Suchergebnisse: Dance Music

Notes: Top-of-the-range version of Sennheiser's consistently excellent HD25 headphones, bundled with a full range of accessories. One of our favourite models for DJ and studio use.

Supplier's notes:
The HD 25 PLUS is identical in design to the HD 25 but spoils its users with extra accessories and two included cables. Users can choose between a coiled steel cable (length: 3m/1m) and a straight, 1.5m steel cable.

The PLUS version also comes with a handy storage pouch and a second set of ear pads in a soft velour version.

Notes: DJ-friendly version of AIAIAI's excellent modular headphones. Configured here with punchy S02 drivers, on-ear PU leather earpads and coiled cable.

Supplier's notes:
TMA-2 DJ has been put to the test on stages all over the world. With its reinforced headband and powerful bass, it's a specialized piece of equipment for the hardworking musician.


The titanium-coated S02 speaker unit delivers a punchy and intense sound representation focused on bass and low-end dynamics. Combining the durable H02 nylon headband and the E02 on-ear PU leather earpads providing high isolation results in a powerful sturdy headphone suitable for live performance and electronic/bass heavy music.



In the Box.

S02 Speaker unit: Punchy.

E02 Earpads: PU leather, on-ear.

H02 Headband: Nylon, Silicone padding

C02 Cable: Coiled w/adaptor, black, 4 mm, 1.5 m.



Technical Specifications.

Driver diameter: 40 mm

SPL: 117 dB

Resonance frequency: 90 Hz

Impedance: 32 Ohm

Rated power: 30 mW

Max power: 70 mW

Diaphragm material: Titanium Coated

Magnet type: Neodymium

Notes: Incorporating a new hidden trolley system, smooth rolling in-line wheels, electroplated zippers and integrated combination lock, the world's best selling 12" trolley bag has been reinforced and strengthened to provide you with even greater protection and durability. The Slingbag will hold approximately 65 records.

Notes: The 100 LP Bag Trolley is the original favourite, new and improved Magma classic. Now with extra strength thanks to the new improved trolley-board system. The 100 LP Bag Trolley is unbeatable for the DJ who is on the road a lot as it is a proven, practical and convenient transport solution.

The materials used, the design of the new reinforced fivefold glued bottom board and extra strong front stand, are all tested to ensure the highest strength possible and guarantee the best stability and long life.

Notes: The original favourite and improved Magma classic. Now with loads more strength thanks to the new improved trolley-board system. Unbeatable for the DJ who is on the road a lot, the 100 trolley is a proven, practical and convenient transport solution.

The materials used, the design of the new reinforced fivefold glued bottom board and extra strong front stand, are all tested to ensure the highest strength possible and guarantee the best stability and a long life.

Notes: Keyboard meets sequencing in Arturia's all-round controller. USB, MIDI, CV and analogue clock compatibility make this 64-step polyphonic sequencer a true all-rounder. Great value.

Supplier's Notes:
KeyStep 37 goes beyond an easy-to-use 64-step sequencer, arpeggiator and MIDI keyboard. It's responsive, dynamic, expanded in every direction to encourage musical exploration - the controller that's built to help write music and also includes Ableton Live Lite, making it a complete music production starter kit, as well as appealing to veteran musicians. Like KeyStep and KeyStep Pro before it, KeyStep 37 offers unique features not found in any other product.

The familiar KeyStep formula, expanded. KeyStep 37 features a velocity-sensitive 37-note keybed, complete with aftertouch and RGB LED feedback, while remaining lightweight and compact.

At the center of the control panel, you'll find 4 new knobs with an LED screen, giving you instant access to inspiring new expressive tools and MIDI tweaking - total creative control.

The new controls unlock KeyStep 37's unique & enhanced Chord mode. Choose from 12 chord types, an array of strum effects, and spread the voices out into complex velocity-sensitive parts that respond like a stringed instrument.

Map out KeyStep 37's 3-octave keyboard range with a scale of your choice using Scale mode. Any key you play will automatically quantize to the nearest note in the chosen scale.

Tap into the inner workings of your MIDI hardware and software with assignable 16 MIDI CC pa-rameters across 4 switchable banks. Use the 4 new controls to tweak settings on the fly for dy-namic performances.

The core of your setup:

KeyStep 37 is designed to be put in control. An accessible interface, a compact design and com-prehensive connectivity make it the perfect centerpiece for your rig - whatever your needs.

Hook up your synth hardware with MIDI in/out. Control your favorite VST instruments with MIDI over USB. Use CV pitch, gate and mod connections for modular integration. Analog sync in/out keeps everything in time without hassle. The best bit? Use it all at the same time.

Included is a free copy of Ableton Live Lite, an accessible music-making suite for your Mac or PC. Register KeyStep 37 for your free download and get creative right out the box - let the music flow freely.

Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.

Features:

- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).

Notes: The UDG Slingbag trolley deluxe specially designed to protect your LP's during travelling. With a capacity up to 60 records, this bag is perfect for mobile DJ's use or as an optimal complement to the UDG sling bag. Constructed from high-quality fabrics, foam padded walls, electroplated zipper, comfort top-carry handle, detachable shoulder strap, and in-line wheels will provide secure and dynamic travel experience.

Notes: Already a firm favourite. The third incarnation of NI's mini Maschine is better than ever. Sampling, sequencing, synths and much more in a compact box.

Supplier notes:
Meet MASCHINE MIKRO, your flexible, compact companion for making music with a laptop. Use it to tap out beats, play melodies, and build up tracks fast, fun, and hands-on. Want to start creating right away? We've thrown in everything you need including instruments, sounds, effects, and powerful tools like sampling and drum synths.

