Suchergebnisse: Dance Music

Notes: The EHX 22500 is a stereo looper with two independent loops that can be played in sequence or in parallel. Flexible performance controls and creative effects allow you to loop in any way you imagine. It records high quality, non-compressed audio directly to a removable SDHC card (4 to 32 GB) and each card holds up to 100 individual loops. Includes an 8GB card for up to 12 hours of recording time.

Creative controls over looping functions such as adjustable tempo, programmable loop/overdub length, and two loops that can playback independently or locked to one another makes the 22500 act like the looper of your dreams.

Download free drum loops for the EHX 22500

Dual stereo loops with independent or locked loop lengths
Sequential looping mode enables verse/chorus switching
Parallel looping mode allows simultaneous playback of two loops
16 built-in drum loops
Selectable microphone input with phantom power
Reverse and Octave functions
Undo-Redo your last overdub or recording
Quantize or non-quantize (free running) modes
USB port enables backup/restore to PC or Mac
Programmable third footswitch for Stop or Tap Tempo
Optional external Loop Up/Down Foot Controller
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Stereo
Power Supply
9.6VDC-500mA power adapter included
Dimensions (in)
5.75 x 4.75 x 2.5
Current Draw
235mA
Year Released
2015

Notes: Clever little portable deck from German DJ gear specialists Reloop. Designed for mobile scratching or crate digging. Bluetooth streaming and USB recording too. Bonus.

Supplier notes:
The ultimate portable turntable.

Reloop SPIN is a portable turntable that guarantees mobile fun anywhere you want! The turntable comes with everything you need out of the box and is especially optimized for scratching and cutting.

Bluetooth streaming of your music:

The Bluetooth Audio Streaming technology allows wireless streaming of music or beats via SPIN - this way the turntable becomes a speaker for your smartphone.

Direct USB recording:

Via the USB recording function it is possible to record your scratches and cuts in MP3 format directly to an USB stick. This interface can also be used for digitizing records.

Includes 7" scratch vinyl:

SPIN comes with a 7'' slipmat and an exclusive 7" scratch vinyl containing specially mastered scratch samples and beats for beginners and experienced scratch artists alike.

Flexible power options:

Enjoy your records on the road: SPIN is extremely portable, not only due to its shape and small form factor, but also thanks to its flexible power options. It can be used with a regular USB power supply unit (5 V, 2 A), USB power bank or rechargeable batteries. The batteries can be inserted in the compartment on the bottom and are sold separately. A power LED keeps you informed about the turntable's operational status. The dust cover protects the turntable and thanks to the handle, SPIN can be carried like a suitcase. Skip-proof rubber feet guarantee stability.

Outstanding for mobile scratching and cutting:

Via the switch on the turntable's top panel you can select between 3 speeds (33 1/3, 45 & 78 rpm) which covers all available speeds. The straight tone arm offers enhanced stability and can be fixed into position with a transportation lock. The pre-installed cartridge has excellent tracking features and holds the groove tightly, even when carrying out fast scratches.

45-mm Crossfader pre-installed:

The precise 45-mm crossfader has a unique form factor and thanks to the two-rail technology it is especially sturdy. Moreover, it is possible to install the crossfader on either side of the platter - simply select your preferred position.

Extensive controls & adjustment possibilities:

On the top panel you can find a start/stop button as well as a pitch control with a range of +/-20 % for precise setting. A tone control can be used to adapt the sound of the lows to your requirements. Volume for the AUX input and master/headphones output can be adjusted via two separate controls. There is also a 7'' adapter for records with a large centre hole.

Reloop SPIN - Connect through vinyl:

Through the combination of turntable and mixer as well as the high connectivity, SPIN is ideal for vinyl lovers as well as scratch artists and aspiring DJs.

- Inputs: AUX 3.5 mm stereo, Bluetooth audio
- Outputs: master RCA, USB (USB-A), headphones 3.5/6.3 mm stereo
- Dimensions: 370 x 95 x 260 mm
- Weight: 1.61 kg

Notes: For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha's renowned SPX effects. Featuring high-resolution Chorus, Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multieffects processors used on Yamaha's high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Yamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a "signature" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.

Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound.

The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first.

With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix.

Notes: From trickling hi-hats to thunderous kicks. The Befaco Percall 4-Channel VCA/Delay Envelope Module is designed to take care of all percussive aspects of your Eurorack rig. You'll be able to create a whole host of percussion thanks to the 4 VCAs, volume control and decay options. By using the trigger you'll be free to open the VCA whilst the volume knob helps determine the level of the percussive sound you've sculpted. Take your tones to the next level thanks to the inclusion of an output on the envelope. You can apply this to the pitch of the oscillator to achieve a fat kick drum which offers excellent low frequency energy. The Percall 4-channel module is the ultimate addition to your Eurorack.

Notes: Expander module for the Tetrapad, Intellijel's multi-dimensional performance touch controller. Adds huge functionality, allowing you to sequence parameters and create complex modulation.

Supllier notes:
Tete is the long awaited and highly anticipated expander for the Tetrapad.

Some of the key features:

Three primary modes: VOLTAGES, NOTES and COMBO.

VOLTAGES mode:

Up to 16 voltage storage locations (grid) with 8 voltages stored at each location.

You have the choice to record and playback your recall of these locations in a looper style (just play freely and spend arbitrary amount of time at any location) or as a clocked sequence (SH-101 style). Additionally you can traverse the matrix using the X and Y CV inputs to get Cartesian style sequencing.

There is also variable slew that allows you to morph/glide between the values.

NOTES mode:

You can create sequences or loops in chord, scales or keyboard mode. The isomorphic keyboard grid can vary from 4 notes to 12 notes max. There are real-time performance looping, transposition and inversion capabilities via the CV inputs and dedicated loop button. In sequencer mode each step can be a tie, rest, or gate with size 25/50/75%. Basically we have created a way to very quickly and intuitively make chord sequences that are very musical and easy to manipulate. It is difficult to summarize in words but we will be sure to create some videos to demonstrate how easy and fun this is to play with. It definitely represents something unique in the landscape of Eurorack sequencers.

