Suchergebnisse: Dance Music

Notes: The GALACTAVISE is Allpedal's flagship compressor. Built with the musician's needs in mind, it boasts an uncompromisingly sweet compressor circuit with a Mix control for dialling in that perfect balance of compressed tone and clean tone.

The top end can often be make or break with many compressor circuits, so AllPedal also added the ability to adjust just the right amount with the Presence control. Made with the highest quality components for a low noise floor and road-worthy durability.

Let the GALACTAVISE blast your tone into orbit!

GALACTAVISE is the best guitar compressor pedal for musicians seeking to balance their sound's dynamics. As the best compression pedal on the market, it allows guitarists to control their volume levels efficiently, ensuring a consistent sound output. This guitar compression pedal is an essential tool for both studio recording and live performance.

As with all their effect pedals, AllPedal took special care in the GALACTAVISE's aesthetics with its finish, sophisticated artwork and anodized knobs.

GALACTAVISE is proudly made by hand in Paducah, KY in the USA using the latest cutting-edge technology in the pursuit of ultimate tone.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The EHX 1440 Stereo Looper is a compact powerhouse that provides 1440 seconds of high-quality, uncompressed, stereo recording time plus the ability to store 20 different loops. It can even tempo sync to an external MIDI device and is packed with features you'll want. Unlimited overdubbing means you can lay down as many parts as you like while variable tempo playback plus Reverse and Octave speed effects really enhance creative control.

A 1 Shot function is also included, adjustable fadeout times and optional external footswitch control for selecting loops and Undo/Redo. The affordable 1440 Stereo Looper puts a ton of looping power on your pedalboard.

Notes: As an Old Blood Noise Endeavors take on reverb, BL-37 Reverb Variable-Clock Effector is a new voice with a streamlined control set: a reverb both more immediate and more degraded than any other.

Thanks to its simple yet intuitive and interactive control set this modulated reverb can be quick and highly reflective or slow and stretchy with noticeable pitched undulations.

The sheer audacity of sound, to fill a room, to fill our heads, to fill our hearts. To act digitally as if tangible, as if these walls could talk, as if this were a real space and not a series of all-pass filters and modulated delays meant to capture the idea of somewhere we'd been before and something we'd done before and something we were before, as if. To give control over the whole thing, to simply stretch by hand the entire clock! It's a heck of a concept really.

BL-37 is a reverb pedal. It is lush but also ringy, and easily stretchable. It modulates, and sometimes that modulation feels certain, an obvious pitch bend, while other times it washes, simply a shimmering softening element. The control set for BL-37 is simple. A Clock slider sets the timing of the entire system - the sample rate that determines signal fidelity, the timing of the reverb, and the speed of the modulation within that reverb are all affected as the slider slides. Additional controls for Feedback, Mix, and Volume allow you to further craft the spatial voice in play here.

Notes: MOOER burst onto the music products scene in 2010 and has been impressing guitarists ever since. However, the company has expanded it's horizons this year with its VP vocal processing pedal series. The MVP2 Harmonier is a powerful example of this - it's a versatile and innovative vocal processor pedal designed to elevate both vocal and guitar performance, offering tonal precision, creativity, and convenience in one compact pedal.

At its core, the pedal offers a versatile pitch harmonizer effect. The 'Key' dial allows users to choose to harmonize their important with any note in the chromatic scale, with the 'Sharp' LED button being used to select sharp notes. Once chosen, the 'Mode' dial facilitates further customization, offering 11 different harmony modes that control the harmony's interval. This includes all classic intervals such as octaves, fifths, and thirds.

The 'Level' dial adjusts the volume of the harmonizer effect, but Harmonier offers even further tonal flexibility thanks to its reverb function. Users can press and hold the 'Sharp' button while rotating the 'Level' dial, which allows them to adjust the volume of the pedal's internal reverb module. The pedal also offers tone modes: flat, warm, and bright. These can be controlled by activating the pedal's unique 'hidden mode' and using the 'sharp' button.

'Hidden mode' is activated by pressing and holding both of the pedal's footswitches, but this is just one example of Harmonier's unique control system. The left footswitch can be held to save effect presets, and pressed to scroll through 7 preset slots. The right footswitch can be pressed to turn on the pedal's effects, pressed again to isolate the reverb, and held to turn off all effects except for the tone setting.

Unlike most of MOOER's pedal offerings, Harmonier supports both XLR and 1/4" inputs and outputs. These can be used in 'mixed mode' by holding the right footswitch whilst plugging in the power supply or repeating this action again to switch to 'individual mode', which isolates the signals to their given ports.

Alongside its fundamental functionalities, the pedal features a gain dial, a 48V phantom power switch designed for internal microphone amplification, a grounding switch, and a DC 9V 500mA power input. Collectively, the MVP2 Harmonier's features guarantee that both vocalists and guitarists have all the necessary tools to augment their instrument's sounds with stunning harmonies, without ever having to worry about the pedal's batteries running low.
12 pitches with 11 different harmony mode
11 harmony modes that provide different harmonic intervals
High-quality internal reverb module with adjustable volume
3 tone modes: flat, warm, and bright
7 preset slots
Dual-functionality LED button
Two multi-functional footswitches
Customizable effect, tone, and reverb isolation
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch for condenser microphones
Line in toggle switch for instruments and dynamic microphone
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input

Notes: Ledges is a three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. From classic, standard reverb tones to undiscovered sonic reaches, it's everything you've ever wanted and needed out of a reverb.

The three switchable modes each deliver a unique blend of reverb, but are connected through a spectrum where the Room (R) reverb's longest setting is the Hall (H) reverb's shortest setting, the Hall reverb's longest setting is the Plate's (P) shortest setting, and the Plate's longest setting just keeps on going. The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up. As you increase the Hall setting, it morphs into a Cathedrals-style reverb that becomes really big, boomy and echoey with distant reflections. Turn up the Plate setting to get bouncy reflections that recycle and reverberate forever.

Ledges can go from an '80s slapback reverb mix to a bigger room spring reverb with the twist of the dials. The Mix knob lets you control how much your signal is affected, while the Length knob controls the size of the reverb. The Damping knob subtly mutes the high-frequency reflections of the reverb, which you'll hear clearly by adjusting your gain.

In addition to all of the features, there are six Presets available. Simply select a number with the switchable knob and then engage the Save on the center button and dial in your perfect sound. A quick Recall on the same button and you have all of your personalized reverb sounds with a single tap. You can assign an expression pedal to each of the three controls and then save it all in the presets.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 80 mA
Input Impedance: 1M O
Output Impedance: 100 O
TRS expression pedal wiring:
Tip: Wiper
Ring: +3.3V
Sleeve: Ground

Flexi-Switchr Technology

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Ledges is buffered bypass with tails. Power is required to pass signal.

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. It is always recommend you use pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Notes: Use the Pico Platform compressor / limiter on any instrument for precise and powerful control of your signal's volume and of course, extended sustain on leads. Add subtle dynamic control to level out peaks and valleys in your signal or give your sound a real squeeze for extra sustain and pop. The Pico Platform is extremely transparent with no tonal colouring, making it extremely versatile and easy to work into your existing set up.

The Pico Platform's control set is simple yet comprehensive. Use the Sustain control to adjust the compressor ratio or limiter threshold for a subtle or extreme effect. The addition of a Blend knob allows for adding seamless sustain while preserving attack and tone. Adjust the Attack control to set when the compressor activates after a transient. Use the Mode button to choose between Compressor and Limiter modes and Soft Knee or Hard Knee compression curves for smoother or more dramatic compression styles.

Studio-style compressor / limiter to precisely tune dynamics
Compressor and Limiter modes for a wide range or compression styles
Selectable Hard Knee / Soft Knee compression curves
Sustain adjusts Compressor ratio or Limiter threshold
Attacks adjusts attack time
Blend adjusts dry/wet ratio
Volume control overall output level
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: A versatile overdrive pedal for guitar with separate Gain, Tone and Level controls. A wide range of tones are available from natural and open sounding mild drive tones to heavier saturated distortion with all points in between to cover different music styles.

Gain, Tone and Level adjustment
9V battery or optional DC adaptor operation
Power supply9V battery (PP3 included) or optional DC adapter
Construction: Aluminium housing with rubber base
Controls: Gain, Tone and Level
Dimensions: 115 x 68 x 47mm
Weight: 275g

In the box

The box for this item contains:

OD-50 guitar effect pedal
PP3 battery

Notes: A chorus effect pedal to give a lush, ringing effect to any guitar line. This process especially lends itself to clean arpeggios and jangly chord sequences, giving the impression of width and spread. The CH-50 provides this across many settings to suit various guitar styles.