MIKRO gives you four different ways of getting hands-on with your music using the 16 pads. Drum beats in Pad mode, with color coding for kicks, snares, and other sounds. Switch to Keyboard mode to play melodies with the pads. In Chord mode, it's easy to lay down inspiring chord progressions. And in Step mode, program beats and patterns visually in a classic step-sequencer style on the 16 pads get exciting musical results quickly.

Find, audition, and swap sounds without stopping the music. Browse through your favorite instruments, and load samples, projects and kits. A compact screen guides the multi-function encoder so you know exactly what you're controlling, while staying in the creative flow.

Found a great sample? Hit the Sample button to quickly load it into your project from the software. Record from your audio interface to capture from vinyl, play in a guitar, or grab any other sound into your track. Shape and refine your samples using the powerful editing tools in the MASCHINE software.

You'll find inspiration using the selection of premium sounds, samples, instruments, and FX included with MASCHINE MIKRO. Plus it comes with full versions the popular synths MASSIVE, MONARK, and REAKTOR PRISM.

MASCHINE MIKRO gives you everything you need to get creating music, and it also works as plug-in in Ableton Live, Logic Pro, Cubase, FL Studio, or any other compatible DAW as a VST or Audio Unit. Use it to build up loops, then work with them in your DAW to quickly flesh out tracks, making it a powerful addition to your setup, however you make music.

Don't feel lost staring at a blank screen. Whether you're making your first track, or wanting to step up your game, we've got you covered. Discover exclusive content from our MASCHINE experts covering everything from your first steps, to diving deep into power features with our popular TruTorials.

Notes: Best value Buchla module ever? An official Buchla module produced by TipTop Audio, the 258t is a dual triangle-core oscillator, with sine/sawtooth wave shapes in the top half and sine/square at the bottom. Bags of character.

Supplier's Notes:
Two independent voltage-controlled oscillators. Each has one processing input, a frequency modulation input and a 1V/oct input.

Waveshapes, as well as frequency, can be voltage controlled. Model 258 oscillators feature low sine wave harmonic content, negligible settling error, and high short and long-term stability, even with rapidly changing ambient temperatures.

Trimmers:

There are three trimmers for each oscillator on the back of the module:

1V/oct is the octave tracking trimmer and is set at the factory using high precision instruments.
SHAPE is the trimmer that set the sine wave, for the lower harmonic content of the sine wave.
VC WAVE SHAPE sets the response of the waveshaper to the incoming control voltage. Both SHAPE and VC WAVE SHAPE trimmers are used to adjust the sine wave purity.

Size: 18HP
Depth: 45mm
Power: +12V 70mA / -12V 40mA

Notes: The Native Instruments Traktor Kontrol F1 is the definitive hardware for controlling the powerful Remix Decks in Traktor Pro 2.5. You can launch clips in a perfectly intuitive, DJ-centric way - control Remix Decks just like regular track decks, switching between up to 64 x tracks, loops and one-shot samples on each deck. With your signature sound at your fingertips, it's time to blur the line between DJing and live performance.

The Kontrol F1 includes around 4 GB of premium grade sound, pre-loaded as Remix Sets. Or you can import your own samples, and even capture loops and sounds live, using the controller's stylish multi-color pads and ergonomic faders. Expand the creative potential of any Traktor set-up, with or without timecode vinyl, and transform your DJ set into a dynamic live performance.

The Traktor Kontrol F1 workflow is rooted in DJ culture. Remix Sets, made up of your individual loops and sounds, load just like regular tracks in the super-powerful Traktor Pro 2.5 software. And your drum loops, bass lines, percussion, vocals and lead sounds are ready for dropping into your performance.

4 x volume faders and four dedicated filter knobs provide full sonic access to the Remix Deck slots, and to add more flavor, you can route individual slots through Traktor's FX units. Scratch your live production via Native Scratch timecode control and then mix and fade into a traditional track on another deck, fuse classic DJ workflow with the future of DJing.

Just load up the included sound collection and dive into a new level of interaction with your music. The hardware and Traktor Pro 2.5 software respond as one. Ultra-tight integration is complemented by advanced visual feedback, assign a sample a particular color on the hardware, and see the software instantly follow suit.

The Traktor Kontrol F1's slim profile fits anywhere. Slot it between your mixer and decks or expand your controller set-up with multiple F1s, its intuitive feel and striking visual presence is matched only by its addictively fun playability.

Ready to remix also means you get around 4 GB of premium-grade loops and one-shot samples in the F1 package. This sound collection provides more than 10 x complete remix sets, packed with inspiring, studio-quality material for enhancing your sets, jamming and live remixing.

http://www.youtube.com/watch?v=aINKALs3Vso

The sonic spectrum includes beats, basses, leads, and more, spanning ten musical genres, including house, techno, dubstep, hip hop, tech house and drum'n'bass.

*** INCLUDES 44 POUNDS E-VOUCHER UPON REGISTRATION OF TRAKTOR KONTROL F1 WITH NATIVE INSTRUMENTS. TERMS AND CONDITIONS CAN BE FOUND HERE; https://www.native-instruments.com/en/support/e-voucher-terms-and-conditions-2017/ ***

Notes: 'Tangle Quartet' is a high quality quad linear voltage controlled amplifier (VCA) providing individual level control of 4 signal inputs with both individual outputs and a combined 'mix' output (for non patched outputs) . Control signal inputs and associated attenuation controls allow for voltage control of signal levels. Control inputs are normalised to 5v thus providing manual mix control in the absence of control signals.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~80ma
Size: 8 HP
Depth: 32mm (including power header)

Notes: Buchla-inspired modular business in Korg's small and affordable Volca range. Amazingly creative and experimental synth power in a tiny little box. Highly recommended.

