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Riot In The Ghetto: Unreleased Radio & Studio Sessions (LP + poster)
Cat: RRS 244. Rel: 19 Apr 24
Review: Hailing from London's East End, there's few Oi-punk outfits who were as quintessential or authentic as The 4-Skins. While only releasing a small handful of albums with their definitive 80s line up, this live/demo/unreleased cuts compilation offers an aural fly-on-the-wall experience of being confronted with their signature brand of seething anti-authoritarian, anti-police brutality, anti-fascist, football loving, skinhead sporting, Doc Marten stomping punk in real time. Packed with cuts pulled from radio sessions, Bumper sessions, demos and even two tracks from a previously unreleased 7" 45, including the ska-punk-inflected 'Seems To Me'; offering a more subdued side to the OG Skins than most long-time fans would be accustomed to.
… Read more in stock $15.96
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Riot In The Ghetto: Unreleased Radio & Studio Sessions (limited red vinyl LP + poster)
Cat: RRS 244COL. Rel: 19 Apr 24
Review: The latest reissued compilation of 4 Skins' greatest works contains the hits and misses of the band at the height of the oi! era, which evolved in tandem with their breakout success and helped them along more than a fair little. From the opening jump of 'One Law For Them' and 'Evil', twin charges of unrelenting chant-punk and brawly sonic brashness, to the latter-siders 'A.C.A.B.' and 'I Don't Wanna Die', as well as a second Bumper Session of 'Evil', this retrospective harks back to a distinct early 80s subculture - as well as a band who, in their concern for police brutality and social injustice, defy common misconceptions of skinheads as all bad.
… Read more in stock $19.05
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From Chaos To 1984 (The 4 Skins Live) (limited translucent red vinyl LP + fold-out poster)
Cat: STEPLP 233RED. Rel: 11 Apr 24
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Supersonic Megafauna Collision (gatefold LP)
Cat: HPS 299LP. Rel: 06 Mar 24
Supersonic Megafauna Collision
Fuzzorgasm (Keep On Screaming)
Garden Of Bones
Atomic Shaman
One With The Void
Tusko's Last Trip
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King Of The Blues (reissue) (limited 180 gram audiophile red vinyl LP)
Cat: 950747. Rel: 25 Mar 24
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Cat: DC 1323. Rel: 11 Apr 24
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Review: Dadaphonic has a key reissue on their hands with Cranes debut album Fuse. The Cranes was a groundbreaking alternative band from New Hampshire that was led by the brother and sister duo Alison Shaw & Jim Shaw. Their popularity grew as the late 80s turned in the early 90s culminating with an opening slot on The Cure's Wish Tour in 1992. Perfectly blending with Cure in many respects, the Cranes would be re-labeled as Dream Pop in retrospect. Fuse was originally put out in 1986 as a cassette only album. Strangely, 38 years later it was still not brought out on other formats. Until now! This album shows the band in its infant stage honing their craft while longtime fans love the rawness of their early days. This album was remastered for this release to celebrate Fuse finally getting a wider release. Fans of dreampop, goth and alternative music will extremely interested in this important release.
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Jock A Mo: Best Of Early Years (CD with obi-strip)
Cat: ODR 7232. Rel: 17 Apr 24
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Out Of Love In The Face Of A Shadow (LP + insert)
Cat: DE 0035LP. Rel: 29 Feb 24
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Lost Inside My Mind In Another State Of Mind: The Complete Singles Collection (LP + insert + MP3 download code)
Cat: DRUNKENSAILOR 168. Rel: 28 Mar 24
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Live Lullabies & Other Bedtime Stories (yellow vinyl LP)
Cat: YVR 4030. Rel: 11 Apr 24
Review: Legendary emo indie outfit The Cure have played all over the world in their decorated careers but back in 1996 when they headed to Brazil, it was the first time they had been to the country since 1988. They were there for the 1996 edition of the Hollywood Rock Festival which they headlined in superb fashion and wowed their Latin American fans. Live Lullabies & Other Bedtime Stories is a special recording of that night that comes on nice yellow vinyl and features the likes of signature anthems like 'Boys Don't Cry,' 'Friday I'm In Love,' 'Just Like Heaven' and many more.
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Review: 'Who Killed Marilyn?' is an early track written by Glenn Danzig when he was with the Misfits. Originally recorded in 1979 with the Misfits but due to financial issues with pressing vinyl copies at the time, was then re-recorded again in 1991 and released under Glenn Danzig's name. An important song in the history of the legendary figure, this is the first time this single has been issued on the CD format. Also included is an additional version of each track remixed and remastered by Danzig himself.
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Harlem Street Singer (reissue) (limited 180 gram vinyl LP + insert)
Cat: 8021. Rel: 25 Mar 24
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Cat: CLOCD 5152. Rel: 29 Feb 24
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Review: .Often considered to be one of the biggest commercial flops in music recording history, Standing In The Spotlight was the 1989 debut solo album from Ramones bassist Dee Dee Ramone. Released under his rap moniker Dee Dee King, the bizarre project served up an amalgam of old school hip-hop, late 50s garage rock and even doo-wop, all blended together in chaotic fashion, and led by Dee Dee's new gangster bravura. It's been noted that the hip-hop-centric attire seen on the cover was adorned by Dee Dee at his last few Ramones shows shortly before departing, which drew major ire from his bandmates. Tapping Marky Ramone to oversee percussion samples, and even enlisting Debbie Harry (Blondie) to provide backing vocals on 'Mashed Potato Time', and, 'German Kid', with the latter featuring vocals sung in both English and German (nodding to Dee Dee's growing up as an army brat), the album was crafted with every earnest intention of launching Dee Dee's solo career. Conceptually inspired whilst in rehab and used as a project of focus when embracing his newfound sobriety; the sheer enthusiasm and fearlessness of Standing In The Spotlight grants it a pass and a place as a truly absurd offshoot oddity from a vital member of the one of the defining punk bands.
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Set In Stone (Special Edition) (limited yellow vinyl LP)
Cat: YVR 4005. Rel: 02 Apr 24
Review: It's 1990 and Depeche Mode couldn't really be riding much higher in the global music stakes. Having just released Violator, the band had finally debuted an album inside the Billboard Top 10 for the first time in their almost-decade-long history, and pretty much anyone who came into contact with the record was very quickly captivated by its sound. While definitely not a curveball, it marked an expansion of the group's existing style. Some have described it as synth-pop, others alternative rock. In many ways, it's a dance floor album, one that embraces goth and coldwave at its very core. Captured during their tour at that time, Set In Stone features landmark singles from the LP - 'Personal Jesus', of course, and 'World In My Eyes' - it also proves beyond any doubt that a Depeche Mode show is about more than simply playing the hits.
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A Billion Goats A Billion Sparks Fin (orange & purple vinyl LP)
Cat: GOD 106LP. Rel: 28 Mar 24
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Review: Scottish electronic oddity Murray Collier returns on his own Real Landscape imprint - the sole preserve of this production alias - for a self-titled outing. His fifth release under the moniker certainly confirms what we already knew; this project is the work of a musical auteur, and is every bit as unique to the talent behind it as the label and EP name. Attempting to describe what's here isn't easy, then. 'The Conversation' uses mechanically precise percussion to lay out its otherworldly groove. 'Thin Ayrshire' goes lo fi and psychedelic, a track that sounds almost like a rural ritual being performed by a lost humanoid species. 'I'll Get To Hiding' is delightfully lackadaisical in vibe, strutting, shuffling, and stepping its way through what could be categorised as pop-r&b fed through the weird machine, and even that wouldn't come close.
… Read moreGespielt von: Alexis Le-Tan
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