Adjustable Depth, Speed and Volume settings
9V battery or optional DC adaptor operation
Power supply: 9V battery (PP3 included) or optional DC adapter
Construction: Aluminium housing with rubber base
Controls: Depth, Speed and Volume
Dimensions: 115 x 68 x 47mm
Weight: 275g

In the box

The box for this item contains :

CH-50 chorus effect pedal
PP3 battery

Notes: A delay effect pedal for guitar or bass (or other instrument) with Time, Feedback and Level controls. A wide range of possible settings provide anything from quick doubling and slap-back effects to longer delay times for spacey echo overlays.

Adjustable Time, Feedback and Level control
9V battery or optional DC adaptor operation
Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
Controls: Time, Feedback and Effect Level
Dimensions: 115 x 68 x 47mm
Weight: 271g

In the box

The box for this item contains :

DL50 delay effect pedal
PP3 battery

Notes: Hook is a combined drum machine and phrase looper in a single miniature pedal format. The drum section is controlled by the play/pause button which doubles as a Smart Tap Tempo trigger. 11 individual rhythm styles can be selected from to cover a vast range of music genres with output governed by an independent Drum Level control. The inbuilt 24-bit phrase looper has up to 6 minutes recording time with unlimited overdubs. The current tempo is indicated by the integral LED within the Smart Tap Tempo trigger. The Looper recording is activated by tapping the footswitch, tapping again begins playback and tapping again begins overdubbing. Holding the footswitch performs will undo overdubs in sequence or erase the loop when playback is stopped. A choice of two recording modes can be set, with NR mode for normal recording, or AR mode, which will only begin recording when a guitar note is played. Adding to the smart tap tempo operation, the Hook pedal can detect the rhythm of the guitar phrase and set the drum tempo to match it. The guitar loop also has its own level control to balance with the drum track. In addition to guitar input and mixed output jacks, there is a headphones minijack for silent practice. The last remaining connector is a type-C USB for firmware updates and even for saving and loading the onboard loop recording as a WAV file to a PC or mac computer. Disguised by its tiny form factor, Hook is a complete practice or accompaniment tool for a solo guitar player who needs intuitive features with simplicity of use.

Smart tap and auto-detect tempo
11 different drum styles
Up to 6 minutes loop recording
USB firmware and loop file management
Headphones output

Power supply: 9Vdc (centre-negative power adaptor required)
Input impedance: 1M Ohms
Output impedance: 10k Ohms (headphones output: 10 Ohms)
Sampling format: 48kHz, 24-bit
Current consumption: <100mA
Dynamic range: 103dB
Dimensions: 94 x 53 x 51mm
Weight: 175g

In the box

The box for this item contains:

Hook drum & loop pedal

Notes: The Reissue series 6ixty 5ive overdrive puts the sound of the famous1960s black panel amplifiers right at your feet. Emulating the drive of these classic models gives a range of tones from just over-the-edge all the way to burning tube overdrive whilst retaining the guitar's natural voice and clearly defined edge. The all analogue circuit has a Gain control to adjust the amount of drive and the resulting output is balanced by the Level control. A Trim pot on the rear of the pedal further controls the saturation of the gain stage, bringing natural sounding compression and sustain into play. Bass and Treble controls provide tone shaping as you would find on a classic amplifier. Use as an "always on" drive pedal or switch in for a gain boost with a classic edge whenever the mood needs it.

Classic 1960's black panel amplifier tones
Level and Gain with Trim pot for drive & saturation settings
Bass & Treble EQ controls
True bypass switching
Batteries9V PP3 (supplied)
Power supply: Optional 9Vdc 300mA regulated (not supplied)
Controls: Level, Gain, Bass, Treble, Trim & foot switch
Input impedance: 1M Ohms
Output impedance: 10k Ohms
Dimensions: 121 x 77 x 48mm
Weight: 230g

In the box

The box for this item contains :

Reissue series 6ixty 5ive overdrive pedal
9V PP3 battery

Notes: Next generation looper pedal with a high-definition colour LCD display, stereo inputs/outputs, and optional MIDI control. Loop Core Stereo allows you to create up to 6 hours of music phrases, save them in one of 99 provided memory slots, and play back as stereo loops or even backing tracks. 50 internal drum patterns can also be selected from for rhythm backing. Signal path can be mono, true stereo, split stereo (loop / drum machine) or direct to mixer (with cabinet simulation). A headphones output completes the package for silent loop practice or personal monitoring. A comprehensive looping machine in a standard compact pedal format.

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Drum, Tap, Save, Settings buttons & rotary Value control
Inputs: L+R 6.3mm mono jack (instrument or line), 3.5mm MIDI jack
Outputs: L+R 6.3mm jack outputs, 3.5mm headphones output
Recording: Up to 6 hours
Sampling format: 44.1kHz, 24-bit
Frequency response: 20Hz - 20kHz
Memories: 99
Noise: -100dBu
Dynamic range: 108dB

Dimensions: 122 x 72 x 48mm
Weight: 264g

In the box

The box for this item contains :

Loop core stereo pedal
Alkaline PP3 battery

Notes: Time Core Deluxe mkII is the next generation digital delay pedal from NU-X, with 7 selectable delay types. Simulation of highly revered analogue, tape and digital effect pedals with the benefit of up-to-date features such as tap-tempo, kill dry and buffered tail bypass offer a choice of high end delay effects with augmented flexibility. New additions include the proprietary Phi delay, SOS looper and layered reverb. From short slap-back echo to long multi-tap repeats, the Time Core Deluxe mkII covers practically any delay duties required for your pedal board.

Full stereo or mono signal path
True or buffered bypass options
7 distinct delay types
40 second looper function
USB-C port for firmware updates

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Time, Mix, Repeat, Delay type
Recording mode: 40 second sound-on-sound looper
Modes: Phi Digital, Analog, Modulation, Tape, Pan, Verb, Reverse delay
Inputs: L+R 6.3mm mono jack
Outputs: L+R 6.3mm mono jack
Sampling format: 48kHz, 24-bit
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 104dB
Dimensions: 122 x 72 x 47mm
Weight: 270g

In the box

The box for this item contains:

Time Core Deluxe MkII pedal
Alkaline PP3 battery

Notes: Evolving from the popular Mod Core Deluxe pedal, this mkII version has new effect models, signal routing options and editing features. A choice of 8 modulation models range from chorus to phasing and vibrato, with Rate and Depth controls and an additional Tweak control to adjust a third parameter specific to each effect and a further Blend adjustment in Alt mode. Rate can also be adjusted using a Tap Tempo function of the main footswitch. Mod Core Deluxe mkII has routing options for mono out, stereo out or mono with send/return loop. When using the loop, there are 3 routing options for pre, parallel and post effect placement. If you have space for just one mod effect on your board, the Mod Core Deluxe mkII offers a choice of 8 high quality pedals in a single compact stomp box format.

8 distinct modulation effect models
Analog dry signal path for low noise and zero latency
Mono or stereo output
Built-in send-return loop
4 parameter control for effect settings
USB-C for firmware updates

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Rate, Depth, Tweak & Mod type
Modes: ST.CH, CE-1, SCF CHO, SCF FLG, SCF PM, U-VIBE CHO, U-VIBE VIB, PH-100
Inputs: Instrument in & Loop return (6.3mm mono jack)
Outputs: Out1 & Out2/Loop send (6.3mm mono jack)
Tempo range: 50-200 bpm
Sampling format: 48kHz, 24-bit
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 104dB
Dimensions: 122 x 72 x 47mm
Weight: 270g

In the box

The box for this item contains:

Mod Core Deluxe mkII pedal
Alkaline PP3 battery

Notes: Evolving from the popular Metal Core Deluxe pedal, the mkII version now has 3 selectable amplifier models based on much-revered high gain valve amplifiers. Now with an additional Middle control, the 3-band EQ pairs with Gain and Master to offer a full completement of real amplifier controls, with settings stored into each of the 3 amp models for fast recall. Metal Core Deluxe mkII goes a step further to include IR cabinet simulation, meaning that it can be used directly into a full-range PA system, or without IR simulation into the front of a guitar amplifier as a hard-edged drive pedal. Whichever wiring method is used, Metal Core Deluxe mkII delivers the full breadth of metal tones for hard rock to thrash.

3 distinct high gain amplifier models
3-band EQ
Switchable IR cabinet simulation
Settings auto-stored for each model
True bypass
USB-C for firmware updates & future software

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Gain, Master, Bass, Middle, Treble, Model switch
Modes: Duo Rect, Fireman, VH4
Input: 6.3mm jack
Output: 6.3mm jack
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 104dB
Dimensions: 122 x 72 x 47mm
Weight: 270g

In the box

The box for this item contains :

Metal Core Deluxe mkII pedal
Alkaline PP3 battery

Notes: Re-Built from the ground up - a complete redesign of the original Lo-Fi Delay.

Enter the realm of sonic exploration with Colortones LO-FI DELAY. Featuring three distinct delay voicings, the LO-FI DELAY is a grainy lo-fi, old-school analogue tape sounding dub style delay engine with momentary oscillation feedback and speed switching options.

At its core the LO-FI DELAY is a tempo synchronized dual channel delay with each channel having independent Regen and Time controls.

