo and mystery of analog delay - THIS is what they are talking about.

TECH TALK:
A high impedance input buffer passes signal to a Compander stage that acts as a compressor/expander, bringing the input signal up to an ideal level and keeping it there as it decays. This is good for signal-to- noise ratio and also gives the delay chips a clean, strong signal to work with.

The eight x Maxon MC4107D BBD delay IC's are controlled by 2 of the 3 clock drivers in the pedal. These drivers are running the BBDs at a very low clock rate to achieve maximum delay time. This rolls off a fair amount of high frequencies, giving the AD999 its big, warm delay sound.

The delayed signal hits another Compander to level everything out and then goes to a mixer/amplifier that blends the clean and delayed signals and provides a low impedance output.

The AD999 features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Residual Noise: -95 dB (input shorted, IHF-A weighted)

Delay Time: 40 mSec 900 mSec

Control: Delay Time, Repeat, Delay Level

Switch: Normal/Effect (4PDT mechanical true bypass)

I/O: Input, Output (Mix in mono, Wet only in stereo), Dry Output

Current Consumption: 46 mA at 9VDC / 48 mA at 10VDC

Dimensions: 117 (W) x 150 (D) x 60 (H) mm

Weight: 600 Grams
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quote 783426
Maxon D&S Distortion & Sustainer Reissue Series Pedal
Cat: 783406 Rel: 15 Oct 20 • View all Effects pedals
 
Distortion pedal
Notes: The EH Big Muff Pi defined the guitar tones of the 70's and then re-defined them in the 90's. Yet for all its legendary pedigree, the Pi of today is a far cry from the triangle knobs and ram's heads that came before it.

Originally released in 1974, the D&S Distortion & Sustainer creates the same silky, compressed fuzz that those vintage Muffs are famous for. Yet where Muffs have a tendency to "blanket" your original guitar tone, the D&S retains more of the original sound and feel of your instrument and amp.

By using hand-selected low-noise transistors, the D&S actually offers more gain than a vintage Black & Red, yet with a lower noise floor. That's right - MORE distortion with LESS noise.

The smooth EQ sweep of the D&S Tone control covers a frequency range that is narrower yet more useful than the Pi's - This tighter, more focused EQ provides superior note definition, even when playing chords.

The combination of these elements gives the D&S the ability to produce huge amounts of distortion with minimal alteration to your guitar's tone.

One big wall of raw, grungy nastiness in a box - the D&S takes the sound of the greatest vintage Muff and turns it up to 11.

TECH TALK:
The secret to the D&S' smooth tone and natural response lies in two areas of its circuit. First, the Hi boost/Hi cut Tone control retains low end response while adding top-end clarity to notes. Next, high-grade, low noise Toshiba 2SC1815 transistors offer more intense distortion with minimal noise and signal degradation.

The D&S features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Distortion, Tone, Balance

Switch: Normal/Effect

Noise (IHF-A): -110 dBu

Max Amplitude: 40 dBu

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 6 mA (9V) / 7 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 260 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783406
Maxon TOD-9 True Tube Overdrive Nine Series Pedal Maxon TOD-9 True Tube Overdrive Nine Series Pedal
Cat: 783395 Rel: 15 Oct 20 • View all Effects pedals
 
Overdrive pedal
Notes: The TOD-9 takes Maxon's classic OD-9 circuit and adds a tube gain stage at the front end to create an ultra-compact, tube-driven tone machine.

The Maxon OD-9 circuit has achieved a legendary status among tone connoisseurs as the ultimate tool for driving a tube amp. Yet sometimes you need that little "something extra," and the TOD-9 provides this missing ingredient in spades.

The TOD features a mil-spec 5703WB JAN Raytheon sub-miniature vacuum tube complete with its own separate Gain control (Tube knob). This tube stage is positioned at the front of the audio path, driving the OD-9 circuit.

With the Tube knob at zero, the TOD sounds exactly like an OD-9. Engage this control and experience the unmistakable magic of tube tone - a big, FAT, natural-sounding bottom end and the characteristic tube "sag" that makes lead lines sing.

With the Drive knob down, the Tube knob will add warmth and dimension to your tone. With Drive knob up you'll get all this extra girth as well as increased saturation as the tube drives the clipping stage of the pedal.

If big, warm tube tones are your bag, the TOD-9 offers them up in a familiar package that continues to withstand the tests of time.

The TOD-9 provides all the classic tonality of the Maxon OD-9 with the ability to blend in Tube-generated warmth and additional saturation.

TECH TALK:
The TOD takes the classic OD-9 overdrive circuit and adds a mil-spec 5703WB JAN Raytheon sub-miniature vacuum tube positioned at the front of the audio path, driving the OD-9 circuit.

The TOD-9 features internal voltage doublers that bump the incoming 9 VDC up to 30 VDC for stable tone with low distortion and increased headroom.

