Suchergebnisse: Dance Music

Notes: C4RBN is a 4/2-pole state variable filter with input saturation, output wavefolding and more. It offers a wide range of characters, from nice and clean filter sounds to screaming, squeaky, sounds.

An innovative input saturation circuit and the output wavefolder of WMD's classic SYNCHRODYNE filter bring great sonic flexibility.

Features:

3 independent 2 pole outputs for High Pass, Low Pass, and Bandpass
Inverting Attenuator (attenuverter) for FM allows for positive and negative CV control over the cutoff frequency
Independent 4 Pole output with switchable frequency response
Input Saturation with 3 switchable levels and CV input for additional fine control
PING circuit generates a fast decay envelope emulating the response of a vactrol
Output wavefolder for extra bite and screaming character
Resonance with self oscillation
Temperature compensated 1V/Oct tracking.
Performance focused control scheme allows for on-the-fly changes of filter types with intention

Power consumption: 92mA at +12V and 82mA at -12V

Depth: 38mm

HP : 4

Notes: Another update for WMD's clever dual VCA, this time a little bigger to give more control. Digital control of CV and attenuation gives lots of creative options. Third time's a charm.

Supplier's Notes:
WMD have done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.

The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.

The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.

Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.

Features

Dual VCA Design
Unipolar or Bipolar Operation
DC Coupled Analogue Signal Path
Low Distortion / Low Noise
VCA Closes Completely
Zero Crossing Detector Mode
Trigger Mode
Two Independent Noise Sources
8 bit CV resolution
Great for Fast Envelopes and Sine Bass Sounds

Specifications

Power: +65mA, -45mA
Width: 8HP
Depth: 35mm with cables
Height: Eurorack 3U (128.5mm)
Board Height Behind Panel: 112mm
CV/Signal Input Impedance: 100k
Output Impedance: 1k
UPD in 3.3V Threshold Schmitt Trigger
ZCD produces 15us 5V pulse
5V CV to fully open VCA
Linear VCA response
20Vpp signal handling

Notes: Chimera is a granular synthesis module that specializes in drum sounds. It offers a wide range of detailed sample sources as well as its own synthesis engine. Firmware updates can be performed via USB.

The module features various samples called Surfaces. The samples are mainly metallic sounds:

Tambourine
Bells
Drill
Wrenches
Cartridge cases
Coins
Chains
Metal housings
Broken modular front panels

Chimera uses impulsive sounds with lots of detail and long decay times to create detailed shaker-like sounds. The granular synthesizer was developed around the samples here, this has the advantage that the percussion sounds sound so more natural.

Power consumption: 63mA at +12V and 17mA at -12V

Depth: 38mm

HP : 8

Notes: The Geiger Counter - Civilian Issue is 32 killer sounds from the original Geiger Counter. WMD stripped off the majority of the controls and took $100 off the price. This is for those players who want to dial in a tone quickly and save pedalboard space.

The Controls:

Stomp Switch - Like all WMD pedals, the GCCI (Geiger Counter Civilian Issue) is handwired and true bypass, so it won't affect your tone when disabled. When the GCCI is on, the red LED will be lit.

Gain - The gain control provides anywhere from a nice clean tone to a ton of overdrive. Use this to hit the Function tables harder or softer to produce different amounts of harmonics.

Tone - The tone control can be used to fine tune the harmonic content from the Function tables. Use lower settings for fewer upper level harmonics.

Function - Twisting this knob will cause the number on the display to change. It goes 0 to 9 and A to F. This selects the 16 presets inside the GCCI. Push the knob in to activate the Low Fidelity mode for each preset. Low Fidelity mode is indicated by the decimal point on the display.

Each Function recalls parameters from the original Geiger Counter including the Bit Depth, Sample Rate and the Wave Table. The wave tables are displayed in the manual file. As your guitar string swings up and down, the wave table is played left to right from the centre. The output is what's vertically on the graph. The more movement in the Function, the more harmonic content you'll get out.

