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Doepfer A-111-6v Miniature Synthesiser Voice Vintage Edition Module (black)
Cat: 749811 Rel: 15 Nov 19 • View all Synth modules
 
Complete miniature monophonic synthesiser module - 10HP
Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)
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 2 in stock $186.16
M-Audio Air 192/4 Vocal Studio Pro Complete Vocal Production Package M-Audio Air 192/4 Vocal Studio Pro Complete Vocal Production Package M-Audio Air 192/4 Vocal Studio Pro Complete Vocal Production Package M-Audio Air 192/4 Vocal Studio Pro Complete Vocal Production Package M-Audio Air 192/4 Vocal Studio Pro Complete Vocal Production Package
Cat: 750525 Rel: 29 Nov 19 • View all Audio- & MIDI-Interfaces
 
Powerful audio interface with NOVA condenser microphone & HDH40 monitoring headphones
Notes: Studio grade production - simplified.

Enter the world of studio-based recording with the AIR 192|4 Vocal Studio Pro- the ultimate all-in-one solution for computer recording projects. Combining the critically acclaimed AIR 192|4 interface, HDH40 headphones, a Nova Black condenser microphone, XLR cable and the premium AIR Series Software Suite, laying down vocal tracks, recording electric and acoustic instruments and adding voice-overs to multimedia projects has never been easier. With the AIR 192|4 Vocal Studio Pro, the combination of high-performance hardware and easy-to-use software results in pro-grade audio capture for every recording scenario.

Software included to match your style!

The AIR 192|4 Vocal Studio Pro comes complete with a software package that has everything to get you started making professional recordings right out of the box. With 2 powerful DAWs to suit your production needs, AIR 192|4 Vocal Studio Pro includes Pro Tools | First M-Audio Edition, and Ableton Live Lite.

We've also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we've got your effects needs covered with Eleven Lite, 20 effect plugins and AIR's Creative FX Collection. With the included AIR Virtual Instrument plugins, you'll have a virtual drum machine, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.

More than just an interface.

This is the creative center of your recording setup: The simple-to-use, style-infused AIR 192|4 audio interface is the perfect tool to record and produce natural-sounding 24-bit/192kHz studio-quality recordings. Combining one XLR+14" balanced combo input and an all-new dedicated 1/4" instrument input, the AIR 192|4 enables you to record two channels simultaneously.

Professional recording- done!

Studio-grade recording demands the right tools for the job. M-Audio's Nova Black large-diaphragm condenser microphone is perfect for podcasting applications or capturing high-quality audio from vocalists, instruments, percussion and more.

At the heart of the Nova Black microphone is an 18mm pure aluminum condenser capsule with a directional cardioid polar pattern. This delivers wide range frequency response (20-20kHz, resulting in a microphone that captures even the most subtle nuances).

Thanks to an included windscreen, a purpose-designed shock-mount for mounting to a traditional mic stand and an XLR cable, everything you need to get connected and start recording is included.

Hear every detail

Professional recording demands uncompromised accuracy when it comes to monitoring. M-Audio's HDH40 headphones combine premium transducer elements with a durable, rugged design to deliver superb sound reproduction and the outstanding acoustic isolation required in professional recording and monitoring environments. With the HDH40, you can concentrate on what's important- your production!

Specifiactions:

Minimum System Requirements

macOS: 10.8 Class Compliant
PC: Windows 7, Windows Driver
Standard USB 2.0 or USB-C Port

Nova Black microphone

Type: Back Electret condenser microphone
Element: 18 mm pure aluminium diaphragm capsule
Frequency response: 20 Hz - 20 kHz
Sensitivity: -38 dB (0 dB = 1 V/Pa @ 1 kHz)
Rated impedance: 200O
Maximum SPL: 136 dB
Phantom power required: +48 V
S/N ratio: 77 dB
Current consumption: 3 mA

HDH40 Headphones

Acoustic design: Dynamic, Closed
Driver: 40 mm, neodymium
Frequency response: 15 Hz - 22 kHz
Sensitivity: 95 dB i3 dB
Rated impedance: 32O
Earpad: Leatherette
Cable length: 9.8 ft. / 3 m

Mic Input 1 (balanced XLR)
Frequency response: 20 Hz - 20 kHz (+0.1 dB)
Dynamic range: 104 dB (A-weighted)
Signal-tio=noise ratio: 104 dB (+1.0 dBu, A-weighted)
THD+N: 0.003%
Preamp EIN: -128 dBu (max gain, 150 O source, A-weighted)
Max. input level: +1.5 dBu
Gain range: 55 dB

Line Input 1 (balanced 1/4" [6.35 mm] TRS)

Frequency response: 20 Hz - 20 kHz (+0.05 dB)
Signal-to-noise ratio: 101 dB (1 kHz, +4 dBu, A-weighted)
THD+N: 0.003%
Max. input level: 16 dBu
Gain range: 55 dB

Inst Input 2 (unbalanced 1/4" [6.35 mm] TS)

Frequency response: 20 Hz - 20 kHz (+0.05 dB)
Dynamic range: 100 dB (A-weighted)
Signal-to-noise ratio: 102 dB (+ 4 dBu, A-weighted)
THD+N: 0.004%
Max. input level: 6 dBu
Input impedance: 1 MO
Gain range: 24 dB

General:
Power: USB-bus-powered
Dimensions (Width X depth X height): 8.0" x 6.0" x 2.76" (20.42 cm x 15.24 cm x 7.0 cm)
Weight: 2.0 lbs. 0.9 kg

What's In The Box:

AIR 192|4
USB-C-to-USB-C Cable
USB-C-to-USB-A Cable
NOVA Black Microphone
Microphone Carrying Pouch
XLR Microphone Cable
Microphone Shock Mount
Microphone Windscreen
HDH40 Headphones
Software Download Cards
User Guide
Safety and Warranty Manual
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MRP:$189.33 SAVE 17%
 2 in stock $157.94
Presonus Eris E4.5 BT 4.5" Active Studio Monitor With Bluetooth (pair) Presonus Eris E4.5 BT 4.5" Active Studio Monitor With Bluetooth (pair)
Cat: 746023 Rel: 09 Dec 19 • View all Studiomonitore
 
4.5" powered studio monitors with Bluetooth
Notes: Really great value monitors from PreSonus, packing a punch from 4.5-inch woofers despite their compact overall dimensions. Bluetooth connectivity for added versatility.

This monitor comes with free Studio One Prime and Studio Magic plug-ins.

Supplier's notes:
PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E4.5 BT employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Clean overall sound, smooth high end, and a wide sweet spot:

Every Eris-series studio monitor utilizes a woven composite low-frequency driver. The weave and nature of the Eris E4.5 BT's 4.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear an accurate stereo image. With 25 watts per side of onboard power, the Eris BT-series monitor speakers pack a serious punch, while still delivering clear, accurate audio.

Easy-to-use controls:

A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E4.5 BT active media reference monitors offer controls to adjust the high- and low-frequency content, so your Bluetooth speakers always sound their best. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier's level.

Convenient wireless Bluetooth connectivity:

With four different types of audio inputs, it's easy to feed audio to your Eris E4.5 BT monitors from almost any source. Fast, reliable, stereo Bluetooth 5.0 connectivity lets you go wireless, streaming sound from a smartphone, tablet, laptop, or other Bluetooth source. Play games, listen to music, and even create content wirelessly. When you want a wired connection - say, from a computer, turntable, TV, or other line-level source - the Eris E4.5 BT has you covered with rear-panel, left and right 1/4-inch TRS and RCA inputs and front-panel 1/8" stereo inputs. A loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:

Like all PreSonus speakers, the Eris E4.5 BT offers consistent, accurate listening, with the smooth and even frequency response that has made Eris studio and media reference monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space. Want extra-deep low end? Pair compact Eris E4.5 BTs with PreSonus' powerful Temblor T8 active subwoofer for a truly full-range sound system that fits almost anywhere.
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 1 in stock $193.53
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Korg Volca Modular Micro Modular Synthesiser Korg Volca Modular Micro Modular Synthesiser Korg Volca Modular Micro Modular Synthesiser Korg Volca Modular Micro Modular Synthesiser Korg Volca Modular Micro Modular Synthesiser Korg Volca Modular Micro Modular Synthesiser
Cat: 715950 Rel: 18 Feb 19 • View all Synthesisers
 
Compact patch-based synth, ideal for beginners
Notes: Buchla-inspired modular business in Korg's small and affordable Volca range. Amazingly creative and experimental synth power in a tiny little box. Highly recommended.

Supplier's notes:
A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.
Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.
The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:
The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:
Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:
volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:
While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:
The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:
Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:
Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

Connectors that allow synchronized performance and external control:
With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.
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 1 in stock $152.93
4ms Listen Four 4-Channel Stereo Mixer Module 4ms Listen Four 4-Channel Stereo Mixer Module 4ms Listen Four 4-Channel Stereo Mixer Module
4ms Listen Four 4-Channel Stereo Mixer Module (dual/stereo/mixer/panning/utility/preamp synth module)
Cat: 717580 Rel: 06 Feb 19 • View all Synth modules
 
Four channel stereo mixer with line-level, modular-level & headphone outs
Notes: The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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 1 in stock $176.70
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Studiologic SL Mixface 8-Channel MIDI Controller Mixer Studiologic SL Mixface 8-Channel MIDI Controller Mixer Studiologic SL Mixface 8-Channel MIDI Controller Mixer
Cat: 717715 Rel: 26 Feb 19 • View all MIDI-Controller bei Juno
 
Compact portable control surface
Notes: The SL MIXFACE is a complete controller device which combines style and simplicity with a powerful engine. Designed for mobility, you can bring it everywhere and use it in total freedom thanks to its hosting capability and auto-mapping of the main DAW apps.

