Review: The Altered Tapes crew's sneaky remixes are amongst the finest around, as this latest must-check "45" proves. "Cherchez" has been doing the rounds for a couple of years digitally, so it's great to see it finally land on wax. It's a flip of Ghostface Killah's "Cherchez La Ghost", with the venerable rapper's verses rising above a weighty backing track crafted from hand picked samples of classic funk jams. Weighty and floor-friendly, it's the kind of bootleg revision that's guaranteed to get the party started. "Cherchez La B-Boy" on the flip strips out most of his vocals and instead chooses to base the action around fat funk breakbeats and an even more sizable bassline.
Review: Busty Brown's early reggae cover of the Temptations' smash hit "My Girl" from 1964 is presented here in all its glory. It's a glorious makeover that has soaring trumpets filled with optimism, deep cut drums that wriggle and rumble nonstop, as well as Brown's buttery, authentic vocals up top. Legendary dub outfit The Upsetters then take care of an instrumental on the flip side that goes a little slower and more purposefully about its business. It's not often that a cover outshines the original but in the case of this one, that might be what's happening here.
Review: This is a super new 7" from Japan's Rock A Shacka. It finds the Chosen Few tackle reggae cuts from The Stylistics and The Moments and the results are so sweet they'll have your mouth watering. "My Thing" hits a gorgeously soul drenched bullseye between dub, reggae and lovers rock, largely thanks to the gorgeous vocal up top. The gently swaying drums and guitar riffs only heighten the soothing effect. "Children Of The Night" goes slower, with more effects and fatter bass to sink deep into as the horizontal grooves encourage you to lay back and gaze at the stars.
The Groove Master - "I Love The Way You Love" (3:52)
Review: For their latest missive, Rock A Shaka have decided to offer up a new pressing of The Chosen Few's early '70s classic "I Love The Way You Love", a slab of languid, soulful sunshine recorded at a time when reggae as we know it today (rather than rocksteady or ska) was still a nascent musical form. While the original vocal version has featured on a number of the Jamaican band's albums over the years, the accompanying flipside "Version" by producer Prince Tony Robinson AKA The Groove Master has previously been frustratingly hard to find. It's worth picking this up just to get it, as Robinson's additional musical flourishes - think Tommy McCook style sax, fluttering flute solos and harder rhythm guitar - lift the band's fine riddim to even higher heights.
Review: He's hardly prolific, but DJ/producer Del Gazeebo has been offering up occasional re-edits, mash-ups and bootleg reworks for longer than some of us have been alive. Here he begins 2020 in fine fashion with two party-hearty reworks guaranteed to get the dancefloor moving. Aside "Barbara Don't Love Me" is a bouncy, subtly beefed-up take on a horn-heavy 1960s soul/rhythm and blues classic that sounds like it would go down well at parties that love Northern Soul. Flipside "Dat Ting" meanwhile is a head-nodding take on a punchy soulful reggae cut underpinned by weighty bass and tight hip-hop beats.