Controls include Delay Time, Regen, Feedback, Mix and a 'Splash' footswitch to momentarily send the delay into a predetermined amount of regenerative feedback and or Tempo Change.

The SPLASH footswitch also acts as a Tap Tempo control requiring at least 4 quick taps to calculate a new tempo.

Controls

Wet | Dry Switch

Wet Mode acts like a normal delay where the delayed repeats can be mixed against the Dry Signal with the decay time set by the Regen knob. When the SPLASH Footswitch is momentarily pressed the decay time switches to the Regen+ knob setting allowing for more or less regenerative delays while the footswitch is pressed.

Dry Mode is designed for running in a quite mode and only activating the delay while the SPLASH footswitch is held down. Great for adding dub style accents to certain stabs / phrases or adding splashes of ambient delay or moments of crazy feedback to an otherwise Dry signal.

Hi-Fi | Lo-Fi Switch

Hi-FI mode has a crisp hi-fidelity non-destructive repeated delay.

The centre and down positions are Lo-Fi modes where the resulting delay repeats are a little darker like a tape delay with a slight hint of mechanical tape warble. The Centre position uses a Lowpass filter in the delay feedback line where as the Down position uses a HighPass filter.

Division Knob

The Div knob sets the alternative delay speed when Splash is pressed while in Wet Mode. At 3 O'Clock Repeats are at Unity 1:1. Turning anticlockwise the repeats are Multiplied (Faster) in by either x2 or x3. Turning Clockwise from unity the repeats are divided (slower) by either 2 or 3.

Tech Specs:

True Bypass
Current Draw: 145mA
Input Voltage: 9V DC (center negative)
external power supply not included

Notes: Embark on a sonic journey of modulation with the RoundHouse, Colortones luscious multi mode tremolo pedal featuring three tweakable Modulation Modes, Reverb, Drive, Tap Tempo and Momentary Speed Multiplier

Modulation Modes

Optical Tremolo
Harmonic Tremolo
Vibe

Choose the Optical Tremolo mode for a classic, vintage tremolo sound with warm and smooth waveforms. The Harmonic Tremolo mode adds a more complex and modern sound that adds depth and dimension to your playing. Finally, the Vibe mode emulates the classic psychedelic sound of a rotating speaker, perfect for adding a unique flavour to your guitar sound.

With the addition of Tap Tempo and a Momentary Speed Multiplier, you can easily dial in the perfect tempo and add creative rhythmic variations to your playing.

The Reverb and Saturation (Grain) controls at the input of the modulation engine can be dialed in to excite the pulse and sustain of the effect.

Additional controls include: - Mode - Speed - Depth - Boost - Reverb - Grain - Phase - Waveshape Select - Momentary Speed Multiply and Tap Tempo.

Controls

Modulation mode switch

Select between:
Optical Tremolo
Harmonic Tremolo (Magnatone style Harmonic Tremolo)
Vibe

Wave shape switch

Select between Triangle, Sine and Square Wave. (Square is not selectable in Vibe mode)

Speed

Adjust Speed of the modulation

Mix

Adjust the Mix / Depth of the effect with the Dry signal

Reverb

The Reverb knob controls the intensity/mix of reverb added to the input feeding the modulation circuit. It is a classic Silverface amp style reverb with a static decay time.

Grain

Increasing the Grain amount adds an analog tubelike pre-saturation to the effect. At max it boosts/compresses the level slightly adding a soft overdrive.

Phase

Adjusting the Phase knob from its center position will change the duration of the 'on time' either towards the beginning or end of the wave cycle resulting in the modulation 'pulse' feeling more asymetrical or staccato.

Boost

Add or Cut the output Level by +- 4db

Tap

Manually set Tempo with by Tapping the Footswitch. Set to 1:1 Tempo.

A sustained hold on the Tap switch activates the Speed multiplier which, while depressed, ramps the speed up to a multiple of the current setting. At slower modulation speeds the ramp time is relatively slow, emulating a mechanical rotary speaker changing speed.

Bypass

Activates Relay Based Soft Touch True Bypass

Tech Specs:
True Bypass
Current Draw: 140mA
Input Voltage: 9V DC (center negative)
external power supply not included

Notes: MOOER has been impressing musicians around the globe since 2010 with its cutting-edge guitar pedals, and this is set to continue with the new MOOER Purer Octave pedal. MOOER has taken a minimalistic and sleek approach to the design of Purer Octave, whilst leveraging a cutting-edge repitch algorithm to go beyond the functionality of regular octave pedals.

Purer Octave provides guitarists with 15 different polyphonic octave effect combinations in addition to one detune effect. The DSP algorithm separates the high and low input frequencies to ensure every preset operates seamlessly without spectral artifacts or distortions. These two frequency bands can be isolated or combined dynamically through the independent "SUB" and "UPPER" dials, allowing guitarists to finely craft the perfect effect to suit their specific needs.

Despite the minimalistic interface, Purer Octave users can still save their own presets by using the pedal's three-way toggle switch. Guitarists can choose whether to use the pedal's dials in real-time to craft their sound and once they are satisfied with the effect, they can leverage the three-way switch to save their favorite effects. Bypassing the effect simply requires a foot press from the guitarist, the status of which is indicated via an LED light.

Purer Octave is presented within a compact pedal case with a glossy orange finish, complete with an intuitive and tidy user interface. The pedal provides a standardized 14" mono input and output, powered by a 9V DC power port. These features ensure that Purer Octave can be used on the move by any guitarist, offering a truly flexible and intuitive product for octave effect perfection.

Specifications

INPUT: 1/4" mono audio jack (impedance value 470k Ohms)
OUTPUT: 1/4" mono audio jack (impedance value 100 Ohms)
Power supply: 9V DC (center negative)
Current draw: 120mA
Dimension: 93.5 (D) × 42 (W) × 52mm (H)
Weight: 157g
Accessories: Owner's manual.

Notes: A hugely powerful all-rounder, the Trident combines amp modelling with effects and looping, offering a rock-solid combination of features in a rock-solid die-cast aluminium case. A big step up from the cheaper Cerberus pedal.

Supplier's Notes:
Trident is the flagship integrated effects and amplifier simulation pedal from NU-X, built into a one-piece die-cast aluminium pedal housing to withstand the rigours of the stage and road. Using the new proprietary TSAC-4K physical modelling algorithm, with separate dedicated DSP engines for effects and amp simulation, the Trident employs premium AD/DA conversion hardware for accurate sound reproduction with minimal noise levels. Each of the 27 amplifier models faithfully emulates its real world counterpart with authentic features and functions, such as high/low inputs, cable jumping and toggle switch settings. Add to these 27 cabinet simulations and 4 microphone models and you have a wide palette of classic backline to conjure with. A full compliment of effects including boosters, filters, modulations, delay and reverb are available, with on-the-fly adjustments and foot switching easily from the top-side control panel. Current status and settings are neatly displayed in real-time on the backlit LCD display which is bright and clear for easy viewing on stage. Additional effects can be patched in via the send / return loop, which has serial or parallel modes and can also be used for connecting to an amplifier using the 4-cable method, or as a send-only output using branch mode. Full MIDI implementation is accessed through MIDI in and out for integration with external MIDI and switching gear. For interfacing with a Mac or PC computer, a USB type-C port can be used as a recording interface or for programming the Trident using the free to download Trident™ editing software. Additional connections on the rear panel include an expression pedal input, 3.5mm auxiliary input, 6.3mm headphone output, 2 x XLR outputs and 2 x 6.3mm outputs to support the many various wiring configurations. Overall, Trident is the complete war machine to launch your sonic attack with.

MIDI compatible (5-pin DIN adaptor leads supplied)
USB port for PC/Mac editing, audio interface and firmware updates
30 second phrase looper with pre and post routing
Trident™ Edit software free to download from www.nuxefx.com/trident.html
High resolution TSAC-4K physical modelling
Selectable amp & effects block order
Heavy duty cast aluminium housing
32 additional IR slots for custom cab simulations

Power supply9Vdc, 500mA, pin-negative (mains adaptor included)
Current consumption<330mA
Inputs: Exp pedal, Guitar, Return (6.3mm), Aux input (3.5mm)
Outputs: Send, Headphones, Out 1+2 (6.3mm), Out 1+2 XLR
Input impedance: 1M Ohm (guitar), 100k Ohm (return jack)
Output impedance: 1k Ohm (Out 1, Out 2, Send)
Aux Input Impedance: 10k Ohm
Headphone output: 6.3mm stereo (47 Ohm)
Dynamic range: 109dB
Latency: 1ms
Sampling format: 48kHz, 32-bit
USB port: Type-C PC/Mac interface
Dimensions: 312 x 164 x 65mm
Weight: 1.65kg

In the box

The box for this item contains:

Trident integrated amp modeller and effects pedal
9Vdc 500mA power adaptor
2 x 3.5mmm to 5-pin DIN adaptor MIDI leads
USB A to C cable

Notes: This new pedal in Maneco's line is a versatile fuzz device , true stereo and with powerful tone shaping capabilities.