The TOD also features Maxon's In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch) - This system dramatically extends the tube life.

The TOD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE TOD-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.



Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 48.5 dB (1.6 KHz)

Equivalent Input Noise: -106.8 dB or less (IHF-A)

Controls: TUBE, DRIVE, TONE, LEVEL

Switch: BYPASS/EFFECT (mechanical TBS)

In/Out: INPUT, OUTPUT

Indicator: BYPASS/EFFECT LED

Internal Circuit Voltage: 30 VDC (DC-DC Converter)

Current Consumption: 260 mA / 9 VDC

Dimensions: 74 mm (W) x 124 mm (D) x 54 mm (H) / 2.9" (W) x 4.9" (D) x 2.13" (H)

Weight: 560 g (excluding AC adaptor) / 19.75 Oz.

Power Supply: Maxon AC2009 (no battery operation)

Accessory: Maxon AC2009

Option: Adaptor type (for foreign countries)
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quote 783395
Fulltone Secret Freq Dynamic Asymmetrical Clipping Overdrive/Distortion Pedal
Cat: 782869 Rel: 13 Oct 20 • View all Effects pedals
 
Overdrive/distortion pedal
Notes: Not just 'another' distortion pedal. Classic natural, dynamic overdrive and heavier rock distortion, but with a unique narrow-band midrange boost for sweet sustain and bite.

Supplier's Notes:
What's this, another touch-sensitive, dynamic, natural sounding overdrive/distortion to confuse the marketplace?

Nope, this is the Fulltone Secret Frequency. Secret Freq. for short. Although it does the gig-friendly clean boost and OD thing as good as any, it goes well past that when asked to, right into Rock territory while retaining a natural sound.

Dynamic asymmetrical clipping gives the Secret Freq. a sweet, musical clean boost, juicy overdrive, and rich, touch responsive high gain sounds. Not like the PlimSoul, nothing like the OCD, and not like any other pedal, but worth the price of admission were you to use it simply as is for your bread and butter OD/Distortion pedal.

But the 'Freq has WAY more tricks in its bag than your average transparent OD/Distortion... it just may knock a handful of OD/Distortions right off your 'board and straight on to Ebay thanks to another innocent looking knob labeled Freq.

What's this "Freq." knob?

Turn it Clockwise and my proprietary circuit adds as much as 20db of active narrow band juicy MIDRANGE right where it does the most good, it's like installing a wah-wah right where the distortion is being generated. But unlike turning on your wah-wah along with a distortion pedal, with the 'Freq. the bass and treble frequencies don't disappear... Very unique, and not to be confused with a simple active or passive midrange control tacked on to the end of the circuit, as is the case with all other pedals you've tried with a Mid control. Adding the 'Freq's midrange imparts WAY more sustain and lets you easily place the guitar in the mix where you want it, irrespective of volume... soundman's not going to bury you anymore.

What's it sound like?

Along with a slew of basic great OD/Distortion pedal sounds, it allows you to replicate a very, very wide range of your favorite guitar & amp sounds. Remember that when the 'Freq. knob is fully-counter-clockwise the Midrange enhancement effect is OUT of the picture and the pedal is a truly versatile and natural sounding pretty transparent OD/Distortion! At low to mid overdrive settings, turning the 'Freq knob up a little gets hammer-of-the-Gods penetrating PUNCH!

At more extreme (clockwise) Freq settings?

Brings a smile to your face an evokes the coolest Jimmy Page, Brian May, Michael Schenker, Robin Trower, Tom Scholz tones that you just couldn't previously get without a bunch of studio EQ, just the right setting on a great wah-wah, or a slew of British amps.
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Serge Modular Variable Slope VCF Module Serge Modular Variable Slope VCF Module
Cat: 793037 Rel: 15 Oct 20 • View all Synth modules
 
VCF module
Notes: The Serge Extended Variable Slope filter (VCFS) is a unique filter of the Serge system, covering a wide range of sonic character. According to the 1983 Serge catalogue, the VARIABLE SLOPE VCF (VCFS) allows the amount of filtering to be dynamically controlled, from barely perceptible filtering to highly resonant, sharp cut-offs. With the variable slope control in the center position, the VCFS acts as a typical flat-response VCF, with high, low, and band~pass outputs available simultaneously. The slope of the cut-off is 12 db/octave. As the control is moved toward the maximum position, the resonance of the filter increases, so that the cut-off becomes sharper.



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Serge Modular Smooth & Stepped Generator Module Serge Modular Smooth & Stepped Generator Module
Cat: 757124 Rel: 15 Oct 20 • View all Synth modules
 
Multi-functional generator module
Notes: The Serge Smooth & Stepped Generator (SSG) is a complex multi-functional module which can be patch programmed to provide various slew and sample functions both for audio and CV signals. It is one of the essential Serge modules.