COMBO mode:

In this mode you can loop record your performance on any combination of the following functions:

fader, bipolar fader, drum hit, switch or LFO. Kind of like Elektron style parameter locking but all of the motions is recorded continuously instead of just in slices. Instantly turn a simple patch into a highly animated and complex beast.

With all of the above mentioned loop recording modes you can very easily overdub since the Tetrapad detects pressure/pressing. In combo mode you can erase individual channels.

All modes allow for internal or external clocking and configurable syncing.

All of the modes have special XYZ CV modulation assignments and make use of the dedicated CV outputs.

For example, in Looper mode one of the CV outputs generates a continuous ramp that represents the position in the loop. This can be used with devices like the Planar 2 in Interpolation mode to sync the recorded patterns together no matter what tempo.

Notes: Ten-channel version of Mackie's new compact ProFX mixer, ideal for home studio use or small live setups. Built-in USB interface and digital effects section. Great value.

Supplier's notes:
The Mackie ProFX10 v3 10-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.

Notes: The Ar Merc'het Brao module is comprised of two filters and two overdrives.

As usual at Touellskouarn it has a Breton name: Ar Merc'het Brao means "The pretty girls".

It can be used with a stereo signal or with two mono signals. The module is modular as well as guitar friendly.

The filters are resonant with a slope of -12dB. A switch allows to switch each filter from LowPass to HighPass. The filter cut-offs are voltage controlled thanks to dedicated CV inputs. Additionally, the Ar Merc'het Brao features global controls for cut-off and resonance.

Both overdrive sections offer the classic and well known TouellSkouarn distortion sound.

Notes: Seriously potent effects power as usual from EarthQuaker. Octave reverb with clever modulation options and eight different modes, from sub-octave generation to pitch-bent harmonies.

Supplier's Notes:
Unrelenting, radicalized reverb for the modern world; an array of haunting, unearthly delights and ethereal sonic sorcery designed to take you on a deep journey through both time and space. This is your new destiny should you choose to accept it. Welcome to your new Astral Destiny.

The Astral Destiny is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect.

Astral Destiny features a completely analog dry signal path, totally digital delay path, buffered bypass with and two different bypass states- Tails or Full Bypass. Tails Mode, which the is the pedal's stock setting, allows the reverb to naturally decay after the effect is bypassed, slowly letting you drift back from your ethereal dream state into the waking world. Full Bypass, on the other hand, will cut the reverb effect completely when the effect is bypassed and instantly throw you back into cold clutches of reality.

Let your fate spin out of control by pressing the Stretch footswitch doubles the length of the reverb effect while adding a temporary change in pitch. While a short tap will immediately change the pitch, holding the Stretch footswitch depressed gives you a temporary pitch bending effect with the speed of the of the pitch bending effect created by holding the Stretch footswitch easily adjusted by turning the Length knob.

While the Astral Destiny offers two different modes of operation, it ships in Live Mode, where each control will operate manually, laying out your fate for you, clearly visible. Preset Mode in contrast lets you chose from one of the 8 unearthly, ethereal factory preset reverb fates, 1 for each reverb mode, the Astral Destiny comes with. Each of these can be edited or completely overwritten just like when the ancient Fates plucked or cut the strings of ones destiny. Save settings for Length, Depth, Rate, Tone, Mix as well as EXP assignment and Stretch length and recall them instantly. Any of the Astral Destiny's 8 reverb modes can be used as the basis for each of the 8 presets.

But beware! - There is no undo for preset saving, so make sure you are not overwriting your favorite sound, especially when you are saving presets from Live Mode! - Once the string of your fate is cut, there is no turning back on your destiny. Freely express any aspect of your Astral Destiny - Shipping with the EXP jack mapped to the Depth control, the expression control can also be swiftly assigned to Length, Rate, Tone, or Mix, plus different EXP assignments can be saved in each preset and you can also use Control Voltage with the EXP Jack.

Each Astral Destiny is built one at a time by a team of Los Angeles-based robots and a handful of real life humans in the occupied Erie territory presently known as Akron, Ohio.

Notes: The Jumble Henge is a 16 input stereo spectral mixer with a unique patch-based mixing interface in a compact space. Each input has a carefully tuned resonant analog filter and a unique fixed pan value, providing each sound its own space within the mix. There is a Mix control to adjust the depth of the filtering and a clean external stereo input for chaining with another mixer or extra sound source. Jumble Henge is a space efficient solution for creating rich stereo mixes from a number of both mono and stereo sources.

INPUTS
Vertical and horizontal patch position determines a source's spectral and stereo placement in the mix respectively.

Aside from centred inputs, every input sits in its own unique pan position, helping to keep a separation between sounds but building a complete stereo image when combined.

The centre right inputs of the top two rows are normalised to the centre left inputs. - i.e if just a left input is patched it will be effectively panned center.

Towards the highs the panning becomes wider - as the human ear better pinpoints direction at higher frequencies, whereas the lows remain more centred for a tighter, more focused sound.

MIX CONTROL
Mix control for the overall depth of the filters applied to the inputs. Note: a slight volume increase occurs near the centre of the dial.

EXTERNAL INPUT
An additional clean stereo input pair for chaining with another mixer or additional source. Right input normalised to left input to accomodate mono sources.

OUTPUTS
Stereo mix output, the sum of all 16 inputs.

Jumble Henge was designed in collaboration with Worng Electronics and is based on the 'SoundStage'.

Technical Specifications

Supply: +12V 70mA / -12V 70mA

Size: 8HP

Depth: 38mm

Notes: Multi-function eight-channel LFO, joystick, movement recorder and drone oscillator that packs in lots more functionality than you might expect. A real modulation powerhouse in a compact format.