Volume - Sets the output volume of the GCCI which can be up to 5Vpp, enough to really crush your amp's input stage.

Notes: SPECTRUM is a precision, saw-core VCO with eight possible waveforms (six simultaneous outputs), an eight octave switch, LFO mode and FM mode select with attenuation.

In addition to the standard waveforms; sine, pulse, triangle and saw, SPECTRUM features two selectable saw/pulse hybrid waveforms and two selectable sub-octave waveforms with variable range.

Additional features include pulse width modulation with CV and attenuation, hard sync and panel accessible 1V/OCT calibration.

Power Draw: +80mA, -55mA. 10HP width. 25mm Depth.

Notes: This module adds two more stereo channels with two sets of inputs each to your WMD Performance Mixer - 8 more inputs in just 10 HP!

Can be muted with Mutes expander, and includes CV over Gain, Pan, and Aux Level.

More than 30dB of gain over each channel lets you use external sources such as consumer audio equipment, not just modular signals.

Notes: PM Db25 is a proprietary expand module for the WMD Performance Mixer that allows for direct access to each output, balanced, including channels expand and the main outs. Connect a Db25 snake to your choice of connector on the other end and record each individual out without destruction from the faders or mutes. Reference the stereo recording while making final edits in your DAW or tape machine.

Notes: Stereo compressor in only 4HP!
The module was mainly designed as a dynamic tool for subgroups and sums, but also works well with single signals. Similar to classic DBX units, threshold, ratio and gain can be adjusted with just one knob. Further fine adjustments can be made for attack and release times. In addition to compression, the module can also be used as a limiter. Ducking effects can be created via a sidechain input.

The MSCL is equally suitable for subtle and strong compression effects. Ratio (1.25:1 to infinity), make-up gain and threshold can be adjusted with a single potentiometer. The threshold works in the opposite direction as the other parameters. In addition, there is a threshold switch that can be toggled between three value ranges (-15 dBu, -4 dBu, +5 dBu). This allows the MSCL to be used with other audio signals outside the modular system. In addition, it is possible to limit the gain control range by 3 dB or 9 dB. This makes the module behave similar to a peak limiter. The attack and release controls can be used to adjust the settling phase and the decay time of the compressor. At the output, it is possible to increase the gain by up to 35db. With the switchable sidechain channel, the MSCL can also be controlled by external signals.

Features:

Sidechain input for classic ducking sounds
Easy and intuitive design
Threshold switch lets you compress modular level signals as well as lower level sources
Limit switch limits the makeup gain on the comp knob to make compressor act more like a peak limiter
Power consumption: 50mA at +12V and 50mA at -12V

Depth: 38mm

HP : 4

Notes: The WMD Overseer is a stereo filter inspired by those commonly found on DJ mixers and DJ software. It features two filters on one knob, stereo ins and outs, bypass switch, and a fun stereo "Tilt" function which offsets the filter cut-off frequency across the stereo field creating some dizzying stereo effects.

Controls:

- Bypass Switch: Turns the filter on and off. LED will be red when the filter is engaged. Toggles on button release.
- Filter Cut-off Knob (the big one): Turn Left for Low-Pass filtering and Right for High-Pass filtering. No filtering in the middle. Becomes offset with CV.
- Filter Cut-off Switch: Switched to the left limits both filters to audible frequencies so you cannot accidentally filter out all signal. Switched to the right disables the limit allowing you to filter the signal into oblivion.
- Resonance knob: Controls the amount of frequency boost at the cut-off point. Will not self-oscillate. Knob becomes offset with CV.
- Tilt Knob: In the middle applies no tilt. Rotate left or right to off set the offset to the filter cut-off on each side. Knob becomes offset with CV.
- Tilt Switch: Allows you to apply the Tilt function to either or both HP and LP. Left for LP, right for HP, centre for both.
- HP - LP Knobs: Attenuverters for incoming CV over the filters.
- HP - LP Switch: Switch to the right sends 5V to the HP - LP knobs and turns them into independent controls for the cut-off frequency of both filters, allowing you to control both filters at the same time with these independent knobs.