The Smooth section will place a positive and negative slew on input voltage transitions for lag effects, voltage controlled portamento and for low frequency filter applications. In Cycle-mode (cycle jack patched to the input), the Smooth side will oscillate yielding a voltage controlled triangle wave LFO. A high level into the HOLD input will enable the Smooth Function to be used as a track-and-hold circuit with voltage controlled slew rate.

The Stepped function can be used as a sample-and-hold with voltage controlled slew rate limiting. In Cycle mode, a pulse applied to the Sample input will generate complex staircase waveforms for control voltage applications and for use as audio signals.

The Coupler is an internal comparator which compares the output levels of the Smooth and the Stepped Generators. This output is useful for generating complex control voltages or random voltages.

The Random*Source version of the Smooth & Stepped Generator for Euro is a licensed and authorized adaption of the original Serge design that provides an increased audio range of the Smooth Generator and a bipolar ("hot") Coupler output in addition to the regular (unipolar) Coupler output.
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Serge Modular Variable Q VCF Module
Cat: 757125 Rel: 15 Oct 20 • View all Synth modules
 
Variable resonance filter module
Notes: The Serge Extended Variable Resonance filter (VCFQ) is probably the most famous filter of the Serge system and one of the essential Serge modules. It is an excellent, extremely versatile general-purpose VCF that provides simultaneous low-pass, high-pass, band-pass and notch (band-reject) outputs combined with unique flexibility. Its trigger in, LOW mode and self osciallation allow a variety of uses from Oscillator to VC processing.
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Serge Modular New Timbral Oscillator Module Serge Modular New Timbral Oscillator Module
Cat: 757121 Rel: 15 Oct 20 • View all Synth modules
 
Oscillator module
Notes: The NTO is Serge’s legendary and most ambitious oscillator. It combines raw vintage sound with astonishing precison.

The new NTO by Random*Source has been developed in close cooperation with Serge. It took about 2 years to replace obsolete parts and bring the NTO to SMT with some optimizations (precision references and parts) for stability. It also features a new Pulse Out (square wave) in addition to the classic outputs.
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Serge Modular Stereo Mixer Muses Edition Module
Cat: 757122 Rel: 15 Oct 20 • View all Synth modules
 
Stereo mixer module
Notes: The Stereo-Mixer is a 2 input, 2 output equal-power panning mixer designed combine the sound of the famous Serge VCAs with the most audiophile parts available today in a special edition for Eurorack - NJR Muses op-amps and THAT2180 VCA chips. The module has 2 independent input channels (with attenuators) that can be Stereo panned between the 2 outputs. Each channel's gain is controlled by a gain knob and as Gain CV input (with attenuator) which allows to go into massive overdrive with a very organic sound. There are also two AUX inputs that allow signals to be routed in at unity gain. Both panning and Gain CV inputs have been designed to handle audio rates, making the Stereo Mixer a very powerful waveshaping and droning tool.

Beware that the module is able to deliver massive gain, resulting in output levels of up to appr. +/-11V when overdriven, so make sure your other equipment (AD converters, mixers) can handle this

Balanced Outputs, using "a new generation of monolithic audio differential line drivers offering improved performance over conventional crosscoupled designs" for low noise and distortion. These outputs can be connected to balanced or unbalanced equipment (amplifiers, A/D converters...)

NJR Muses op-amps in the audio path.

Optimized value set and easier calibration / setup.

Two Aux inputs can also be used to chain mixers. The output is available at a pair of banana jacks as well as (6.35mm / 1/4") TRS jacks (phone connectors) for connecting to external amplifiers, ADCs etc.
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Serge Modular Wave Multipliers Module Serge Modular Wave Multipliers Module Serge Modular Wave Multipliers Module
Cat: 757126 Rel: 15 Oct 20 • View all Synth modules
 
Wave multipliers module
Notes: The legendary Serge Wave Multipliers (VCM) are designed to dynamically add new harmonically-related overtones to an input waveform. Accroding to the 1982 catalogue, they alter the timbre in exciting new ways, producing interesting alternative forms of signal processing which are unique in the Serge Modular Music System. Since there are three entirely separate and different types of Wave Multipliers in this module, an enormously varied palette of new effects can be synthesized.

The top section offers two different modes, selected by a switch. In the HI position, the module functions to square-up an incoming signal, with a rounded flattening of the signal peaks, somewhat similar to overdriving a tube amplifier (with voltage control!). In LO mode, the module is a linear gain controlled VCA. This is useful for various functions such as amplitude modulation and for gating signals into the other sections.

The middle section generates a sweep of the odd harmonics (1, 3, 5, 7, 9, 11 and 13th) when a sine wave is applied to its input and the FOLD knob is turned up or a control voltage is swept from low to high. This effect is similar to overblowing a wind pipe closed at one end. A second input is included to allow two signals to be mixed before processing. This module can be used to explore timbral areas beyond the range of ring modulation.

