Review: Surely not even the most ardent Bowie fan saw any of this coming. Yet to offset the justified grief and mourning at the most otherworldly and mercurial of all musical icons departing our realm, he's left us with one of his greatest albums to date and certainly his best in a full quarter century - one that returns him spiritually to the dizzying collision of bracing experimentation and melodious drama that typified the so-called Berlin trilogy of the '70s yet transplants that ambience to a new more complicated age. Jazzy inflections, electronic filigree and stark soundscapes collide elegantly amidst that stentorian voice, and whether or not Bowie put this together as a farewell, he couldn't have done it better if he'd tried. We'll truly never see his like again, alas.
Review: Whilst it's now impossible to view Leonard Cohen's final album outside the context of his passing, the fact of the matter is that this lugubrious sage had been ruminating on the nature of endings and goodbyes for much of his near half-century of artistry, and it's hard to think of a figure who's been quite so eloquent and wise in this endeavour. 'You Want It Darker' seem may a fitting way to bow out, but moreso it bears testimony to the fact that Cohen's questing spirit remained undimmed right until the last, and his travails in the exploration of faith, romance and the human condition were never to lose their finesse and bite.