Supplier's Notes:
Erica Synths Black Joystick2 is 8 channel multi functional CV and sound source - joystick, movement recorder, distinct LFO and drone/noise oscillator. It provides great interaction with the modular system and allows to develop unconventional modulation patterns instantly.

Notes: Entry-level controller for NI's Traktor DJ software. Surprisingly feature-packed for such an affordable price. Two channels with integrated mixer and effects, plus RGB pads for hot cues and loops.

Supplier notes:
Whether it's bass-heavy breakdowns, steppy synths, or peak-time rewinds that define your style, the TRAKTOR KONTROL S2 has everything you need to make your mix happen. Craft sets on two decks and get creative with easy-to-use tools like looping, beat syncing, and club-grade effects.

Turn the music you listen to into the sets you play, with a streamlined interface that makes blending tracks a breeze. Plug in, line up a few of your favourite tracks, and get mixing wherever you are. You can leave the beatmatching to TRAKTOR, so you have more time to pick tunes that fit the vibe, experiment with FX, use looping and remix decks, and to define your own sound. Whether you're at a house party, a bar, or the club, you can create mixes made to make you move.

WHAT'S NEW?

The perfect way to really ramp up your mixing, with eight RGB pads on each deck. Cut straight to a hook everybody knows by setting and triggering cue points, or punch in your own edits with samples on a Remix deck.

Upsized, touch-sensitive jog wheels let you cue, scratch, and nudge tracks much more accurately - not to mention perform bigger backspins. They also mean more fun getting hands-on with your music.

A familiar club-standard layout, wherever you go. Browse tracks, adjust beatgrids, use effects and features like Flux Mode, directly on the TRAKTOR KONTROL S2. Everything you need for creative mixes at your fingertips.

Turn up your track transitions with new Mixer FX: Cut bass with a filter instead of EQ for resonant kicks, or get hi-hats galloping with delay. A choice of eight effects and three filters ensures you always have the right tools to hand.

Scale up your set with Steams and loops. Trigger one-shot sounds and samples to inject new energy into your mix.

Notes: The MOD REX is a kinetic tour-de-force that lets you weave compelling, shifting, musical tapestries. Whether you are a guitarist, synthesist or electronic musician you will find it inspires your creativity and stretches your musical boundaries.

Four independent modulation sections:

The heart of the pedal is its four, independent modulation sections synced in time, they are:

MOD features great sounding EHX Vibrato, Flanger, Chorus or Phaser. The Depth knob lets you set the amount of the effect while Feedback controls the resonance of the Flanger and Phaser.

TREM delivers tremolo, an effect that modulates the volume of your signal. The Depth control sets tremolo intensity.

PAN modulates between left and right in stereo operation. In mono operation the PAN section acts as another tremolo section, but with the wave shapes all inverted!

FILTER offers a choice of a modulated LPF, HPF or BPF. In LPF (low pass filter) frequencies above a modulated cut-off point are cut. In HPF (high pass filter) frequencies below a modulated cut-off point are cut, and in BPF (band pass filter) frequencies above and below a modulated centre point are cut.

Each section also features a choice of four LFO shape options: rising sawtooth, triangle, falling sawtooth or square wave. They affect the way the modulation transitions and provide advanced creative control over the specific section as well as the way they interact with each other.

Tempo control that's flexible and powerful:

The MOD REX delivers virtually limitless polyrhythmic possibilities.

Its TEMPO component gives you nine note-length choices for each of the four modulation sections. They are independently selectable in increments starting at a whole note and ranging thru subdivisions that go up to a 16th note. In addition, any of the sections can be bypassed.

The MOD REX's tempo (displayed as beats per minute or BPM) is adjustable with the Tempo knob, Tap Tempo footswitch or by using an expression pedal into its EXP input. It can also be synced to an external device with MIDI Clock or an external pulse clock.

MIDI and the MOD REX:

The pedal's robust MIDI implementation enables you to sync devices quickly and easily as well as automate functions and changes so they occur precisely when and where you want them whether you are working at home, in a studio or live.

The MOD REX accepts MIDI to enable it to tempo sync the modulation rate with an external device, to recall presets via MIDI Program Change messages and to control any parameter on the MOD REX via Control Change messages.

Extras:

The MOD REX lets you save and recall up to 100 presets. It comes from the factory with 20 great programs.

The pedal features full stereo input and output.

An external foot controller input makes banking up and down thru presets quick and easy.

Notes: Goldring D42 stylus is designed to fit the current Goldring 1042 phono cartridge or old model 1040, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Simply remove your current stylus by carefully pulling it away from the cartridge and replace it with the replacement.

The 1042 is a record cartridge for the audiophile who demands the ultimate sonic performance from their system, together with the convenience of a user replaceable stylus. The extended groove contact of its Gyger-S diamond gives the 1042 unsurpassed resolution of the fine groove modulations, producing an exceptionally detailed, smooth and musical sound.

Replacement stylus: 1042 - D42

Notes: Goldring D22GX stylus is designed to fit the current Goldring 1022GX phono cartridge or old model 1020 or 1022, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Simply remove your current stylus by carefully pulling it away from the cartridge and replace it with the replacement.

The 1022GX record cartridge is recommended for the discerning listener. The diamond stylus is a Vital PH type, which provides increased resolution and ensures the maximum accuracy of musical reproduction.

Replacement stylus: 1022GX - D22GX

Notes: The Allen & Heath ZED-10 mixer is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio input/output making it easy to capture stereo recordings.

Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards.

Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. The ZED-10 is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED-10 is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED-10, select the USB routing on the mixer and the device on your computer and that's it. CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations.

SEND OPTIONS
1) Main Mix Left + Right (Post master Level)
2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)
3) Record Bus Left + Right (Separate stereo bus to Main Mix)

RETURN OPTIONS
1) To Playback input (through jack socket break contacts)
2) To Stereo 2 channel (through jack socket break contacts)

ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-10's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character

Notes: Chimera is a granular synthesis module that specializes in drum sounds. It offers a wide range of detailed sample sources as well as its own synthesis engine. Firmware updates can be performed via USB.