The bottom Wave Multiplier performs non-linear wavehaping known as full-wave rectification, but with sophisticated level-compensating conditioning as well. The circuit uses three full-wave rectifier sections linked in a very refined controllable format. Sweeping the VC input over its range will produce a smooth timbral transition using the even harmonics (second, fourth, and eighth). Many other partials are present in this basic sound, however, and the sonorities are very rich and varied. The white output is a squared up version of the black one, resembling an harmonically enhanced pulse width modulation.

The Random*Source version of the Serge Wave Mulitpliers for Euro is a licensed and authorized adaption of the original Serge design, using best parts available today (e.g. Burr-Brown op-amps, C0G capacitors up to 220N) for optimum audio performance.
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Serge Modular Triple+ Waveshaper Module Serge Modular Triple+ Waveshaper Module
Cat: 757127 Rel: 15 Oct 20 • View all Synth modules
 
Triple waveshaper module
Notes: The Triple Waveshaper (TWS) is a non-linear modifier which can transform a sawtooth wave into a sine wave. This classic module incorporates three independent waveshapers for modifying synthesizer waveforms or for processing signals from preamplified instruments. Although originally designed as a waveshaper for early Serge oscillators, this module has been found to be a excellent modifier of electronic and acoustic sounds, and is highly recommended for subtle timbral modifications beyond the range of simple oscillator/filter patches.

The R*S version extends the classic TWS concept:

+1: An additional (4th) waveshaper has been added (right after the first / bottom waveshaper) that can be dialed in smoothly using the +1 knob. Turned down (CCW) the bottom section acts as in the original (as if that additional waveshaper would not exist). Turned up (CW) the bottom section is actually 2 waveshapers in series.

Switches to link the 3 sections - bottom to top. Using these switches all sections can be set to act in series, starting at the bottom and ending at the top, providing the combined effect of 3 to 4 waveshapers (or anything in between) using the +1 knob.

Linking only the middle and top section and turning the +1 knob up (to have 2 sections in the bottom) allows you to use the module for isntance as two independent 2-stage waveshapers (using bottom in and out for one and middle in and top out for the other) - e.g. for stereo processing.
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Serge Modular ÷N COM Divide By N Comparator Module
Cat: 757140 Rel: 15 Oct 20 • View all Synth modules
 
Comparator module
Notes: The Serge Divide by N Comparator (NCOM) is a rare, much sought-after and very essential Serge module covering a number of functions: comparator, voltage-controlled pulse divider, and voltage-controlled staircase generator.

The #N COMPARATOR consists of two sections - a comparator (right side) and a voltage-controlled pulse divider (left side). The #N output of the pulse divider sends out a pulse on every N-th comparator pulse where N is a number from 1 to 31. N can be (pre-)set with the divider's control knob (1 #N) and can by changed with a control voltage. The VC knob (attenuator)on the bottom of the left side determines how much effect the control voltage has on "N". In addition, the divider generates a staircase waveform with N steps. This can be used to produce whole-tone steps when run into the 1V/Oct input of a VCO or as a stepped control voltage to change for instance the cutoff of a filter.

The comparator provides a number of useful "housekeeping functions": Logical decisions (if the +input is greater than the -input, the output will be high, otherwise low), Level detection (whenever a variable waveform crosses the theshold, a pulse is generated ), Pulse width modulation or Rectifying a waveform (e.g. a sine or triangle wave).
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Serge Modular Ring Modulator Module Serge Modular Ring Modulator Module
Cat: 757142 Rel: 15 Oct 20 • View all Synth modules
 
Ring modulator module
Notes: The 2017 RING is an improved version of the late Serge Ring Modulator (R9), designed by Serge himself for Random*Source in 2017, more than 40 years after the launch of the Serge Modular system. According to Serge, the RING is one of the most sophisticated modules in the Serge system. The new version has been developed by Serge for and in close cooperation with Random Source.
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Serge Modular Active Pro & Noise & CV Pro Module
Cat: 757147 Rel: 15 Oct 20 • View all Synth modules
 
Active processor/noise module
Notes: The Active Processor (ACPR) is an accurate, linear crossfader for either control voltages or audio signals. The new version designed by Serge in 2017 offers a widely increased precision. This module provides an important link in complex patches, allowing to smoothly change from one control voltage to another. It is possible to cross- fade between different envelopes, for example, or to gradually switch control over a bank of oscillators from one output of a sequencer to another output. The ACPR also offers interesting uses in the audio range, from wave- blending even to waveshaping (with CV in audio-range).