Jacks:

- HP: CV input for the High-Pass filter
- LP: CV input for the Low-Pass Filter
- Tilt: CV input for the Stereo Tilt function
- Res: CV input for the Resonance of both filters
- Master: CV Input over both filters, accepts -5V to +5V

Other:

- Input Impedance: 40k
- Output Impedance: 220 ohms
- Frequency Response: 20Hz to 20kHz +-1dB
- LPF Cut-off Range (-3dB Fc)
- Limited LPF: 22Hz to 32kHz
- Unlimited LPF: 1Hz to 32kHz
- HPF Cut-off Range (-3dB Fc)
- Limited HPF: 3Hz to 12kHz
- Unlimited HPF: 3Hz to 38kHz
- Signal Path: AC Coupled at all times

Notes: Eurorack version of WMD's outstanding digital distortion pedal. The nuclear option for twisting and destroying signals, featuring 252 wavetables with different harmonic characteristics.

Supplier's Notes:
Introducing WMD's flagship Geiger Counter guitar pedal turned Eurorack module. Added features include direct input to bypass the gain and tone circuits and CV control over every parameter. The Eurorack Geiger Counter is fully DC coupled and will accept audio and CV signals. Run a slow LFO into the direct input, tweak the wave table knob and see what happens!

Direct Bypass Input
CV Control over Every Parameter
Fully DC Coupled
Accepts audio and CV Signals

The Controls

The Geiger Counter may seem overwhelming, but once broken down, the controls are quite logical.

Gain - Low settings provide clean tones with no distortion at all, while high settings will brickwall your signal for great sustain. Use the Gain control as a coarse setting for getting the desired tone from the selected wave table.

Tone - The Geiger Counter's tone control blends muffled low-mids with chimey and clear upper mids and highs providing a very large range of sounds in junction with the Gain. All the way down and the sound is muffled and grungy with little upper harmonic content. The middle range is smooth and full bodied. The top range cuts the lows completely for only upper harmonic content. Use the Tone to fine tune the sound of the wave table.

Tone Enable/Disable - This switch removes the tone control from the preamp circuit. The tone control sucks some volume from the gain, and this allows the pure ultra hot signal to go directly into the Wave Table. If a very clean tone is desired, set to Disable and adjust the gain to get the right amount of breakup. For most wave tables, disabling the Tone will produce completely different sounds by brickwalling to the extremes of the tables faster.

Direct In/Level - The direct input allows a signal to be injected directly to the Geiger Counter's digital heart and bypassing the preamps coloration.

Sample Rate - Controls the length of the samples your signal is converted into. Full up and the Geiger Counter samples faster than a CD. Dial it down a little and you'll lower the fidelity and frequency response, adding overtones and difference frequencies. Down a little produces some very nice chimey clean tones. Down more and higher notes disappear into difference frequencies, all the way down to 280Hz. The sample rate is sort of like a flange whammy.

When the LED is Red, the Sample Rate is in fine mode where the range is limited to the upper end.

The CV input and attenuator are only active when a cable is plugged into the CV jack. When CV controlled, the Sample Rate knob selects the center frequency about which the CV signal moves. When the LED is Green, the Sample Rate knob is logically ANDed with the CV signal, producing some interesting sounds as the CV changes.

Bit Depth - This controls the finer details of the signal. All up and your signal is represented by the full 8 bits. Each step down cuts the resolution in half, adding quantization error distortion, all the way down to 1 bit making a nasty square wave from a once clean tone. This produces a lo-fi gated distortion sound.

The LED when Green engages Mask mode where your signal is logically ANDed to the 8 bit number produced by the Bit Depth knob. This produces uneven gaps in your signal for some interesting distortion sounds.

The Bit Depth CV and level control is only active when a cable is plugged into the Bit Depth CV input. The Bit Depth knob then controls the center frequency. However, unlike the Sample Rate control, the bit depth can wrap around the edges of the control if the CV signal is larger than the range allows for.