The module features various samples called Surfaces. The samples are mainly metallic sounds:

Tambourine
Bells
Drill
Wrenches
Cartridge cases
Coins
Chains
Metal housings
Broken modular front panels

Chimera uses impulsive sounds with lots of detail and long decay times to create detailed shaker-like sounds. The granular synthesizer was developed around the samples here, this has the advantage that the percussion sounds sound so more natural.

Power consumption: 63mA at +12V and 17mA at -12V

Depth: 38mm

HP : 8

Notes: To add some space to your compositions and nuances in sound design Erica Synths Dual FX module brings you two identical sections of 8 custom effects with two adjustable and CV controllable parameters.
Dual FX combines two Spin FV-1 chips in one module, each filled with eight custom effect programs with two adjustable and CV controlled parameters per effect and analogue dry/wet circuit. All parameter settings can be saved with the effect and recalled instantly during the performance. Also the output of the first FX section is normalised to the second input so creating huge layers of effects is easy.

FX:

Mono delay
Stereo delay
Hi-pass delay
Big reverb
Saturated reverb
Stalker reverb
Ripper
Dual pitch shifter

Technical specs:

Audio output level: -5...+5V
CV level (full span): -5...+5V
Power consumption: 118mA@+12V, 61mA@-12V
Module width: 10HP
Module depth: 45mm

Notes: Erica Synths Bassline is fully analogue synth voice module for ultimate basslines and leads.

It features AS3340 VCO with three waveforms, a filter inspired by Erica Synths Acidbox and unique features - transistor based suboscillator and two BBD lines that emulate VCO detune creating a sound of massive polysynth from one oscillator.

Accent provides more expression to the bassline, by adding volume and opening the VCF slightly.

Notes: Erica Synths Black Hole DSP 2, an updated version of Black Hole DSP features 24 custom effects, designed in close co-operation of Erica Synths team rider KODEK and creator of SpinCAD software Gary Worsham. Each effect has 3 manually and CV controllable parameters, manual and CV control over sampling frequency for spanning from 48kHz to really Lo-Fi crunchy sound and full analogue dry/wet control. All effect parameter settings can be saved to the memory and instantly recalled with the effect, which makes Black Hole DSP II ideal for live performances.

Notes: A bit of a bargain in the turntable world. Reloop's budget model punches way above its weight, offering features, sound and build quality found on much more expensive models.

Supplier's notes:
The RP-2000 MK2 is a dependable turntable for prospective DJs. The MK2 version features several improvements, including a newly developed top panel construction and improved metallic buttons with enhanced feel.

Quality direct drive motor and precision-engineered die-cast platter:

Compared to belt-driven turntables, the RP-2000 MK2 transfers its motor force directly to the drive hub - this way a higher torque generates power faster on the precision-engineered platter with minimal wow and flutter. The adjustable pitch control with a range of +/- 8% is suitable for the finest pitch adjustments.

Statically balanced S-shaped tone arm:

The RP-2000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Thanks to the universal SME connection, a large number of pick-up cartridges can be connected.

Newly developed top panel and sturdy housing design:

The new deep-black metallic top panel is equipped with metallic buttons for start/stop and speed settings. The improved touch upon hit offers a clear haptic feedback. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

With pick-up and headshell:

The RP-2000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.

Notes: The S-Com 4 is a compact and versatile single-rack space device that provides four channels of high-quality dynamic processing with an Expander/Gate and Compressor/Limiter on each channel.

The four channels operate independently or in stereo pairs. Its multi-segment LED metering displays input/output level as well as gain reduction. The Expander/Gate section features a continuously variable Threshold control, as well as a switch for fast or slow release times. The Compressor/Limiter section includes variable Threshold, Ratio and Output levels. S-Com 4's Enhancer switch restores high frequencies that are sometimes diminished by heavy compression.

This wide-ranging combination of features makes the S-Com 4 an efficient and versatile audio tool for a wide variety of applications. Its clean and quiet audio characteristics make it ideal where high sonic integrity is imperative.

Notes: Kamieniec is an analog signal processing module directly inspired by a range of classic phaser effect units from 1970s that helped to define entire musical genres. Most of these classic devices contained a fairly small number of phase shifting stages, but made up for that lack with tons of character! However, what was initially intended for guitars is not necessarily sufficient for synthesizers. Therefore, the intention is to preserve the classic sound as it's transported it to a new tonal space while prioritizing flexible modular usability.

Just like many of the famous OTA-based phasers of the 1970s, Kamieniec sports four tuneable stages. However, there are two additional fixed stages included so as to increase the number of notches, and ultimately offer two versions of the mixed signal (that may be used as a stereo pair) at the two outputs of the unit. While the general topology is similar to a certain very classic phaser pedal, the circuitry has been redesigned with modern components and low noise op-amps to bring down the noise floor, improve the bandwidth, and offer a wider range of tuning. The feedback control can be set extremely deep, which results in a very high resonance that is capable of self-oscillation. This produces a unique sound otherwise unreachable for typical phasers, which can vary from subtle and creamy to utterly brutal and grinding. On top of that we've included switchable feedback paths, individual stage group outputs, CV inputs, built-in LFO, and daisy chaining ability to provide a comprehensive integration with a modular synthesizer system.

Expandability:
Unlike any other phaser module, multiple Kamieniec units can be chained together to achieve a more radical response with many notches. The general idea of chaining is to pass along the phase shifted signal to subsequent units before it is mixed with the original version in the last unit of the chain. This approach has a very different effect than plain cascading (connecting multiple phaser units in series), because a long chain of allpass sections yields a dense and uniform pattern of multiple notches, exactly like in a long phaser.