Through its connectivity and the integrated batteries, it's a perfect portable device, which with a simple gesture becomes the best desk companion.

Press a button and switch the control from the DAW environment to your favourite instrument and vice versa. All the Transport functions are always ready to go, while you can edit any sound parameter of the instrument or mix the tracks of your song.

Connectivity:

The SL MIXFACE is able to host any keyboard turning it into a full 4 layers MIDI controller. Thanks to its connectivity ports it communicates with the computer as device by using Bluetooth and USB at the same time.

Extended capability:

The SL MIXFACE perfectly matches the SL controller line expanding its control capability. Thanks to the magnetic system it sticks on it becoming a natural physical controls extension. Simply plug MIXFACE to an SL keyboard and it gets the control of the 4 layers on the fly.
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MRP:$205.11 SAVE 15%
 1 in stock $173.54
Befaco Sampling Modulator Multi-Function Module Befaco Sampling Modulator Multi-Function Module
Befaco Sampling Modulator Multi-Function Module (oscillator/sample & hold/sequencer module)
Cat: 668583 Rel: 09 Nov 17 • View all Synth modules
 
Voltage controlled oscillator, sample & hold, 8-step trigger sequencer module - 8HP
Notes: The Sampling Modulator is a multi-function module that lies somewhere between a VCO, a Sample & Hold, and an 8 step trigger sequencer.

Sequencer Clocked Sample & Hold

In this mode it acts like a regular Sample and Hold (S&H) but since it is "sequencer clocked", it is capable of much more interesting patterns than the usual S&H melodies.

The CLOCK input can work in two ways: 1. As a typical clock 2. In "positive going hard sync" mode allowing you to create shuffling and polyrythmic effects.

The HOLD input can be used to keep certain notes playing.

Analog Down-Sampling Effect

In this mode (with the clock running at audio rates) you can go from nasty and harsh sampling rate reduction to an almost clean signal. (The clock run up to 25Khz without external CV and up to 200Khz with CV on the input).

Sampling Modulator/Shaper

Thanks to the V/Oct clock, by feeding a simple waveshape such as a sine wave to IN, and pitch CV to the VCO as well as to the Sampling Modulator CV input, their related frequencies and aliasing caused by the sampling rate reduction are capable of creating clangorous metallic sounds, 8 bit textures and much more.

The game becomes much more interesting when you try to destroy the wave by flipping on and off the switches of the sequencer (which at times can make it sound like three VCOs running in unison).

To understand how the Sampling Modulator works, keep in mind that we are working with a temperature compensated ramp core VCO with more than 4 octaves of tracking. This allows the timbre to stay the same while you move through the scale as the internal and external VCOs are synced in a fashion similar to "frequency related sampling rate modulation"

Unusual V/oct VCO You can use the trigger outputs as a pulse VCO. Flipping the switches on and off the switches can offer a lot of interesting timbral changes.
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 1 in stock $181.96
Befaco Joystick Attenuverting Joystick Controller & Gate Generator Module Befaco Joystick Attenuverting Joystick Controller & Gate Generator Module
Befaco Joystick Attenuverting Joystick Controller & Gate Generator Module (attenuator/controller/CV modulation/utility module)
Cat: 668629 Rel: 09 Nov 17 • View all Synth modules
 
Compact Attenuverting joystick controller & gate generator module - 12HP
Notes: A compact attenuverting (attenuator-inverter) joystick controller and Gate Generator. With it, you can generate and process two control voltages using only one hand. Provided controls for CV ranges and offset adjust the boundaries of your control, this way it never gets out of the desired range, ensuring sensibility and playability even with wild performance gestures.

Specifications

Current needs: +12V: 25mA, -12V: 10mA
Width: 12 HP
Depth: 35mm (including power connector)
Aluminium, heat-treated front panel.
Designed, kits prepared and completed modules assembled in Barcelona.
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 1 in stock $152.51
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Doepfer A-112v Sampler VC Sampler & Wavetable Oscillator Vintage Edition Module (black)
Cat: 671610 Rel: 29 Nov 17 • View all Synth modules
 
Combined module of voltage-controlled 8-bit sampler & wavetable oscillator - vintage edition, 10HP
Notes: Module A-112 is the combination of a voltage controlled 8 Bit Sampler and a wavetable oscillator. On top of it the module is able to generate some special effects. A-112 was designed as an additional sound source with the typical sounds of the early 8 bit samplers and is not comparable with the modern polyphonic MIDI samplers available on the market.

Sampling mode: 8 bit audio resolution, 128kB memory in 2 banks 64kB each (equivalent to 2 seconds of sampling time for each bank with 32 kHz sampling rate), audio input with attenuator, overload display in record mode (gate LED), possibility of MIDI Dump to store sounds in a computer via MIDI, non-volatile memory for the 2 samples in the module, manual tune control for adjustment of sampling rate for record and play, CV input (~ 1V/Oct), both manual tune and CV determine the sampling rate respectively the pitch (pitch range is 5 octaves), gate input (not a trigger: the sample starts at the positive edge of the gate signal and is played as long as gate is high or until the end of the sample is reached), manual Gate button, non-filtered audio output (thus quantizing noise can be used as an element of the sound intentionally).

Wavetable mode: special appearance of the sampling mode when playing a sample, the audio input is now used as a second control voltage input for moving through the sample in 256 byte wide loops (wavetables). The control voltage required to move through all wavetables applied to the input "Wave CV In" is in the range -2.5V (wavetable 1) ... 0V (wavetable 127) ... +2.5V (wavetable 256) when control "Atten." is set fully clockwise. To achieve the typical wavetable oscillator sounds the sampling memory must contain corresponding wavetable data (e.g. loaded via MIDI dump). These data contain a set of wavetables with different harmonic content (e.g. a filter sweep) to get the typical wavetable sound while moving through the tables via CV. But you may also use a "normal" sample and go through the sample with CV to obtain partially amazing sounds never heard before. You may use for example sampled speech and go with CV through the syllables or speech shreds to get really very extreme sounds. An ideal addition for this feature is the Offset/Attenuator module A-183-2 which can be used to adjust the position of the wavetable (Offset) and the modulation depth (Att.). The corresponding jumper of the A-183-2 has to be set to bipolar offset (as the A-112 requires -2.5V...+2.5V to pass through all 256 wavetables). As modulation source an LFO (A-145, A-146, A-147, A-143-3), ADSR (A-140, A-141, A-142, A-143-1/2) or a random voltage (A-118, A-149-1) may be used. Even a ribbon controller (A-198 or R2M), the Theremin module A-178, the Joystick A-174 or the Wheels module A-174-2 are useful to drive through the wavetables.

Effects: Additionally, the module offers - in a way free of charge - some effects like delay, reverse delay, pitch shifting or freeze. But it has to be pointed out that due to the 8 bit audio resolution these effects are not comparable to high quality effect units and should be understand as an extra for nothing. The A-112 is not an effects unit!

The sampling time of the A-112 is about 1...30 seconds corresponding to a sampling frequency range of about 60kHz...2kHz (64kB@60kHz ~ 1 s, 64kB@2kHz ~ 30 s).

Technical note: the module uses a battery for the non-volatile storage of the sampling data. Batteries have a limited lifespan and have to be inspected at least every two years. For details please refer to the FAQ page of our website: Lifespan of rechargeable batteries (used for memory backup).
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 1 in stock $173.54
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Xaoc Devices Tallin 1956 Dual Discrete Core VC Amp Module
Xaoc Devices Tallin 1956 Dual Discrete Core VC Amp Module (distortion/dual/stereo/VCA synth module)
Cat: 671740 Rel: 04 Dec 17 • View all Synth modules
 
Dual voltage control amplifier & overdrive - 6HP
Notes: Tallin is a dual voltage controlled amplifier (VCA) with overdrive, offering some unusual control features and a range of attractive tonal characteristics. Each of the two identical channels offers two simultaneously available inputs for voltage control over signal attenuation or gain, with linear and exponential response to CV. Volume control knobs offer manual gain settings ranging from fully closed (-80dB) up to +18dB. A colour LED indicator displays output signal levels. A soft-clip circuit avoids harsh clipping distortion, while a switchable overdrive circuit offers two carefully crafted distortion responses, simulating the sound of classic tube amplifiers.

Since both CV inputs are simultaneously active, they can be jointly exploited within patches featuring more complex volume control that otherwise would require using two traditional VCAs in series. As the signal path is DC-coupled, Tallin can also be used for handling the control voltages.
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 2 in stock $164.07
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Noise Engineering Clep Diaz Complex CV Generator Module (silver)
Noise Engineering Clep Diaz Complex CV Generator Module (silver) (CV modulation/LFO/random/sequencer synth module)
Cat: 676567 Rel: 03 Apr 18 • View all Synth modules
 
Sexy little clocked LFO & random modulation source.
Notes: Clep Diaz is a handy and small step CV and LFO generator. In step and random modes, use the encoder to control the number of steps in the sequence; in LFO mode, the encoder controls the amplitude of the wave. Toggle the directionality of the sequence: up, down, or up/down to customize the CVs further. CD also gives CV control over the number of steps in the sequence and an end-of-cycle trigger output. Unipolar and bipolar outputs allow maximal control.
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MRP:$194.59 SAVE 15%
 1 in stock $166.18
Doepfer A-105-4 Quad Poly SSM VCF Polyphonic Filter Module
Cat: 676691 Rel: 21 Sep 18 • View all Synth modules
 
Polyphonic filter with four identical 24dB Lowpass filters 8HP
Notes: A-105-4 is our first polyphonic filter and contains four
identical 24dB Lowpass filters (SSM2044 type). It has
available common manual controls and CV inputs with
attenuators for these parameters:

Frequency (F)

Frequency Modulation Intensity (FM)

Resonance (Q)

Audio Input Level (L)
Each filter has available a separate FM input as well as an Audio Input and Output. The FM input is typically connected to the output of the associated envelope generator (e.g. A-141-4).
The envelope amount for all four filters is controlled by the FM knob and the CVFM input by means of four built-in VCAs, which are controlled by the FM control and CVFM input. This allows also voltage control of the envelope amounts.