Wave Table - This knob and display select the wave table to run your signal through. The wave table stage takes your signal and destroys it with math. This produces some incredible sounds. The wave tables are organized so that a more extreme version is typically found one up from the current one. There are 252 wave tables in all, each with different harmonic content.

The display is in HEX, displaying the numbers 0-9 and the letters A-F. Don't be alarmed, it actually makes remembering your desired wave table easier! The wave table is remembered when the pedal is turned off.

The Wave Table CV input is similar to the Bit Depth's. The CV signal is only active when a cable is plugged in. The Wave Table will wrap around the end points 00 and FB. The center is set by the WaveTable knob.

Specs:

Power: +12V = 60mA; -12V = 60mA
Size: 10HP
Depth: 30mm

Notes: Simply put, Arpitecht is a voltage controlled Quantizer and rhythmic arpeggio generator. As one of WMD's most musical modules to date, Arpitecht is designed to be an inspiring tool for the modular musician.

With the Arpitecht, you can create intricate melodies span 8 octaves, imply chord changes, instant acid basslines, evolving generative sequences, and, using the Triad expander, polyphonic chord generation.

The Arpitecht features 16 scales, each with a unique set of "note masks" offering hundreds of note combinations with the ability to dial in via knobs on the front panel or CV. 32 rhythm patterns and 32 slide patterns all with CV control let you feed a static clock into it and get unique, evolving patterns of gates and note changes.

Notes: ***B-STOCK: Box opened, product in perfect working order***


WMD turn their hand to snare drums with this unusual physical modelling module. No samples, just 100% pure digital synthesis. Properly versatile stuff, from realistic drum sounds to creative weirdness.

Supplier's Notes:
Kraken is a physical modeling snare drum module for eurorack modular synthesizers.

No samples, 100% digital synthesis with the ability to make realistic snare drums of all sizes, shapes, materials, and colors. Similar to Crucible, Kraken uses a network of classic synthesis blocks like delay, digital filters, and noise to create a very unique resonator.

"Crack-in" to the snare drum sound you're into most by adjusting parameters that corelate to physical drum properties such as shell type and size, head tightness, amount of overtone, and how tight and bright the snares sound.

You like snare samples? Great! Although Kraken does not use any recordings to generate sound, you can get a perfectly repeatable snare sound, similar to a sampler by using digital noise to generate the sound of the "snares". Dial in the decay to cut the sound short, and use different gate lengths to mimic "gate" mode style sounds in samplers.

Want your snare to sound more realistic? Switch to analog noise to imitate the subtle difference of a drummer hitting the snare slightly different on each hit.

Perfect Pitch... kind-of. Optional pitch shifter on the output widens the sonic palette as well as the frequency range, while imparting a unique character of it's own, reminiscent of old school samplers and pitch shifter pedals. Pitch knob and CV input take control of the pitch shifter when in this mode.

Wreck the ship with the Wreck switch and CV input. 3 different distortion characters push the envelope that much further with an analog style gained up hard clipping, wavefolding, and bit depth reduction.

At some shell settings, gain gets loud and fedback like running a snare mic through a distortion pedal. The wavefolder sounds like over-the-top compression with lots of high frequency content. The bit depth reduction setting let's you dial in a desired amount of "vintage" digital artifacts. Moving the switch to these different modes is only a preview.

Use the Wreck CV input for the most control over your sound.

Kraken is begging to be sequenced. Use the Head, Rim, and Accent gate inputs to start your basic rhythm of hits, sidesticks, rimshots and accented sounds. Sequence the Velocity input with a variable CV source to bring the pattern to life and put the drummer behind the kit.

Pair with Crater, Fracture, Chimera, and Crucible for a completely unique set of drums for your Eurorack Modular Synthesizer.