- Eurorack synth compatible
- 9hp, skiff friendly
- Current draw: +40mA / -40mA
- Reverse power protection

Notes: Bass Bot is an intelligent sequencer featuring 21st century transistor technology. An analogue, monophonic synthesizer with classic step entry programming by the user or Bot computer-generated patterns. Seven unique preset personality programs, capable to generate up to 224 read only computer generated presets by the Bass Bot. An additional 224 Write Editable Patterns can compose up to 7 songs of up to 127 bars. All information is saved to on-board flash (permanent) memory and transferable directly to other Bass Bots via 8 DIN cable, (unit cloning) or to PC/MAC (backup) computers for storage with a downloadable transfer application available.

Supplied with Euro two pin to UK three pin adapter

Notes: Stereo compressor in only 4HP!
The module was mainly designed as a dynamic tool for subgroups and sums, but also works well with single signals. Similar to classic DBX units, threshold, ratio and gain can be adjusted with just one knob. Further fine adjustments can be made for attack and release times. In addition to compression, the module can also be used as a limiter. Ducking effects can be created via a sidechain input.

The MSCL is equally suitable for subtle and strong compression effects. Ratio (1.25:1 to infinity), make-up gain and threshold can be adjusted with a single potentiometer. The threshold works in the opposite direction as the other parameters. In addition, there is a threshold switch that can be toggled between three value ranges (-15 dBu, -4 dBu, +5 dBu). This allows the MSCL to be used with other audio signals outside the modular system. In addition, it is possible to limit the gain control range by 3 dB or 9 dB. This makes the module behave similar to a peak limiter. The attack and release controls can be used to adjust the settling phase and the decay time of the compressor. At the output, it is possible to increase the gain by up to 35db. With the switchable sidechain channel, the MSCL can also be controlled by external signals.

Features:

Sidechain input for classic ducking sounds
Easy and intuitive design
Threshold switch lets you compress modular level signals as well as lower level sources
Limit switch limits the makeup gain on the comp knob to make compressor act more like a peak limiter
Power consumption: 50mA at +12V and 50mA at -12V

Depth: 38mm

HP : 4

Notes: TouellSkouarn Strakal Brulu is a handmade distortion and fuzz module. The great sound is due to the new-old-stock east-German germanium transistors.

Very characteristic for the module's sound if the feedback that is coupled to the feedback. The more fuzz, the more feedback - the Strakal Brulu 2 can get pretty nasty and it screams a lot at high fuzz settings and low input level. The fuzz amount can be voltage controlled, with an inverse attenuator. Input and output levels can also be set separately.

Notes: Tetrapad is a versatile, multi-dimensional, touch-sensitive control surface for Eurorack. Each of its four pads use force sensing resistors to respond to both the vertical position of your finger and its pressure. Four push encoders and a shift function give you even more tactile control over your modular system.

Tetrapad operates in numerous modes - each of which configures the module to perform a specific control task. Through these modes, Tetrapad can emulate a bank of faders; a voltage storage device; a finger drumming surface; a chord generator; an 8-key keyboard; four independent LFOs; or an 8-switch panel. The chosen mode determines what type of signal (CV, note, trigger, gate, etc.) is sent from each of Tetrapad's eight independent outputs, while its multitude of multi-coloured LEDs keep you informed of exactly what's happening within each mode.

Tetrapad automatically remembers how you've configured each of its modes and retains these settings when powered off. By default, Tetrapad automatically saves these settings every minute, or whenever you change modes. This makes Tetrapad ideal for live performance, since you know it will always power up with your configurations intact.

Notes: The WAV Recorder from 4ms Company is a high fidelity, two-channel stereo audio recorder with basic playback features. Accepting a wide range of input signals, from line-level to modular-level, the WAV Recorder stores audio onto a microSD card in lossless .wav format up to 96kHz/24-bit. The trigger jack can be used for capturing rhythmic loops or synchronizing multiple WAV Recorder modules for multi-track recording. In Playback mode, the trigger jack or button plays the most recent recording. A simple file/folder navigation system can be used to browse the folders on the card for playing back .wav files. A Gain knob allows for up to +20dB of boost, and an LED Signal Meter indicates clipping and the signal level.

Notes: Whether you want to sequence MIDI or analog synthesisers, Crazy8 is your trusty companion to handle all your sequencing needs! Twisted Electrons have multiplied the power of the Acid8 step sequencer by 8, allowing for easy to set up crazy sequences and songs . With just a dash of randomness into the mix, it will help you create truly innovative melodies and lead lines. Play with polyrhythms. Improvise and be inspired.

Crazy8 features 1 Rotary Encoder, 22 Buttons and 86 subtle white LEDs with 2 levels of brightness to visualise 4 patterns at once!

8 Crazy Tracks:

4 Polyphonic MIDI tracks with chords: send on MIDI port 1 (MIDI Type A)
4 Analog CV/Gate tracks: also send MIDI on MIDI port 2
Polyphonic CV! (4 voice chords)
Sync in and out
MIDI Clock input and output, MIDI Slave and Master supported (MIDI Type A)
MIDI pattern "Feeding" and transposing
Heads up mode to display all active steps and chords at a push of the button
Custom CV calibration per note
Independent length per pattern: up to 16 steps per pattern. Chain up to 8 patterns for 128 step patterns
Independent playback per track: Forward, backwards, pendulum and random
Independent rates per track: /4, /3, /2, x1, x2, x3, x4, x8
8 Levels of Swing & 2 swing modes
Variable duty per pattern
Crazy effect per pattern: values 1-8 reduce probability of step, values 10 to 16 add musical improvisation based on the pattern's content
Offset step playback per track
Transpose all tracks to any key with ease
SYSEX memory storing/recalling
MIDI real time pattern feeding
Sequence transpositions (key tracks)
No menus, no BS

Notes: A solid entry-level option for beginner DJs and vinyl collectors. Impressive sound quality and solid, durable build. Includes high-quality Ortofon OM Black cartridge and headshell.