Main features:

True Stereo operation
Silicon Transistors gain stage.
Big Muff tone stack
Buffered clickless Bypass
Input gain for fine tuning distortion quality, also adapting for wide range of input signals
Bass, guitar , drum machines and synthesizer friendly
9v standard power supply, center tip negative

Notes: Fuzz meets synth meets reverb in this clever pedal. Built-in drone VCO, noise generator, LFO and effects allow you to warp and twist input signals into completely new tones and textures.

Supplier's Notes:
Grone 2 Dark Drone machine Pedal Version

Blocks description

Drone VCO:

Generates sound based on equations converted to analogue signals, there are sixteen equations selected by algorithm up pot. Four LEDs indicate equation number in binary mode. Three Pots modify numbers used by the equation, A0, A1 and A2, fourth pot Sample Rate controls pitch and speed of the oscillation. There's an expression jack input, EXP2 for controlling sampling rate.

NOISE GENERATOR: White noise with noise level pot.

Voltage Controlled Filter: MS20 resonant low pass filter, with CUT frequency pot control, RESONANCE, MODULATION 1 amount pot, Expression jack input 1 controls filter cuttoff.

LFO1: Low frequency oscillator routed to MOD1 from VCF, RATE and WAVEFORM shape Pots.

Waveforms are: ramp up, ramp down, square, triangle, sine, sweep, random levels, random slopes

FUZZ Section: gain stage that affects input signal, with controls for input gain and level.

Effects Section: Consists of a chorused reverb with delay, adding octave up or down component, with freeze function

Pots controls:
1-Blend controls mix of effects over final output signal
2-Octave blends mix a pitched signal to the input of the reverb
3-Octave -1 +1 controls tuning of pitch component
4-Repeat controls feedback of delay component
5-Balance controls mixture from reverb and delay.
6-Pitch controls the sampling rate of the whole effects section, modifying delay time and reverb decay.

Footswitches:
1- Synth: mutes or enables the drone VCO and noise generator
2-Filter: Bypass for the VCF
3-Fuzz: Bypass for the fuzz that processes the input signal.
4-reverb: Bypass for the reverb/delay section
5-Freeze: toggles freeze function for reverb section

Jacks:
Input, Expression 1 input (VCF) Expression 2 (VCO sample rate), Output

Notes: The Cosmic ECHO is an analogue-sounding LoFi delay that will work with just about anything you plug into it.

The dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. Our take on this classic pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 momentary switches, Zone and Warp.

Dark, rich sounds with the analogue vibe of a tape echo.

Uses the PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.

Delay length: 30ms-1,250ms

3 knobs: Feedback, Mix and Rate. The Mix is a wet-only control that attenuates the amount of delayed signal in the signal chain. The Rate controls the number of repeats in an organic-sounding way.

Warp button: Momentary pushbutton switch that gives a bright, "small speaker" tone.

Zone button: Momentary pushbutton switch that introduces feedback into the circuit momentarily. Great for adding rhythmic feedback and other strange sounds. The Zone amount can be adjusted by an internal trim pot.

Pedal may have a slight volume drop.

Great for shoegaze, surf rock, ambient and experimental sounds.

Pedal uses a 125B case

Dimensions (L x W x H): 4 7/8" x 2 5/8" x 2 3/16" (124mm x 67mm x 56mm).

Takes a 9V battery or 9V centre negative 2.1mm barrel power supply (not included).

Notes: A clever pedal design based on classics. Mix and match tone and distortion circuits from legendary Nobels ODR-1 Natural Overdrive and Ibanez Tube Screamer. Versatile stuff.

Supplier's notes:
Imagine the ability to combine the best and defining characteristics of different overdrive & boost pedals in order to create hybrid sounds no one has ever played through before. That is exactly what Keeley have engineered with the Noble Screamer.

It's a 4-in-1 pedal that gives you two very familiar drive circuits and two brand new amp-like overdrive and distortion tones. It's almost like pedal-modelling, except these are 100% analogue circuits, and you decide which tone-control or clipping-section you want to play through.

Toggle between battle-tested, classic overdrive effects or innovate your sound using new hybrid tones; let your ears be the judge. Even with all of these features, the pedal remains a user-friendly three knob overdrive. The innovation in the Noble Screamer doesn't end there; this new design features true-bypass or buffered, truly silent switching, on the fly. The Keeley Noble Screamer Overdrive and Boost is entirely manufactured at Keeley Electronics and is the first release in a new aluminium enclosure.

The Noble Screamer gives you two tone control circuits to choose from - a Broad Spectrum Tone Control or Narrow Focus Filter Control.

When the Tone Switch is up and in the OD Position you will hear a 'Spectrum' type of tone control that has the ability to go from a flat EQ to an EQ that has a boost in the treble and bass response. If it is in the TS Position you have a Low Pass Filter that rolls off the high frequencies only.

Diode Clipping

Also the pedal offers both styles of diode clipping - Hard and Soft Clipping: If the Clipping Switch is in the OD Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When in the TS Position that uses Soft Diode Clipping, like a tube amplifier softly overdriven.

Buffered and True Bypass

The Keeley Noble Screamer features Keeley's Vitamin K Infused Buffer for noise free switching. Keeley have developed an amazing sounding buffer which not only makes your rig sound better, it gives you silent switching with no tone loss.

No more pops and clicks to distract from your music. If you want to turn that feature off and go back to true bypass, simply press and hold down the foot switch for two seconds and the pedal will switch to True-Bypass. This is great for players that want the effect of plugging directly into their amp when the pedal is off.

Alternatively, players that want a strong and clear signal even when the Noble Screamer is turned off, simply hold the stomp switch down for two seconds and the effect is back to Buffered Bypass. Enjoy truly silent switching and let your music be the only voice.

Made In The USA

Keeley design, engineer, and manufacture the Noble Screamer in Oklahoma City. Everything about the Noble Screamer is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminium enclosure; Keeley make guitar effect pedals to be finely crafted musical instruments.

Notes: Bridging the worlds of overdrive, distortion, and fuzz in a sub-compact pico chassis!

The EHX Pico Triboro Bridge is a tri-mode drive box with a wide range of tonal possibilities. Featuring Overdrive, Distortion, and Fuzz modes, it bridges any gap in your gain. With a powerful EQ, input contouring, and a pico-sized footprint, the Triboro Bridge can be your tonal keystone or a welcome change from the routine drive.

Starting with Overdrive mode, the gain spectrum ranges from low to mid with an open voicing that can be used as a light always on drive or a solo boost. Engage the Triboro's Distortion mode for additional gain-staging for a tone from crunchy rhythms to fully saturated leads. Transform the pedal into something completely different with the Fuzz mode's over-the-top gain, Gate and Low Pass Filter.

The Triboro Bridge controls features Volume and Gain knobs to control the overall output and saturation of the tone. In Overdrive and Distortion modes, the Treble and Bass knobs act as a Baxandall EQ for simple yet effective tone shaping. In Fuzz mode the Treble knob is now the gate more, controlling the Fuzz's noise gate threshold, and the Bass knob controls a Low Pass Filter for extreme tonal variations. Additionally, the Triboro Bridge features an Input Contouring EQ which can be applied to your tone at the input, for a more modern, sculpted tone in all modes.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Vintage tape-style delay smaller than a cassette player!

Tape delay is loved for its warmth and charming imperfections compared to pristine digital delays. Their preamps could be pushed to saturation and, over time, the tape in vintage delay units would degrade causing a signature warble loved by many. These signature elements are captured and packed into Electro-Harmonix's Pico Rerun tape delay. Based off the tape delay algorithm found in the Canyon Delay & Looper, the Rerun gives vintage vibes with modern features.

The Rerun features a simple control set and tap tempo for ease of use in any situation. BLEND sets the wet/dry blend. DELAY adjusts the delay time from 8ms to 3s. SAT adds tape saturation and distortion for added crunch to only the wet signal, keeping your dry signal unaffected by the added distortion. FDBK sets the level of repeats from 1 to infinite for runaway oscillation. You can also press and hold the footswitch to engage infinite repeats in an instant. The FLUTTER mode switch toggles between low, medium, and heavy modulation effects ranging from slight chorusing to seasick thickness.

Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. Additionally, the Rerun also features selectable Tails bypass allowing echoes to continue after putting the pedal into bypass.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: 30 fully polyphonic pitch-shifting options under 15 square inches!

Offering a total of 30 pitch shift options and expanded controls, the Pico Pitch Fork is the next evolution in pitch shifting from Electro-Harmonix. The original Pitch Fork has garnered praise from all styles of player at every level and the Pico Pitch Fork brings even more features to the celebrated pedal in an impossibly small package.