Highlights:
- No samples, 100% digital synthesis
- 3 built-in distortion types
- Digital and analog noise source
- Pitch shifter
- Wide range of sounds
- Two trigger inputs - Hit both simultaneously for a realistic "rimshot" sound.

Specs:
Size: 8hp Depth: 30mm (with cables)
Power: +61mA, -17mA All CV
Inputs: 100k ohm impedance
CV inputs sum with knobs.
Full sweep is 5V
Gate Inputs: 100k ohm impedance 2V threshold Schmitt Trigger
Audio Output: 470 ohm impedance
22Vpp range
4.0ms latency max

Notes: ***B-STOCK: Box opened, but product is in excellent condition and is in perfect working order***


Eurorack version of WMD's outstanding digital distortion pedal. The nuclear option for twisting and destroying signals, featuring 252 wavetables with different harmonic characteristics.

Supplier's Notes:
Introducing WMD's flagship Geiger Counter guitar pedal turned Eurorack module. Added features include direct input to bypass the gain and tone circuits and CV control over every parameter. The Eurorack Geiger Counter is fully DC coupled and will accept audio and CV signals. Run a slow LFO into the direct input, tweak the wave table knob and see what happens!

Direct Bypass Input
CV Control over Every Parameter
Fully DC Coupled
Accepts audio and CV Signals

The Controls

The Geiger Counter may seem overwhelming, but once broken down, the controls are quite logical.

Gain - Low settings provide clean tones with no distortion at all, while high settings will brickwall your signal for great sustain. Use the Gain control as a coarse setting for getting the desired tone from the selected wave table.

Tone - The Geiger Counter's tone control blends muffled low-mids with chimey and clear upper mids and highs providing a very large range of sounds in junction with the Gain. All the way down and the sound is muffled and grungy with little upper harmonic content. The middle range is smooth and full bodied. The top range cuts the lows completely for only upper harmonic content. Use the Tone to fine tune the sound of the wave table.

Tone Enable/Disable - This switch removes the tone control from the preamp circuit. The tone control sucks some volume from the gain, and this allows the pure ultra hot signal to go directly into the Wave Table. If a very clean tone is desired, set to Disable and adjust the gain to get the right amount of breakup. For most wave tables, disabling the Tone will produce completely different sounds by brickwalling to the extremes of the tables faster.

Direct In/Level - The direct input allows a signal to be injected directly to the Geiger Counter's digital heart and bypassing the preamps coloration.

Sample Rate - Controls the length of the samples your signal is converted into. Full up and the Geiger Counter samples faster than a CD. Dial it down a little and you'll lower the fidelity and frequency response, adding overtones and difference frequencies. Down a little produces some very nice chimey clean tones. Down more and higher notes disappear into difference frequencies, all the way down to 280Hz. The sample rate is sort of like a flange whammy.

When the LED is Red, the Sample Rate is in fine mode where the range is limited to the upper end.

The CV input and attenuator are only active when a cable is plugged into the CV jack. When CV controlled, the Sample Rate knob selects the center frequency about which the CV signal moves. When the LED is Green, the Sample Rate knob is logically ANDed with the CV signal, producing some interesting sounds as the CV changes.

Bit Depth - This controls the finer details of the signal. All up and your signal is represented by the full 8 bits. Each step down cuts the resolution in half, adding quantization error distortion, all the way down to 1 bit making a nasty square wave from a once clean tone. This produces a lo-fi gated distortion sound.

The LED when Green engages Mask mode where your signal is logically ANDed to the 8 bit number produced by the Bit Depth knob. This produces uneven gaps in your signal for some interesting distortion sounds.

The Bit Depth CV and level control is only active when a cable is plugged into the Bit Depth CV input. The Bit Depth knob then controls the center frequency. However, unlike the Sample Rate control, the bit depth can wrap around the edges of the control if the CV signal is larger than the range allows for.

Wave Table - This knob and display select the wave table to run your signal through. The wave table stage takes your signal and destroys it with math. This produces some incredible sounds. The wave tables are organized so that a more extreme version is typically found one up from the current one. There are 252 wave tables in all, each with different harmonic content.