Supplier's notes:
A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.
Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.
The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:
The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:
Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:
volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:
While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:
The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:
Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:
Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

Connectors that allow synchronized performance and external control:
With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.

Notes: The Grado DJ200i is hand engineered for a premium quality rich warm and unique sound, the DJ200i is built and designed to meet the demanding needs of the professional DJ. A step above anything else in this price bracket and many cartridges priced significantly higher.

The Grado specially engineered transmission line cantilever allows for the ideal transfer of music signal and for safe and effective stylus back-cueing. The prestige model DJ200i uses a modified 4 x piece cantilever technology, oxygen free wire in the coils and a specially designed, high polished, diamond mounted in a brass bushing for possibly, the most advanced DJ cartridges ever offered to the professional DJ market.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod64X is 64HP with 2.16" (55mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick, or a barrel cable to daisy-chain to a Pod or Row Power that's already powered.

Pods are a perfect way to get started in Eurorack, or add a couple more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. The power supply can handle up to 1.4A of +12V, which is plenty of juice for even the most modern digital modules. (Or if you prefer to DIY your power supply, Pods are also available unpowered)

Each Pod64X typically will house up to six modules, but more can be accommodated using a multi-power cable accessory.

Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Pods can even daisy- chain with the 4ms Row Power system making them a convenient outboard mini-skiff. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Basic Features:

64 HP of Eurorack modular space
Extra room for deep modules
Standard M3 threaded holes
100% lightweight anodized aluminum
Built-in Power supply
Red, White, and Blue LED power indicators

Includes:

64HP Pod, black anodized aluminum
Built-in power supply with six Eurorack power headers
Extra deep (2.16"/55mm) fits virtually every Eurorack module
M3 x 8mm pan-head screws, stainless steel (20)
Adhesive rubber feet (4)
Does not include barrel cable or power brick
Power Supply:

Four 16-pin Eurorack power shrouded headers
+12V max 1.4A
-12V max 0.67A
+5V max 1.0A
Power input: Two barrel jacks for daisy-chaining
15V-20VDC, 2.1mm positive tip
Exterior dimensions:
Width: 329.7mm (12.98")
Height: 159.5mm (6.28")
Depth: 57mm (2.24")
Interior dimensions:
Max module depth: 55mm (2.16")
Module width: 64HP
Weight:
0.5 kg = 17 oz

Notes: The babies of the Yamaha HS range pack a bigger punch than their size might suggest. A good entry-level option for smaller studios. Clear, revealing monitors at a friendly price.

Supplier's notes:
The Yamaha HS5 is a new addition to Yamaha's HS series of active monitors, influenced by the critically acclaimed and highly sought after NS-10 studio monitor speakers.

The Yamaha HS5 Active Studio Monitor features biamped full range 2 way speakers rated at 45W and 25W and has been developed by Yamaha to offer an exceptionally flat and accurate frequency response for use in music production and composition as well as home project studios. The HS5 monitors' design has been informed by the tradition of the legendary NS10M monitors.

Yamaha HS5 speakers feature a low resonance bass reflex enclosure which improves the rigidity of the overall speaker, and less cabinet resonance means that the signal remains clear and uncoloured. This is very important in getting an accurate mix which translates across all systems.

Port noise has also been audibly reduced by up to 6dB using the new Yamaha proprietary technology in the HS5 studio monitors, which also helps to deliver a clean and precise signal. The HS5 is equipped with XLR and TRS jack connectors as well as room control and hi trim response controls.

Notes: Compact audio and MIDI interface from one of the longest-running and most trustworthy brands in the business. Simple 2x2 setup with clear sound. A great entry-level option for getting sounds in and out of your computer.

Supplier notes:
Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M2 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M2 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: NI's more affordable Komplete Kontrol A range offers a keenly priced take on the flagship S models. Here in 49-key format, the semi-weighted keybed offers great feel.

Supplier's notes:
Get hands-on with your music:

Music-making is at its best when it's fast, fun, and physical. Find the right sound, make it your own, perform, and capture the results - all from a responsive, semi-weighted keyboard. Complete with four premium instruments plus MASCHINE Essentials, A-Series keyboards come with everything you need to bring your ideas to life.

Find your sounds faster:

With hundreds of presets to choose from, finding the right sound can be a chore. With KOMPLETE KONTROL, however, all of your KOMPLETE and NKS presets are intuitively tagged and organised, so finding the right one is fast and easy. What's more, you can hear a preview of each sound as you browse, without loading individual instruments.

Need some serious low end? Use the encoders and OLED display to select SYNTH > BASS > SUB BASS, then listen through the presets and load up the right one for your track.

Pre-mapped and ready to play:

All of your KOMPLETE and NKS instruments and effects are pre-mapped to the KOMPLETE KONTROL hardware by the people who know them best - the instrument designers themselves. Essential parameters like envelope controls and filter cutoffs are instantly displayed on the OLED display as you touch the corresponding knob. That means you can see exactly what you're adjusting in real time - whether it's in kHz, dB, or BPM.

Perform creatively:

With Smart Play, you never need to worry about hitting a wrong note - just pick a scale and play. Activate chord mode to create a rich progression by playing single keys, then switch on the arpeggiator and turn it into an expressive musical performance. And for keyboard novices, Easy Mode maps the white keys to whichever scale you like.