Supplier's Notes:
The RP-1000 MK2 is the ideal turntable for prospective DJs and HiFi enthusiasts. The MK2 version features several improvements, including a newly developed top panel construction and improved metallic buttons with enhanced feel.

Precision-engineered die-cast platter and belt-drive motor:

Unlike direct-drive turntables, the RP-1000 MK2 uses a belt-driven motor to de-couple the drive unit from the precision-engineered platter and chassis. The elastic, high-quality rubber belt absorbs and reduces unwanted vibrations, resulting in distortion-free playback. The adjustable pitch control with a range of +/-10 % is suitable for fine pitch adjustments.

Statically balanced s-shaped tone arm:

The RP-1000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Thanks to the universal SME connection, a wide variety of pick-up cartridges can be connected.

Newly developed haptic touch and sturdy housing design:

The new deep-black top panel is equipped with metallic buttons for start/stop and speed settings. The improved touch upon hit offers a clear haptic feedback. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

With pick-up and headshell:

The RP-1000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.

Notes: Erica Synths Black Output is a high-quality output mixer and a stereo panner with balanced outputs and headphone amplifier for monitoring your modular masterpieces.

All inputs are buffered, we use stereo potentiometers (similar to those used in high quality studio mixers) for panning, IN4 is a stereo input with simultaneous level adjustment for both channels, IN3 has a CV controlled auto-pan function. There is also a 6.3mm jack for the balanced outputs and headphones.

Notes: Since we pioneered guitar amp & effects modelling in 2002, IK Multimedia has spent more time studying guitar and amp recording than possibly anyone else on the planet. Modelling over 400 pieces of gear has required tens of thousands of hours painstakingly measuring the interactions between instruments, pickups and amplifier circuits, not to mention the cooperation of the world's most iconic guitar players, amplifier manufacturers, and engineers to learn how to create and capture great guitar tones.

AXE I/O brings all that experience to you.

AXE I/O is a professional 2 in/5 out audio interface - and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever.

AXE I/O offers an exclusive triple-topology, fully discrete input circuit, with both PURE and JFET input stages, to go from transparent to tube-like with just a single switch.

Its patent-pending Z-Tone impedance-adapting circuit interacts with your guitar's pick-ups to give you a massive range of tonal flexibility, you've never heard before.

Plus AXE I/O includes a dedicated Amp Out, so you can process your recording with real guitar amps and stomps without the need for external accessories (and without having to unplug your existing connections!). This low-noise out also eliminates ground loops, to keep even the highest-gain re-amplification as quiet as possible.

And AXE I/O seamlessly integrates with the included AmpliTube 4 Deluxe to select presets and control values via the front input knob, and lets you connect pedals and switches to get the most from your virtual rig without ever taking your hands off your axe.

We even included an onboard tuner so you can be ready to record in an instant whenever inspiration strikes.

Every element of AXE I/O has been created with no-compromise quality and real-world usefulness.

It's the interface we wish we'd had all along.

Notes: Steppy is a 4-track programmable gate sequencer with eight internal memory slots, external clocking, numerous tweakable parameters, and a performance-first design aesthetic.

Each track features numerous independent parameters that govern its playback independently of the other tracks. Specifically:

- Each track has its own length, which can range from 1-step to 64-steps, allowing for polyrhythms, fills, or constantly evolving gate interactions between tracks.
- Each track has its own gate length, which ranges from very short to very long, with tied gates possible at the extreme setting.
- Each track has its own clock divider, allowing patterns to play out over completely different periods of time.
- Each track has its own swing setting, which offsets the timing of every other step.
- Each track has its own delay setting, which offsets the timing of every step.
- Each track has its own probability control, which sets the likelihood that each programmed gate will fire when called upon by the pattern.
- Each track can be shifted (or 'rotated') forward or backward by a number of steps. So if you've created a pattern that 'feels' like it has its downbeat on step 3, you can shift that pattern two steps to the left, so that the downbeat sits on step 1.

Tracks can be programmed by entering active steps on the grid or tapped in live as the sequence is moving. Tracks can be selected and modified in real time as the sequence plays. A select button allows you to directly access each track (and each page of 16 steps within that track) directly through Steppy's intuitive multifunction buttons array.

Tracks can be individually muted and unmuted, and a special performance mode (called "Loopy") enables you to touch any two gate steps and instantly create a performance that loops between those steps.

Track patterns can be cleared without clearing its playback parameters, and all track patterns (along with their individual playback and performance parameters) can be saved as a preset to one of eight internal memory slots.

Notes: Desktop Eurorack moduile case 3U - 104HP with power supply on the left side.

Plexiglas side panels 5mm thick.

Aluminium chassis.

6cm deep, but only 4cm deep all along the 5HP of the power supply. Check your modules before!

Tech specs:
- Width : 104HP
- Depth : 6cm
- Depth all along the 5HP of the power supply : 4cm
- Current Consumption : +12V : 2.4A ; -12V : 1.2A ; +5V : 0.5A

Notes: Eurorack-outputs deluxe:
Besides spectacular sound engines and -shapers, usual and unconventional sources and manipulators of control voltages, every modular system also needs a choice of modules for the "daily" business. twinOUT is such a module: the perfect connection to the outer world.

This DI-box in a module offer two adjustable electronically balanced XLR-outputs. twinOut is designed for full stereophonic or dual mono use. To complete its functional range, a headphone output was added - being also suitable to transport line levels.

Like every VERMONA module, each twinOUT is hand-assembled in our electroacoustic manufactory in Germany. If you want to get the most of your modular synthesizer, you cannot pass by the twinOUT!

Notes: The Polaris is a 4-stage cascaded OTA filter designed by David Dixon. It builds on the lineage of the Dr. Octature and Atlantis filters, but with a totally revised core and resonance control. Along with dedicated LP, HP and BP outputs it features a configurable MULTI output capable of an unprecedented 27 different filter modes.