The Serge NOISE SOURCE (NOI) generates both white and pink noise waveforms. The S/H Source output pro- duces the necessary input for a sample and hold function to produce equi-probable random voltages, similar to a 1/F distribution function and is a perfect companion for the Smoothed & Stepped Generator (SSG).

The Precision CV-Processor (CV-PRO) is also a new development that goes beyond adding and inverting control voltages. A precision input stage allows mixing 1V/ Oct voltages, e.g. to cent-accurately transpose sequences (i.e. stay in tune). A switch transposes precisely one octave up or down. The attenuverting stage offers full processing control of level and polarity of three inputs voltages includ- ing Serge’s unique diode-based wave-compression. This new version now allows using the non-linear attenuverter mixing stage with precise 1V/Oct (AUX) inputs without los- ing their precision. IN 1 is normalled to 5V and therefore can be used to add an DC offset when no input signal is present.

The new version has been developed by Serge for and in close cooperation with Random*Source.
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Serge Modular 8-Stage Sequencer & Programmer Module
Cat: 757144 Rel: 16 Oct 20 • View all Synth modules
 
Sequencer & programmer module
Notes: The SEQ XL is a modern incarnation of Serge's analog sequencer / programmer. 8 stages. 2 rows of CV output. A - B (A minus B) outouts the difference between A and B (-5 to 5V range). The length of sequences can be set via the pushbuttons - while a sequence is running. RESET, UP/DOWN, HOLD inputs. Switch to start / stop the sequencer. PULSE STAGE SELECT inputs allow selecting specific stages. great at audio rates. ALL GATE output goes high when any button is pressed (or a stage is selected by a pulse input) and allows the use of the SEQ8 as a simple mini-keyboard.
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Serge Modular 8-Stage Sequencer & Programmer Special Edition Module With 4U Pushbuttons
Notes: The SEQ XL is a modern incarnation of Serge's analog sequencer / programmer. 8 stages. 2 rows of CV output. A - B (A minus B) outouts the difference between A and B (-5 to 5V range). The length of sequences can be set via the pushbuttons - while a sequence is running. RESET, UP/DOWN, HOLD inputs. Switch to start / stop the sequencer. PULSE STAGE SELECT inputs allow selecting specific stages. great at audio rates. ALL GATE output goes high when any button is pressed (or a stage is selected by a pulse input) and allows the use of the SEQ8 as a simple mini-keyboard.
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Serge Modular Resonant Equalizer Module Serge Modular Resonant Equalizer Module Serge Modular Resonant Equalizer Module
Cat: 757149 Rel: 15 Oct 20 • View all Synth modules
 
Equalizer module
Notes: The RESONANT EQUALIZER (EQ) is a unique ten-band filter designed specifically for electronic sound synthesis and processing. Except for the top and bottom frequency bands, the bands are spaced at an interval of a major seventh. The Resonant Equalizer is designed to produce formant peaks and valleys similar to those in acoustic insstruments.

There are three equalized outputs: the two COMB outputs provide the sums of the two alternate filter bands, while the two top outputs are the (identical) mix of all filter bands. Please note that there is no sharp separation between the bands, moving any frequency knob will have an influence on both COMB outputs. This equalizer is special in that the bands can be set to be resonant: when the knobs are in the middle position, the response at the main EQ Output is flat. When the knobs are positioned between the 9 and 3 o'clock position, up to 12 db of boost or cut is set at the band. If the knob is set beyond the 3 o'clock position, the band will become resonant, simulating the natural resonance of acoustic instrument formant structures. Below the 9 o'clock position, increased band rejection is achieved.

The Random*Source version of the filter is a licensed and authorized adaption of the legendary Serge equalizer for Eurorack. It adds an input mixer with 2 inputs that can be built/used to attenuate or amplify/distort the input signal(s) before they are sent into the EQ and a Feedback section (knob and phase switch) which allows to feed back the output signal or the inverted output signal (depending on the Phase switch). Adding inverted feedback leads to phase cancellation effects - unlike the "normal" feedback, level decreases and the signal thins out.
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Presonus Eris E3.5 Active Media Reference Monitor Speakers (pair) Presonus Eris E3.5 Active Media Reference Monitor Speakers (pair)
Cat: 666506 Rel: 14 Dec 17 • View all Studiomonitore
 
3.5-inch powered studio monitors with Kevlar Woofer & 1-inch silk-dome tweeter
Notes: Tiny format but big sound from these entry-level Presonus monitors. Surprisingly punch bass response from a 3.5-inch bass driver. A good starting point for newcomers to production.

Supplier's notes:

PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Kevlar woofers deliver a cleaner overall sound:
Every Eris-series studio monitor utilizes a custom-woven Kevlar low-frequency driver. The weave and nature of the Eris E3.5's 3.5-inch Kevlar woofer result in a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.

Smooth high end and wide sweet spot:
The Eris E3.5 is equipped with a one-inch silk-dome tweeter that produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide dispersion pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear everything accurately.