The display is in HEX, displaying the numbers 0-9 and the letters A-F. Don't be alarmed, it actually makes remembering your desired wave table easier! The wave table is remembered when the pedal is turned off.

The Wave Table CV input is similar to the Bit Depth's. The CV signal is only active when a cable is plugged in. The Wave Table will wrap around the end points 00 and FB. The center is set by the WaveTable knob.

Specs:

Power: +12V = 60mA; -12V = 60mA
Size: 10HP
Depth: 30mm

Notes: Stereo patching is becoming more common each day in the Eurorack Modular Synth System and we here at the shop are performing out a ton. Over the past couple years we consistently felt the need for a simple crossfader module that would allow users to switch between two stereo sources, add a stereo effect path, or easily mix a mono source with a stereo one. AXYS was born from this need.

Each crossfader features stereo inputs with normalling for mono to stereo uses as well as independent CV control. Control both crossfaders with one CV easily and decide how the Y will react to X's CV.

Easily transition between two performers similar to a DJ transitioning between decks with one channel and add some master buss effects with the other. Use one channel for adding stereo effects and the other to dial up some nice parallel compression. Perfect for live performance and momentary effect blasts. A simple easy to use module with tons of uses.

All analogue signal path keeps your tone intact and sounding the way you intended it to.

Notes: TRSHMSTR is a collaborative effort between WMD and electro-dance heavyweights MSTRKRFT. TRSHMSTR features an aggressive combination of band-pass filtering (FLTR) and distortion (DRV). The FLTR and DRV sections can be used independently or together to produce a wide variety of tone-shaping, from subtle distress to full-on acid destruction. The INs and OUTs of the FLTR and DRV sections are cross-normalled, so you can run your signal through FLTR and into DRV or vice-versa with no extra patching.

Notes: Subway is a scanning crossfader with 8 inputs and 1 output.

The eight inputs can be used for control voltages as well as audio signals. A potentiometer or CV can be used to mix between the individual sources. Each of the inputs also has a manual on/off switch.

Application examples

Complex modulations
Waveform selector for oscillators or noise
Morphing waveforms from wavetables
Switching between different envelopes
Controls:

Scan knob - master control over which input goes to the output. The knob is shifted when a CV is applied to the scan CV input.
Enable switch - Controls which input is active. When the LED is off, the input is removed from the output selection. A dim LED means the input is active but not yet selected. Bright LED means that the input is currently being sent to the output.
Curves: Subway has three different curves if you hold down keys 1-3 when switching on and then release them. Button 1 sets a linear curve, button 2 sets an exponential curve and button 3 sets a steady curve.
Power consumption: 80mA at +12V and 22mA at -12V

Depth: 38mm

HP : 6

Notes: Limited run of 600!

Set your Phaser to "FUN", and proceed with confidence!

Orion is an analogue Phaser effect module for eurorack modular synthesizers in 4HP. It can be used in mono or as a mono to stereo effect, creating cosmic swirls of spaced out texture. An instant bypass switch allows for hands-on engaging of the sound. The number of stages can be set by the user and the resonance, depth, rate, and frequency-centre controls make for quick dialing in of the perfect effect.

Orion features it's own internal LFO that ranges from mild to wild, but if that's not enough, use the Center CV input to control the effect from an external effect. A 100% analogue audio path means a purely unique sound that is both warm and smooth.

Controls

Pole Select / Bypass Switch: Tap to engage and disengage the filter effect (LED on means Engaged). Hold to switch the amount of filter poles, increasing how dramatic the effect will be.

Stereo switch: Tapping this switch engages the mono to stereo effect. If not engaged, both outputs will be identical.

Freq Knob: Controls the center frequency of the phaser's filters. Move this manually and park it to find a fixed sound or modulate around this frequency with the internal LFO or external CV source to enhance movement in the effect.

Depth knob: Controls the amount of modulation that the internal LFO will have on the movement of the filter.

