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Roots/Lovers Rock charts
Bestselling Roots/Lovers Rock vinyl
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Review: In 1985, Lee 'Scratch' Perry returned to Trojan Records for a new album, Battle Of Armageidon, in which he laid freshly-trodden musical ground at the label's feet. Taking after then increasingly-popular dub and reggae artists at the time, such as Scientist, Perry's music was becoming increasingly grandiose and psychedelic, having teamed up with rhythm guitarist and synth player Mark Downie in forming his new band. Long regarded as among Perry's most wild and unpredictable projects, this reissue brings the album to CD for the first time, and isn't for the faint of heart or uncurious of soul.
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Conscious Man (Lee Perry Mix) (CD single)
Cat: RRCDS 001. Rel: 13 Apr 23
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Review: Just over 40 years have passed since Paketo Wilson headed into the studio to record 'Praise Him' at Harry J Studio in his home city of Kingston, Jamaica. The album, which effortlessly blends roots and lovers rock with the help of producer Trevor Dais and a cast of musicians that includes legendary trumpeter Bobby Ellis, has long been an overlooked, hard-to-find gem - hence this timely reissue from Milanese imprint Arabusta Records. Wilson's honeyed voice remains the focal point throughout, with standouts including 'Jardan Dance', the subtly dubbed-out 'My Daily Bread', and the wonderfully life-affirming 'Jumpy For Joy'. Recommended!
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Review: Hollie Cook's 2022 album Happy Hour was widely hailed as a standout entry in the UK singer's accomplished career to date, and now she's doubled down on her dub instincts by going back in with producer Ben McKone for a proper echo chamber revision which lets different ingredients in the album shine in a whole new, delay-soaked light. As well as stripping down some of the tracks and reworking the fundamentals, there's also space for some new ingredients from Rosie Turton on 'Golden Dub', Josh Skints and Jah9 on 'Kush Dub' and Kiko Bun on 'Dubbing On'.
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VARIOUS
Life Between Islands: Soundsystem Culture: Black Musical Expression In The UK 1973-2006 (unmixed 2xCD)
Cat: SJRCD 507. Rel: 28 Jan 22
Review: The latest collection from the mighty Soul Jazz draws together a myriad of different styles favoured by black British sound systems, not only reflecting the roots of different communities reaching these shores but also the UK twist that that music has received as result. Reggae forms the backbone of the collection, from the blissful consciousness of Pebbles' 'Positive Vibrations' to the more protest-orientated Brown Sugar's 'Black Pride' and Tabby Cat Kelly's 'Don't Call Us Immigrants'. But the presence of Shut Up & Dance, Ragga Twins, Ray Keith aka The Terrorist and Digital Mystikz helps show the uniquely British areas into which sound system culture evolved - rave, breakbeat, jungle and dubstep.
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Henry Junjo LAWES / VARIOUS
Junjo Presents: The Evil Curse Of The Vampires (remastered) (unmixed 2xCD)
Cat: GRE 2106. Rel: 17 Jun 16
in stock $17.52
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Review: On its release last spring, reviewers hailed Horace Andy's Midnight Rockers as the honey-voiced reggae legend's best album in decades. It was certainly special, with the mighty Adrian Sherwood's production helping elevate the set to future classic levels. It was followed by the alternative, dub style 'Midnight Scorchers' album, which naturally featured Sherwood pushing the envelope far further than he did on the original set. This double-disc set brings together both sets, adds a couple of previously unreleased cuts, and allows us to once again wallow in the magnificence of such highlights as 'Safe From Harm' (a genuinely brilliant, surprisingly dark Massive Attack cover), the Ital Horns-heavy 'Material', Daddy Freddy hook-up 'Midnight Scorchers' and the Melodica-heavy dub workout 'Sleepy's Night Cap'.
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Dubbing With The Observer (2xCD)
Cat: DBCDD 122. Rel: 15 Jun 23
Review: 1975 was the year that dub music originator King Tubby teamed up with the Observer All Stars, a production outfit helmed up by Winston 'Niney' Holness. Together, Tubby and Holness handled a barrage of killer remixes of formerly wildly popular units in the mode of reggae, including famous songs by Dennis Brown, Ken Booteh, Delroy Wilson and Sang Hugh. This was one of the earliest albums to attract international interest in dub music beyond the Caribbean, with many other key players in the scene never before having enjoyed a proper release at the time. Now this showcasing of dub's peak in terms of melting-pot inventiveness gets a first-time CD issue.