In addition common frequency modulation for all filters is possible (e.g. by an LFO). For this the CVF input with attenuator can be used. The range of the audio input level control (L) allows also clipping/distortion with typical A-100 audio levels
(e.g. from A-111-4) at the filter inputs. Even this parameter is voltage controllable as well as the resonance (Q).
Application: polyphonic patches (four VCFs with same parameters).
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 2 in stock $191.43
Doepfer A-132-8 Octal Poly VCA Module
Cat: 676692 Rel: 18 Jul 18 • View all Synth modules
 
Octal VCA module containing four VCA pairs - 8HP
Notes: A-132-8 is an octal VCA and primarily planned for polyphonic applications. The module contains four VCA pairs. Each pair includes two daisy-chained VCAs. One VCA has a linear control scale, for the second VCA linear or exponential control scale can be chosen by means of jumpers. We decided to provide two VCAs for each voice because usually one VCA is required for loudness envelope and a second one for velocity (or other functions like individual voltage-controlled loudness of each voice, amplitude modulation and so on).

These controls and in/outputs are available:

- Default Gain 1 (GL)
- Default Gain 2 (GX)
- CV Input VCA 1
- CV Input VCA 2
- Audio Input
- Audio Output

In addition, an Audio Sum Output is also available.

The module features two Default Gain controls (GL, GX), that enable the opening of the first VCAs (L) and/or second VCAs (X). For this the controls GL and GX generate two internal control voltages 0...+10V which are connected to the switching contacts of the sockets 1L...4L (control GL) and 1X...4X (control GX). As long as no patch cable is inserted into the socket in question the internal default control voltage (GL or GX) is used to control the corresponding VCA. This is necessary when the VCA in question is not in use (i.e. no external CV available). Otherwise the VCA would close and there would be no output signal even if the other VCA in the chain is open. The controls GL and GX are also useful for testing polyphonic patches (e.g. for tuning the VCOs).

In the factory the CV inputs are adjusted for a CV range 0...+10V - matching to the polyphonic ADSR module A-141-4. But the sensitivity of each CV input can be adjusted by means of a trimming potentiometer to adapt the CVs even to other control voltage ranges.
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 1 in stock $152.51
Zoom G3Xn Multi-Effects Processor Pedal With Expression Pedal Zoom G3Xn Multi-Effects Processor Pedal With Expression Pedal Zoom G3Xn Multi-Effects Processor Pedal With Expression Pedal
Cat: 630205 Rel: 07 Feb 24 • View all Effects pedals
 
Multi-effects processor pedal with expression pedal
Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.
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 1 in stock $156.71
Intellijel Shifty Voice Allocator/Note Hocketing/Analogue Shift Register Module
Intellijel Shifty Voice Allocator/Note Hocketing/Analogue Shift Register Module (sample & hold/switch/sequencer/multiple/clock modulator eurorack module)
Cat: 643384 Rel: 27 Mar 17 • View all Synth modules
 
Voice allocator, note hocketing & analog shift register module - 6HP
Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.
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 2 in stock $176.70
Omnitronic BD-1390 Belt Drive USB DJ Turntable Omnitronic BD-1390 Belt Drive USB DJ Turntable Omnitronic BD-1390 Belt Drive USB DJ Turntable
Cat: 652287 Rel: 09 Jun 17 • View all DJ turntables
 
Belt drive DJ turntable with USB interface & recording software - black
Notes: Quality belt-driven DJ turntable with built-in USB port and phono preamplifier, for a high-quality and convenient digitization of analog vinyl records. Plug & play: no driver installation required, unit is identified automatically.

- Sampling rates of 44.1 kHz and 48 kHz in stereo, resolution: 16 bits
- Includes software for recording and editing
- 2 speeds, pitch control +/- 10%
- Large start/stop button
- Strobe lamp for exact speed adjustment
- Adjustable anti-skating
- Shock-absorbing feet
- Switchable phono/line output
- Delivery includes removable dust cover, pick-up system, RCA and USB cable
- USB 1.1 support
- Suitable for Windows XP, Vista,7, 8, 10 and Mac OS X
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MRP:$219.83 SAVE 28%
 2 in stock $158.31
Electro-Harmonix Platform Stereo Compressor & Limiter Effects Pedal Electro-Harmonix Platform Stereo Compressor & Limiter Effects Pedal
Cat: 655789 Rel: 21 Jul 17 • View all Effects pedals
 
Studio-quality compressor/limiter effects pedal with foot-switchable overdrive section
Notes: The Platform is a sophisticated, professional stereo compressor limiter that includes volume swell and tape reverse, plus overdrive. It's powerful for studio or post production work, yet compact enough to take to a gig!

The Platform's compressor/limiter enables the user to precisely tune their instrument's dynamics and provides controls for Volume, Attack, Release and Sustain plus pushbuttons for Hard or Soft Knee and the Limiter. Its foot-switchable overdrive section adds to the pedal's versatility with dedicated controls for Volume, Tone and Drive. (Volume) swell is controlled by a dedicated knob. As it's turned clockwise swell increases from zero and notes fade in more gradually.

The Platform is equipped for true stereo operation and can be used as Mono In and Out, Mono In and Stereo Out, or Stereo In and Stereo Out. The pedal includes a three color, bar graph, LED array with eight LEDs that display the compressor's actual gain reduction in real-time; they act in opposite to a VU meter. The Platform Stereo Compressor/Limiter comes with an EHX9.6-200mA power supply.
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Kenton Pro CV To MIDI 1x CV To MIDI Converter
Cat: 656385 Rel: 07 Jul 17 • View all MIDI converters & accessories
 
High specification CV to MIDI converter - designed to work with all types of CV inputs
Notes: - CV & Gate inputs on 3.5mm mono jack sockets
- A to D conversion for main CV input is 16 bit high quality ADC
- V/octave, Hz/V or 1.2V/oct modes selectable
- Gate type can be selected as Gate or S-trig
- Aux1 & 2 inputs on 3.5mm mono jack (continuously variable or switch selectable)
- Auxes can select controller number
- Auto tune feature makes setup easy
- MIDI Out on 5 pin DIN socket
- Non-volatile memory EEPROM (no back-up battery required)
- 32 bit ARM processor

Comes with multi-regional power supply
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Xaoc Devices Poczdam 1989 Leibniz Device Komutator Module
Xaoc Devices Poczdam 1989 Leibniz Device Komutator Module (clock generator/digital/switch synth module)
Cat: 894984 Rel: 14 Oct 22 • View all Synth modules
 
Poczdam is a binary data routing solution for the Xaoc Leibniz Subsystem.
Notes: Part of Xaoc's Leibniz subsystem, which processes signals and voltages by manipulating binary 8-bit numbers, the Poczdam allows switching between two data sources.

Supplier's Notes:
Poczdam is a binary data routing solution for the Xaoc Leibniz Subsystem. It facilitates manual and remote switching between two Leibniz data sources, modifying individual bits of the data stream, and re-clocking the data with its onboard voltage-controlled wideband oscillator or any external clock signal. Poczdam is particularly useful within complex Leibniz setups where the user needs to reconfigure the data flow between multiple modules. However, it can also be employed in small creative patches, e.g., for waveform splicing, disrupting rhythmic loops, or generating digital chaos.
To better understand the device and avoid common pitfalls, it is strongly advised to read through the entire user manual before use.

Component of the Leibniz Binary Subsystem
Routing Leibniz data
Reclocking Leibniz data
Additional CV clock generator (up to 2MHz)

6hp, 30mm deep
Current draw: +20mA/-10mA
Reverse power protection

The high quality Coal Mine black panels are available for all Xaoc Devices modules. Sold separately. Ask your favourite retailer.

Drezno is the input/output front-end of the system, consisting of an analogue-to-digital converter (ADC) and a digital-to-analogue converter (DAC), that alone can be used for manipulating analogue signals and voltages based on their binary representation.

Lipsk is a binary logic processing expander module that can flip (invert) individual bits of the digital signal representation. There are more Leibniz Binary Subsystem elements coming, with specialized and advanced sets of features.

Jena is a digital module that may be used as a flexible waveshaper for CV and audio signals, a wavetable oscillator, a Walsh function generator, or a rhythm generator.