Resonance: Controls the amount of feedback in the circuit, defining the character of the sound. Just like a standard filter, resonance is a buildup of gain around the centre frequency, and will create a more "ringy" sound when pushed.

Rate Knob: Controls the rate of the internal LFO

Specifications

Size: 4hp
PCB height: 112mm
Depth: 38mm (with cables)
Power: +70mA, -58mA
Settings are saved after 1 minute

Notes: Next-level sequential switch with program storage and mixing built in, allowing you to set up complex switching setups with seriously versatile options. Hard to beat.

Supplier's Notes:
Four inputs, can handle audio and CV. Precision components for pitch accuracy.

The four inputs (rows) are routed with the buttons to output columns.

If multiple inputs are selected simultaneously for an output, they are mixed together at unity gain.

A comparator input is available and each output mix is compared to the signal on the jack. This jack has a 0.5 volt normal.

The LEDs by the buttons indicate that a connection is made.

That's all well and good. The fun part is that each input to output routing matrix is then stored in an array. You can have 16 matrices in each bank. There are four banks available.

The current matrix is shown on the 7 segment display.

The matrix counter can be advanced with a gate signal. Reset with a gate signal. The matrix counter can be offset with CV and an offset knob.

The seven buttons near the top provide additional modes and settings. Red lettering indicates push and hold (1.5 seconds) functionality.

The bank button changes bank with a tap. Saves all matrices and settings with a hold. The save takes about 1.5 seconds. All settings are recalled on power up, but must be saved before power down. This allows you to just save changes you want, and recall patches while retaining the ability to make changes.

TopSet/TopClear - sets the upper matrix in the count for gate step inputs. Hold to clear the limit and allow the matrix to count to 16 (F). LED indicates that the top is set. Decimal point on the 7 segment display will light when the top matrix is selected.

Reset/ClearMatrix - tap to reset the counter to 0. Hold to clear all routing in the selected matrix.

Rnd/RndRcl - tap to randomize the selected matrix. Hold to set the selected matrix to always randomize upon being selected (via CV or gate).

CV Limit to Top - tap to enable and light the LED. When enabled, the CV input and offset will be constrained to the upper matrix. When disabled and a top matrix is set, the CV/Offset will offset the matrix counter. For example, if the top is 3, a gate will count from 0 to 3 and reset. Disabling "CV Limit to Top" will cause CV to offset the start of the count (if offset by 8, then the count will start at 8 and go to 11 (B)). If enabled, the top will always be 3, and the CV can be used to set the starting (lowest) matrix.

Step/Hold - Tap to step the matrix counter. Push and hold to disable CV, gate and reset signals from altering the matrix counter.

Gate Mode - Tap to change the gate modes. Available modes are step up (LED off), Step Down (LED Green), Random (LED Red).

There will be a video version available using LM6172 opamps. Video version will adhere to the LZX specifications. The inputs and outputs will operate at video rates. Routing control will not. Upper frequency of the routing control is TBD, but will run at audio rates.

The DAC 1:2 output is a voltage output (0-5 volts) of the 8 bit combination of the first two columns. This allows the first two channels' routing information (lit LEDs) to be used as a voltage output. (16 step voltage sequencer). This is always operational.

Bi-color LEDs show the amplitude and polarity of input and output signals. Comparator LEDs will be lit when the output is on.

Specs:

Power: +12V = 80mA; -12V = 32mA
Size: 16HP
Depth: 25mm

Notes: Proper surgical EQ in Eurorack format, with five parametric bands of filters for shaping sound. As usual for WMD, there's a lot of thought gone into making it versatile, doubling up as a morphing filter for mono, dual mono or stereo signals.

Supplier's Notes:
SCLPL (pronounced SCALPEL) is a Stereo 5-Band Digital EQ / Morphing Filter module for eurorack modular synthesizers. Use it to cut out problem frequencies on voices in your mix or to add pleasing enhancements to your stereo field.