Easy-to-use controls:
A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E3.5 active media reference monitors offer easy-to-adjust high- and low-frequency controls. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier level. Be careful with that volume knob, though: Eris E3.5s are driven by an onboard 25 watt/side power amplifier and can get a lot louder than you may expect, while still delivering clear, accurate audio.

Connect to virtually any line-level source:
With three different types of audio inputs, it's easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E3.5 is equipped with rear-panel, 1/4-inch TRS and RCA inputs, as well as front-panel 1/8-inch stereo, unbalanced line inputs for use with mobile audio devices. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source, including your smartphone or tablet. The loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:
Like all PreSonus monitor speakers, the Eris E3.5 offers consistent, accurate listening, with the smooth and even frequency response that has made Eris monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space.
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Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer
Cat: 718636 Rel: 01 May 19 • View all Synthesizer
 
Experimental 25-key paraphonic analogue/digital hybrid synth
Notes: The lovable oddball of the Arturia range, this brilliant hybrid synth combines versatile wavetable and digital oscillators with analogue filters. Touch keyboard gives uniquely expressive control.

Supplier's Notes:

A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
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Tiptop Audio Stackcable 30cm Mini Jack Patch Cable (red)
Cat: 595787 Rel: 19 Jan 16 • View all Audiokabel
 
Stackable patch cable
Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility
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 More than 10 in stock $5.94
Doepfer A-100B4 Blank Panel 4TE (silver)
Cat: 755425 Rel: 14 Nov 19 • View all Synth module accessories
 
Robust, blank front panel for use with modular racks & other applications - 4HP wide
Notes: Blank panel, 4HP, constructed from anodised aluminium, silver.
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Arturia KeyStep Pro 37 Key Portable USB MIDI Keyboard Controller & Multi Channel Polyphonic Sequencer
Cat: 762332 Rel: 20 Apr 20 • View all MIDI-Keyboards
 
USB MIDI keyboard & sequencer
Notes: Amazing all-rounder from one of the most creative brands in the controller market. Compact 37-key format packs in polyphonic sequencers, MIDI and CV outputs and great performance options.

Supplier's notes:
If you prefer keys to pads, you're in for a treat. KeyStep Pro features a great-feeling 3 octave keyboard with velocity sensitivity and aftertouch. Letting you fully articulate your musical ideas, this expressive little sequencer truly puts the power at your fingertips.

KeyStep Pro works the way you want it to, and removes the barriers between you and the music you want to create.
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FORTHCOMING
Izotope Spire Studio Portable Digital Multitrack Recorder
Izotope Spire Studio Portable Digital Multitrack Recorder (portable digital multitrack recorder)
 
Multitrack recorder
Notes: Quickly capture amazing audio anywhere- A liberating recording solution combining powerful hardware with an innovative mobile app. Never lose another song idea again.

Spire Studio makes it easy to record and collaborate
The creative process can be a challenge, but it doesn't have to be. In this video, discover how easy it is to get your next song idea recorded, produced, and shared with the world, all using tools as creative as you are-iZotope Spire and plug-ins.

Why Spire Studio?

Soundcheck: your personal recording engineer
Say goodbye to distorted, quiet, or muddy-sounding recordings. When a song idea strikes, there's no need to waste time manually setting recording levels and EQ. In seconds, Spire Studio's Soundcheck intelligently detects your instrument, automatically sets input levels, and sculpts its tone to sound great in the mix.

Streamline collaboration with cloud sharing
Collaborating on a song with co-writers, bandmates, or producers has never been this easy. Instantly create and send a project link, allowing anyone to preview the song, open the project in Spire, download an .MP3 or .WAV mixdown, or even download high-quality stems to work within a DAW.

iZotope's award-winning processing meets wireless recording
Add the final touch to a song with Enhance; a mastering feature born from iZotope's award-winning Ozone technology. With the touch of a button, Enhance increases clarity and boosts loudness to get the most out of a song before it's shared out to the world.

SPIRE STUDIO FEATURES
The all-in-one recording solution

1. Intuitive control
Record with simple controls if your smartphone is out of reach

2. Soundcheck
Press once, play for 10 seconds, your levels are set

3. On-board studio mic
Worry-free mic placement with a 360- omnidirectional condenser mic

4. Headphone out
1/8" output to monitor while you record

1. 4+ hour battery life
Rechargeable battery lets you capture ideas anywhere

2. Custom preamps
Pristine clarity from industry-leading Grace Design custom preamps

3. XLR & 1/4" instrument inputs
Plug in your mics and instruments to build songs with ease

4. Phantom power
48V to power your favorite condenser mics

Quickly capture amazing audio
Record anywhere with a built-in studio mic, 2 inputs, automatic Soundcheck, and 4+ hours of battery life.