Capture your ideas:

No matter your setup, A-Series is designed to fit right into your existing workflow, with immediate access to transport, mixing, and editing controls in your favourite DAW. Logic Pro X and GarageBand are currently supported, with advanced integration for Ableton Live, Cubase, and Nuendo coming soon after launch. And if you're just getting started, the included MASCHINE Essentials allows you to capture and arrange your ideas direct from your hardware - no additional software needed.

Instruments included:

With more than 4,500 sounds and 9.7 GB of content included, A-Series keyboards come with everything you need to start making music. Register your hardware and get two powerful synths, two meticulously sampled pianos, and more. Plus with MASCHINE Essentials, you'll have all the tools you need to go from inspiration to finished track.

Notes: Tallin is a dual voltage controlled amplifier (VCA) with overdrive, offering some unusual control features and a range of attractive tonal characteristics. Each of the two identical channels offers two simultaneously available inputs for voltage control over signal attenuation or gain, with linear and exponential response to CV. Volume control knobs offer manual gain settings ranging from fully closed (-80dB) up to +18dB. A colour LED indicator displays output signal levels. A soft-clip circuit avoids harsh clipping distortion, while a switchable overdrive circuit offers two carefully crafted distortion responses, simulating the sound of classic tube amplifiers.

Since both CV inputs are simultaneously active, they can be jointly exploited within patches featuring more complex volume control that otherwise would require using two traditional VCAs in series. As the signal path is DC-coupled, Tallin can also be used for handling the control voltages.

Notes: The Pod48X is 48HP with 2.00" (51mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod48X includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: Goldring D12GX stylus is designed to fit the current Goldring 1012GX phono cartridge or old model 1010 or 1012, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Simply remove your current stylus by carefully pulling it away from the cartridge and replace it with the replacement.

The Goldring 1012GX record cartridge uses the acclaimed Gyger-2 diamond stylus. This is a fine-line type which gives smooth extended high frequencies, low distortion and reproduces a highly detailed and dynamic sound. Advanced diamond tip polishing ensures excellent tracking ability and reduces record wear. The 1012GX represents outstanding value for money and has become one of Goldring's most popular cartridges.

Replacement stylus: 1012GX - D12GX

Notes: The new RIOT LP-TROLLEY 50 is dedicated to the passionate vinyl pros who want to conveniently travel with their records from gig to gig. Crafted from high-grade material components such as the extra-rugged Tarpaulin fabric, PVC-coated zippers and smooth rolling precision inline wheels, it can accommodate up to 50 pieces of 12-inch records and also meets the permitted carry-on luggage size of almost every airline.

Notes: Bring hands-on control to your software with Presonus' simple little USB controller. Physical transport controls and a nice long fader to help streamline your creative process in your DAW.

Supplier's notes:
The latest generation of PreSonus classic USB control surface, the FaderPort enables you to record and mix with a smooth, touch-sensitive, motorized, 100 mm fader; transport controls; and many of the new workflows introduced in the FaderPort 8 and 16. Manage markers, punch in and out with a footswitch (not included), arm tracks, and employ the innovative Session Navigator to control your favourite DAW application quickly and easily. The FaderPort connects via USB 2.0 and offers native control of PreSonus Studio One DAW (Studio One Artist is included), including Control Link support and parameter follow, allowing quick hardware access to any control.

Notes: The Mutant Brain is the central nervous system connecting your modular analogue eurorack system to MIDI gear, especially for percussion, polyphonic notes and sync duties! It packs 16 eurorack compatible outputs into a tiny, super affordable 8HP package.

The 4 CV outputs and 12 Gate/Trig outputs are all universally reconfigurable. Triggers, gates, clock divisions and sync signals, polyphonic keyboard playing, velocity, sequencer transport, LFOs - you name it!

Configuring your patch is easy - just assign each output as you like in the Mutant Brain Surgery configuration utility, then send the MIDI SysEx file to the module and forget about it - the Mutant Brain remembers it all for you.

Hexinverter supply a convenient download pack of pre-configured, ready to use Mutant Brain patches for some select sequencing and drum machine devices on the market today, easily turning those sequencers and drum machines into a modular control powerhouse!

Designed with live and studio performance in mind, the Mutant Brain does away with wasted panel space and complex menu-diving interfaces, while freeing you from the limited "auto-learn" type MIDI interface. An auto-learn interface sometimes doesn't play well with the limitless combinations of different gear setups which today's modular performers play live with.

4 CV Outputs (0V to 8V) can be

Notes (Mono or Polyphonic, V/Oct or V/Hz)
Pitch Bend, Velocity or Aftertouch
MIDI CC values (LFOs, modulation, etc.)
Fixed Voltage Values
12 GATE Outputs (0 to 5V) can be

Note Gates and Triggers
Drum Triggers, Retriggers
MIDI Transport (Start, Stop, Run, Resets)
MIDI Clock Ticks (Divisions)
CC Value Above/Below Threshold
Each GATE output has an adjustable trigger length between 1 and 120ms

Dimensions
8 HP
38 mm deep

Current Draw
19 mA +12V
4 mA -12V

Notes: Exciting entry-level interface from legendary studio brand SSL, best known for their high-end mixing consoles and outboard gear. 2-in, 2-out design with 'Legacy 4K' feature to add classic analogue sound.

*** New Loopback feature - May 2023 ***

Loopback allows you to take the output audio stream from your SSL 2 or SSL 2+ and record it back into the DAW (or another application). This can be really useful for music makers, podcasters and streamers.

To take advantage of the new loopback feature of the SSL 2/2+ you will need to update your SSL2/2+ using the SSL USB Audio Firmware updater.

Supplier's notes:
Solid State Logic studio tools have been at the heart of music production for over 40 years, helping world famous artists, producers and studios to create so many of the records you've come to know and love. Now, with SSL 2, you get all that hit-making know-how in your own personal studio.