With drive turned down the Polaris is capable of buttery smooth filtering, and the cutoff control range has been fine-tuned for playability. With the drive dialled up and the new asymmetric multi distortion circuit engaged it creates a more aggressive sound. Not content to be just a filter, the Polaris's AP phaser mode combined with frequency modulation can be used to achieve a phaser effect.

With so much versatility in a modest size, the Polaris is an ideal filter for a starter system and an excellent addition to the tonal palette of a larger modular.

Notes: The EHX Epitome is the quintessence of guitar effects! This powerful digital multi-effect begins with the flawless polyphonic tracking of the Micro POG. Next is the Stereo Electric Mistress. Creamy stereo flanging and chorus weave and undulate for the richest modulations. Finally, the Holy Grail Plus wraps you in a silken shroud of luxurious reverb. Shimmer mode reroutes the effects chain for heavenly modulated ambience!

The polyphonic Micro POG provides glitch-free octaves above and below your actual pitch
Stereo Electric Mistress adds EHX's signature stereo flanging and chorus
Holy Grail Plus lets you choose from Spring, Hall and Room reverbs, plus Flerb
Shimmer Mode re-routes the effects' chain and opens the door to a world of amazing sonic discovery
Individual footswitches plus dedicated controls for all three effects
Power adapter included

Specifications:
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 185mA
Year Released: 2013

Notes: Compact multi-effect pedal combining the award-winning Soul Food Overdrive and Holy Grail Max Reverb!

The EHX Turnip Greens is a multi-effect pedal that combines the Soul Food Overdrive and Holy Grail Max Reverb.

The Soul Food delivers transparent sounds starting with clean boost and progressing all the way to intense overdrive. It's equally adept at adding punch to a player's tone, pushing an amp into saturation or in front of other dirt pedals driving them into new worlds of distortion.

The Holy Grail Max provides four carefully crafted reverbs: Spring, Hall, Plate and Reverse. A newly designed analog wet/dry control yields a constant volume curve as the Blend knob is turned from fully dry to fully wet, while also keeping the dry signal analog through the pedal.

A toggle effect-order switch, located in the middle of the Turnip Greens, selects whether the overdrive or reverb is first in the effects chain. Send and Return jacks let the player insert effects into the signal path between the two.

The Turnip Greens features an internal switch that lets the player select between true bypass or buffered bypass for the Soul Food section.

Soul Food goes from clean boost to classic distortion and can easily drive a guitar amp into saturation
Holy Grail Max delivers four studio quality reverbs: Spring, Hall, Plate and Reverse
An Effects Loop lets you put a single pedal or your entire pedalboard in between the Soul Food and Holy Grail Max
An Effect Order toggle switch lets you put either the Soul Food or Holy Grail Max first in the chain
Power supply included

SPECIFICATIONS
Circuit
Analog / Digital
Bypass
Selectable True Bypass
Audio
Mono
Effects Loop
Yes
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
5.75 x 4.75 x 2.5
Current Draw
125mA
Year Released
2014

Notes: Introducing a new addition to the DigiTech Whammy Family -- Whammy DT! We've taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT. With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe. Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years. Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.

General Specifications
D/A Conversion24 bit
Pitch Bend Range+2/-3 Octaves
Detune Range-4 to -30 cents
Drop Tune Range1-7 Semitones, Octave, Octave + Dry
Power Consumption2.6 Watts (< 288 mA @ 9 VDC)
Power Adapter9 VDC External Adapter
Sample Rate44.1 kHz
Frequency Response20 Hz to 20 kHz
Signal to Noise Ratio> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
Dimensions
Height2.36"
Width8.2"
Depth7.73"
Audio Output
Output Type1/4" Unbalanced TS
Max Output Level+10 dBu
Output Impedance1 kO
Audio Input
Instrument Input Type1/4" Unbalanced TS
Max Input Level+5 dBu
Input Impedance1 MO
MIDI Input5-Pin Din
Footswitch Input1/4" TRS - for use with optional FS3X Footpedal

What's in the box?
1 x Whammy DT Pedal
1 x Power Supply

Notes: Pressure Points is a controller module, an analog sequencer that is played by hand. Touching the gold plated copper wires (aka Touch Plates), you become part of the circuit, generating a gate signal (Gate OUT), a control signal proportional to the amount of pressure applied (Press OUT) and the 3 Tuned Voltages for the activated Stage.

Notes: Choose Your Weapon: Building on the success of the original, the feature-packed MPD2 Series gives you amazing creative musical ammo with Thick Fat backlit MPC pads, improved controls and new bundled software.

The MPD2 Series is a product of over six years of detailed customer research and user feedback. Akai turned it into the most capable and user-friendly line of pad controllers they've developed to date.

The MPD232 is a MIDI-over-USB pad controller perfect for producers, programmers, musicians and DJs alike. Its intuitive blend of MPC controls and technologies mesh with easy USB connectivity to bring the feel of classic beat making into the world of computer music production.

New, ultra sensitive Thick Fat MPC pads have been added, creating an amazingly responsive user experience. The MPD232 has an expanded control set featuring eight knobs, eight faders, eight buttons arranged in three banks for 72 total controls. This will enable you to maximize your sound and give you increased control over effects.

The MPD232 also boasts an all-new 64-channel, 32-step performance sequencer, which the MPD32 did not have. MIDI information is sent over its plug-and-play USB interface for use on Mac or PC, eliminating the need to install any drivers.

Along with the improved functionality we've added iOS compatibility using the Camera Connection Kit (sold separately) and included over $400 of free software. Titles include: Akai Pro MPC Essentials, Big Bang Drums and Big Bang Cinema from Sonivox, Ableton Live Lite, and Software Preset Editor.

The aforementioned Software Preset Editor allows you to enjoy intuitive control editing right from the front panel of the MPD232.