Erfurt is a bi-directional digital counter, frequency divider. It has multiple applications: the output of the counter may be used as a phase source driving a digital wavetable, connected to other Leibniz modules it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc.
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 2 in stock $187.22
NU-X NDD-7 Tape Echo Echo & Delay Effects Pedal (black) NU-X NDD-7 Tape Echo Echo & Delay Effects Pedal (black) NU-X NDD-7 Tape Echo Echo & Delay Effects Pedal (black) NU-X NDD-7 Tape Echo Echo & Delay Effects Pedal (black) NU-X NDD-7 Tape Echo Echo & Delay Effects Pedal (black) NU-X NDD-7 Tape Echo Echo & Delay Effects Pedal (black) NU-X NDD-7 Tape Echo Echo & Delay Effects Pedal (black) NU-X NDD-7 Tape Echo Echo & Delay Effects Pedal (black) NU-X NDD-7 Tape Echo Echo & Delay Effects Pedal (black) NU-X NDD-7 Tape Echo Echo & Delay Effects Pedal (black)
Cat: 895505 Rel: 13 Oct 22 • View all Effects pedals
 
An echo and delay processor with 7 different types of simulation to recreate the sound of vintage echo units.
Notes: Tape Echo is an echo and delay processor with 7 different types of simulation to recreate the sound of vintage echo units. In addition to classic tape echo simulation, the NDD-7 has a separate spring reverb effect, sound-on-sound (SOS) for operation as a 40 second looper, and up to 1600ms of delay. For authenticity, the NDD-7 also has Wow & Flutter settings and Saturation adds natural compression and degradation, which can even drive into self-oscillation, like a true tape echo. Two foot switches operate as effect on/off and tap tempo and they double as looper and display controls. Above the foot switches are Time, Repeat, Level and Reverb controls and 2-band EQ governs the tone of repeats. USB connectivity and MIDI compatibility give further possibilities for deep control and integration with DAW and project studio setups. A full vintage echo collection in a single compact pedal for those seeking the genuine retro echo sound.

Specifications:

Power supply: 9Vdc, 300mA (min) pin-negative (not included)
Controls: Time, Repeat, Level, Reverb, Bass, Treble, Select
Current consumption: <150mA
Sampling Frequency: 48kHz
Sampling format: 32-bit
Frequency response: 20Hz - 20kHz (-1dB)
Input impedance: 5M Ohms
Input level: 1.5V max
Output impedance: 100 Ohms
Output level: 1.5V max
Latency: 1ms
Dynamic range: 103dBu / 105dBu (A-weighted)
THD: +N0.0038% (1Vrms, 1kHz) / 0.01% (1Vrms, 1kHz)
Dimensions: 115 x 105 x 58mm
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MRP:$198.80 SAVE 22%
 1 in stock $155.67
ESI uniK 05+ 5" Active Reference Studio Monitor (single) ESI uniK 05+ 5" Active Reference Studio Monitor (single)
Cat: 459147 Rel: 15 Jun 12 • View all Studiomonitore
 
Active reference 5" studio monitor
Notes: The uniK 05+ is the result of extensive development work performed in Germany, defining a new quality level in its class. With its new 5" kevlar low frequency driver and a new custom engineered and powerful high frequency magnetostatic tweeter, the uniK 05+ offers many improvements over our successful uniK 05 and will easily become an important part of your studio setup with its clear and strong sound image.

What makes uniK 05+ unique?

The uniK 05+ studio monitor offers true full range quality with extended low end in a small case and an entirely new signal processing and amplifier unit with a perfect order low-z and low noise design. Mos-Fet Bi-amplification ensures a high slew-rate and fast setting, featuring true analog vintage sound processing with LC-like gyrator technology for a stressless and silky sound.

A completely new feature is the unique one knob sound character adjustment from smooth to bright, allowing you to change parameters for every room and preference. The additional high resolution High and Low switches add additional control. And of course the uniK 05+ studio monitor features a real precision gain attenuator, instead of a simple volume control.

The new design of the crossover ensures an excellent phase response and safe power limitation, driving the woofer and tweeter in phase for optimal step response. The tweeter features a newly upgraded magnetostatic design with extremely low moving mass for extended frequency and fast transient response and high sound resolution. The matching woofer consists of a kevlar composite cone with high stiffness ensuring better piston motion and excellent low-end sound reproduction.

Another new feature is the flexible rubber feet with discrete height adjustment. They are not only helpful to reduce unwanted vibrations, but also allow you to tilt the speaker towards the precise listening point - a great feature for typical near field applications.

Other new special features that are not standard in this class are standby to save power consumption (can be disabled) and a ground lift switch.

And with it's copper color woofer cone and the high quality matte cabinet finish, it looks quite uniK, too!

ROOM ADJUSTMENTS

SIDE - TILT UP

SIDE - TILT DOWN


Features
Biamp 2-Way Powered Speaker System
Active Studio Monitor Speaker
HF Driver: extremely low mass magnetostactic tweeter F49 x 26 mm
LF Driver: 5" kevlar curved cone (magnetic shielding type)
Output Power: 80W (HF: 40W, LF: 40W), 110W AC consumption power
Frequency Response: 49Hz - 25kHz
Input Impedance: 27.2kOhm (balanced) / 13.6kOhm (unbalanced)
Crossover Point: 3.2kHz
SPL: 101dB, Peak 104dB
Input Connectors: XLR / TRS 1/4" combo connector, balanced / unbalanced
Gain Control: -14 .. 0dB .. +14
Room Adjustments Control: Character: -6 .. 0dB .. +6; Low: -5 .. 0dB .. +5; High: -5 .. 0dB .. +5
Rear Bass-Reflex ventilation, optimized for near field application
Ground lift switch
Standby function, can be turned on and off
Indicator: multi color LED on front panel, power on orange, standby red
Feet: 4 pieces rubberized, adjustable height separately
Working Voltage: AC100-240V 50/60Hz
Dimensions (W x H x D): 190 x 265 x 210mm
Weight: 4.4 kg
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Jico J-44D DJ Cartridge & Stylus (single)
Cat: 896376 Rel: 22 Nov 22 • View all DJ cartridges
 
Jico J-44D DJ Cartridge With N44G Improved NUDE Conical Stylus
Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44D is designed to be a replacement for the SHURE M44G, while the J44A 7 is designed to be a replacement for the SHURE M447. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44D and the J44A 7 are the same exact cartridge, just as the original SHURE M44G and M447 cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44G stylus that is included with the J44D offers a thicker bass sound than the N-44-7 stylus that is included with the J44A 7, which gives a brighter sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs the same with sticking to a record groove with high jump/skip resistance and low wear.

The JICO J44D offers a vibrant high-definition sound, with a detailed deep warm thickness to the bass. This produces a well-balanced and solid sound. The J44D generates a broad, smooth sound with a musical audio response and 3D audio image, similar to the specification of the genuine Shure M44G cartridge.

Cartridge: J44D
Cartridge Type: Moving Magnet
Stylus: N44G Improved Nude
Stylus Type: Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 6 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 0.75 - 1.5 g
Glow in the Dark: False
Use: Listening / Playback
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Jico J-44D-DJ DJ Cartridge & Stylus (single)
Cat: 896382 Rel: 22 Nov 22 • View all DJ cartridges
 
Jico J-44D-DJ DJ Cartridge With N44G DJ Improved NUDE Conical Stylus
Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44D is designed to be a replacement for the SHURE M44G, while the J44A 7 is designed to be a replacement for the SHURE M447. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44D and the J44A 7 are the same exact cartridge, just as the original SHURE M44G and M447 cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44G stylus that is included with the J44D offers a thicker bass sound than the N-44-7 stylus that is included with the J44A 7, which gives a brighter sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs the same with sticking to a record groove with high jump/skip resistance and low wear.

The JICO J44D offers a vibrant high-definition sound, with a detailed deep warm thickness to the bass. This produces a well-balanced and solid sound. The J44D generates a broad, smooth sound with a musical audio response and 3D audio image, similar to the specification of the genuine Shure M44G cartridge.

Cartridge: J44D
Cartridge Type: Moving Magnet
Stylus: N44G DJ Improved Nude
Stylus Type: Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 6 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 3.5-4.5 g
Glow in the Dark: False
Use: DJ (scratching)
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Jico Shure N-44-7-DJ NUDE Conical DJ Styluses For J-44A-7-DJ Cartridge (pair)
Cat: 896623 Rel: 05 Dec 22 • View all DJ styluses
 
The entire tip of a NUDE Stylus is composed of diamond, as opposed to bonded tips.
Notes: The N-44-7 stylus offers a brighter sound than the N-44G stylus that is included with the J44D, with a thicker bass sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs as the same with sticking to a record groove with high jump/skip resistance and low record wear.

Additional information

Cantilever: Aluminium
Cartridge number: M44-7
Colour: White
Tip: NUDE Conical Stylus
Tracking Force: 3.5 - 4.5 g
Type: Moving Magnet
Manufacturer: SHURE
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Audio-Technica ATH-M50x Closed-Back Dynamic DJ/Studio Headphones (black/blue, deep sea edition) Audio-Technica ATH-M50x Closed-Back Dynamic DJ/Studio Headphones (black/blue, deep sea edition)
Notes: Already modern classics, the M50xs get a stylish makeover with this black and blue 'deep sea' edition. Same clear, punchy sound, comfortable design and solid build quality.

Supplier's Notes:
Pure. Professional. Performance.

As the most critically acclaimed model in the M-Series line, the Audio-Technica ATH-M50x Professional Studio Monitor Headphones feature 45 mm large-aperture drivers with copper-clad aluminum wire voice coils, plush sound isolation pads, and an over-ear design. The ATH-M50x provides an unmatched experience for those looking for studio quality headphones at an affordable price. The ATH-M50x delivers accurate audio and deep bass response, making the portable closed-back headphones perfect for long sessions in the recording studio and on the go.

The Choice of Top Engineers and Audio Pros

Engineers and pro audio reviewers agree: the M50x is the choice for pure professional performance.

Coveted Sonic Signature

The way to listen - in the studio or at home. The M50x delivers exceptional clarity throughout an extended frequency range, with deep, accurate bass response.

Engaged Listening

In the studio or onstage, at home or out and about, the closed-back, over-ear design of the M50x gives you excellent passive isolation to keep out exterior noise.