With beautifully SSL-designed analogue microphone preamps and immaculate 24/192kHz conversion for studio-quality recording, pristine monitoring path and high-performance headphone amp for crystal-clear playback and an intuitive front-panel low-latency monitor mix control, you're always ready to capture the next great performance.

The 'Legacy 4K' mode - inspired by classic SSL consoles, gives you the ability to add extra analogue character and sparkle to your sources when needed.

To top it all off, the included 'SSL Production Pack' software bundle, which includes some of SSL's own studio-grade Native plug-ins and a carefully selected range of DAWs, samples, loops and virtual instruments from industry leaders, gives you an incredible arsenal of tools for creating your next hit.

Notes: The AT-XP series cartridges provide a high-quality sound for vinyl DJ's. Offering all of the features of a DJ cartridge, but with a Hi-fi sound, the XP series are perfect for the stage and club DJ who prioritises sound quality.

- Audiophile DJ cartridge AT-XP7 pre-mounted on the AT-HS6BK headshell
- VM dual magnet construction
- Durable robust design for high-quality specialist DJ playback
- Tapered aluminium cantilever providing outstanding rigidity
- Compatible with the replacement styli ATN-XP3 and ATN-XP5 as well
- Configuration with single cartridge (AT-XP7). The replacement stylus (ATN-XP7) and a headshell bundle, consisting of the replacement stylus and the headshell AT-HS6BK (AT-XP7/H) are available separately

Notes: Row Power is a clean, regulated, and protected power solution for Eurorack systems. Row Power 45 provides enough power for two to three typical Eurorack rows (typically up to about 312HP):
+12V @ 2.0A maximum, 1.5A recommended
-12V @ 1.4A maximum, 1.2A recommended
+5V @ 1.5A maximum, 1.2A recommended

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying bus cables or the Bus Stick. For custom power systems, the Row Power 45 has a set of easily soldered holes for using large gauge wire or MTA156 connectors to connect to distribution bus boards.

Multiple Row Power modules can be powered from a single power brick by daisy-chaining with an inexpensive barrel cable. The Row Power 45 can also be daisy-chained to 4ms Company's Pod enclosures. Each power supply is independently regulated and protected for ultra-low cross-talk between rows/pods.

The Row Power 45 is compatible with the 4ms Row Power Shield. This device (sold separately) attaches to the back of the Row Power 45 and monitors the amount of current being drawn, as well as the voltages of the power rails. The information is sent over Bluetooth to be displayed on a phone or tablet.

Electrical and Mechanical Specifications

Module Size:
4 HP Eurorack format module

Power Output:
Maximum average load under normal conditions: +12V @ 2.0A, -12V @ 1.4A, +5V @ 1.5A
Maximum average load under any condition: +12V @ 1.5A, -12V @ 1.2A, +5V @ 1.2A
Powered by laptop-style DC power supply: 2.1mm barrel, positive center, 15V-20V.

Included with the Row Power 45:
16-to-16 pin power cable
2 M3 Knurlie screws

Notes: The NT-USB is a highly versatile side-address microphone that is ideal for recording singing and musical performances in addition to spoken applications such as podcasting and voice-over.

It is fully compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as the Apple iPad using RODE Rec, GarageBand, or any other recording app that accepts an external microphone. Use on the Apple iPad requires a suitable USB connection adaptor, such as the Apple Camera Connection Kit.

The body of the NT-USB features a zero-latency stereo headphone monitoring (3.5mm) jack, which allows you to monitor the microphone input in realtime, along with dials to adjust the monitoring level and mix between the computer/iPad audio and the microphone input.

A premium pop-filter is included, which fits onto the base of the mic, positioning the filter the ideal distance from the capsule to minimise plosives (hard 'B', 'T' or 'P' sounds that produce a harsh sound) during singing or speech. Also provided is a high-quality stand mount with industry standard 3/8" thread, desktop tripod stand that allows the NT-USB to sit at a comfortable height on a tabletop, and a pouch for storage of the microphone when not in use.

Perfect for streamers and gamers, not just podcasters and voiceovers.

This product is compatible with the Rode PSA1 and the PSA1+.

Notes: Viol Ruina is an all-analogue distortion and lowpass filter with an internal envelope follower and self-modulating cutoff. The four-pole design is reminiscent of the classic filters we all know but with a completely new and slightly ridiculous twist. The independently addressable distortion circuit takes VR into overdriven paradise with a shocking amount of drive. Built-in envelope following makes an easy way to create dynamic patches with the flick of a switch, and feedback FM takes VR to a whole new realm of filthiness. Run a sound through VR, you'll get something cool out of it.

Notes: Listen Professional circum-aural closed back headphones are the essential work tool for music production. Their tonal balance and precision in terms of audio spectrum make them perfect to evaluate the sound work quality. In addition, their comfort and accessories will make them very attractive for people travelling on business trips. The sound quality and the dynamics of these headphones are very surprising considering that this quality is usually found on more expensive items. The attention to detail of these headphones can be also shown thanks to the various patents and technologies which belong to Focal. Hence, a brand-new driver membrane was developed. The main goal was to propose a solution which would keep all the dynamics from the original track while reproducing accurately every single detail on the whole audio spectrum. Even if Listen Professional headphones are closed, they produce a very lively sound, giving the feeling of semi-open headphones while still providing the isolation of closed headphones.