Dual Mono and Stereo Control Schemes make it an excellent addition to any WMD Performance Mixer Setup. Add 4 SCLPL for 8 channels of EQ in 16HP. Put a 5th on the Master Bus and you have the ultimate eurorack mixing setup!

A simple user interface makes it a powerful tool for many use cases. It features 9 user-programmable preset slots that can then be "morphed" between seamlessly with CV or the Level knob in Morph Mode.

Each frequency band is set independently with the Level, Q, and Frequency knobs, and a helpful LED display aids in knowing exactly what's going on at all times.

Frequency bands include a Low Shelf, 3 Mid-Range Peaking Bands, and a High Shelf.

Notes: Javelin is a module that is basically an ADSR envelope with integrated VCA. However, it has several features that make the module an expressive sound shaping tool.

Three level ranges determine the total amplitude of the envelope, additionally three different time ranges are integrated, which can be switched between.

The accent behaviour is also unique. If several gates are applied to the Accent input at the same time, the envelope rises slightly with each gate.

Features:

Attack-decay-sustain-release envelope
Integrated VCA
Unique accent behaviour for expressive sequences
Reset input
CV control over attack and release
Looping mode for LFO-like modulations
Mode switch for gate and trigger behaviour
Linear, moderate or steep exponential shape
Short hold in the peak of the attack for more punch
Power consumption: 93mA at +12V and 65mA at -12V

Depth: 38mm

HP : 6

Notes: AXXENT is an expander module for the METRON trigger and gate sequencer and adds 16 "accent" gate outputs. Each track is specifically tied to METRON tracks, making it a very intuitive addition to any METRON sequencing ecosystem.

Use AXXENT to send signals to additional envelopes, slews, drum accents, and other gate triggered functions.

METRON will need its Firmware updated to support AXXENT.

Dimensions:
Width: 4HP (20.32mm)
Height: Eurorack 3U (128.5mm Panel, 112mm PCB behind panel)
Depth Including Cables: 43mm

Do not connect power to expansion headers.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Limited run of 600!

Introducing Subway, an 8 input, 1 output scanning crossfader in 6 HP. Transit for your signals!

8 inputs and correlating on/off switches let you decide how many signals are a part of the line. Then, smoothly fade from one signal to the next using the knob or an external CV source.

Subway is compatible with both audio and control voltage so it can be used for creating morphing waveshapes out of wavetables, complex modulation from multiple CV sources, as a simple waveshape selector for oscillators with multiple outs, and lots more. Find new sonic territories by combining multiple sounds and cycling through them at audio rate. Meticulously route CV to create preset destinations throughout a set.

The journey is yours, let Subway take you there.

Controls

Scan Knob - Master control over which input is going into the output. Knob becomes offset when CV is applied to Scan CV input.

Enable Switches - Control which input is active. Off LED means the input is removed from the output selection. Dim LED means the input is active, but not yet selected. Bright LED means the input is currently being sent to the output.


Specifications

PCB height: 112mm
Depth: 38mm (with cables)
Power: +80mA, -22mA
Saves settings after 1 minute of inactivity.
Digitally controlled analogue signal path operates at 48kHz.

Notes: Voltera is an expander for the Metron trigger and gate sequencer, adding 4 bipolar voltage tracks. Up to 16 Volteras can be connected to a Metron, providing up to 64 CV outputs.

With independent voltage ranges and quantisation settings per track, Voltera allows simultaneous real-time control of 4 different parameters, so you can set the track to the parameter you are sequencing.

When used in conjunction with Voltera, it is possible to easily sequence melodies and parameters with the Metron.

Features

4 bipolar voltage outputs in 4HP
Integrated user interface with Metron
Quantised and unquantised voltages
Up to 16 Voltera modules can be connected simultaneously to a Metron
Independent voltage ranges for each output
Analogue programming
Digital accuracy
Fast haptic operation
Power consumption: 60mA at +12V and 15mA at -12V

Depth: 43mm

HP : 4