Specifications

Type: Closed-back dynamic
Driver Diameter: 45mm
Frequency Response: 15 - 28,000 Hz
Maximum Input Power: 1,600 mW @ 1KHz
Sensitivity: 99 dB
Impedance: 38 ohms
Weight: 285 g (10 oz), without cable and connector
Cable Interchangeable cables: detachable 1.2 m - 3.0 m (3.9' - 9.8') coiled cable, detachable 3.0 m (9.8') straight cable and detachable 1.2 m (3.9') straight cable
Cable - Detachable Yes
Connector: Gold-plated stereo 1/8" (3.5 mm) connector with strain relief
Magnet: Neodymium
Voice Coil: CCAW (Copper-clad aluminum wire)
Folding/collapsible: Yes
Accessories Included: Protective carrying pouch, 6.3 mm (1/4") screw-on adapter
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 1 in stock $163.04
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Interference Patterns: The Recordings 2005-2016
Cat: CDSOL 71349. Rel: 21 Nov 22
 
Progressive Rock
Present (part 1 - CD 1)
Present (part 2 - CD 2)
Real Time (part 1 - CD 3)
Real Time (part 2 - CD 4)
Real Time (part 3 - CD 5)
Trisector (CD 6)
Live At The Paradiso (part 1 - CD 7)
Live At The Paradiso (part 2 - CD 8)
A Grounding In Numbers (CD 9)
ALT (CD 10)
Merlin Atmos (part 1 - CD 11)
Merlin Atmos (part 2 - CD 12)
Do Not Disturb (CD 13)
Live At The Paradiso (DVD)
 in stock $151.45
Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal
Nu-X MG-400 Guitar Multi-FX Effects Pedal (overdrive/amp simulation/IR cabinet simulation/modulation/delay/reverb effects pedal)
Cat: 899580 Rel: 20 Dec 22 • View all Effects pedals
 
MG-400 Guitar Multi-FX Pedal
Notes: The NU-X MG-400 builds on the success of the ground-breaking MG-300 compact multi-FX pedal, adding dual processors and delivering high-definition models and increased flexibility. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NU-X TSAC-HD algorithm, which delivers high-definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into one of 36 internal memory locations. For live or rehearsal backing, the built-in Jam function has a fully featured drum machine and phrase looper. To integrate with a DAW studio suite, the USB also functions as a high-quality audio interface, completing the studio-ready guitar rig. The main output can be stereo or mono for guitar amplifiers or D.I to studio equipment. There is an additional 3.5mm output for stereo headphones. Expanding the control surface has provided space for additional control footswitches for a smoother and more accessible live playing experience.

Specifications

Power supply: 9Vdc, 280mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
USB port: USB type-C for audio interface and PC/Mac editing
Sampling format: 48kHz, 32-bit
Frequency response: 20Hz - 20kHz (+/-1dB)
Outputs: L/Mono + R 6.3mm jack, stereo 3.5mm headphones
Latency: 1.1ms
Dynamic range: 108dB
THD: +N<0.03%
Input impedance: 470k ohms (Aux 10k ohms)
Output impedance: 1k ohm (Headphones 47 ohms)
Dimensions: 289 x 160 x 71mm
Weight: 920g

In the box

The box for this item contains:
MG-400 multi-FX pedal
9Vdc UK power adapter
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 1 in stock $191.43
All Things Must Pass (Japanese 50th Anniversary Super Deluxe Edition)
All Things Must Pass (Japanese 50th Anniversary Super Deluxe Edition) (limited 5xSHM CD + blu-ray boxset + booklet + book + poster)
Cat: UICY 79729. Rel: 28 Sep 22
 
Rock
All Things Must Pass (CD1)
All Things Must Pass (CD2)
Day 1 Demons (CD3)
Day 2 Demos (CD4)
Session Outtakes & Jams (CD5)
Blu-Ray DVD
 in stock $158.82
One Of These Nights
One Of These Nights (limited numbered 180 gram vinyl 2xLP box set)
Cat: LMFUD 1S027. Rel: 03 Feb 23
 
Rock
One Of These Nights (4:44)
Too Many Hands (4:42)
Hollywood Waltz (4:04)
Journey Of The Sorcerer (6:32)
Lyin' Eyes (6:22)
Take It To The Limit (4:46)
Visions (4:01)
After The Thrill Is Gone (3:59)
I Wish You Peace (3:49)
 in stock $167.77
4ms Mini PEG Clock-Synced Envelope Generator & LFO Module 4ms Mini PEG Clock-Synced Envelope Generator & LFO Module 4ms Mini PEG Clock-Synced Envelope Generator & LFO Module
4ms Mini PEG Clock-Synced Envelope Generator & LFO Module (clock modulator/envelope generator/function generator synth module)
Cat: 901314 Rel: 29 Sep 22 • View all Synth modules
 
The Mini PEG is a clock-synced envelope generator and LFO whose envelope times are set by the time between clock pulses or "pings".
Notes: The Mini PEG is a clock-synced envelope generator and LFO whose envelope times are set by the time between clock pulses or "pings". The Mini PEG is the latest version of the classic 4ms Pingable Envelope Generator.

Specs

Mini PEG
8HP Eurorack format module
0.95" (24mm) maximum depth (includes power cable)
16-pin Eurorack power header

Power consumption
+12V: 55mA
-12V: 30mA

Envelope Outputs
Maximum voltage range (ENV OUT): -9.4V to +9.4V
Maximum amplitude (ENV OUT): 9.5Vpp
Voltage range (5V OUT): 0V to +5V

Frequency range: +/-0.1dB DC to 1kHz, -1.0dB@2.5kHz, -2.0dB@4kHz
12-bit, 40kHz sample rate
Clock Range

Period range: 29.16 hours to 250us (4kHz)
CV Inputs (Div/Mult and Shape)

Voltage range: -5V to +5V
Gate Inputs (Ping, Trigger, Cycle)
Rising edge threshold: 2.5V
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4ms SCM Plus Shuffling Clock Multiplier Module 4ms SCM Plus Shuffling Clock Multiplier Module 4ms SCM Plus Shuffling Clock Multiplier Module
4ms SCM Plus Shuffling Clock Multiplier Module (clock generator/clock modulator/frequency divider synth module)
Cat: 901317 Rel: 29 Sep 22 • View all Synth modules
 
The SCM Plus is a clock multiplier with eight gate outputs and complex beat manipulation features.
Notes: The SCM Plus is a clock multiplier with eight gate outputs and complex beat manipulation features. It combines the classic Shuffling Clock Multiplier (SCM) and SCM Breakout (SCMBO) into a single module using higher precision hardware than its predecessors.

Specs:

Electrical and Mechanical Specifications

12HP Eurorack format module
0.95" (24mm) maximum depth (includes power cable)
16-pin Eurorack power header

Power consumption
+12V: 52mA max
-12V: 15mA

Clock Input
2.5V threshold
40kHz maximum

Clock Outputs
12V gate outputs, rise/fall time approximately 1us
40kHz maximum
Jitter (x1 output): max 30us < 120BPM, max 5us >= 120BPM
Latency (clock in to x1 output): 8us worst-case, 3.5us typical

CV Inputs:
Rotate, Slip: Knob attenuates jack signal. Full range: 0V to +3.3V
Shuffle, Skip, PW: Knob offsets jack signal. Full range: -5V to +5V
Gate Inputs:
4x Fast, Mute: 2.5V threshold. Button toggles state.
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MRP:$205.11 SAVE 15%
 2 in stock $173.54
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Gemini XGA-3000 Professional PA System & DJ Rig Amplifier Gemini XGA-3000 Professional PA System & DJ Rig Amplifier
Cat: 902917 Rel: 02 May 23 • View all Verstärker
 
Professional amplifier
Notes: Pro quality PA/DJ amp at a reasonable price. 3000w of power and under 10kg weight make the XGA-3000 reliable and effective.

Supplier's Notes:
Light and extremely powerful, always a low price.

Clean, reliable power in a durable 18lb enclosure. If you demand professional amplification performance, the XGA-3000 is perfect for delivering pure, consistent wattage night after night, year in and year out! This system brings 3,000 watts of Instant Peak Power making it ideal for PA systems and DJ rigs. Gemini have designed this with patented front to rear airflow technology powered by a variable speed thermal stabilizer to guarantee seamless, reliable performance every single night! The XGA-3000 offers clean, dependable power in a lightweight body at an unmatched value.
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 1 in stock $187.22
Animal Factory Coma Reactor II Delay Module
Cat: 903288 Rel: 02 Dec 22 • View all Synth modules
 
The Coma Reactor boasts the crunchy sounds of the PT2399 chip, but adds a number of useful routing possibilities that really open it up for sound mangling that transcends the norm.
Notes: Taking equal inspiration from gritty delays on cheap mixers, the sounds of dub and the fracturing of consciousness in time and space, the Coma Reactor looks like a deceptively simple delay module... till you start digging deeper.

The Coma Reactor boasts the crunchy sounds of the PT2399 chip, but adds a number of useful routing possibilities that really open it up for sound mangling that transcends the norm.

Independent volume controls for dry, wet as well as FX loop return allow you to blend in clean, delayed and affected sounds to suit your needs. A CV input on the module increases or decreases the delay time, going from slight tape-echo warbles to some truly seasick pitch shifting. A buffered clean through allows you to pass an unaffected unity gain to a mixer or other device.

The Send/Return path allows you to process your delay signal through another effects unit. Without anything plugged in, a truly nasty bandpass filter lurks in the delay feedback path. The 2022 edition of Coma Reactor features Frequency (CV controllable) and Resonance knobs for this filter.

Lastly, this completely delirious module is also capable of generating noises and oscillating with no input attached, making it a useful soundtrack generator for the end of the world.

The 2022 Coma Reactor includes a breakout header for future integration with upcoming AFA expander modules.