Focal's core expertise:

The speaker driver has been given a 100% Mylar suspension, whereas the central dome is composed of a Mylar-titanium alloy to provide more rigidity and extended frequency response in the upper end of the spectrum. Thus, the moving part is extremely light, enabling the transducer to exceed 40kHz on a flat baffle. The reproduction of the bass and sub-bass registers also received a great deal of attention. The team of engineers managed to combine two factors which are hardly compatible: a tuning frequency which is as low as possible and extremely low distortion (0.3% at 1kHz - 100dB).

Ear cushions - the ideal acoustics:

The size of the ear cushions (height, width and depth) gives them a volume which makes it possible to achieve a great tonal balance. Microfiber provides a more linear bass response providing a better acoustic output, whereas the acoustic tissue, which is closer to the speaker driver, offers great absorption and linearity in the 3-9kHz register. The bass and lower mid-range sections benefit from remarkable tonal balance and excellent articulation: where compression and frequency response generally suffer on closed-back headphones.

For a frequent and intensive use:

Listen Professional is also equipped with a headband boasting a unique design to ensure comfort and durability. Its curve remains consistent, regardless of the shape or size of the user's head. Combined with the layer of silicone underneath the headband, this ensures that the weight is spread out evenly over the head, preventing the user from feeling any pressure in certain areas, which can be very uncomfortable during long working sessions. The horizontal and vertical rotation of the ear cups operate thanks to one single part: a joint integrated into each one. The ear cups also feature a black structured covering, making them resistant to impacts and scratching.

Provided Accessories:

Rigid carrying case. Thermoformed shell in the shape of the headphones. Can store one cable and an iLok key (not provided), all within its compact dimensions. Two OFC copper 24AWG cables with a very low resistance.

- 5m spiral for domestic use
- 1.2m cable fitted with a 3.5mm stereo jack connector
- 3.5mm and 6.35mm jack adapter

Notes: Yet more bargain Buchla collabs from TipTop Audio with this dual voltage processor. Generate CV outputs algorithmically based on multiple inputs, allowing for some seriously complex modulation.

Supplier's Notes:
Model 257 Dual Control Voltage Processor consistsof two identical sections, each of which permits several applied control voltages to define a single output voltage according to the equation:

(Va * K) + ((Vb * (1-M)) + (Vc * M)) + Voset = V_out

The algebraic manipulations possible with this module include addition, subtraction, scaling, inversion, and multiplication. Also incorporated is the capability of using one control voltage (M) to transfercontrol from one applied voltage (V_b) to another (V_c).

Functions

- Attenuverter
Va is the voltage input a for attenuverter (left jack on the panel)
K knob can scale the incoming Va voltage either positively or negatively

- Crossfader
Vb is the voltage input b for the left side of the crossfader (second jack from the left)
+.5 switch adds 5 volts to the input of Vb
Vc is the voltage input c for the right side of the crossfader (fourth jack from the left)
M scales Vb from 1 to 0 based on the position of M knob
M scales Vc from 0 to 1 based on the position of M knob
The middle CV input at M/M can crossfade between Vb and Vc (third jack from the left)
The M knob and M CV added together to control crossfade position

- Oset
Voset Adds 0 - 10 volts to any combination of Va + Vb + Vc

- Output
Vout is the combined voltage of the attenuverter, crossfader and oset (right jack on the panel)

Specifications:

Size: 14HP - Depth: 25mm
Power: +12V 45mA / -12V 22mA

Notes: The PRO-SOLO Mk3 converts MIDI data into CV- gate and clock signals. The operation is easy and clear, settings can be saved in non-volatile memory. High-resolution 16-Bit converters provide accurate tracking and fast response. 1V/oct and Hz/V characteristics are possible as well as normal gate and Switched Trigger (S-Trig).

The unit features two CV- and one gate output, additionally there's an analogue clock output. MIDI thru socket can also be used as DIN-Sync output or it can output two additional voltages with a special cable. MIDI synched LFO.

Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)

Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.

Notes: Versatile stereo digital filter based on Endorphin's Grand Terminal module. CV-controlled cutoff, resonance and separate high-pass filter. Simple but effective.

Supplier notes:
The Squawk Dirty To Me is a stereo filter with voltage controlled resonance. It features eight filter modes and zero-delay feedback.

- Simple and effective 6hp stereo VCF
- 8 filter modes available with meta CV scanning, famous zero-delay feedback Grand Terminal filters
- Additional hi-pass filter in series quickly cuts the boomy low end

Notes: Designed with versatility in mind, the Fold 6 is a six-stage wavefolder with simultaneous series and parallel outputs, dual signal inputs and voltage-controlled folding and overdrive shaping.

Supplier's Notes:
Often considered to be the opposite of filters within a modular system, wavefolders are designed to fold a signal over itself multiple times. This generates additional harmonics, resulting in rich timbres.

While there is a bewildering array of filter types within the synthesiser world, most wavefolders fall within only a few categories. Diode wavefolders in particular come in just two variants: series and parallel circuit topologies. Choosing a specific folder also means being limited to specific sounds and capabilities.

For the first time, Fold 6 puts forward a 6-stage hybrid series/parallel topology, yielding a greater sonic palette than ever in just 4 HP. Having both main (series) and alternate (parallel) outputs means a single module now gives access to just about all wavefolding tones imaginable.

To take things even further, an integrated symmetrical soft clipper limits the output signals to approximately 10 Vpp, keeping the amplitude within typical Eurorack levels and making it easier to create overdriven sounds at high fold ratios. This clipping stage can be driven continuously using the shape parameter, smoothly transforming the folded waveforms into pulse waves for even more harmonic content.

Two signal inputs are included, to mix audio signals or add in a DC voltage for asymmetric folding. The symmetry can also be manually controlled using the dedicated knob. Of course, both fold and shape parameters feature voltage control, to enable continuous timbral modulation.