The Pico Pitch Fork features 10 pitch shift intervals and three modes of pitch-shifting - Up, Down and Dual. Dual mode features specially paired pitch shift intervals to allow for more musical effects.

Controls on the Pico Pitch Fork are simple and effective. SHIFT selects the Pitch Shift interval. BLEND sets the wet/dry blend of the output mix while VOL adjusts the overall output volume. SWEEP controls pitch bend sweep time when toggling between bypass and effect and back to create automatic whammy effects. The Pico Pitch Fork's footswitch can operate in two modes: Latching and Momentary. Latching turns the effect on with one footswitch press and off with another while Momentary turns the effect on only when the footswitch is being held for instant bursts of pitch-shifting pandemonium.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Ultra-compact ambience featuring the spacious sounds of Spring, Plate and Hall Reverb!

The EHX Pico Oceans 3-Verb is an ultra-compact reverb pedal packed with the essentials of ambience with plenty of flexibility and control. This Pico-sized reverberator adds the huge sounds of Spring, Plate, and Hall reverb to any pedalboard while using minimal space. Adjustable decay time, pre-delay / spring length, and tone make the Oceans 3-verb able to create a plethora of spacious sounds.

SPRING - pays homage to the classic Fenderr 6G15 tube spring reverb
PLATE - the lush, warm reverb that got its name as it was originally created by a large metal plate
HALL - the rich reverberant sound of a grand concert hall

A comprehensive control set allows for tailored sound to any setup. BLEND adjusts from 100% dry to 100% wet. TIME controls the decay time of the reverb. DELAY/SPRING sets the pre-delay time in PLATE and HALL mode or selects between 3 springs lengths in SPRING mode. The TONE control adjusts the overall brightness of the reverb from bright and airy to warm and smoky.

Additionally, TAILS bypass can be selected so the reverb continues to decay after the pedal is switched to bypass. This allows for a more natural sounding decay when turn the reverb off. Infinite Reverb can be achieved by maxing out the TIME control in both PLATE or HALL mode or by pressing and holding the footswitch. This creates a building ambient soundscape until you release the footswitch.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Flexible digital delay in the world's smallest Canyon!

The EHX Pico Canyon Echo takes the digital delay from the award-winning Canyon Delay and Looper and plates it up as a single serving echo unit. Starting with a crystal clean delay, the Canyon Echo is a sweetly simple delay with 3 seconds of delay time. Don't let the size fool you, this canyon is deep! Add filtering, tap tempo, and a feedback knob capable of infinite repeats and this little echo is up to most time bending tasks.

The Canyon Echo features a BLEND knob to get the perfect wet/dry mix. The DELAY knob sets the delay time from 8ms to 3s. FEEDBACK is adjustable from 1 repeat to infinite repeats for endless delay washes and pads. Turn the FILTER knob past noon and it's a High Pass Filter while below noon it is a Low Pass Filter.

Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. The tempo can then be subdivided from a quarter note to a dotted eight note to an eighth note with the TAP DIV button. Additionally, the Canyon Echo also features selectable Tails bypass so echoes continue after putting the pedal into bypass.

The Canyon Echo also features a new style of Infinite Repeats where a single delay is repeated and the input is taken out of the delay path. This makes the pedal function like a micro tape looper that can be played over without new delays being created. The micro loop can also be manipulated into warped sound effects by adjusting the DELAY knob.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Expanded Freeze in a lowball-sized package!

Meeting between the original Freeze and Superego pedals is the Pico Deep Freeze Sound Retainer. With the ability to freeze a moment in sound, the Deep Freeze can act as a sustain pedal for holding chords and notes as backing for your playing or as a platform to manipulate your tone into new sounds impossible with a normal guitar. In addition to the original Freeze's abilities, the Deep Freeze features layering, adjustable attack/decay speeds, glissando, dedicated volume controls, and 3 modes: Latch, Moment, and Auto, making it powerful pedal punching well above its weight.

The Deep Freeze allows for instant sound freezing in three modes of operation. Latch freezes sound each time the footswitch is pressed until the effect is bypassed, while Moment mode freezes sound only while the footswitch is held down. Auto mode captured sound automatically each time it senses signal above its threshold for virtually foot-free freezes. These three modes make it easy to operate the Deep Freeze in a way that fits any playing style.

Controls on the Deep Freeze let you further tailor the operation of the effect. Separate DRY and EFFECT volume controls let you blend signals from subtle backing to 100% effect experimentation. GLISS adjusts the morph time between freeze sounds creating otherworldly soundscapes. The SPEED/LAYER knob adjusts either the attack/decay time of the effect in Moment and Auto modes, or the amount of layering possible in Latch mode which makes playing impossible chords possible!

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: The HOUR GLASS Dual Compressor Pedal - Unlock timeless sustain and endless creativity with dual, independent circuits inspired by the legendary Ross compressor.

It is your ticket to extended sustain and unparalleled tonal control.

From warm, natural compression to soaring sustain, the HOUR GLASS opens up a world of sonic possibilities for you to explore.

Choose from Fast, Medium, or Slow Attack time options to tailor the HOUR GLASS's response to your playing style, and use the Treble toggle switch to select Flat, Medium, or High boost options to help shape your high-frequency tones.

Set one compressor for your single coil guitars, the other compressor for humbucker guitars and have precise tone and dynamic shaping when you switch guitars! Both compressors can also be engaged simultaneously for endless sustain!

Discover the freedom of expression with two independent circuits, that maintain the transparency of your guitar's tone. Precision controls for Level, Sustain, and Blend on each circuit allow you to sculpt your sound exactly as you desire. Built to withstand the rigors of time and the road, the HOUR GLASS is your reliable companion on every musical journey.

Unleash your creativity, transcend genres, and experience endless sustain with the HOUR GLASS Dual Compressor Pedal - Where Sustain has No Boundaries!

Notes: DigiTech announces SDRUM Strummable Drums, the first-ever intelligent drum machine for guitarists and bassists. Boasting studio-quality samples and five professional sounding drum kits and BeatScratch technology, SDRUM allows users to create drum patterns by simply strumming strings.

As a player scratches across guitar or bass strings, he or she "teaches" SDRUM a kick/snare pattern that defines a desired beat. Once that pattern is established, SDRUM then enhances and enriches the beat, resulting in a realistic accompanying drum part. From the five different kits, users are able to choose sounds appropriate to a broad variety of musical styles. Via the KICK and SNARE Pads, players can audition the various kits and tap in specific beats, while the GUITAR AUDITION Button enables the user to turn the drum output on or off while strumming.

Up to 36 songs can be stored in SDRUM, and the unit supports three different components - e.g. verse, chorus, bridge - for each that can be switched on in real-time to easily facilitate live performance and aid in composition and creativity. Additionally, JamSync functionality facilitates compatibility with JamMan loopers, further boosting SDRUM's capacity in concert, practice, and studio settings.

The compact SDRUM (5.25" x 3.15" x 2.3") is similar in size to most compact effects units and fits easily on standard pedalboards. A sturdy metal chassis, robust footswitch, and four knobs (GROOVE/KIT, LEVEL, TEMPO, and HAT/RIDES) ensure that SDRUM is stage- and road-ready.

Eliminating the need to sift through libraries of rhythm patterns in search of an appropriate match for individual songs and styles, SDRUM is the fastest way to go from a beat idea to a working drum track.

BeatScratch Technology
JamSync Support
Studio-quality samples
Five drum kits
Verse/Chorus/Bridge parts
Alternate instruments/voicings
External FS3X support
Kick/Snare pads
Controls: Tap Tempo, Verse/, Chorus, Bridge, Song, Groove/Kit, Hats/Rides, Level, Temp, Alt Kit, Alt Hats/Rides, Guitar Audition, Kick Snare, Footswitch
5.25" (L) x 3.15"(W) x 2.3" (H)/ 133mm (L) x 80mm (W) x 58mm (H)
1.12 lb./.51 kg
Power Supply (external - included): PS0913DC-04 (US, JA, EU, AU, UK)
Warranty: 1 Year

Notes: Eventide's Riptide pedal is the result of extensive research into overdrives and Uni-vibes. With stereo overdrive and Vibe, each effect features dual voicings versatile enough for funky bright tones to explosive and warm lead tones.

The Vibe knob delivers classic Hendrix-style Uni-Vibe to full-on vibrato perfect for modern soul and lo-fi tones. With the power to engage each effect individually, swap the order, and store presets, Riptide makes it easy to get caught up in the excitement.

Drive features a balanced distortion with superb dynamics and touch sensitivity. Use the "Green" voicing for a classic transparent overdrive or activate the "Red" voicing for a tight modern overdrive.