Power consumption: 39mA at +12 V and 21mA at -12 V
Depth: 22mm
HP : 12
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 2 in stock $187.22
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The Move Complete Collection 1966-1970 (remastered)
Cat: CDSOL 3081/3091. Rel: 14 Dec 22
 
Rock
Move: Original Versions Plus (part 1 - CD 1)
Move: Stereo Versions Plus (part 2 - CD 2)
Move: Radio Sessions Plus (part 3 - CD 3)
Something Else From The Move Plus (CD 4)
Blackberry Way: Singles 1968-1969 Plus (CD 5)
Live At The Fillmore 1969 (part 1 - CD 6)
Live At The Fillmore 1969 Plus (part 2 - CD 7)
Shazam: Original Versions Plus (part 1 - CD 8)
Shazam: Radio Sessions Plus (part 2 - CD 9)
Looking On: Original Versions Plus (part 1 - CD 10)
Looking On: Radio Sessions Plus (part 2 - CD 11)
 in stock $198.78
ADDAC System ADDAC710 Balanced Outputs Module ADDAC System ADDAC710 Balanced Outputs Module
ADDAC System ADDAC710 Balanced Outputs Module (dual/stereo/external/utility synth module)
Cat: 904670 Rel: 19 Jan 23 • View all Synth modules
 
ADDAC710 is a dual channel Isolated DI box and is all about keeping the sound coming from your Modular free from any undesired noisy interferences, making sure that what you’re getting from your outputs is what your Modular is actually producing.
Notes: ADDAC710 is a dual channel Isolated DI box and is all about keeping the sound coming from your Modular free from any undesired noisy interferences, making sure that what you're getting from your outputs is what your Modular is actually producing. It provides galvanic electrical isolation between the Modular system and external sources preventing impedance mismatch and ground loop induced hum. ADDAC's 710 circuit is designed around a unity 1:1 type Low-cost Audio Transformer operating in the 20 Hz to 20 KHz range, this impedance matching transformer provides two fully balanced outputs (via XLR connectors). ADDAC710 is a low-cost alternative to the ADDAC800X High-End Outputs module, we redesigned the original circuit using a smaller low-cost transformer that also reduced its depth allowing it to fit shallow Eurorack cases.

There are two independent channels on the module with:

Audio Input

LIFT/FLOAT/GND toggle switch
Signal overload warning led
XLR Output

The LIFT/FLOAT/GND 3-way switch lets you choose between lift, ground or floating ground.
In the LIFT position (left) the module circuit will be "lifted" to ground through a 100R resistor and a 10nF capacitor.
In the FLOAT position (middle) Ground will not be shared leaving ins and outs grounds completely apart from each other fully isolating both signals. in the GND position (right) Ground will be shared between inputs and outputs, here no isolation is used.
Any of these three positions may be the best form of avoiding ground loops or any other undesired interference occurring between your modular and the sound system you're plugging it into. Try out which one of these options will work best in any given situation.

Tech Specs:

6HP
4 cm deep
40mA +12V
40mA -12V

The importance of using Audio Transformers
Applying a transformer balanced output isolation has lots of advantages over other less expensive ways for dealing with ground loop issues. This method provides the chance to set a very simple and clean circuit in which the signal transfer process develops smoothly and humming free. The transformer is a device that performs both signal balancing and high-to-low (or vice-versa) impedance conversion, while rejecting straggled DC voltage and Radio Frequency Interference from signal passing through a magnetic bridge. In a transformer, two (or more) coils (called windings) of insulated wire wound around a magnetic metal core allow for its input(s) and output(s) not to be physically connected together. When an AC signal passes through the input winding (the primary), a perfectly related AC signal appears on the output winding (the secondary). This way, by the fact that signal flows via inductive coupling between the two windings of the transformer, this module presents a most accurate electrical isolation between its input and output. A same number of windings on each coil guarantees that there's no gain loss when audio signal passes from the primary to the secondary windings. Furthermore, since these two windings are insulated from each other, the transformer will electrically isolate ADDAC710 from any other device, preventing hum problems coming from an outsider ground. Being a low-cost transformer the frequency response curve is not as linear as our 800X, still the -0.2dB attenuation at 50Hz feels negligible.

Phantom Power

+48V Phantom Power is NOT needed for the module to operate.
In any case having Phantom Power ON won't influence the module operation.
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 3 in stock $168.29
Noise Engineering Xer Dualis 4-Channel Stereo Mixer Module With Mutes (silver)
Cat: 908165 Rel: 07 Nov 22 • View all Synth modules
 
4-channel stereo mixer with mutes.
Notes: Xer Dualis is a compact analogue four-channel stereo mixer. Each channel has left and right inputs, a level control, and a mute.

Want to use mono signals? No problem! The left inputs normal to the right ones. On the stereo pair output, XD features a simple meter and a clip indicator to keep your mix clean. Xer Dualis is a compact and performable choice whether you need a submixer for a large system or an easy way to mix all the elements of a portable case together.
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MRP:$227.20 SAVE 14%
 1 in stock $194.58
Session Boxset: United Kingdom & Ireland
Session Boxset: United Kingdom & Ireland (limited 8xCD box set + booklet + photocards)
Cat: EASTGCD 094. Rel: 28 Feb 23
 
Experimental/Electronic
Chalk Session 22 (part 1)
Chalk Session 22 (part 2)
Chalk Session 22 (part 3)
Chalk Session 22 (part 4)
Chalk Session 22 (part 5)
Chalk Session 22 (part 6)
Brudenell Social Club Session 22 (part 1)
Brudenell Social Club Session 22 (part 2)
Brudenell Social Club Session 22 (part 3)
Brudenell Social Club Session 22 (part 4)
Brudenell Social Club Session 22 (part 5)
Brudenell Social Club Session 22 (part 6)
Brudenell Social Club Session 22 (part 7)
Brudenell Social Club Session 22 (part 8)
Engine Rooms Session 22 (part 1)
Engine Rooms Session 22 (part 2)
Engine Rooms Session 22 (part 3)
Engine Rooms Session 22 (part 4)
Engine Rooms Session 22 (part 5)
Engine Rooms Session 22 (part 6)
Engine Rooms Session 22 (part 7)
RNCM Theatre Session 22 (part 1)
RNCM Theatre Session 22 (part 2)
RNCM Theatre Session 22 (part 3)
RNCM Theatre Session 22 (part 4)
RNCM Theatre Session 22 (part 5)
RNCM Theatre Session 22 (part 6)
RNCM Theatre Session 22 (part 7)
Phoenix Session 22 (part 1)
Phoenix Session 22 (part 2)
Phoenix Session 22 (part 3)
Phoenix Session 22 (part 4)
Phoenix Session 22 (part 5)
Phoenix Session 22 (part 6)
St Luke's Session 22 (part 1)
St Luke's Session 22 (part 2)
St Luke's Session 22 (part 3)
St Luke's Session 22 (part 4)
St Luke's Session 22 (part 5)
St Luke's Session 22 (part 6)
Grand Central Session 22 (part 1)
Grand Central Session 22 (part 2)
Grand Central Session 22 (part 3)
Grand Central Session 22 (part 4)
Grand Central Session 22 (part 5)
Grand Central Session 22 (part 6)
Town Hall Session 22 (part 1)
Town Hall Session 22 (part 2)
Town Hall Session 22 (part 3)
Town Hall Session 22 (part 4)
Town Hall Session 22 (part 5)
Town Hall Session 22 (part 6)
Town Hall Session 22 (part 7)
Town Hall Session 22 (part 8)
Riverside Session 22 (part 1)
Riverside Session 22 (part 2)
Riverside Session 22 (part 3)
Riverside Session 22 (part 4)
Riverside Session 22 (part 5)
Riverside Session 22 (part 6)
Coventry Cathedral Session 22 (part 1)
Coventry Cathedral Session 22 (part 2)
Coventry Cathedral Session 22 (part 3)
Coventry Cathedral Session 22 (part 4)
Coventry Cathedral Session 22 (part 5)
Coventry Cathedral Session 22 (part 6)
Roundhouse Session 22 (part 1)
Roundhouse Session 22 (part 2)
Roundhouse Session 22 (part 3)
Roundhouse Session 22 (part 4)
Roundhouse Session 22 (part 5)
Roundhouse Session 22 (part 6)
Assembly Hall Session 22 (part 1)
Assembly Hall Session 22 (part 2)
Assembly Hall Session 22 (part 3)
Assembly Hall Session 22 (part 4)
Assembly Hall Session 22 (part 5)
Assembly Hall Session 22 (part 6)
Corn Exchange Session 22 (part 1)
Corn Exchange Session 22 (part 2)
Corn Exchange Session 22 (part 3)
Corn Exchange Session 22 (part 4)
Corn Exchange Session 22 (part 5)
Liberty Hall Session 22 (part 1)
Liberty Hall Session 22 (part 2)
Liberty Hall Session 22 (part 3)
Liberty Hall Session 22 (part 4)
Trinity Session 22 (part 1)
Trinity Session 22 (part 2)
Trinity Session 22 (part 3)
Trinity Session 22 (part 4)
Trinity Session 22 (part 5)
Trinity Session 22 (part 6)
Limelight Session 22 (part 1)
Limelight Session 22 (part 2)
Limelight Session 22 (part 3)
Limelight Session 22 (part 4)
 in stock $185.28
Pigtronix Star Eater Analogue Dual Stage Super Jumbo Fuzz Effects Pedal With Filter Pigtronix Star Eater Analogue Dual Stage Super Jumbo Fuzz Effects Pedal With Filter Pigtronix Star Eater Analogue Dual Stage Super Jumbo Fuzz Effects Pedal With Filter Pigtronix Star Eater Analogue Dual Stage Super Jumbo Fuzz Effects Pedal With Filter Pigtronix Star Eater Analogue Dual Stage Super Jumbo Fuzz Effects Pedal With Filter
Cat: 910275 Rel: 23 Nov 22 • View all Effects pedals
 
Analogue dual stage super jumbo fuzz
Notes: Fuzz sculptor with an appetite

Star Eater is an all-analogue, dual footswitch super-jumbo Fuzz with a footswitchable booster and variable filter stage, allowing players to easily sculpt a massive array of inspiring, unique fuzz tones. On the fuzz side, newly-available, precision-matched transistor pairs are utilized to ensure that each and every unit is perfectly dialled in to "the sweet spot" that can be so elusive to find in vintage pedals. A rocker switch provides your choice of Germanium or Silicon colour. Downstream from the fuzz, a powerful booster stage drives the filter in the Star Eater. Scoop and Bump voicings for the filter can be selected via a rocker switch, drastically changing the frequency response of the Sweep control throughout its entire range. Built to last and designed to inspire, the Star Eater brings a unique approach and a new standard of performance to the world of boutique fuzz pedals. Runs on standard 9VDC.