Moving beyond simple signal processing, Fold 6 also lends itself perfectly for feedback patching, CV folding or frequency multiplication; its modest size belies the sonic capabilities within.

Notes: The window comparator is a very useful circuit building block that is common in general electronics, but rarely found in modular synths. While a regular comparator activates when the input signal voltage is higher than a threshold level, a window comparator checks if the voltage is between two levels (these form the 'window').

Compare 2 combines two such comparators and a logic section in 8 HP. The result is an advanced tool for extracting gates and pulses from analogue signals in Eurorack synths.

The detection windows are defined by the shift and size parameters, which can be varied using the knobs and CV inputs. Complementary gate outputs are available, with big three-colour LEDs showing each comparator's status.

All inputs are normalised from the left section to the right, but the two comparators can also be used completely independently. On the bottom, the outputs from both comparators are combined in various ways by the logic section, which also features LEDs.

You'll find a use for this truly multi-functional module in practically any patch, processing either CV or audio: complex rhythm generator, dual pulse width modulator, frequency multiplier/divider with PWM, digital ‘ring modulator’ with PWM, dynamic depth VCO synchronizer, voltage controlled swing, logic function array with adjustable thresholds... and many more applications waiting to be discovered!

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod60 is 60HP with 1.34" (34mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod60 includes twenty (20) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: While modular synthesisers are most often used as stand-alone instruments, they also present exciting opportunities for processing external signals. Anything from an electric guitar to an effects send on a studio mixing desk can benefit from the unique sonic capabilities of even a modest Eurorack system.

However, patching in an external source usually requires an adapter cable and plenty of clean gain to bring the signal to Eurorack level. If the signal source is balanced, a balanced input is required as well to provide the best possible interference rejection.

Receive 2 (or RX2 for short) provides a convenient all-in-one solution. It offers two universal external inputs, which accept both balanced or single-ended signals via XLR or 6.35 mm jack connectors.

The circuit incorporates low-impedance design practices, radio-frequency (RF) filtering and premium balanced receivers to provide transformer-like interconnect performance in a compact and affordable module. And thanks to the electrostatic discharge (ESD) protection, it’s rugged enough to survive the rigours of performing on the road.

The very clean integrated pre-amps feature variable gain, ranging from unity to +40 dB on each channel. As a result, Receive 2 can handle just about any signal source you may encounter, including electric instruments, piezoelectric pickups and many dynamic microphones.

Adjusting the gains is a breeze thanks to the dual peak-responding LED meters. A mix output is included as well, so external signals can be easily mixed directly in the module.

Notes: A versatile alternative to conventional rack-mounted patch bays, the Minibay 1/4-inch connections round the back, which can be patched on the front panel via 1/8-inch cables. Compact and effective.

Supplier's Notes:
MINIBAY is a compact 40-point audio patch bay, designed to integrate neatly into a studio desktop space. It utilises 1/4" stereo sockets to connect with external gear and 1/8" mono (Eurorack) sockets for routing signals. There are also two built-in passive mixers with dedicated patch-points located on the main panel.

Intuitive

While the ins and outs can be configured to suit your needs, the general idea is to have instruments on Row A, mixer channels on Row B, and effects hooked into the FX rows.

Reach up to the effects; reach down to the mixer.

Convenient

MINIBAY can be neatly positioned next to a mixer (or just about anywhere) for quick and easy access and reference while working.

Patch-points are spaced to allow for comfortable grip and leverage when handling cables (even for fat fingers :)

Connecting to Gear

Insert Cables

In most cases, connections to instruments, effects and the mixer are made with standard insert cables (1xTRS to 2xTS).

This system allows two mono connections for each 1/4" socket on the back panel, and is how MINIBAY is able to pack so much for its size.

TRS Cables

TRS cables can be used to make stereo or balanced connections. When this is done, each channel or polarity is patched separately on the front panel.

Rows A and B

For Rows A and B, each 1/4" socket on the back panel is wired to two adjacent 1/8" sockets on the main panel.

FX Rows

Each 1/4" FX socket on the back panel is wired to the two corresponding 1/8" FX sockets on the main panel. One insert cable can therefore be used to connect to the input and output on an effects unit (or two cables for a stereo unit).

Normalling

Connections between patch points on Rows A and B can be individually normalled using the dip switches located on the interior of the main patch panel. Simply take out the screws on MINIBAY's steel enclosure to open it up and access these.

A normalled connection is one where the signal flows without the need for patch cables. In a fully normalled connection (as used in MINIBAY), the connection is broken if a cable is inserted at any point in the signal flow.

Notes: Small desktop enclosure for Eurorack modules with 42 HP space and a maximum depth of 32mm. A relatively strong power solution with an external power supply and an on/off switch located at the case is included.

The power supply provides:

- 850 mA at +12V
- 850mA at -12V
- 500mA at +5V

The power distribution has 14 connectors and the case can house exactly fourteen modules from Erica's Pico Series.

Review: Amused To Death is the third studio album from Roger Waters outside of his work in Pink Floyd. As one of the fundamental creative forces in the prog behemoth, of course it's hard to separate his solo work from that most famous of bands, but this is indeed its own beast. At times it's an experimental space in which Waters uses space and minimalism to great effect, creating a foreboding sound peppered with speech samples and field recordings. There are of course plenty of more straightforward tracks too, like lead single 'What God Wants, Part 1'. This lavish issue of the 1992 album spreads the music out across four discs and comes in a box set format, a must-have for devoted Floyd and Waters collectors.