Features:

Five presets loaded at your feet with dozens more available by software update in Eventide Device Manager
Dual-action Active Footswitch is latching or momentary
Rear panel Guitar/Line Level switch for matching impedances with guitar, synths, FX loop, or DAW interface
Map any combination of parameters to an Expression Pedal
Use a single Aux switch to Tap Tempo or a triple Aux switch for easy preset changing
MIDI over TRS capable
Multiple Bypass options: Buffered, Relay, DSP+FX or Kill dry
Catch-up mode helps dial in your sound when toggling between presets/parameters
Eventide Device Manager PC or Mac application for software updates, system settings and creating/saving presets

Notes: Inspired by the vintage Bell and Howell 385 Filmosound projector that guitarists have modified and used as guitar amps, Walrus has created a dynamic and responsive overdrive modeled after the projector's tone.

The 385 was developed to have the same simple but effective tone control as it's older relative, but unlike the projector, the 385 breaks up the single tone control and integrates separate, boost and cut bass and treble, allowing the player to get more creative with mid-frequency scoops and bumps allowing for a much wider array of tones to be achieved.

The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box.

This means it is extremely sensitive to how hard you dig in - just like the amp.

Updated for 2023.

Controls:

Bypass: Soft touch, relay true-bypass. Press the switch to engage/disengage the pedal. LED indicates whether the circuit is engaged or not.
A/B: Soft touch switch. Press to swap between using either A (White) or B (Red) Volume and Gain controls. LED indicates which controls are being used - White for A, Red for B.
Volume A: Controls the overall volume in the A setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain A: Controls the overall gain in the A setting. Turn clockwise for more gain, counterclockwise for less gain.
Volume B: Controls the overall volume in the B setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain B: Controls the overall gain in the B setting. Turn clockwise for more gain, counterclockwise for less gain.
Treble: Used to adjust the level of the treble frequencies. Turn clockwise to increase the level of the treble frequencies. Turn counter-clockwise to reduce the level of the treble frequencies.
Bass: Used to adjust the level of the bass frequencies. Turn clockwise to increase the level of the bass frequencies. Turn counter-clockwise to reduce the level of the bass frequencies.
385+ Switch: When the switch is down, you are able to achieve classic 385 sounds. Flip the switch up to add an additional gain stage to the input of the pedal, achieving heavier gain sounds and driving the pedal harder.

Specifications

The 385 comes in a matte black finish with yellow and red ink featuring original artwork of a vintage Belle and Howell 385 projector by David Huttner ready to give you the dynamic tone you've been searching for.
The die cast enclosure's exact size is 12.1 x 6.6 x 3.5 cm
Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended. Power supply not included.
Input: 1/4" TS, Unbalanced, 1M impedance
Output: 1/4" TS, Unbalanced, 10k impedance
True Bypass

Notes: Inspired by the vintage Bell and Howell 385 Filmosound projector that guitarists have modified and used as guitar amps, Walrus has created a dynamic and responsive overdrive modeled after the projector's tone.

The 385 was developed to have the same simple but effective tone control as it's older relative, but unlike the projector, the 385 breaks up the single tone control and integrates separate, boost and cut bass and treble, allowing the player to get more creative with mid-frequency scoops and bumps allowing for a much wider array of tones to be achieved.

The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box.

This means it is extremely sensitive to how hard you dig in - just like the amp.

Updated for 2023.

Controls:

Bypass: Soft touch, relay true-bypass. Press the switch to engage/disengage the pedal. LED indicates whether the circuit is engaged or not.
A/B: Soft touch switch. Press to swap between using either A (White) or B (Red) Volume and Gain controls. LED indicates which controls are being used - White for A, Red for B.
Volume A: Controls the overall volume in the A setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain A: Controls the overall gain in the A setting. Turn clockwise for more gain, counterclockwise for less gain.
Volume B: Controls the overall volume in the B setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain B: Controls the overall gain in the B setting. Turn clockwise for more gain, counterclockwise for less gain.
Treble: Used to adjust the level of the treble frequencies. Turn clockwise to increase the level of the treble frequencies. Turn counter-clockwise to reduce the level of the treble frequencies.
Bass: Used to adjust the level of the bass frequencies. Turn clockwise to increase the level of the bass frequencies. Turn counter-clockwise to reduce the level of the bass frequencies.
385+ Switch: When the switch is down, you are able to achieve classic 385 sounds. Flip the switch up to add an additional gain stage to the input of the pedal, achieving heavier gain sounds and driving the pedal harder.

Specifications

The 385 comes in a matte black finish with yellow and red ink featuring original artwork of a vintage Belle and Howell 385 projector by David Huttner ready to give you the dynamic tone you've been searching for.
The die cast enclosure's exact size is 12.1 x 6.6 x 3.5 cm
Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended. Power supply not included.
Input: 1/4" TS, Unbalanced, 1M impedance
Output: 1/4" TS, Unbalanced, 10k impedance
True Bypass

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


The DISTURBANCE is an extreme filter, flanger, and phaser with modulation like you've never heard before.

DISTURBANCE's controls allow for a wide range of sounds to be sculpted perfectly to your needs. The 'Tensity' knob changes the feedback amount and structure of all effects, with two totally different intensity options to choose from for each disturbing modulation. The Filter allows for deep swells and piercing resonance with highpass and lowpass options.

The Flanger creates a classic modulation sound with options for watery, multi-tap delay matrixes or a screaming flange with distorted feedback. Last but certainly not least, the Phazer mode is a psychedelic 8-stage phaser sound with options for mellow filtered scoops on one side and combination phaser/flanger on the other.

But that's not all - the pedal introduces a brand-new way to control an effect: The custom designed modulation core lets you pause the LFO where it stands and listen to the strange world of frozen modulation. Not only does this new system control its own sounds, the DISTURBANCE includes a CV OUT jack which lets the modulation control signal be sent to whatever device dares let it in.

Go forth and DISTURB and bend, break, and twist your sound!

Notes: Liftoff with the EHX Spruce Goose Overdrive!

Liftoff with the EHX Spruce Goose Overdrive, an elevated take on a Bluesbreakerr-style OD with a smooth, rich breakup that retains clarity and dynamics. The Spruce Goose soars with a host of new features including a LIFT switch accessing 3 input gain settings, additional output, and expanded EQ to send you tone flying! From meaty boost to smooth singing leads, the Spruce Goose steers your tone into a variety of inspiring and musical directions.

The engine of the Spruce Goose is an overdrive circuit renowned for its natural breakup and amp-like response. This circuit is then elevated to new heights by the LIFT switch which selects between 3 levels of input gain. LIFT effectively works as an input boost, goosing the front end of the drive circuit hitting harder and producing a more compressed, saturated tone while still retaining its dynamic feel and transparent tone. GAIN and VOL knobs adjust for exact drive and output levels. EQ of the pedal consists of a TREBLE knob for taming topping and an active BASS knob to cut or boost bass frequencies. BASS is especially helpful for adding girth to single coil guitars or tightening the low end on warmer humbucker guitars.

The Spruce Goose also features mechanical relay true bypass switching with latching and momentary action. Tap the footswitch for a normal latching toggle or press and hold the footswitch for a momentary blast of gain and boost! Great for stepping out in front of the mix for pulling quick lick or moment of sonic chaos.

All trademarks are the property of their respective owners.

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 20mA
Year Released: 2023

Notes: The Nectar "Tone Sweetener" strikes aperfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs wonderfully with any guitar, pedal or amp.

Use the mode toggle to switch between the DRIVE and FUZZZ modes, while the LEDS indicate the selected mode, even when the effect is bypassed. Fine-tune your sound with the TASTE control to set the perfect eq for each guitar or amp.

The Nectar's responsiveness is truly unparalleled, like a delicate bee collecting pollen. Every nuance of your playing is enhanced and sweetened in the best way possible, with plenty of headroom.

True Bypass Design
Power requirement: 9V, 30mA
Made in California, USA

Notes: The Chthonic Fuzz (pronounced: Thawnic) creates fat, corpulent, fudgy, sludgy, fuzz tones that pair perfectly with single-coil, P90, gold-foil, and De-Armond style pickups. It also works great with PAF-style humbuckers, but this fuzz was designed with brighter guitars and amps in mind.

Starting with a beloved a single-knob '70's fuzz circuit, DOD experimented with adding a subtle tone control (Lustre), and then a separate gain control (Fuzz). This yielded a simple yet powerful fuzz with an earthy, dark flavour. Straight-up transistor clipping using a pair of 2N2222 transistors allows guitar volume knob clean-up like other classic fuzzes, but the Chthonic comes from a different dimension. Think of it as a kind of Colorsound Overdriver from an alternate universe.

The Chthonic's Kraken/Cthulhu graphics are courtesy of the same artist that did the Carcosa Fuzz art. The Chthonic is a psychotic dizygotic dark companion to the Carcosa Fuzz.