Knob-by-knob

Hunger: Determines the amount of gain in the fuzz.
Volume: Determines the output level of the fuzz.
Sweep: Sets the frequency response of the filter. Note: The Sweep knob is only active when the Contour footswitch has been turned on.
Voice: Selects between Silicon (Si) and Germanium (Ge) diode clipping in the fuzz circuit.
Contour: Changes the shape of the tone.

Back to the future

Inspired by the chunky chassis feel of the late 70s and early 80s, Star Eater was designed to offer a fun, tactile user experience and make it easy for players to fine tune their own signature fuzz tone.

Model

Model name: Star Eater
SKU: FUZ
Function: Super-Jumbo Fuzz with Filter
Category 1: Distortion
Bypass: True Bypass

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 1k
BodyLength (in): 3.5
Width (in): 4.75
Height (in): 2
Weight (lbs): 1
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Zwarte Doos
Zwarte Doos (6xLP + 7" box set in spot-varnished box)
Cat: OS47 OS53. Rel: 13 Dec 22
 
Indie/Alternative
Voor De Dood (LP1: Voor De Dood) (3:16)
't Is De Liefde (3:33)
Lauwe Oorlog (3:20)
Fe (3:22)
Het Gesticht (LP2: Koude Oorlog) (2:42)
De Schaarmeester (2:21)
Koning Der Belgen (2:02)
De Radio Is Gek Geworden (3:50)
Lauwe Oorlog (3:27)
Wir Haben Es Nicht Gewusst (1:48)
Een Mens Met Een Mes (4:38)
Hoofd In De Supermarkt (LP3: De Sfeer Van Grote Dagen) (2:20)
Plaatsje Onder De Zon (3:27)
De Aarzel (2:05)
El Macho (5:03)
Overleven (3:37)
Moeder Gaat Neer (2:41)
Zonder Omzien (LP4: Zonder Omzien) (2:53)
Mama Is Sterker (2:46)
Een Hoofd In De Supermarkt (2:20)
Koekoek In De Stad (4:19)
Een Jongen En Een Meisje (2:21)
De Centrale Eis (2:25)
Zij Is Blij (LP5: Harde Feiten) (3:06)
In Jouw Maag (2:33)
Niemand Staat Te Wachten (3:51)
Rood Vlees (3:25)
Alles Wordt Zand (4:32)
De Koortsdanser (2:57)
Ik Schaam Haar (3:27)
Diep In Het Mes (2:00)
Tanden (2:42)
NV Verdriet (2:32)
Een Taal Is Een Stripverhaal (LP6: Koudvuur) (2:42)
Naaldhak (2:34)
De Goede God Is Een Dode God (2:41)
Zure Zon (3:14)
Schoon Schip (3:15)
Meisje Zijn (2:39)
Mot (2:06)
Grijs Geld (4:02)
M/V (3:09)
Sporen Van Lisa (5:18)
Ik Splits Jou (6:33)
Gorilla Dans De Samba (7": Gorilla Dans De Samba) (2:48)
Isabelle Avondrood (2:22)
De Dobberman (2:36)
Doe De Maffia (1:59)
 in stock $165.66
Tsakalis AudioWorks Experience 70's Fuzz & Octave Up Effects Pedal
Cat: 912612 Rel: 02 Dec 22 • View all Effects pedals
 
70s Fuzz and Octave Up
Notes: Experience - Fuzz Octave

Experience is a unique Fuzz & Octave up pedal that was designed to revive the sounds of the 60's and 70's with a modern touch.

It features 2 stand-alone channels in series (fuzz and octave) which can be used individually or together, offering a wide range of dirty goodness!

The Octave channel produces a classic and easy to manipulate octave up effect, sitar & harmonica like sounds, enhancing your tone with ringing octaves and micro-phonic feedback at the end of every note. It features separate volume and tone controls for a wide range of colours.

The fuzz channel is based on the Jordan Boss Tone fuzz circuit and is capable of producing a wide range of tones. From mild and creamy overdrive and classic fuzzy tones, all the way to heavily distorted goodness with sub octaves, similar to trombone and analogue synth! It is equipped with 2 vintage silicon transistors with FET clipping for richness and detail and four controls (gain, volume, tone and damage) with which you can adjust the type of distortion.

Combining the 2 channels is where the real Experience begins! Create your signature sound exploring the Experience's endless tonal capabilities!

Unleash your creativity and let the Experience do the rest...

Product Height (cm): 5.400
Product Width (cm): 10.200
Product Depth (cm): 12.400
Product Weight (kg): 0.360

Box Height (cm): 6.000
Box Width (cm): 1.000
Box Depth (cm): 14.800
Boxed Weight (kg): 0.445
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 1 in stock $180.91
Tsakalis AudioWorks Galactic Multi-Modulation Effects Pedal
Cat: 912618 Rel: 02 Dec 22 • View all Effects pedals
 
Multi-modulation effects pedal.
Notes: Galactic - Multi Modulation

With the Galactic, Tsakalis wanted to create a unique modulation pedal which, lets you combine effects and blend them in a way that brings new textures to your sonic arsenal and creates potential for exploration!

The Galactic has five basic modulation effects - Phaser, Univibe, Vibrato, Rotary Speaker and Flanger - and made it possible for you to use them separately or in pairs, blending them together via a Blend control creating interesting effects from 3D chorus to many other spacey and yet to be named soundscapes. Find your sweet spot for each pair and discover an unexplored Galaxy of sounds and inspiration!

Three expression input jacks let you control the Speed and Depth of the effects, as well as how you choose to Blend them, making your live performance easier and letting you experiment even on stage!

Use the Galactic modulation to enrich your music with the sounds of the unknown!

Product Height (cm): 5.200
Product Width (cm): 12.700
Product Depth (cm): 9.900
Product Weight (kg): 0.369

Box Height (cm): 6.000
Box Width (cm): 1.000
Box Depth (cm): 14.800
Boxed Weight (kg): 0.448
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MRP:$220.89 SAVE 12%
 1 in stock $194.01
Crosby Stills & Nash (remastered)
Crosby Stills & Nash (remastered) (limited numbered 180 gram audiophile vinyl 2xLP box set + booklets)
Cat: 821797 202121. Rel: 27 Jan 23
 
Rock
Suite: Judy Blue Eyes (7:25)
Marrakesh Express (2:28)
Guinnevere (4:31)
You Don't Have To Cry (2:40)
Pre-Road Downs (2:57)
Wooden Ships (5:18)
Lady Of The Island (2:34)
Helplessly Hoping (2:38)
Long Time Gone (4:17)
49 Bye-Byes (5:06)
 in stock $150.40
Adriano Gli Anni Music Jolly 1958-1963
Adriano Gli Anni Music Jolly 1958-1963 (limited hand-numbered 33x7" box set + hardback book + insert + postcards)
Cat: SAAR 10013/32. Rel: 16 Mar 23
 
50s/60s
Rip It Up (2:00)
Jailhouse Rock (2:26)
Blueberry Hill (2:37)
Tutti Frutti (2:07)
Man Smart (3:33)
I Love You Baby (1:59)
The Stroll (2:29)
Tell Me That You Love Me (2:17)
Happy Days Are Here Again (1:50)
Who's Sorry Now (2:00)
Happy Days Are Here Again (1:49)
Buonasera Signorina (2:46)
Hoola Hop Rock (2:09)
La Febbre Dell' Hoola Hop (2:07)
Ciao Ti Diro (2:37)
Un'ora Con Te (1:56)
Il Ribelle (2:21)
Nessuno Credera (2:23)
Il Tuo Bacio E Come Un Rock (1:58)
I Ragazzi Del Juke-Box (2:01)
Teddy Girl (2:18)
Desidero Te (1:58)
Pronto Pronto (1:58)
Idaho (2:33)
Nikita Rock (2:09)
Blue Jeans Rock (2:25)
Rock Matto (1:49)
Impazzivo Per Te (2:00)
Crazy Rock (1:51)
Impazzivo Per Te (1:59)
Personality (2:40)
Il Mondo Gira (2:10)
Cosi No (2:07)
La Gatta Sul Tetto Che Scotta (2:14)
Cosi No (2:07)
La Gatta Che Scotta (2:13)
Piccola (1:37)
Ritorna Lo Shimmy (1:46)
Pitagora (1:47)
A Cosa Serve Soffrire (2:25)
Giarrettiera Rossa (2:33)
Che Dritta! (2:14)
Furore (2:26)
Movimento Di Rock (1:52)
24 Mila Baci (2:15)
Auli-ule (1:55)
Non Esiste L'amor (2:15)
Basta (2:10)
Gilly (2:28)
Coccolona (1:51)
Nata Per Me (2:46)
Non Essere Timida (2:26)
Peppermint Twist (2:09)
Forse Forse (2:25)
Ciao Amore (2:23)
Veleno (1:56)
Si E Spento Il Sole (2:55)
La Mezza Luna (2:31)
24 Mila Baci (2:16)
Il Tuo Bacio E Come Un Rock (2:01)
A New Orleans (2:09)
Un Sole Caldo Caldo Caldo (2:37)
Serafino Campanaro (2:02)
Hei Stella (2:24)
Una Notte Vicino Al Mare (2:29)
Hello Mary Lou (2:09)
 in stock $153.56
1970s (Japanese Edition)
1970s (Japanese Edition) (12xCD in slip-case with obi-strip)
Cat: CDSOL 71402. Rel: 11 Apr 23
 