Notes: Clep Diaz is a handy and small step CV and LFO generator. In step and random modes, use the encoder to control the number of steps in the sequence; in LFO mode, the encoder controls the amplitude of the wave. Toggle the directionality of the sequence: up, down, or up/down to customize the CVs further. CD also gives CV control over the number of steps in the sequence and an end-of-cycle trigger output. Unipolar and bipolar outputs allow maximal control.

Notes: Easy self-assembly for Korg's intuitive oscilloscope, part of the Nu:Tekt range. Surprisingly useful as a tool for visualising sounds, dialling in synth patches and understanding how sound works.

Supplier's Notes:
The ultimate toolkit for the modern musician

The Nu:Tekt NTS-2 oscilloscope kit is a DIY multifunctional tool for musicians. Building on a 4-channel oscilloscope - monitoring control voltage (CV) and audio signals alike - NTS-2 also packs a flexible waveform generator, a spectrum analyser, and tuner functionality into a
build-it-yourself device which fits in the palm of your hand!

The NTS-2 kit is compact and easy to assemble with no soldering required, but don't let its size fool you - it packs a real punch!

It's an oscilloscope, tuner, FFT, and spectrum analyser that is accurate, intuitive, and incredibly useful. But that's not all - using its dual stereo IN, dual stereo THRU/OUT, and two separate OUTPUTs, you can wire it into your synth rig and use its dual waveform generators to give yourself an extra pair of oscillators or LFOs!

4 channel oscilloscope
FFT/Spectrum Analyser
Duel Waveform Generator
Tuner
Powerful connectivity

4 channel oscilloscope

With dual stereo inputs, you can visualise up to four signals at once, comparing and overlapping them with ease. A variety of display modes let you choose how you see your data, while the user interface is clear and quick, thanks to its dedicated menu buttons and clickable encoder knob, and 240 x 320 pixel 2.8" colour LCD screen. NTS-2 even has a powerful "Lissajous" mode - opening the door to creativity and making it possible to visualise widely available oscilloscope art, for extra fun with your device.

Dual Waveform Generator

A flexible Wave Generator mode provides 2 oscillators with dedicated outputs. Each oscillator can create a variety of waveforms - sine, square, triangle, sawtooth, pulse, and noise - whose shape and phase can be adjusted to suit many applications. These sounds can be used in the audio range or as control voltage sources, and they can be set to cycle continuously or act as one-shot impulses; that means you can turn them into LFOs, envelopes, triggers, and control voltage generators, as well as sound sources. Attaching the NTS-2 to any patchable synthesizer instantly expands its power.

FFT/Spectrum Analyser

NTS-2 also comes with a dedicated FFT (Fast Fourier Transform) mode with a real-time spectrum analyser.

Tuner

This multi-functional utility kit wouldn't be complete without a precise and easy-to-use tuner with multiple display modes.

Powerful connectivity

The NTS-2 offers many ways to connect to your rig. Alongside its 4-channel input and dual waveform output features, its dual stereo THRU/OUT ports enable you to keep it wired into your system, rather than constantly plugging and unplugging cables. NTS-2 lets you maintain your signal flow at all times - even when powered off. NTS-2 maximizes portability and flexibility by using either batteries or a USB-C power supply.

Specifications

Dimensions: 12.9 x 7.8x 3.9 cm
Weight: 130g (not including batteries)
Power: USB type-C (2.0, 500mA max) or 2x AAA batteries (approx 2 hours running time)
Inputs: 2 x 3.5mm Stereo, +/-10V max
Outputs: 2 x Through Output: 3.5mm Stereo, 2 x Output: 3.5mm Mono, +/-5V max

Oscilloscope

Display modes: Single, Stereo (Input1L-INPUT1R, Input1L - Input2L, Input2L - Input2R), 4ch XY(Lissajous, 2ch)
Vertical: 10mV~5V/div, AC/DC MODE switchable
Horizontal: 50us~1s/div
Trigger: Auto, Rise, Fall, Single(rise), Single(fall)

FFT (Spectrum Analyser)
Input: mono (1L, 1R, 2L, 2R)
Frequency: 20Hz~20kHz

Waveform Generator
Wave type: sine, square, triangle, saw, noise, pulse, envelope
Frequency: 1Hz~10kHz, Hz/NOTE mode switchable, [1ms~10s,sec/BPM switchable(pulse, envelope mode)]
Output level: 10Vpp max, V/dB mode switchable

Tuner
Display mode: Needle, Meter
Input: Mono, Stereo (Input1L-Input1R, Input1L-Input2L)
Calibration: 410-480Hz

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other user selected Happy Nerding effects in any order. Also the possibility to run freely available third party effects will be added too.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep

Notes: uBurst

This is a new build of the micro version of Mutable Instruments Clouds. The module retains all the functions of the original Clouds, taking up significantly less rack space.

These modules use tall bushing potentiometers to offer a more stable feel.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Notes: The FUNCTION music synthesizer module is part of the MATHS family of control voltage utility modules. It is a small analog computer designed for solely musical purposes.

Features:

Generate a variety of linear, logarithmic, or exponential functions
Functions as short as 2ms and as long as 25 minutes per cycle!
Triggered Functions (Envelope)
Continuous Functions (LFO)
Invert and/ or Integrate (Lag, Slew, Portamento)
Discrete Time Functions (S&H, T&H)
LEDs indicate activity on all outputs
End of Rise and End of Cycle Pulses facilitate programming of more complex functions
All outputs capable of driving a passive 4 way mult without loading effects (no buffered mult needed here)
Perfect for modulating the DPO and just about anything else

Specifications:

Width: 8hp
Max Depth
(incl. power cable): 32mm
Power:
30mA@ +12V
20mA @ -12V