Darker fuzz designed for brighter guitars and amps
Subtle tone control retains pick attack throughout entire range
Excellent clean-up with guitar volume knob
Lightweight all aluminium chassis
Crisp blue LED
True Bypass
11.88 cm (L) x 6.68 cm (W) x 5.71 cm (H)
0.453 kg.
Power Supply 9V Alkaline Dry Battery orPS200R Power Supply
Manufacturer Warranty: 1 Year

Notes: From the outset, KMA Machine's goal was to create the most flexible analogue upper octave pedal ever yet produced. Based on a highly refined and improved version of the Shriek circuit from KMA's venerated MOAI MAEA pedal, the MANDRAKE brings an even more robust and present upper octave to the sonic table. By combining that upper-octave might with a versatile, yet highly intuitive user interface, the pedal provides a ton of killer tonal options in a very modern and pedalboard-friendly package.

"The humanesque abomination, begat of the evils that once fertilised his empire of dirt, now senses the bleak emptiness of the air that surrounds him. In recognition of his harvest and the perpetual change to his existence, his mesmerising scream is both devastating and euphoric, so all those that encircle him are subdued from the aural toxicity that emanates from the disfigured effigy."

Octave up pedals (as used by so many legendary performers including Hendrix, Tony Iommi, Josh Homme, Billy Corgan, Jack White and so many more), can really give added bite to your sound. But often, many of these fun tools can be untamed and lead to nasty clashing overtones.

With MANDRAKE however, KMA didn't want to just make a one trick pony octave up device. The powerful and ultra-fast tracking Shriek circuit was expanded on with its edgy and fuzzy character that's reminiscent of many of the best vintage octave-up devices. To do this, a 2nd order Low-Pass Filter was introduced, a TIMBRE and individual Mix controls to KMA's well-regarded circuit to make it way more versatile in a single pedal. Let's look at those cool new things in more detail.

The FILTER control helps to tame your upper harmonics, as well as to improve tracking, letting you achieve unhinged, cutting and shrieking mayhem when the control is fully turned all the way to the left. While turning the knob in the other direction gives a more mellow and blooming synth-like texture. The FILTER section is also very useful for tailoring the upper octave effect to different instruments and pickups, where getting the right tone is not a "one size fits all" equation.

In addition, to enable the octave voicing in MANDRAKE to be sculpted exactly to your own personal taste, the TIMBRE control defines the amount of fuzzy gain present in the upper octave. This allows you to perfectly blend in the pedal's tonality with the rest of your signal chain. Turning the control fully counterclockwise, gives a slightly crunchy and percussive tone that's ideal for melodic arpeggio enhancements. While cranking the TIMBRE knob fully clockwise will transform MANDRAKE into a crushingly saturated doom-hammer, instantly ready to wreak havoc with each power chord you throw at it!

Topping off the features, the DRY and OCT+ controls allow the dry signal and effected upper octave to be mixed independently, for precise tonal balancing. This is especially handy when using MANDRAKE together with other dirt pedals or when you just want to retain the natural body and attack of your instrument.

Subtle descant or decimating octaval Armageddon? With MANDRAKE the choice is totally yours!

Notes: We took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound!

The EHX Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself!

Crushing distortion
Singing sustain with attitude
Compact, rugged nano enclosure
True bypass
Adjustable tone
9V battery included

Specifications:
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
3mA
Year Released
2013

Notes: Classic mid-focused symmetrical overdrive with the edge of NYC!

The EHX East River Drive is a JRC4558 IC based pedal that's as bold as New York City. Symmetrical overdrive adds edge and gain without compromising tone. Volume and Drive take it from sweet to searing while Tone lets you dial in just the right amount of bite to cut through the mix. No matter how hard you drive it, you're always in control. True bypass and tone that is absolutely unflinching at a musician-friendly price!

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 6mA
Year Released: 2013

Notes: Electro-Harmonix has reissued their late-1970's era Op-Amp Big Muff Pi. Sometimes also referred to as the IC or V4 Big Muff, the original circuitry has been faithfully re-created while several practical enhancements have been added including a compact, die-cast chassis and true bypass switching.

According to Electro-Harmonix founder, Mike Matthews, "The Op-Amp Big Muff was popularized by the brilliant Billy Corgan who first used it on the Smashing Pumpkins' epic 1993 album Siamese Dream. After he was videotaped playing and talking about the reissue, Billy stated: "The magic's still in the box, I can still get what I'm looking for!"

The pedal relies on op-amps rather than transistors and three gain stages rather than four, to create its signature sound. It's a sound that's been described by noted Big Muff collector and historian, Kit Rae, as: "a huge, crushing Big Muff sound with more crunch...great for grungy, wall-of-sound distortion, heavy rhythm playing and heavy leads."

The Op-Amp Big Muff Pi features standard controls: Sustain, Tone and Volume, plus a Tone switch for bypassing the tone circuit. It comes equipped with a 9V battery or can be powered by an optional 9-volt AC adapter.

Notes: We have reissued the original Version 1 Big Muff and it's dripping with vintage Electro-Harmonix DNA and tone. Dubbed the Triangle Big Muff because of the layout of its Volume, Sustain and Tone controls, this is the one that started it all. The new Triangle Big Muff is a faithful re-creation of the original circa 1969 circuit now housed in a pedalboard friendly, die cast chassis.

Electro-Harmonix founder, Mike Matthews, stated: "The Big Muff Pi is the pedal we are best known for so I wanted to commemorate EHX's 50th Anniversary (1968-2018) by re-releasing V1, the very first Big Muff. Original pedals are now selling for hundreds of dollars and this reissue absolutely nails that creamy, violin-like sustain and musical tone at a price a working musician can afford.

Notes: The Platform is a sophisticated, professional stereo compressor limiter that includes volume swell and tape reverse, plus overdrive. It's powerful for studio or post production work, yet compact enough to take to a gig!

The Platform's compressor/limiter enables the user to precisely tune their instrument's dynamics and provides controls for Volume, Attack, Release and Sustain plus pushbuttons for Hard or Soft Knee and the Limiter. Its foot-switchable overdrive section adds to the pedal's versatility with dedicated controls for Volume, Tone and Drive. (Volume) swell is controlled by a dedicated knob. As it's turned clockwise swell increases from zero and notes fade in more gradually.

The Platform is equipped for true stereo operation and can be used as Mono In and Out, Mono In and Stereo Out, or Stereo In and Stereo Out. The pedal includes a three color, bar graph, LED array with eight LEDs that display the compressor's actual gain reduction in real-time; they act in opposite to a VU meter. The Platform Stereo Compressor/Limiter comes with an EHX9.6-200mA power supply.

Notes: The Switchblade Pro is our deluxe switching box featuring true mechanical bypass, soft switching, high quality and low noise buffers, volume controls for all input signals, high headroom and a multitude of possible configurations for all your signal routing needs. This compact pedal is a versatile and indispensable tool!

Notes: Instantly create matching harmonies to what you play.

The EHX Intelligent Harmony Machine instantly creates matching harmonies to what you play. It's like having one - or even two - guitarists jamming with you at the same time and always in perfect sync. The Intelligent Harmony Machine opens a door to the music of great multi-lead guitar bands and multi-part harmonized solos. Plus, its ability to apply harmonies ranging from simple to sophisticated will totally transform what you play. Of course, it also boasts EHX's renowned impeccable tracking and genuine musical tone.

Select your key and the Intelligent Harmony Machines will generate single note, diatonic harmonies* with a huge range of choices that includes both two- and three-part harmonies. Here are your choices:

1: 6th Down
2: Perfect 4th Down
3: 3rd Down
4: 3rd Up
5: Perfect 4th Up
6: Perfect 5th Up
7: 6th Up
8: 7th Up
9: 3rd Up + 5th Up
10: 3rd Up + 7th Up
11: Perfect 5th Up + Octave Up

These sound so cool that EHX have included them as extra options for the multi-harmony parts (selections 9, 10 and 11) to give you even more choices:

9 optional: 4th Down + 3rd Up
10 optional: 3rd Up + 6th Up
11 optional: Octave Down + 5th Up
9 optional: 6th Down + 4th Down
10 optional: 3rd Down + 3rd Up
11 optional: Octave Down + 4th Down
The Intelligent Harmony Machine also performs perfect polyphonic pitch shifts so the pitch shifts you dial up are applied to chords as well as single notes. We've even included a Major/Minor switch so you can select whether 2nds and 3rds will be major or minor. Here are the interval selections that are available:

1: Doubler
2: Perfect 4th Down
3: 3rd Down (minor on major)
4: 3rd Up (minor or major)
5: Perfect 4th Up
6: Perfect 5th Up
7: 2nd Down (minor or major)
8: 2nd Up (minor or major)
9: Octave Down
10: Octave Up
11: Perfect 5th Up + Octave Up

The Intelligent Harmony Machine's Moment Mode lets you instantly change pitch by simply depressing the pedal's footswitch. The pitch shift is engaged as long as you hold down the F/S. There's also an option so you can apply a user-set sweep time between dry and effect. Choose instant pitch changes or control the time it takes for the Intelligent Harmony Machine to sweep up and down between the set interval and the dry signal!

EHX Founder, Mike Matthews said: "We designed the Intelligent Harmony Machine for the player who craves maximum power, but in a minimal footprint. You'll dig its sweet, musical tone and spotless tracking!"