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Review: Although he first entered a recording studio in the late 1960s, it wasn't until 1973, and the release of the Alvin 'G.G' Ranglin-produced single 'Love Is Overdue' that Gregory Isaacs career started to take off. The success of that record persuaded Ranglin to record an entire album with Isaacs, In Person, which became the now legendary reggae singer's debut full-length. This expanded edition of the album presents the album on disc one, alongside alternative dub versions and other singles Isaacs recorded with Ranglin during the period. Disc two, meanwhile, offers a celebration of Ranglin's other works of 1973 and '74 - Jamaican hit singles (and their corresponding dubs) which are largely lesser-known outside the Caribbean.
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NINEY THE OBSERVER / VARIOUS
Dreadlocks Coming To Dinner: The Observer Singles 1973-1975 (unmixed 2xCD)
Cat: DB 2CD137. Rel: 14 Mar 24
Review: While not as celebrated as some of his Jamaican contemporaries, Winston Holness AKA Niney The Observer was a hugely successful record producer. This excellent two-disc set does an excellent job in rounding up the best of his output between 1973 and '75, a period where he enjoyed countless hits at home and over in the UK. There's naturally plenty of goodness to be found amongst the 49 tracks on show, with cuts featuring now well-known Jamaican scene stars - think Junior Delgado, Delroy Wilson, Big Youth, Max Romeo, Junior Byles, Horace Andy, U-Roy and ska survivor Tommy McCook - being joined by more dubbed-out 'versions' (credited to his studio band The Observers') and local hits by artists whose fame rarely spread beyond the Caribbean (Winston Wright, Hubert Lee, Earth & Stone). In an indispensable introduction to one of Jamaica's finest producers of the 1970s.
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4th Street Orchestra Collection (2xCD with obi-strip)
Cat: CDSOL 71600. Rel: 02 Feb 24
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Review: Studio One are already undoubtedly the most eminent label and studio to have ever put the reggae of Kingston, Jamaica on the map. As if it wasn't obvious enough, this new 2xLP compiles the most legendary productions to ever ooze from the Studio's walls, thanks to the guidance of producer Clement 'Coxsone' Dodd. Rare music from Horace Andy, Jackie Mittoo and Sound Dimension all abound on this ground-shaking CD, which lies somewhere on the intersection between funk and dub.
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Grounation (reissue) (2xCD)
Cat: SJRCD 488. Rel: 23 Sep 22
Review: Count Ossie is one of the true forefathers of Jamaican music as we know it, setting a template for the spiritual, drum-focused sound of Nyabinghi as a musical extension of Rastafarian religious practice. From an outsider community in Wareika Hill, Ossie and his fellow players were slowly integrated into Jamaican music culture and went on to record singles for the likes of Coxsone Dodd, but it was with the formation of The Mystic Revelations Of Rastafari and the recording of Grounation in 1973 that Ossie cemented his legacy. Now Soul Jazz are reissuing this landmark album as a triple-12" pressing with a bonus 7" and accompanying magazine - all the better to understand the context and meaning of this incredible work.
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VARIOUS
Lovers Rock: The Soulful Sound Of Romantic Reggae (unmixed 3xCD)
Cat: 405053 8782660. Rel: 27 May 22
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Review: Two and a half years on from his death, Lee 'Scratch' Perry's "final album" - for the avoidance of doubt, it's the last one he recorded - arrives. Given his history of sonic innovation, it's striking that King Perry sees he late dub titan applying his dub aesthetic (with a little help from producer Daniel Boyle and a string of guest vocalists) to a wide variety of contemporary styles. Elements of synthwave, drum & bass, big beat and electronica are thrown into the mix, with his ten-ton basslines, dub effects, reggae riffs and freewheeling vocals rooting it in his extensive musical history. Highlights include breakbeat-driven Greentea Peng collaboration '100 Llbs of Summer', the Meat Beat Manifesto-ish 'Green Banana' (where Shaun Ryder does a typically distinctive turn on lead vocals) and closer 'Goodbye', which features Perry's last recorded vocal performance.
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