Review: The Disciples were formed in 1986 by brothers Lol and Russ Bell-Brown and went on to become pioneers in the UK scene. They produced exclusively for Jah Shaka and now we get to hear an unreleased gem thanks to Music Mania and Indica Dubs as part of their Mania Dub series. "African Odyssey" is an uplifting stepper thanks to the glorious top line and brightly coloured chords that light up the whole rumbling rhythm. "African Dub" on the flip is more pillowy and soft edged for you to sink into when you're at your highest.
Review: October sees a wealth of previously unheard material from the Disciples hit the shelves thanks to a focussed mini-series brought to you by Music Mania and Indica Dubs. Mindful of the fact this 1986 band were amongst some of the UK's most vital producers they have put together a trio of coloured 7"s. These two straight up dubs somehow slipped through the net. Our pick out of the two is "True Love" - a slowed down roller with a frazzled lead synth line and stepping drums that'll make you move your body.
Review: Disco Dub Band's "For The Love of Money", a one-off collaboration between producer Davitt Sigerson and reggae musician Mike Dorane, has long been considered something of a classic by those who like their disco to come with a big dose of dub-wise flavour. Here the instrumental O'Jays cover, which originally appeared on the Movers label in 1976, is given the remix treatment by long-time fans Mr Bongo. The superb A-side, in which Dorane's instrumental talents take centre stage, naturally comes accompanied by the frequently played Dub interpretation, a typically wild and bass-heavy affair that sounds like it was mixed "live" in one take in true Lee Perry/King Tubby style. If it's not already in your collection, it should be.
Review: Dubkasm's digi-dub roots dig deep into the early 90s. Boosted into the future by fellow Bristolians Pinch, Appleblim and Headhunter, here we find them declaring "Victory" with this instantly show-stopping horn-heavy skanker. Laced with space and complete with myriad versions, a fine balance of meditative bass and mind-blowing sonic creativity is at play throughout. Those with a penchant for the abyss-levels of dub science should jump straight on "Verse IV". Hear that stretched horn sound and you'll soon understand why it's been sub-titled "Raw Piece". Victory is yours!