Indie/Alternative
Live At The Witch Trials (CD1)
Dragnet (CD2)
Bingo Master's Break-Out - Single/It's The New Thing - Single/Rowche Rumble - Single/Peel Session - 15 6 1978/Peel Session - 06 12 1978 (CD3)
It's The New Thing - Extended B Side/Dresden Dolls - Bootleg Single/Short Circuit - Live At The Electric Circus/Rowche Recording Session (CD4)
North West Arts Manchester 23 5 1977 (CD5)
Manchester Musicians Collective - Band On The Wall - 13 11 1977 (CD6)
Stretford Civic Theatre Manchester - 23 12 1977 (CD7)
Mr Pickwick's Liverpool - 22 08 78 (CD8)
Carlton Club Warrington - 13 11 1978 (CD9)
Institute Of Technology Bolton - 04 12 1978 (CD10)
Prince Of Wales Conference Centre YMCA Building London - 15 09 1979 (CD11)
JB's Dudley - 3 11 1979 (CD12)
 in stock $161.98
Zoom G2 Four Multi-Effects Processor Effects Pedal Zoom G2 Four Multi-Effects Processor Effects Pedal Zoom G2 Four Multi-Effects Processor Effects Pedal
Cat: 917607 Rel: 28 Feb 23 • View all Effects pedals
 
A compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects.
Notes: The Zoom G2 Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
An external expression pedal can be used to control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2 Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

Zoom G2 Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been sampled at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historic guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2 Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones
The G2 Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, you set up the G2 Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2 Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).
Read more
MRP:$215.63 SAVE 14%
 2 in stock $185.47
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quote 917607
Zoom G2X Four Multi-Effects Processor Effects Pedal Zoom G2X Four Multi-Effects Processor Effects Pedal Zoom G2X Four Multi-Effects Processor Effects Pedal
Cat: 917609 Rel: 28 Feb 23 • View all Effects pedals
 
A compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects.
Notes: The Zoom G2x Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
Expression pedal lets you control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2X Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

The G2X Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been miked at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historical guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2X Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones

The G2X Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, set up the G2X Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Express yourself

The G2X Four features an expression pedal for controlling volume, wah-wah and more.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2X Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).
Read more
$202.31 SAVE 20%
 2 in stock $161.85
ADDAC System ADDAC712 Vintage Pre 2-Channel Discrete Gain Staging Amplifier Module ADDAC System ADDAC712 Vintage Pre 2-Channel Discrete Gain Staging Amplifier Module
Cat: 917638 Rel: 27 Jan 23 • View all Synth modules
 
ADDAC712 is a dual channel discrete gain staging ampli- fier, based on a famous discrete preamp board from the 70’s used in some legendary equipment.
Notes: ADDAC712 is a dual channel discrete gain staging amplifier, based on a famous discrete preamp board from the 70's used in some legendary equipment.

What was eye-catching was the character of its clipping and resulting saturation/distortion.

The module can be used with modular signals to add a distortion/fuzz character or as a preamp for an external source such as a line source, keyboard, guitar...

It's also a great side companion for our ADDAC711 Balanced Inputs.

At the top an On/Off [BYPASS] switch routes the signal into the Effect (Up: Active) or to the bottom output gain stage (Down: Bypassed).

The amount of amplification is set by the [GAIN] control, the maximum amount of amplification can be set by the user using the [MAX GAIN] trimmer.

Up to +/-5.5v the incoming signal will keep it's integrity, beyond this point saturation will start to increase.

At approx. +/-6v a hard clipping will start to occur, this clipping also has a particular quality that at extreme levels it drifts the audio 0v bias reference, moving it upwards which results are similar to a Gate effect.

In the middle, an x2 opamp based output gain stage with a clipping led, which monitors the clipping at the output, and an [OUTPUT] control to set the output volume.

Having the top and middle gain stages provides flexibility allowing the user to completely distort the signal on the top stage and tame it's output level with the second stage.

At the bottom, Input and Output for both channels (Left input is normalled into Right input).

Tech Specs:
6HP
4 cm deep
40mA +12V
40mA -12V
Read more
 1 in stock $169.34
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quote 917638
ADDAC System ADDAC714 Vintage Clip 2-Channel Soft Clipping Module ADDAC System ADDAC714 Vintage Clip 2-Channel Soft Clipping Module
ADDAC System ADDAC714 Vintage Clip 2-Channel Soft Clipping Module (distortion/dual/stereo/dynamics/effect/filter synth module)
Cat: 917651 Rel: 27 Jan 23 • View all Synth modules
 
Dual channel soft clipping module in 6HP.
Notes: ADDAC714 is a dual channel soft clipping module.

Diode based passive clipping acts as a "brick wall" limiter with a fixed knee given by the inherent diode physics. A passive RC low pass circuit adds a 3.3KHz -3db low pass filter which sculpts the overall tone while also adding further character to the effect.

At the top an On/Off [BYPASS] switch routes the signal into the Effect (Up: Active) or to the bottom output gain stage (Down: Bypassed).

The amount of clipping is set by the [GAIN] control, it mostly works as a threshold control for how much clipping will be applied.
As more clipping is applied the signal's amplitude will also decrease, to compensate for this we set up a gain compensation stage to keep the output amplitude balanced across the Gain range.

Symmetry chooses between bipolar clipping or positive clipping, this relates to the harmonics generated, bipolar for odd and even harmonics (up position) and unipolar for odd harmonics only (down position).

At the second stage, an opamp based x2 output gain with a clipping led, which monitors the clipping at the output, and an [Output] control to set the output volume.

Having the top and middle gain stages provides flexibility allowing the user to completely distort the signal on the top stage and tame it's output level with the second stage.

At the bottom, Input jacks for both channels (Left input is normalled into Right input) and output jacks

Tech Specs:
6HP
4 cm deep
40mA +12V
40mA -12V40mA +12V
40mA -12V
Read more
 2 in stock $157.24
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quote 917651
Erica Synths Stereo Compressor Module With Sidechain
Cat: 936456 Rel: 14 Apr 23 • View all Synth modules
 
Stereo compressor module with sidechain - 10HP
Notes: Everything sounds better with compression - whether you need a bit of extra pressure for your drum sounds or just that extra touch to make your modular mix more nimble and tight, the Erica Synths Stereo Compressor will make your live performances a joy. The module is optimized for percussion sounds and will be a great addition to any Erica Synths Drum module rig. The Stereo sidechain can be used to animate melodic layers on the beat and to truly bring your Basslines to life.

Features

THAT chip-based stereo compressor
DC coupled sidechain
Gain, Threshold and Compression Amount (Ratio) settings
Stereo Link for level detectors
Bypass switch
8 segment output level VU meter

Specs

Audio input level -5...+5V
Threshold -40dB to +10dB
Makeup gain -12dB to +12dB
Ratio 1:1 to 8
Power consumption +60mA, -22mA
Module width 10HP
Module depth 35mm

INPUT LVL; Adjust the input signal level to your taste
GAIN; This knob adjusts the makeup gain of the compressor
THRESHOLD; Set the compressor threshold
COMP. AMT;This knob adjusts the compression ratio
STEREO LINK; Sending hard-panned or significantly different audio levels on the left and right channels into the audio inputs may result in undesired left-right panning on the output of the compressor, because the level detectors on each channel will ensure a different amount of compression. With the STEREO LINK switch on, the level detectors on both channels are merged and the min/max function is engaged. This ensures equal compression on both channels.
PROCESS; The bypass switch allows for turning off the compressor instantly
8 SEGMENT VU METER; 8 segment VU meter gives a visual reference of the output signal
IN L / IN R; These are the L and R audio inputs
OUT L / OUT R; These are the L and R outputs of the module
SIDE IN L / SIDE IN R; These are L and R sidechain inputs. You can process each channel individually
SIDE OUT L / SIDEOUT R; These are the sidechain signal outputs - they are buffered copies of the sidechain inputs
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 1 in stock $181.96
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quote 936456
Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories
Cat: 942708 Rel: 16 Aug 23 • View all Studiozubehör
 
The Backpack is made from high-quality materials, including a soft, durable Alcantarar handle, ballistic nylon straps and water-resistant exterior, it is rugged and hard-wearing.
Notes: The Backpack is made from high-quality materials, including a soft, durable Alcantarar handle, ballistic nylon straps and water-resistant exterior, it is rugged and hard-wearing.

It can accommodate a RODECaster Pro II, plus microphones, studio arms and other accessories, as well as laptops up to 16 inches. Ergonomic adjustable shoulder straps with back and chest support ensure absolute comfort, with exterior pockets and compartments providing additional storage.

RODE BACKPACK Features:

Designed to exact specifications of the RODECaster Pro II
Lightweight and highly durable
Accommodates microphones and accessories
Laptop compartment (16")
Water resistant
Interior dimensions: 495 x 304mm
18L internal capacity
Read more
 1 in stock $166.18
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quote 942708
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