Expand ideas with layers
Layer up to 8 tracks and use the Spire app to add effects, clarity, and fullness to your sound.

Mix & share anywhere
Visually mix your tracks, export to your desktop, send to friends, and publish from within the app.

Spire Studio Specs
Weight: 1.6 lbs.

Dimensions: 4.8 x 4.4 x 3.4 inches

Inputs: 2 XLR/TS combo jacks, 48v Phantom Power

Outputs: Two headphone 1/8" outputs

Sample Rate/Bit Depth: 48 kHz/24-bit

Connection Type: Built-in Wi-Fi network

Power Supply: Universal power adapter

Battery: Internal rechargeable lithium-ion

Battery Life: 4+ hours

Supported Operating System: Android, iOS

Device Requirements
The Spire Music Recorder app and Spire Studio are compatible with 64-bit iOS devices running iOS 10 or higher, including those listed below and any newer iPad/iPhone models.

iPhone 6 or higher
iPad Air
iPad Mini 2
iPad Mini 3
iPad Mini 4
iPad Air 2
iPad Pro 9.7
iPad Pro 12.9
iPad (5th gen)
iPad Pro 2 12.9
iPad Pro 10.5
The Spire Studio Controller app for Android and Spire Studio are officially tested and supported on Samsung Galaxy S series phones from the S7 and above. At this time we are unaware of issues on any devices running Android 8.0 or higher.
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Mutable Instruments Veils Quad VCA Module (2020) Mutable Instruments Veils Quad VCA Module (2020) Mutable Instruments Veils Quad VCA Module (2020) Mutable Instruments Veils Quad VCA Module (2020)
Cat: 794967 Rel: 09 Oct 20 • View all Synth accessories
 
mixer / quad / utility / VCA synth module
Notes: Veils provides four VCAs with an adjustable response curve and offset control.

Veils' outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels to be mixed together.

The cornerstones of modular patches.

VCAs are absolutely essential in a modular system, for example for:
Shaping the amplitude or timbre of a tone with an envelope.
Animating a mixture of several oscillators.
Controlling the amount of filter modulation with a random source or a touch controller.
Applying an envelope on the linear FM signal hitting an oscillator.

An updated classic.

More compact footprint (10-HP), with sliders instead of knobs for the main gain/CV control.

Gain indicator LED.

Positive offset control (0 to 8V) for direct use of bipolar modulation sources.

10HP
25mm
+12V:50mA
-12V:50mA

Specifications:

All inputs DC-coupled.

All inputs handle audio-rate signals.

Input impedance: 100k for all inputs.

Gain scale: a +5V CV translates to a gain of 1 (0dB), both in linear and in exponential mode.

Large gains above +20dB (sufficient for amplifying line-level signals) achievable in exponential mode.

Offset control adding an adjustable voltage from 0 to 8V to the gain CV.
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MRP:$197.07 SAVE 16%
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Tiptop Audio Stackcable 20cm Patch Cable (green)
Cat: 595783 Rel: 19 Jan 16 • View all Audiokabel
 
Stackable patch cable
Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility
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 More than 10 in stock $5.94
Doepfer A-100B8 Blank Panel 8TE (silver)
Cat: 755427 Rel: 14 Nov 19 • View all Synth module accessories
 
Robust, blank front panel for use with modular racks & other applications - 8HP wide
Notes: Blank panel, 8HP, constructed from anodised aluminium, silver.
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MRP:$5.19 SAVE 37%
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Tiptop Audio Stackcable 70cm Patch Cable (blue)
Cat: 595789 Rel: 19 Jan 16 • View all Audiokabel
 
Stackable patch cable
Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility
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 More than 10 in stock $5.94
Korg Wavestate Wave Sequencing Digital Synthesiser Korg Wavestate Wave Sequencing Digital Synthesiser Korg Wavestate Wave Sequencing Digital Synthesiser Korg Wavestate Wave Sequencing Digital Synthesiser
Cat: 761104 Rel: 16 Apr 20 • View all Synthesizer
 
digital synthesiser
Notes: Loosely inspired by the brand's classic Wavestation synth, the Wavestate updates the sound with a new approach to Wave Sequencing. Classy sound, powerful modulation and good hands-on performance options.

Supplier's notes:

KORG's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control.

Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup.

With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. This created ear-catching patterns-but the patterns repeated the same way, over and over. What if they could evolve in organic, unexpected ways, instead of just repeating?

Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. Also added are new characteristics including shapes, gate times, and step sequencer values. Each of these is a "Lane," and each Lane can have a different number of steps and its own start, end, and loop points.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

With all of that synthesis power, you might think the wavestate would play only one sound at a time. Not a chance. For even more rich and complex results, layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four Layers, and can also modulate any other parameters.