*Diatonic harmony means notes within a specific key that relate to each other.

Compact harmony generating, pitch-shifting powerhouse
Impeccable tracking and superb musical tone
Two distinct modes: Intelligent Harmony and Polyphonic.
Intelligent Harmony Mode generates diatonic harmonies in a set key based on the single notes you play. Key Selector and #/- switches provide access to all 12 keys.
In Polyphonic Override Mode you can play single notes and chords. The IHM's 11-position Interval Selector switch lets you select the harmony.
In Momentary Mode the effect is only active when the footswitch is depressed. Choose from instant shifts or set the time it takes the signal to sweep up and down.
Mix control sets the mix between your dry and shifted signals. Dry output adds signal routing and control options and flexibility
Comes equipped with an EHX 9 Volt power supply, can also run on 9 Volt battery

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 26mA
Year Released: 2021

Notes: JTC Pro is an advanced drum & loop pedal with simplified controls, built into a dual switch stomp box pedal with 6 hours of recording capability and 256 loop track memories. Audio recording quality is 24-bit with a 44.1 kHz sample rate. A fully functional built-in drum machine section can be controlled on-the-fly by tapping tempo and punching in fills on demand using the 2 footswitches. A USB interface is included for firmware updates and can even load pre-recorded audio files to be used as backing tracks. Selectable playback modes and output options make this pedal an indispensable accompaniment tool for solo and duo performers.

Notes: Fresh-Sliced Inspiration

Envelop your music in vibrant rhythmic energy with the SL-2 Slicer, an inspiring creative tool filled with colourful sonic grooves. This BOSS original chops your sound into unique percussive patterns-including many processed with internal filters and effects-and provides multiple output options that bring grooves to life across the stereo field.

Evolved from the legacy SL-20 Slicer, the SL-2 offers expanded capabilities while shrinking the size to the pedalboard-friendly BOSS compact format. Instantly elevate performances with 88 onboard patterns and tap into more via the BOSS Tone Studio app. Grab the knobs to tweak audio slices on the fly and sync to songs with tap tempo and MIDI. Fun and easy to use, the SL-2 brings fresh musical power to all types of creators, from guitarists and keyboardists to loop performers, DJs, beatmakers, and beyond.

Compact Audio Adrenaline

The SL-2 brings massive sonic groove muscle to the compact pedal format. Modern DSP takes the BOSS Slicer engine further than ever before, delivering rich, animated sounds via single and dual paths chained with multiple internal effects. Eight pattern types-each with 11 variations-will keep you armed with creative firepower for a long time. When you're ready for more, connect to BOSS Tone Studio over USB to audition and load alternate patterns into the pedal and organize memory setups for different songs.


Pre-Loaded Pattern Types:

Single (1 and 2)-Rhythmic patterns that use a single Slicer effect.
Dual (3 and 4)-Rhythmic patterns that use two Slicer effects.
Tremolo (5)-Patterns with a traditional tremolo effect.
Harmonic (6)-Rhythmic patterns with pitch-shifting effects.
SFX (7 and 8)-Rhythmic patterns with different effects applied.

Shape Your Groove

With the SL-2's efficient interface, you can dial in sophisticated textures in seconds. Use the Attack control to shape the edge of the waveform for everything from hard-chopped slices to soft, fluttering movements. Then tweak the waveform's length with the Duty control, going from sharp, percussive transients to longer, fuller audio blocks. Adjust the tempo with the dedicated knob or hold the pedal switch to engage tap tempo mode for hands-free control. And with the Balance knob and +/-12 dB of output level adjustment, you always have complete control of the mix.


Set the Stage

The SL-2 dishes up loads of impressive sounds with a standard mono setup. But things get even better when using the two outputs and seven different output modes. Send direct and effect sounds to different destinations for recording and performance. Or surround yourself and listeners in animated movement using a variety of stereo and 3D processing options. You can also feed the SL-2 with your favourite stereo pedals to bring further magic to your grooves.


Stereo Output Modes:

Fixed (Default)-Sends the same direct/effect mix to both outputs.
EFX/Direct-Sends the effect sound to Output A and the direct sound to Output B.
Random-A stereo effect that randomly outputs the Slicer sound to the left, right, or center.
Ping-Pong-A stereo effect that alternately sends the Slicer sound to Output A or Output B.
Auto-A stereo effect that smoothly pans the Slicer sound between Output A and Output B.
3D Cross-Advanced spatial processing moves the Slicer sound in left/right and forward/back patterns in 3D space.
3D Rotation-Advanced spatial processing rotates the Slicer sound in 3D space.


Expand Your Creative Flow

With its generous external control options, the SL-2 flows with your creative needs. Plug in an external footswitch to instantly tap in the tempo or engage the effect with momentary presses. Or connect an expression pedal to control knob parameters or the overall level as you perform. With the TRS MIDI input, you can sync your SL-2 grooves to a drum machine, DAW, or any other device that sends MIDI clock. It's also possible to control expression, tempo, and bypass functions via MIDI CC messages.


Specifications
Sample Rate: 48 kHz

AD Conversion
24 bits + AF method
AF method (Adaptive Focus method)
This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.

DA Conversion: 32 bits
Patterns: 88
Nominal Input Level: INPUT A (MONO), INPUT B: -20 dBu
Maximum Input Level: INPUT A (MONO), INPUT B: +7 dBu
Input Impedance: INPUT A (MONO), INPUT B: 1 MO
Nominal Output Level: OUTPUT A (MONO), OUTPUT B: -20 dBu
Maximum Output Level: OUTPUT A (MONO), OUTPUT B: +7 dBu
Output Impedance: OUTPUT A (MONO), OUTPUT B: 1 kO
Recommended Load Impedance: OUTPUT A (MONO), OUTPUT B: 10 kO or greater
Bypass: Buffered bypass
Controls: TYPE knob, VARIATION knob, ATTACK knob, DUTY knob, TEMPO knob, BALANCE knob, Pedal switch
Indicator: CHECK indicator (Used for indication of Tempo and check battery)

Connectors:
INPUT A (MONO) jack
INPUT B jack
OUTPUT A (MONO) jack
OUTPUT B jack: 1/4-inch phone type
CTL/EXP jack: 1/4-inch TRS phone type
DC IN jack
MIDI IN jack: Stereo miniature phone type
USB port: USB B
Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22, commercially available), AC adaptor (PSA series: sold separately)
Current Draw95 mA

Expected battery life under continuous use: Alkaline: Approx. 2.5 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Dry battery (9 V, 6LR61 or 6LF22)

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb

Notes: An intuitive looper with 720 seconds (12 minutes) of stereo recording time on 10 independent loops and unlimited overdubbing that's perfect for practice and live performance!

The EHX 720 Stereo Looper is a powerful looping tool with 12 minutes of stereo recording time, 10 loop memory banks, and creative performance functions. Its simple-to-use design makes it an easy and effective to use in both live and practice situations.

The 720 records in high-quality stereo for use with stereo effects or even use with two instruments. A second footswitch can be programmed to stop loop playback or toggle on/off the built-in Reverse and 1/2 Speed playback effects. The programmable Fadeout mode applies an automatic fade when playback is stopped.

-Extra-long 12 minutes of stereo recording time
10 independent loops
Undo-Redo, Reverse and 1/2 Speed Effects at the touch of a button
High-quality, uncompressed audio, 24-bit A/D/A converters plus 44.1kHz sample rate
Stereo in/out for enhanced usability... record two instruments at once
Foot controller input provides a way to use popular 3-button foot controllers to change a bank up or down, and gives access to instant Undo-Redo
Silent footswitches
Loop fadeout (trails) mode
Power adapter included

Specifications
Circuit: Digital
Bypass: Buffered Bypass
Audio: Stereo
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 75mA
Year Released: 2015

Notes: Space Bender

Chorus Modulator

LFO in the UFO

The Space Bender chorus modulator replicates and warps your signal into beautiful and organic transmissions from a dimension somewhere beyond linear time.

Under the hood lies an array of dynamically modulated delay lines allowing you to craft subtle vintage sci-fi sounds, bending sonic bedlam, and pulsing atmospheres. Never again will you say this chorus pedal just isn't intense enough! These in combination with the rocker switch settings let you move smoothly through a wide range of effect types allowing for new ways of thinking and experimenting with modulated delay, chorus, and flanger.

Stretch and pull your sound waves to craft glassy bell resonances, massive reverse dive bombs, and seasick demon drones with a simple (but deep) interface. The spectrum of living, breathing sound manipulations stowed within the Space Bender serves as an interstellar gateway for the next wave of musicians to create a universe of haunting and unexplored soundscapes.

See you on the other side!

Specifications

Dimensions: 5" x 2.63" x 2.45" (including hardware)
Weight: 9.3 oz.
Power: 9V DC (runs on standard 2.1mm negative center 9V DC adapter).
Current Draw: 65 mA.