The MPD2 Series marks an important evolution of the pad controller. Many years of research and customer feedback has led directly to some of the most capable pad controllers Akai have ever developed. These MPDs are the perfect bridge between your creativity and your computer-based studio.

Notes: TPS80W Triple Power Supply - TYPE A

The TPS80W is a high power, super efficient and low noise studio grade power system for your Eurorack Modular. We carefully designed this power supply to perform optimally with even the most demanding, noisy and power hungry modules in your rig.

Notes: A truly super tremolo with powerful controls and signal routing.

Sculpt the tremolo's shape with adjustable sine, triangle and pulse waveforms while tap tempo and tap divide ensure synchronicity.

Create your own rhythmic patterns and store them.

Save and recall up to eight customized preset programs.

Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation.

Analog circuitry yields warm, lush tone that will envelop you in shape shifting waves.

*UK 230V power adapter included*

Notes: Finally the VSR 3.2 is here! It is the enhanced successor of the Vermona VSR-3 - Vintage Spring Reverb.

Most of the features, like the AccuBell spring tank (type 9), the TONE control as well as in and output stages are equal.

What has been improved is the way EFFECT STOP is working. Compared to its predecessor VSR 3.2 offers the possibility to determine where EFFECT STOP cuts the signal path: PRE or POST the spring tank. In the new PRE mode the input of the spring tank is cut from the signal path, so the reverb's decay isn't abruptly stopped when pressing EFFECT STOP and still can fade out.

The VSR 3.2 is suitable for all kinds of input signals like synthesizer, organs, guitars, vocals etc. It's available as of now from stock. It is already listed in our latest price list from 2015-05-01.

*UK 3-pin power adapter included.

Notes: The APEX Series Keyboard Stands represent over two decades of research and development and are used all over the world by gigging keyboard players and touring musicians. The AX-48 Pro offers everything keyboard players loved about the original APEX keyboard stand while offering a sleek new design and updated features that support a whole new generation of keyboards and workstations. The APEX Series is the finest-looking keyboard stand on the market, and shines the spotlight on keyboard players, while securely supporting their prized instruments.

Technical Specifications

Part Number
17476
Colour: Black
Height: 46" (1168mm)
Weight: 19 lbs. (8.6 kg)
Folded Length: 52" (1321mm)
Load Capacity: Up to 125 lbs. per tier (56.8 kg) or 250 lbs. total (113.6 kg)

Notes: The new MS Series studio reference monitor stands from Ultimate Support offer unparalleled innovation and strength for professional, project, and home studios alike. The MS-80 is a desktop monitor stand that features non-slip, high-density acoustic foam and an angle-adjustable base that allows the end user to fine tune the sweet spot. The MS-90 is a column monitor stand that offers internal cable management channels and 6000 Series aluminum construction while the MS-100 is essentially a combination of the two!

From top to bottom, all three MS Series stands feature sonic isolation and decoupling components. The MS-90 delivers four non-marring sound decoupling pads that stabilize monitors of varying sizes. The MS-100 and MS-90 feature two rubber couplers between the column and the top/bottom plates and spike decoupling designs under the top and bottom base plates. Add the MS-90 to your studio and discover what you've been missing in your mix!

The MS-100 and MS-90 offer three internal channels that run the length of the column. So your studio remains clear of untidy cables, two channels are designed for audio and power respectively. For additional stability, the larger third channel can be filled with shot or sand.

The MS Series studio monitor stands are made from the highest quality materials, such as Series 6000 aluminum, and backed by award-winning design that marries both form and fashion. The modern studio owner will love the contemporary look while the veteran engineer will appreciate the solid build and versatility.

Depending on the needs of your studio, the MS-90 is available in two studio standard heights: 45" and 36". Both are identical in construction and features except for height. Choose the height that's best for your studio design!

Notes: The new Genelec 8010 allows professionals to work in compact studios and on the move with an accurate monitoring tool.

The Genelec 8000 Series is widely used in broadcast, music and post-production studios around the world.

The ease of installation and outstanding sound quality make Genelec 8010 monitors ideal for small studios, OB vans, and perfect companions for portable recording devices and other mobile work.

Notes: Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs

Notes: Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs.

Notes: Multi-format battles case

One size fits all! The new Multi-Format Battle-Case is a protective and flexible solution for the touring DJ that needs to transport a 10'' battle-mixer along with two turntables or the new Rane Twelve players. The practical multi-format design includes several foam strips to accommodate various 10'' battle-mixer and turntable models from Pioneer, Rane, Technics etc. Thanks to its internal cable access ports all equipment can be pre plugged and is ready to play on stage or anywhere.

Fits

Turntables:

Audio Technica LP120-USB
Audio Technica LP1240-USB
American Audio Power Drive 2
DJ-Tech SL-1300MK6
Denon VL12
Epsilon DJT-1300
Mixars STA
Numark TTX
Numark CDX
Pioneer PLX-1000
Pioneer PLX-500
Rane Twelve
Reloop RP-8000
Reloop RP-7000
Reloop RP-6000
Reloop RP-4000
Reloop RP-2000
Roland TT-99
Stanton ST-150
2 Technics 1200/1210 G
Technics 1200/1210 GR
Technics 1200/1210 MK2
Vestax PDX 3000

Mixers:

NI Kontrol Z2
Mixars Duo
Pioneer DJM-S11
Pioneer DJM-S7
Pioneer DJM-S9
Pioneer DJM-909
Pioneer DJM-707
Rane Seventy-Two
Rane Sixty-Two
Rane Sixty-One
Rane TTM57 MK2
Rane TTM57 SL
Rane TTM-56
Rane MP-2014
Reloop Kut
Reloop Elite
Thud Rumple TRX
Vestax PMC-07
Vestax PMC-05

Specs

Outer dimensions: 112 x 56,5 x 22 cm
Inner dimensions: 37 x 52 x 8,3 cm (Turntable-compartment), 29 x 52 x 8,3 cm (Mixer compartment)
Weight: 18,8 kg