Bursting with knobs and controllers, the wavestate invites you to explore. All of the basics-filter, envelopes, LFOs, effects-are at your fingertips with dedicated front-panel controls. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. Use the knobs in realtime performance, and also save the results as new sounds. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you'll always have multiple dimensions of realtime expression.

Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Looking for even more inspiration? A dedicated front-panel button, marked by a "dice" icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the filter, the Sample Lane, or the effects. Use the results directly, or as a jumping-off point for your own creations.

The wavestate's superb effects deliver production-ready sounds. Each Layer has three dedicated effects; additionally, the Performance has a master reverb and parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals.

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.
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MRP:$906.25 SAVE 33%
 4 in stock $603.95
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Arturia BeatStep Pro Controller & Performance Sequencer (black edition) Arturia BeatStep Pro Controller & Performance Sequencer (black edition) Arturia BeatStep Pro Controller & Performance Sequencer (black edition)
Cat: 648210 Rel: 08 May 17 • View all MIDI-Controller bei Juno
 
Sequencer/controller with 16 velocity & pressure sensitive pads - black edition
Notes: The world's favourite small-format, versatile step sequencer just got a makeover. Control analog gear, virtual instruments, and more with the black limited edition BeatStep.

The perfect combination of space-saving, flexible control and an easy-to-master sequencer, BeatStep Black Edition gives both musicians and producers access to their DAW and exciting news ways of creating sequenced beats and melodies.

The perfect precision weapon when it comes to finger drumming and sample triggering, BeatStep lets you unite your hardware and software instruments with its built-in step-sequencer. A streamlined, yet versatile hybrid controller, BeatStep Black Edition features a rack of pads for programming and performance, transport buttons for playback control in your DAW, and rotary knobs to tweak your sequence. Thanks to its great connections, you can get your outboard synths and drum machines playing perfectly with your DAW, all while being sequenced or synchronized by the BeatStep.

Small enough to work in any setup, but powerful enough to bring a new dimension to your sound. Let BeatStep Black Edition unleash the potential of your setup.

Deceptively versatile, the new limited edition black version of our iconic small controller is the perfect companion for producers on the move or musicians with limited space.

BeatStep Black Edition's pads are both velocity and pressure sensitive, letting you punch in dynamic rhythms in your DAW. Once you're happy with your performance, you can tweak the sounds and parameters of your software instruments with its control mode, letting you freely assign the knobs, buttons and pads within your DAW. In sequencer mode, you can create 16-step monophonic sequences using the pads to punch in notes and the knobs to edit the pitch. To streamline your workflow, BeatStep also lets you choose from a selection of scales and sequence modes.

Analog Lab Lite:

Imagine conveniently having all the keyboard and synth sounds you need for a gig or session all in one place on your computer. No racks. No stacks.

Analog Lab Lite gives you streamlined, tag-based access to hundreds of the hottest presets from our award-winning V Collection. You'll be spoilt for choice with 17 faithfully modelled legendary analog synths, digital workstations, organs, string machines and pianos. Each preset automatically maps the most important sound parameters to Arturia controllers for intuitive tweaking and performance control, and you can easily custom map to any other controller via the MIDI Learn feature.

Ableton Live Lite:

An introduction to one of the most the most intuitive, popular production platforms around.

New users and seasoned pros alike love working with Ableton Live Lite. Featuring an innovative twin workflow, time stretching and pitch shifting functions, as well as numerous studio quality effects, you'll be releasing professional quality tracks in no time.

Step Sequencer:

In SEQ mode the pads become toggles for each step in your sequence. The 16 encoders will adjust pitch for the associated step. 16 memories allow for instant recall of your favourite patterns while the pad scale modes, sequence playback modes and time division functions allow for real-time performance changes.

On top of all that it has MIDI, USB and CV/GATE connectivity, giving you a sequencer that will work with all types of gear, including analog synths, software instruments, and MIDI hardware.

Percussion Controller:

With 16 velocity- and pressure-sensitive pads, BeatStep is the perfect compact percussion instrument. The ultra-sensitive pads allow for great dynamic performances. The 16 encoders can be assigned to adjust various parameters for further real-time control over your drum sounds.

General purpose control surface:

The BeatStep pads can be configured to send MIDI note on/off messages, MMC commands, Program and Bank changes, or serve as MIDI CC buttons.

With 16 encoders, 16 pads/buttons and 16 presets, there are as many ways to use BeatStep as there are live gigs and studio environments. You can trigger clips in Ableton Live or use the encoders to adjust the effects in your favourite DJ app. The transport buttons can be MMC controls or send MIDI CCs to start and stop your DAW. It can be the MIDI Clock master or slave to an external clock.

Using an iPad and a camera connection kit, you can turn BeatStep into one of the most flexible iPad app controllers ever.
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MRP:$317.64 SAVE 33%
 More than 10 in stock $211.32
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